In 1996, Florida Studio Theatre produced its first musical revue in the Goldstein Cabaret, featuring the melodies of Cole Porter. A string of familiar songs, delivered by gifted vocalists and tied together by a loose narrative of dialogue, it was a formula that would prove reliably popular. Over the past two decades – and year-round since the addition of a summer series in 2014 – the cabaret musical revues have become a mainstay for the organization.
They’ve covered a wide gamut of genres, from swing, country and blues, to Motown and Broadway. For the 20th anniversary season, Producing Artistic Director Richard Hopkins, Managing Director Rebecca Hopkins and Resident Pianist Jim Prosser have turned to that seminal period in American musical history catalyzed by the Beatles’ first appearance on “The Ed Sullivan Show” in 1964. “Yesterday,” which opens this week, focuses on the music of “the British Invasion” from 1965 to 1972 – including not just the Beatles (whose music makes up a third of the playlist) but the Kinks, the Hollys and the Rolling Stones.
“So much happened in that period,” says Richard Hopkins, who was in high school at the details
Jessie J performed in New York City's Times Square on New Year's Eve, playing several of her own songs, along with the classic John Lennon cut "Imagine." The event, hosted by Allison Hagendoff, also featured Demi Lovato and Daya as well as the famous ball drop.
"2015 has been such an amazing year and I'm going to be ending it with a bang in @TimesSquareNYC, performing live for the #NewYearsEve #Balldrop," J wrote on Instagram ahead of her performance.
"I can't wait to ring in the New Year with the @TimesSquareBall, an incredible crowd of revelers & everyone watching from around the world."
It is estimated that one million people flocked to NYC's Times Square to celebrate New Year's Eve.details
They've not been shy about packing on the PDA during their visit to the island of St Barts. And on Monday Sir Paul McCartney and his wife Nancy Shevell continued to embrace the opportunity for romance when they went for a drip in the waters surrounding the island. Heading into the surf hand-in-hand with his 56-year-old wife, the former Beatles bassist, 73, cut a gallantly-drenched figure in his swimming shorts.
Clearly feeling the heat on the Caribbean island's shores, the couple - who tied the knot in 2011 - waded into the sea to cool off.
Holding hands as they marched into the surf, against the waves, the FourFiveSeconds hit-maker and his wife looked in high spirits as they frolicked in the water. Paddling about and cosying up to one another in the shallows, the couple appeared to be the very definition of loved-up.
Opting for a more practical look for her dip in the sea, businesswoman Nancy took the plunge in a surfer-inspired ensemble. Donning a long-sleeved, floral-print zip-up top, the pretty brunette ensured that her pale skin wouldn't get burnt. However Nancy was sure to showcase her lean and lithe legs, thanks to her small, high-cut yellow bikini bottoms.
By: J.J Nattre details
George Harrison was very angry. I could tell from the look on his face, the way he was glowering at me. His lips were tight, he looked very, very pissed off.
We were standing in the elevator area of the 7th floor of an old apartment building in Calcutta, India. The year was 1976. Behind him was the closed door of the residence where he was staying. In front of us was the trellis door of the old mechanical elevator. We could hear it cranking up slowly from the ground floor, stopping at every floor.
It would take at least five minutes for it to reach us.
I had George Harrison all to myself for five minutes. And I knew there was only one question I wanted to ask him.
It had started as another uneventful morning in the offices of Junior Statesman, the youth magazine where I was a reporter. Around 11 am, I was suddenly summoned to the editor's room. Desmond Doig, an Irishman in his fifties, was probably the youngest soul in this office where no one was over 30. And he was looking very serious this morning, which meant that he could barely contain his excitement.
"Rumor has it," he said melodramatically, "that a certain George Harrison is currently somewhere within this very city. Rumor adds th details
Beatles fans were certainly in the mood to "Come Together" this holiday season.
Two days after Spotify released the Fab Four's entire catalog, the popular music service told Rolling Stone that "Come Together" was the band's most-streamed song in the United States, the United Kingdom and worldwide on Christmas Eve and Christmas Day.
"Hey Jude," meanwhile, was the consensus number two in both America and the UK, though the seminal Paul McCartney hit ranked third on the global list, behind "Let It Be."
Perhaps most surprisingly, "Love Me Do" was the fourth-most streamed Beatles song globally in the band's first two days on the site — despite the fact that it didn't crack America's Top 10.
"Here Comes the Sun" placed third in America, with "Twist and Shout" and "Let It Be" rounding out the domestic Top 5. The American and United Kingdom lists were extremely similar, with eight songs appearing on both. "Blackbird" and "In My Life" made the U.S. Top 10 but not the United Kingdom's list, which instead included "I Feel Fine" and "Love Me Do."
By: Peter Sblendorio
Source: NY Daily News
It was 45 years ago today (December 26th, 1970) that George Harrison scored the first Number One hit by an ex-Beatle with his single "My Sweet Lord," which went on to top the charts for four weeks. The tune, which he had first produced as a gospel song for good friend Billy Preston, was the first single from Harrison's triple album All Things Must Pass -- which itself went on to top the album charts on January 2nd, 1971 for a whopping seven weeks.
Harrison recalled recording "My Sweet Lord" in his 1980 "song biography" titled I Me Mine, admitting, "I thought a lot about whether to do 'My Sweet Lord' or not, because I would be committing myself publicly (to my beliefs) and I anticipated that a lot of people might get weird about it. Many people fear the words 'Lord' and 'God.' (It) makes them angry for some reason."
It's recently been revealed that "My Sweet Lord" turned out to be a mini-Beatles reunion of sorts. Ringo Starr and future Derek & the Dominoes member Jim Gordon drum on the track, along with Apple band Badfinger on acoustic guitars and none other than John Lennon strumming along himself. In a recent Beatlefan magazine interview, Harrison's longtime friend and bassist Klaus Voormann stated that Len details
It wasn't a surprise album drop — hell, none of the music is new — but there is something really nice about having the Beatles available on the streaming sites. You're like, "I really want to listen to 'Oh! Darling' right now" and type type type you are! So to celebrate this early Christmas gift, we want to know what your favorite Beatles song is. Are you a kid who just started getting into weed who loves "Lucy in the Sky with Diamonds"; a person who's never heard a classic-rock radio station before and is somehow not even a little bit tired of "Hey Jude"; a person whose hand is always cold, so you love "I Want to Hold Your Hand"? Is your favorite song "While My Guitar Gently Weeps," because you love shredding so much you ignore how dumb of a title that is? Maybe it's "Octopus's Garden," but if so, how are you reading this, as you're definitely a baby?
"Something" Well, for most of my life it's been "Something." I think I started out adoring "Here Comes the Sun" above all, mostly because it soundtracked one of the best scenes from a childhood movie fave (Parent Trap, hello!). But then it became my gateway drug to the George Harrison songbook, from which I discovered "Something." Tu details
Accused of exploiting other artists' songs in the Beatles, John Lennon defended himself by saying, "It wasn't a rip-off; it was a love-in." Paul McCartney's take: "We pinch as much from other people as they pinch from us."
"In the early years, I'd often carry around someone else's song in my head," Lennon said. "And only when I'd put it down on tape — because I can't write music — would I consciously change it to my own melody, because I knew that otherwise somebody would sue me." Perhaps the best example of the Beatles transforming a piece of music is in "Because": It was drawn from Beethoven's Moonlight Sonata, but Lennon reversed the chord progression and then mutated it into something else.
While the Beatles drew inspiration from artists both famous and obscure, they almost always made whatever they were borrowing into something new, because they were a creative group of lads and because they were careful to cover their tracks. That's almost always. Here's five examples where their pinches got more blatant.
1. "Revolution": Pee Wee Crayton, "Do Unto Others"
By: Gavin Edwards
Source: Rolling Stone
In mid-1971, more than a year after the Beatles officially split, John Lennon started recording what would become his second proper solo album, Imagine.
The album, which was released later that year, was a critical and commercial success, not to mention a perennial fan favorite.
It also marks one of the only times Lennon recorded with his former Beatles bandmate, guitarist George Harrison, after the dissolution of the Fab Four in 1970. Harrison's fretwork can be heard on several Imagine tracks, including "I Don't Wanna Be a Soldier," "Gimme Some Truth" and "Oh My Love." He even plays a mean dobro on "Crippled Inside."
However, from a six-string perspective, there's just something special, and maybe a bit chilling, about Harrison's slide work on "How Do You Sleep?," which also happens to be the most "anti-Paul McCartney" song ever written. In fact, it's downright mean. Lennon was getting back at McCartney for what he perceived were some anti-John-and-Yoko lyrics on McCartney's Ram album, which was released earlier that year. Here are some choice lyrics from Lennon's "How Do You Sleep?," plus some commentary from yours truly:
By: Damian Fanelli
Source: Guitar World
The music of the Beatles, four music geeks from Liverpool who made it rather big in the Sixties, will appear on music streaming sites like Spotify, Tidal and Apple Music for the first time on Christmas Eve. This comes five years after Apple Music and Apple Computer ended a decades-long rights dispute, the upshot of which was the Beatles' official output becoming available on iTunes.
The Beatles are big, like no other band has ever been big, or can ever be. The Cambridge Companion to the Beatles pinned down their singularity by noting that there's no serious body of academic literature about the Dave Clark Five. The Beatles are the yardstick to which other bands are compared, usually in terms of record sales, seldom in terms of cultural significance. The Beatles' very popularity has been used as a stick to beat them with: no band that popular can be good, so the 'argument' goes, because everybody knows, don't they, that the best music is the most original music, and original music is always unpopular (because people are idiots, or something). This particular chain of reasoning forces some unwelcome conclusions: for example, that JS Bach is the most overrated composer in musical history, and also that all traditional musi details