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A Day in the Life Blog

The Beatles - A Day in The Life: October 16, 1968

On October 16th, 1968, John, Paul and George Martin met together at EMI Studios with the intention of fully sequencing the 30 songs that encompassed their newly recorded double-album “The Beatles,” popularly known as the “White Album.” This task became so daunting, in fact, that this sequencing session actually lasted a full 24 hours, from 5 pm until 5 pm October 17th – the longest ever Beatles session. With such a wide variety of musical styles among its numbers, it took a lot of thought as to what song would follow nicely after the one previous to it. With engineers Ken Scott, John Smith and Dave Harries to assist, they worked long and hard to turn this plethora of material into a presentable form.

Since the decision was made to simply title the album “The Beatles,” it may have easily been assumed by the general consumer that the album was a cohesive unit put together by four cooperative world-renowned musicians. As history testifies, this was hardly the case! In-house turmoil and bickering was at an all time high, resulting in both long-time engineer Geoff Emerick as well as Ringo himself quitting their association with The Beatles for a time during the album's sessions.

The cohesive illusion was well maintained as far as the general public was concerned, however. Upon listening to the two opening tracks of the album, for instance, what we hear are some stellar performances from all four members of the group working together beautifully. Or do we? As fate would have it, the first two tracks on the album, namely “Back In The U.S.S.R.” and “Dear Prudence,” were primarily performed by John, Paul and George, although you do hear some amazing drum work from Paul on both songs (with a little drumming assistance from John and George on the former song). Both of these tracks happen to have been recorded during a two-week period where Ringo had quit the group. On August 22nd, 1968, during rehearsals for the recording of “Back In The U.S.S.R.,” Ringo stormed off because of Paul's instruction of how to play drums on the song. With the intention of never returning, he remained away until September 4th, when he rejoined his band to film the promotional clips for their newly released single “Hey Jude” and “Revolution.” Also recorded during Ringo's absence was John's beautiful composition “Dear Prudence” which, coupled with the opening track, perfectly conveys a tight cohesiveness and amazing first impression to what has come to be known by many as The Beatles' most loved album.

The Beatles - A Day in The Life: October 15, 1968

Studio Two, EMI Studios in London

A session mixing "Happiness is a warm gun" into stereo and "I'm so tired" and Cry Baby Cry" into mono and stereo.

Source: The Complete Beatles Chronicle

 

 

The Beatles - A Day in The Life: October 14, 1968

Studio Two, EMI Studios in London

Ringo flew out to Sardinia for a two week vacation. He left the final mixing and judgement to the three remaining Beatles and the production team. This was the last session for "Savoy Truffle" being completed with overdubs of an organ and an electric piano, a second electric guitar part, tambourine and bongos. The remainder of the session was devoted to mixing "I Will, Birthday, Yer Blues, Sexy Sadie and What's the new Mary Jane going into stereo, Savoy Truffle and While My Guitar Gently Weeps into mono and stereo and Long Long Long" into mono.

 

The Beatles - A Day in The Life: October 13, 1968

Studio Two, EMI Studios in London

This was the Beatles first session on a Sunday since "Hey Bulldog". John Lennon completed the ballad "Julia". He taped it alone, the only solo Lennon recording in the Beatles Canon - by twice singing alone to his acoustic guitar accompaniment. A spot of mixing completed this session, "Julia, Dear Prudence and Blackbird" were mixed into mono and stereo, "Wild Honey Pie" and "Back In the USSR" into stereo only.

The Beatles - A Day in The Life: October 12, 1968

Studio Two, EMI Studios in London

Saturday night mixing with stereo and mono mixes of "Everybody's got something to hide except me and my Monkey, Mother Nature's Son and Ob-La-Di Ob-La-Da", stereo of "Helter Skelter" and mono only of "Long Long Long"

The Beatles - A Day in The Life: October 11, 1968

EMI Studios, London

"Savoy Truffle" still needed some finishing touches. A saxophone overdub was recorded and distorted in the control room by George Harrison. The six saxphonists were Ronnie Ross and Bernard George (George baritone). Art Ellefson, Danny Moss, Harry Klein and Derek Collins (tenor). The session then continued for another 12 hours mixing "Piggies", "Don't Pass Me By" and "Good Night".

The Beatles - A Day in The Life: October 10, 1968

The White Album is completed and Paul McCartney and Linda Eastman go for a 10 day holiday in New York and Jamaica before heading back to London.

 

 

 

The Beatles - A Day in The Life: October 9, 1968

Studio Two, EMI Studios in London

The session began with a stereo and mono mixing of"The Contin uing Story Of Bungalow Bill" and "Long, Long, Long".

Why Don't We Do It In The Road was completed the next day, when Ringo Starr recorded a drum part, and McCartney added more vocals, bass guitar and handclaps.

The Beatles - A Day in The Life: October 8, 1968

Studio Two, EMI Studios, London

A very productive session, with two John Lennon songs, "I'm so Tired" and "The Continuing Story Of Bungalow Bill" were started and completed. George's "Long, Long, Long" also received overdubs.

Bungalow Bill was a free-for-all with everyone in the studio shouting out the choruses. Yoko sang one line solo, the first and only female lead vocal on a Beatles recording. Maureen Starkey, Ringo's wife, was also one of the assembled chorale.

 

The Beatles - A Day in The Life: October 7, 1968

Studio Two, EMI Studios, London

Today's session was spent recording the basic track of another new song by George, "Long, Long, Long". In what was becoming a familiar pattern with George's songs, John was not present for the session.

The earlier part of the session was spent making tape to tape copies of the Trident mono and stereo mixes for "Honey Pie" and "Marsha My Dear" and preparing mono/stereo mixes for "While My Guitar Gently Weeps".

Source: Complete Beatles Chronicle