Had The Beatles been able to successfully fulfill the vision they originally conceived for the album that was released over a half-century ago as Let It Be, we might not have seen that LP as we now know it.
Fresh off the recording and release of The White Album (a/k/a The Beatles) in late 1968, the foursome reconvened early in the new year to work together in a more straightforward fashion than on that double set and Sergeant Pepper’s Lonely Hearts Club Band of 1967.
Notwithstanding the production of a feature length film (or the idea of a live performance bandied about at various points), the emphasis was on simplicity, the goal to capture the quartet as they played and sang together, without much, if any, subsequent elaboration via overdubbing or effects.
Hindsight of fifty-five years suggests the Beatles would most likely have achieved this goal with the astute guidance of manager Brian Epstein and/or long-time studio producer George Martin. But the former had passed suddenly in August of 1967, leaving the group essentially rudderless, while the latter had been shunted aside during the recording sessions of the previous year, an oversight that unfortunately continued here in favor of then-young engineer Glyn Johns.
Source: glidemagazine.com/By Doug Collette