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Beatles News
It was arguably rock’n’roll’s most brutal and historic piece of passive aggression. Midway through The Beatles’ umpteenth rehearsal attempt to nail down “Two of Us”, the song destined to open 1970’s Let It Be album, George Harrison grew frustrated at Paul McCartney’s overbearing direction, and subtly cracked. “I’ll play whatever you want me to play, or I won’t play at all if you don’t want me to play,” Harrison placidly intoned, steely and faux-subservient. “Whatever it is that will please you, I’ll do it.”
Seething behind those seemingly innocuous words – captured on film as part of the Let It Be project, in which the fracturing Beatles attempted to write an album on camera – lurked seven years of resentment on the part of the most underrated Beatle. Seven years of having his songcraft crushed beneath the wheels of Lennon and McCartney’s hit-making juggernaut. Of exclusion from the band’s creative hierarchy, borderline insulting publishing splits and fighting to the point of exhaustion for his songs to be heard, let alone recorded. A resentment that would soon play a significant role in tearing the wo details
Sixty years after the onset of Beatlemania and with two of the quartet now dead, artificial intelligence has enabled the release next week of what is promised to be the last “new” Beatles song.
The track, called “Now And Then,” will be available Thursday, Nov. 2, as part of a single paired with “Love Me Do,” the very first Beatles single that came out in 1962 in England, it was announced Thursday.
“Now And Then” comes from the same batch of unreleased demos written by the late John Lennon, which were taken by his former bandmates to construct the songs “Free As a Bird” and “Real Love,” released in the mid-1990s.
Paul McCartney, Ringo Starr and George Harrison worked on “Now And Then” in the same sessions, but technological limitations stood in the way.
With the help of artificial intelligence, director Peter Jackson cleared those problems up by “separating” Lennon’s original vocals from a piano used in the late 1970s. The much clearer vocals allowed McCartney and Starr to complete the track last year.
The survivors packed plenty into it. The new single contains guitar that Harrison had re details
He's a music legend adored by fans the world over.
And Sir Paul McCartney wowed a packed stadium in Newcastle, New South Wales, on Tuesday with his greatest hits.
The 81-year-old former Beatle was every inch the showman as he took to the stage in a double-breasted navy blue jacket.
He completed his 60s-inspired look with a white shirt, and snug-fitting black stove-pipe trousers.
The famed singer-songwriter and Beatles founder wore his long greying hair with a side part.
The former Beatle was every inch the showman as he took to the stage in a double-breasted navy blue jacket
For the nostalgia-filled show which included Beatles tunes like Can't Buy Me Love, Got To Get You Into My Life and Love Me Do, Sir Paul played a classic Hofner bass, which he made famous during his days playing with the Fab Four.
The sold-out Newcastle concert, held at the 33,000 capacity McDonald Jones Stadium, was Sir Paul's third show in Australia for his Get Back World Tour.
Sir Paul treated fans to some of his most famous tunes from every part of his career during the show, including hits he penned with his band Wings.
Source: A. James/dailymail.co.uk
I know, I know: You’re looking at that headline and thinking, “Uh, the Beatles broke up years ago, there are only two of them that are alive, how could they release a new single?”
Here’s the answer: Back in June, Paul McCartney announced he would be using AI to help turn a demo with John Lennon into a new single with all four Beatles on it. There was a ton of speculation — would it be the much-discussed Now and Then? — and some uproar over the idea of using AI assistance.
McCartney then tweeted this to clear up confusion, which … didn’t clear up much beyond “It’s all real and we all play on it.”
Been great to see such an exciting response to our forthcoming Beatles project. No one is more excited than us to be sharing something with you later in the year.
We’ve seen some confusion and speculation about it. Seems to be a lot of guess work out there. Can’t say too much…
— Paul McCartney (@PaulMcCartney) June 22, 2023
Got all that? Good. Because this was a tweet from The Beatles on Wednesday:
Source: Charles Curtis/ftw.usatoday.com
Legendary classic rock producer George Martin predicted that one of The Beatles' songs would hit No. 1. He was wrong multiple times over.
Legendary classic rock producer George Martin predicted that one of The Beatles’ songs would hit No. 1. He was wrong multiple times over. However, he still worked on many other Beatles songs and one of Paul McCartney’s most famous solo hits.
During a 2020 interview with Uncut, Martin discussed the impact Martin had on The Beatles. “‘Please, Please Me,’ originally we brought to him as a very slow [Roy] Orbison-esque ballad,” he recalled. “‘Last night I said these words … Come on — joojoo — come on — joojoo’ — you can imagine Roy Orbison doing it.
“George said, ‘It might be good a bit faster,'” he said. “We go, ‘No.’ He used this skill of persuasion and he got us. ‘Oh, go on then, we’ll try it.’ So we did, ‘Last night I said.‘ He goes, ‘There’s your first No 1.'”
Source: Matthew Trzcinski/cheatsheet.com
It did not take long for the pieces to come together.
Through the efforts of legendary Beatles drummer Ringo Starr, local drummer and Beatles historian Gary Astridge, and Daemen University leader John R. Yurtchuk and his wife, Carolyn, an 8-foot, 6-inch “Peace & Love” sculpture was unveiled earlier this month in the International Honorary Peace Garden in the university’s Saffrin Square.
The installation of the sculpture didn’t coincide with one of Starr’s tour stops with his All-Starr Band, so he didn’t attend the unveiling, but the 83-year-old drummer – known for flashing the peace sign throughout his musical career – posted a video to social media at the end of his tour to share his excitement about the debut.
Source: Ben Tsujimoto News Staff Reporter/buffalonews.com
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George Harrison’s witty response to being stabbed 40 times has been revealed in a new biography.
Released today (October 24), the new book is written by Philip Norman and explores the life of the Beatles member in a new light.
Titled George Harrison: The Reluctant Beatle, the biography also discusses the 1999 incident, which left the musician fighting for his life after being stabbed 40 times.
The moment took place when Harrison and his wife Olivia became victims of a home invasion, and upon hearing someone break into his home, the guitarist got out of bed to investigate.
From there, he was soon confronted by a man named Michael Abram who was holding a knife. An altercation followed as Harrison attempted to wrestle the knife out of Abram’s hands, however, the intruder managed to get on top of the Beatle and stabbed him 40 times. He only stopped upon being struck over the head with a lamp by Olivia.
In the book, the incident is described in detail and it is also revealed how Harrison described the attack to his son Dhani with a darkly witty sense of humour (via Far Out).
According to the musician’s son, Harrison described Abram by saying: “He wasn’t a bur details
Not only did launch The Beatles into superstardom, he also offered up his home in London as a hideout for the Fab Four to escape their hordes of screaming fans. Fast forward to today, and the late manager’s Mayfair townhouse has hit the market for £8.75 million (or roughly $10.7 million).
The Grade II-listed Georgian dwelling measures 3,800 square feet and features five bedrooms plus an adjoining mews house. The latter is connected to the main house through the basement and is where Paul McCartney, , , and Ringo Starr used to hang. It’s also believed to be the place where they worked on their eighth studio album, Sgt. Pepper’s Lonely Hearts Club Band.
Originally built in the 1750s, Epstein acquired the swank abode in the 1960s as his private residence. He later turned the townhouse into an early version of the Apple Corps headquarters before he died of an accidental overdose in 1967. Following Epstein’s passing, the residence was purchased by author and politician Norman St John-Stevas, Lord St John of Fawsley, a close advisor to Margaret Thatcher.
Source: Abby Montanez/yahoo.com
he Beatles legend became one of the most successful singer-songwriters of all time but he and his brother Mike were met with a tough crowd when they performed at a Butlin's holiday camp as a child, reports.
McCartney was just 11 when he performed in the talent show after he had been taught to harmonise by his father James and the siblings did their best to channel The Everly Brothers.
The 81-year-old star recalled on his new podcast 'McCartney: A Life in Lyrics', "The Everly Brothers sang in harmony, so me and my brother did. We sang 'Bye Bye Love'. We didn't win - obviously not talented enough for the Butlin's crowd!"
McCartney previously described how his childhood holiday to Butlin's was a great adventure. He told the Daily Mirror in 2021, "I was 11 when I went to Butlin's Pwllheli holiday camp and the photos of me show I'm still wearing my school cap and short school trousers."
Source: timesofindia.indiatimes.com
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George Harrison discussed the behind-the-scenes of The Beatles' first 'Ed Sullivan Show' set, and what was "tacky" about the show's production.
The Beatles‘ Ed Sullivan Show set changed rock ‘n’ roll, music in general, and the entire course of human history. No, that’s not going too far. Shockingly, George Harrison revealed he didn’t even rehearse for this seminal event. Here’s why — and why the performance mattered so much to him.
The book George Harrison on George Harrison: Interviews and Encounters features an interview from 1977. During that interview, George discussed the behind-the-scenes of The Beatles’ first Ed Sullivan Show appearance. “The Sullivan show was funny because I didn’t attend the rehearsal, I was sick somehow on the flight over on the first trip to the States,” he recounted.
Sullivan’s crew wasn’t all that helpful. “The band did a long rehearsal for the sound people, they kept going into the control room and checking out the sound,” recalled George. “And finally, when they got a balance between the instruments and the vocals, they marked on the boards by the control and then everybody brok details
Brisbane music writer Sean Sennett flew to Adelaide to see Paul McCartney and host a conversation with him at an exclusive fan event and he says we are all in for the treat of our lives when the former Beatle’s Got Back tour arrives in Queensland
It’s twenty-four hours before Paul McCartney is due to officially start his Australian tour. He is getting ready to play a short set to 15 competition winners.
Apart from McCartney’s crew, the winners, their guests and a smattering of media the Adelaide Entertainment Centre is virtually empty. This hardly matters a jot to McCartney who performs a blistering twenty-five-minute collection of songs comprised of Beatles’ hits, highlights from his solo career and deep cuts.
Earlier in the afternoon your correspondent had the privilege of chatting to McCartney first on stage, and facilitating questions from the small audience. Relaxed and wearing a dark hoodie, you only need two minutes in McCartney’s company and you’re knocked out by the man’s warmth, candour and, of course, his catalogue. Having interviewed him previously McCartney’s warmth is always immediate.
Source: Bryanna Rossow/inqld.com.au
Ringo Starr joined the Beatles in 1962, replacing original drummer Pete Best as the band’s permanent timekeeper. Even before he became part of the Fab Four, though, Starr was, well, a star.
“He was in one of the top groups in Britain, but especially in Liverpool, before we even had a drummer,” John Lennon explained during an interview with Playboy in 1980. “So Ringo’s talent would have come out one way or the other…I don’t know what he would have ended up as, but whatever that spark is in Ringo that we all know but can’t put our finger on—whether it is acting, drumming, or singing, I don’t know—there is something in him that is projectable, and he would have surfaced with or without The Beatles.”
He did surface with The Beatles, though, contributing to the band’s catalog not only as a drummer, but also as an occasional vocalist and songwriter. He wasn’t a technical player—”none of us are technical musicians,” Lennon added during the same Playboy interview—but he was inventive, filling the band’s songs with unlikely grooves, funky fills, and surprising tempo changes. He played drums like a composer, details
There may very well have been a point of no return between Paul McCartney and John Lennon.
When The Beatles finally called it a day in 1970, tensions were at an all-time high between each of the iconic bandmates.
Marred by squabbling, creative differences, and a loss of passion for the band's future meant there was only one way it was going to go.
During the recording of their final album Let It Be - offered a new perspective in Peter Jackson's 2021 documentary Get Back - Paul McCartney, John Lennon, George Harrison and Ringo Starr still showed frequent flashes of their collective genius.
However, the cracks were very much appearing, and grew more irreparable by the day, with Yoko Ono joining every session, George growing frustrated with his songwriting contributions being consistently ignored, Ringo evidently disinterested in the band politics, leaving Paul to drag them all through the recording process.
Source: Thomas Curtis-Horsfall/goldradiouk.com
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The Beatles played a killer set of songs during their first appearance on The Ed Sullivan Show. Some of those songs are still famous and some are not. George Harrison discussed the band’s mindset leading up to their set.
According to Kiro 7, The Beatles made their first Ed Sullivan Show appearance on February 9, 1964. The Fab Four started their set with their classic love song “All My Loving.” While The Beatles played the tune during this seminal moment in their careers, the tune is mostly forgotten in the United States and rarely receives play on rock radio.
Then, the band performed a show tune called “Till There Was You.” For context, musical theater had a much bigger influence on popular music during the early 1960s than it does now. The first half of the band’s set closed with “She Loves You,” the first song of the night that’s still really famous in the U.S.
Source: Matthew Trzcinski/cheatsheet.com
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Paul McCartney felt guilty while he was making the album ‘McCartney III’. In addition, he felt crafting McCartney III was a lot more fun than crafting other albums.
“Guilt” isn’t an emotion I would associate with Paul McCartney‘s album McCartney III. Despite this, Paul said he felt guilty while he was making the album because of his personal situation. In addition, he revealed why he felt that crafting McCartney III was a lot more fun than crafting other albums.
Paul started the 1970s with an album called McCartney, the 1980s with an album called McCartney II, and the 2020s with an album called McCartney III. During a 2020 interview with Uncut, Paul discussed working on McCartney III during the coronavirus (COVD-19) lockdowns.
“If you think about it, The Beatles toured a lot, then we stopped touring and made Sgt. Pepper,” he said. “So that idea of having all the time in the world to do what you like doing isn’t new to me.
“But while I enjoyed it, at the same time I felt a bit guilty because I know a lot of people are having a very hard time,” he added. “It’s a double-edged sword. You felt sorry for people who don& details