Alan Parsons has been the major influence behind some of the most successful albums in history
He is the go-to producer for established artists who crave his authentic, warm and detailed sound on their recordings.
This is no surprise given that he learned his trade under the tutelage of the late, great Sir George Martin.
He is famous for his deft influence on the sound of Pink Floyd's Dark Side Of The Moon and The Beatles' Abbey Road and Let It Be albums.
Parsons and his songwriting partner Eric Woolfson achieved major success in the own right with The Alan Parsons Project, selling more than 60 million albums.
The Rock and Roll Hall of Fame induction ceremony often brings together once-in-a-lifetime combinations of musicians — and the 2004 iteration was no different. Late rockers Tom Petty and Prince joined forces with Steve Winwood, Jeff Lynne, and more to perform George Harrison’s beloved Beatles anthem “While My Guitar Gently Weeps.”
Petty, who died Monday at 66, had a close relationship with Harrison. The two collaborated, along with Lynne, Roy Orbison, and Bob Dylan, in the popular act the Traveling Wilburys, in the late ’80s and early ’90s.
Source: Eric Renner Brown
A sitar owned and played by George Harrison has been sold for $62,500 (£46,581) in the United States.
The instrument, purchased from a shop on London's Oxford Street in 1965, was used by Harrison during the recording of the Beatles song Norwegian Wood.
The Indian string instrument, crafted by a well-known music shop in Kolkata, was later gifted to a friend of Harrison's first wife, Patti Boyd.
The name of the successful bidder has not been disclosed by the auctioneers.
Bidding for the sitar began on 28 September at $50,000 (£37,327).
Harrison had discovered the sitar in 1965, on the set of the Beatles' second film, Help.
Longtime Beatles' producer George Martin's scores for several of the group's films will be among the tracks on George Martin: The Film Scores and Original Orchestra Compositions, a posthumous compilation due out November 10.
The set, recorded by the Berlin Music Ensemble conducted by Craig Leon, who also produced the album, will include Martin's instrumental pieces from the Beatles' Yellow Submarine, as well as scores for "Live and Let Die," "Pulp" and more along with some unreleased works.
A five-and-a-half minute trailer for the album has been posted online showing Leon and the orchestra working on the material.
Leon says that the album grew out of another "unnamed" project he was working on that gave him access to the manuscripts of Martin's scores.
Source: Erica Banas
Ringo Starr, famous for being a quarter of the Beatles and one of two still living, released his 19th studio album on Sept. 15 after a two year hiatus. For being such a legendary musician, Starr honestly let me down with this new album, “Give More Love."
I had hope for a promising, fruitful album upon listening to the first track, “We’re on the Road Again,” with its triumphant guitars and catchy sound. The lyrics are symbolic of his return to music and touring with this latest release. Former Beatles bandmate Paul McCartney and Eagles’ guitarist Joe Walsh collaborated on this song, which provides all the explanation for why it is arguably one of the album’s best. Yet, the song set up a false pretense that the rest of the album would be as good as the opener.
PBS today announced the U.S. broadcast premiere of Academy Award®-winner Ron Howard's authorized and highly acclaimed Emmy® Award and GRAMMY Award®-winning documentary film about The Beatles' phenomenal early career. THE BEATLES: EIGHT DAYS A WEEK - THE TOURING YEARS premieres Saturday, November 25, 8:00-10:30 pm ET (check local listings ) on PBS. The film will be followed by an encore broadcast of SGT. PEPPER'S MUSICAL REVOLUTION, 10:30-Midnight ET on PBS, which continues the story beyond The Beatles' touring years, during the months the band spent creating Sgt. Pepper's Lonely Hearts Club Band, a groundbreaking masterwork that became popular music's most universally acclaimed album.
Source: Broadway Worlddetails
Leslie Cavendish was the Beatles' hairdresser for nine years at the height of their fame
Fifty years on he can still vividly remember the moment his life changed for ever.
It was an ordinary Saturday in October 1966 and Leslie had just finished styling actress Jane Asher’s hair at the Vidal Sassoon salon in London where he worked.
As he removed the gown from her shoulders she asked whether Leslie was free later that day to do a house visit “as my boyfriend needs a haircut”.
Her boyfriend was of course McCartney.
Source: Sadie Nicholasdetails
“The masses will catch up with us in 2020.” – John Lennon
A little over 50 years ago, on Nov. 9, 1966 (9/11 in British usage), Paul McCartney was decapitated in a car crash, and was soon replaced, unbeknownst to the public, by a lookalike with equal or better musical abilities, the impostor “Faul” we have lived with till today.
It was a rainy night and after a late session at their Abbey Road studios, ending in an argument amongst the Beatles, Paul got into his Aston Martin and picked up a streetwalker named Rita (of “Lovely Rita” fame) along the way; Rita got excited when she realized who she was with, making Paul lose control.
MI5 , the British intelligence agency, believed that hundreds would commit suicide if the shocking news were revealed, and besides the Beatles were a national treasure bringing in untold revenues. So a man named Billy Shears (or William Campbell), a Scottish lad, was made to fill in, after the requisite plastic surgeries.
This new Beatle, known to the cognoscenti as “Faul,” turned out to be an even better musician than the original Paul. But the Beatles, struck by bad conscience, kept strewing their albums, both aurall details
A rare, unreleased demo of The Beatles' "What Goes On"—recorded in 1963 and featuring John Lennon on vocals—has surfaced on on eBay through Parlogram.
Though the song would not be released by The Fab Four until 1965's Rubber Soul, the song actually predates The Beatles. Lennon originally wrote the song all the way back in the late Fifties, for his pre-Beatles group the Quarrymen.
Lennon kept the song around, and—according to Parlogram—even considered recording it with the group as a follow-up to their breakthrough hit, "Please, Please Me," before dropping it in favor of the single's eventual follow-up, "From Me to You."
The song continued to kick around though, and the band eventually recorded it for Rubber Soul with rewritten verses, a solo from George Harrison, and Starr on lead vocals.
The demo—which is currently up for auction—features Lennon on lead vocals and acoustic guitar, with Paul McCartney providing harmonies. You can hear a snippet of it—recorded directly from the acetate—below.
Source: Jackson Maxwell
Ringo Starr's nineteenth studio album goes down like a serving of musical comfort food. Much like a "value meal" at a fast food chain, Give More Love delivers exactly what one expects from it. And it may not linger in the memory for very long following consumption. If you've heard any of Starr's recent releases, including 2015's Postcards from Paradise, there aren't any real surprises. At least not on the ten all-new tracks, each composed by Starr with one of his regular collaborators, that make up the proper album. Though not listed as such on the CD, the four "re-dos" of older songs are apparently bonus tracks (they're also part of the digital edition, just not the vinyl).
Among the ten new cuts, album-opener "We're On the Road Again" is the highlight-a boisterous, uptempo rocker built around a slithering guitar lick by Steve Lukather (of Toto). Paul McCartney provides a fluid bass line and occasionally pipes in with howled backing vocals. McCartney's bass also anchors a melodic ballad, "Show Me the Way." This isn't the Peter Frampton tune, though Frampton shows up elsewhere as co-writer of the vaguely topical "Laughable." Society is "going to hell," Starr warbles, "but not forever" he's quick to assure. The answer to details