Glyn Johns is a walking rebuttal to the maxim that if you remember the 1960s, you weren't there.
He was there — overseeing the Rolling Stones' first recording session, arranging the Beatles' rooftop concert, reeling from the first blast of Led Zeppelin — and he remembers everything.
Johns, a recording engineer and producer, began his career at the start of the 60s, when studio technicians still wore white lab coats. He went on to work with the Stones, the Small Faces, the Steve Miller Band, The Kinks, The Who, the Eagles and many more, helping to define a certain classic-rock sound.
"I'm a bit of a purist," said Johns, whose memoir, "Sound Man," is being published Thursday in the U.S. by Blue Rider Press. It's out in Britain next month.
Johns recalled how after the Beatles released the "Sgt. Pepper" album in 1967, Mick Jagger took him into a cafe near London's Olympic Studios.
"He said 'You've got to co details
He says over the course of two days, he sat and played and cried and sang at Lennon's side. It was a friend to took the video of Picco gently playing "Blackbird."
"It's a song I really love and I was looking to play songs that had kind of that melodic movement that might trigger something in him," Picco said.
It was also a song that as a Beatles fan, Picco hoped he would be able to play for Lennon as he grew up.
Picco and his wife had decided to name their son Lennon before she died.
"We both share a love for music," he said, laughing a bit as he spoke. "It kind of spoke to that musical element and also we didn't want, we were kind of looking for that little bit of uniqueness as well, but we didn't want to go too crazy like naming our baby after a fruit or vegetable or something."
A memorial service for Ashley and Lennon is being held this weekend in Southern California, where the family lives. A fund to cover the family's exp details
SSir Paul McCartney was paid more than $1 million to perform at billionaire Ron Baron’s New York investment conference.
McCartney and Carrie Underwood, who also collected a large fee, headlined Baron Capital’s investors meeting at the Metropolitan Opera House Friday.
The stars played to 4,000 investors after a performance from the cast of “Show Boat,” including Vanessa Williams.
A source said, “It would have cost $2 million to get both McCartney and Underwood, and that’s before you’ve paid for their bands.”
While the artists’ reps declined to comment, a spokesman for Baron Capital said, “The entire event was paid for by Baron Capital. It was fabulous. Paul McCartney put on a great show. There was not one person sitting down in the whole place.” He declined to say how much the performers were paid.
Speakers at the conference, in its 23rd year, included CEOs who head up companies in Baron Funds’ portfolio. They included Edward Woodward from Manche details
Ringo Starr & His All Starr Band reveal a February-March run that includes shows in South America, Mexico, Puerto Rico and Dominican Republic as well as in the U.S. Destinations include Orlando, Rio de Janeiro, San Francisco and Las Vegas.
For this outing Ringo will be fielding the same All Starrs he’s been working with the last few years – Steve Lukather, Richard Page, Gregg Rolie, Todd Rundgren, Gregg Bissonette and Warren Ham. Although the former Beatles drummer used to take out a different musicians with each tour, he loves performing with the 2012 lineup.
“We have so much fun playing together,” Ringo said. “We don’t want it to end!”
Here’s the plan:
Feb. 13 – Bossier City, La., Riverdome At Horseshoe Bossier City
Feb. 14 – Tyler, Texas, Cowa details
I invited Scott Freiman to dinner for a few reasons, but mostly because he gets paid to talk about rock ‘n’ roll. Scott, the CEO of a tech startup called Qwire (an intentional misspelling of choir), taught a class at Yale University on the music of the Beatles and lectures widelyon the topic. During a dinner with some 15 tech founders and investors, I asked Scott about the story behind Decca Records turning down the Beatles (an epic miss!) and subsequently overpaying to sign another young rock group.
Scott explained that an executive at Decca, who had stayed in touch with Beatles’ guitarist George Harrison, asked George what other hot young acts the label should be considering. George mentioned a young blues group, admonishing: “You blew it with the Beatles, don’t miss these guys.” That group was, of course, the Rolling Stones. The Stones went on to record more than a dozen records with Decca, including Beggars Banquet and Let It Bleed, which are details
Few figures in rock history have a more impressive résumé than Glyn Johns. Throughout the 1960s the producer/engineer worked on albums by the Rolling Stones (Beggars Banquet, Sticky Fingers, Let It Bleed), the Beatles (Let It Be, Abbey Road), the Who (Who's Next, Quadrophenia, The Who By Numbers), the Band (Stage Fright), Neil Young (Harvest), Eagles (Desperado, On the Border), the Clash (Combat Rock) and too many others to mention. His new book Sound Man hits shelves on November 13th and is full of amazing anecdotes from his 50-year career.
Related Bob Dylan, outside his Byrdcliffe home in Woodstock, NY, 1968.
Watch a Doc About the Making of the 'Basement Tapes'
Perhaps the most surprising story comes from his brief encounter with Bob Dylan at a New York airport. Johns was traveling with Rolling Stone founder Jann Wenner, who had just completed his groundbreaking interview with Dylan. "[Dylan] asked me about the Beatles album I had just finished and was very complimentary about my work with the Stones over the years," Johns writes. "In turn, I babbled about how how much we had all been influenced by his work."
Dylan then dropped a bomb. "He said he had this details
I shared the same planet with the Beatles for one year, three months and two days. That was how old I was when John Lennon died, not that I learned that until nearly a decade later. By the time I first encountered the group, courtesy of the movie "Yellow Submarine," it had long since been reduced to a thriving industry and a beloved — but irrevocably gone — part of the past.
We still perform Sophocles' plays and trek to the Egyptian pyramids after thousands of years, so I have no reason to doubt that the Beatles' music will have similar staying power. Just this summer, my wife and I visited Liverpool and took the Magical Mystery Tour bus ride, which guides tourists by the childhood homes of all four Beatles and points out historic points of interest — this street where two of the band members walked to school, for example, or this trail where one of them rode his bike.
The Beatles were not infallible musically (even the most diehard fan can probably name a least favorite song or album) and were a details
John Lewis have released their Christmas advert for 2014 - the tale of Monty The Penguin, with a little help from The Beatles.
The two minute advert Monty's Christmas shows a young boy and his pet penguin, but as the £1m film continues the bird becomes wistful and yearning for a penguin girlfriend.
Come Christmas morning - and thanks to John Lewis of course - his wish is granted.
The action plays out over a soundtrack of The Beatles' Real Love, originally written by John Lennon and now covered by Tom Odell.
The chain, which has a flagship store in Liverpool One, is famous for it's Christmas adverts.
Last year, Lily Allen sang over The Bare and the Hare, a Christmas cartoon, which was credited with boosting sales by as much as 6.9%.
Chrissie Hynde's reverent, heartfelt cover of the Beatles' "Let It Be," which will appear on the upcoming, star-studded Paul McCartney tribute comp The Art of McCartney, is now streaming online. The recording finds the Pretenders frontwoman stretching her delicate voice across lush textures of piano, gospel backup vocals and, at its apex, a full rock band, complete with a bluesy guitar solo; at its most delicate, Hynde sings over a Beatlesesque acoustic guitar part. A behind-the-scenes video revealed that the singer specifically chose "Let It Be,"
which The Wall Street Journal premiered, as her contribution to the comp.
Larry Kane was the only American reporter to travel with the Beatles for every stop on both the 1964 and 1965 North American tours. Being a huge Beatles fan I looked forward to to reading this account with the hope that I would learn something new and thrilling. Unfortunately for the most part, Mr Kane does not deliver.Although this book would be a good read for a beginner or casual fan, it doesn't really contain much new information for this seasoned reader on the subject. Perhaps if Mr. Kane had released his memoirs in a more timely fashion his stories would pack more punch, but since most of these events have already been widely reported in numerous volumes of Beatles books, the best of which in this reviewer's opinion is Peter Brown's 1983 epic The Love You Make, Mr. Kane's revelations are stale.
The author was apparently a young, impressionable, wide eyed innocent when he began traveling with the boys and their entourage in 1964. He seems to this day still tantalized by the idea of John messing around with Jayne Mansfield and Joan Baez. Not to burst your bubble details