The 1969 Beatles album Abbey Road is famous for many things: the cover photo of The Beatles on the zebra crossing walking away from the studio, the fact that it was the last album they recorded, and because it was the first time the band had ever used a synthesiser.
What is less well known is how various members of The Beatles embraced the synth during the Abbey Road sessions, and how one of its key sonic features might well have contributed to the demise of the band.
There are slightly differing accounts as to how the modular Moog 3 arrived at Abbey Road. According to Geoff Emerick, Moog had given a demo of the synth at EMI Studios some months before the recording of Abbey Road, and the band were impressed enough to use the synth.
No one had seen synthesisers. This was the very first time, and it took up a whole room.
And in a recent McCartney: A Life in Lyrics podcast, Paul seemed to back this version of events up, saying that his recording of the track Maxwell’s Silver Hammer on the Abbey Road album "coincided with the visit of Robert Moog, the inventor for the synthesiser. No one had seen synthesisers. This was the very first time, and it took up a whole room.
Source: Andy Jones/musicradar.com