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Keith Richards and George Harrison got along well. They were the only two people in the 1960s who had experienced what it was like to play lead guitar in hugely popular rock bands. Even though The Beatles and The Rolling Stones were rival bands, George and Keith Richards had a mutual admiration society.

They stayed in touch even after their careers diverged years later.

George Harrison and Keith Richards had a bond

Richards claimed that he and George had a “bond” in the special “Remembering George” edition of Rolling Stone.

Richards said, “George and I kind of formed a bond in that we felt we were kind of fulfilling the same role within our respective bands, without really talking about it, although we did have a laugh here and there. “It was a wink and a nod to imply that they wouldn’t be anywhere without us.

Source: Micheal Kurt/technotrenz.com

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After jamming together in 1968 and 1970, George Harrison took the stage to perform with Bob Dylan for the first time at the Concert for Bangladesh. They didn’t perform together until 1987 when Dylan invited George to play with him and the blues musician Taj Mahal. Then, in early 1988, George and Dylan played together during the Rock & Roll Hall of Fame inductions, where they were both honorees.

However, George didn’t think he’d be able to perform with Dylan during his 1988 tour.

After a motorcycle accident in 1966, Dylan went into semi-retirement. Rolling Stone wrote that by the summer of 1971, he’d become “something of an apparition.”

By the time George planned the Concert for Bangladesh, Dylan had played only a hand full of shows since 1966 and none in the previous two years. George struggled to get Dylan to sign on to the benefit concert.

Source: cheatsheet.com

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Of course I wanted to talk with Michael Lindsay-Hogg about the Beatles. Everyone wants to talk with him about the Beatles, especially since his star turn in “Get Back,” Peter Jackson’s epic documentary, which debuted last fall on Disney+.

In January 1969, Lindsay-Hogg was the brash young film director who tried to charm and cajole John Lennon, Paul McCartney, George Harrison and Ringo Starr through warring agendas as they hashed out new songs and gave their last concert on a London rooftop. Soon after that, he started shaping his nearly 60 hours of footage into the documentary “Let It Be,” a film largely unavailable since its initial theatrical run in 1970.

Lindsay-Hogg’s footage, as well as more than 100 hours of audio that he recorded with his crew, some of it with hidden microphones, got new life when Jackson cleaned it up and reassembled it for his nearly eight-hour series. McCartney and Starr, along with most critics, hailed “Get Back” as an upbeat corrective to Lindsay-Hogg’s more somber take.

Source: Alex Williams/forbesindia.com

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John Lennon said one of The Beatles’ songs was “like an old-time ballad.” In addition, he felt the song was similar to The Beatles’ “Paperback Writer” and Chuck Berry’s “Johnny B. Goode.” John didn’t like the way the press reacted to the track.

According to the book Lennon on Lennon: Interviews and Encounters with John Lennon, John discussed “The Ballad of John and Yoko” in a 1969 interview. “It’s something I wrote, and it’s like an old-time ballad,” he said. “It’s the story of us going along, getting married, going to Paris, going to Amsterdam, all that. It’s ‘Johnny B. Paperback Writer.'”

John criticized the way the press reacted to “The Ballad of John and Yoko.” “The story came out that only Paul and I were on the record, but I wouldn’t have bothered publicizing that,” he said. “It doesn’t mean anything.”

 

Source: cheatsheet.com

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George Harrison wrote one of his most famous songs, “Something,” about the one thing he loved most, Krishna. Many people thought the Beatle was singing about his wife, Pattie. However, George liked when people couldn’t figure out if he singing about God or a woman. They were interchangeable to him.

Although, George really was singing about Krishna this time. He just didn’t want to sing, “Something in the way he moves me” because he didn’t want fans to think he was gay.

George Harrison wearing black with members of the Hare Krishna temple in 1969.

Source: cheatsheet.com

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During a dualistic time in his life, George Harrison recorded his first post-Beatles record, All Things Must Pass. After enduring years of Paul McCartney and John Lennon pushing him aside, George unleashed his mammoth triple album. It’s full of the songs he’d stockpiled. George had had the album mapped out before he even set foot in a recording studio. He even knew which track he wanted fans to hear first.

In a 2001 interview with Billboard, George talked about All Things Must Pass. The publication asked if it was a big decision to make “I’d Have You Anytime” the first track.

“It probably was, because it goes, ‘Let me in here…’ [laughs],” George said. “It just seemed like a good thing to do; it was a nice track, I liked that. And maybe subconsciously I needed a bit of support. I had Eric [Clapton] playing the solo, and Bob had helped write it, so it could have been something to do with that.”

Source: cheatsheet.com

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The ”Lord of the Rings“ director spun a meeting with The Beatles’ business managers into a documentary pitch

The Beatles: Get Back” director Peter Jackson’s gargantuan feat of compiling 60 hours of never-before-seen footage of the Fab Four’s “Let It Be” recording sessions — as well as new interviews with Paul McCartney and others who were at the scene 52 years ago — actually began as a different project altogether.

In an interview with The Guardian last week, Jackson said he was sought out by Apple Corps – the company which has handled The Beatles’ business affairs since 1968 – because of his interest in virtual and augmented reality technology. There may have been a plan to create an interactive museum experience at some point.

Source: Harper Lambert/thewrap.com

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George Harrison visited San Francisco’s famous neighborhood, Haight-Asbury, the hippie capital of the world, in 1967. It wasn’t what he expected. Then, a mob of hippies swarmed him like he was God who just descended on his people.

In Here Comes The Sun: The Spiritual And Musical Journey Of George Harrison, Joshua M. Greene wrote, “According to astrological calculation, by 1967 Earth was supposed to be emerging from a thousand years of confusion under the sign of Pisces—two fish swimming in opposite directions—and entering a golden age under the sign of Aquarius.

“Writers and poets prophesied that this new age would be one of harmony and understanding, and underground newspapers depicted San Francisco’s Haight-Ashbury district as its epicenter, the home of LSD consciousness, filled with beautiful people in colorful costumes, dancing to psychedelic music and living the dream of the Aquarian Age.”

Source: cheatsheet.com

 

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George Harrison was hanging out with The Rolling Stones‘ Mick Jagger and Keith Richards the night of their notorious 1967 drug bust. Although, George left the place right before police raided Richards’ home, Redlands. That didn’t stop the newspapers from adding him to their story. The Rolling Stones had many run-ins with the law. However, their 1967 drug bust is the most infamous incident. Mick Jagger sued the English publication The News of the World for libel. He didn’t like that the newspaper published sensational stories and him and his then-girlfriend, Marianne Faithfull. However, the publication didn’t want to be sued.

Source: cheatsheet.com

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George Harrison was not a fan of the 1974 musical John, Paul, George, Ringo, and Bert. He hated when people ripped The Beatles off. However, sometimes, Beatles musicals and films only happened because the band didn’t look after their interests following their split.

In a 1987 interview, Creem Magazine asked George what he thought of the musical John, Paul, George, Ringo, and Bert, which debuted in Liverpool in 1974 and then made its way to London. George didn’t have anything nice to say about the musical based on The Beatles.

“I saw it up until the intermission and then–­I saw it with my friend Derek Tay­lor, who’s a writer who used to work for Warner Bros. and Apple­–I said to him we either have to leave now or I’m gonna jump on that stage and throttle those peo­ple,” George said.

Source: cheatsheet.com

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The tape was made by student John Hill in 1964 when he sneaked into a press conference to record the chat but it was never broadcast

John Lennon claimed The Beatles were not very good musicians in a lost interview that has now sold for £3,100 at auction.

The tape was made by a student in 1964 and never broadcast.

John Hill was 18 when he sneaked into a press conference to record the chat – and then forgot about it.

He found the tape in 2014, after it had been in a drawer for 50 years. On the recording, John, then 24, said he would ­“probably just have been a layabout” if he had not become a Beatle.

He admitted he had been failing at college and revealed: “Some other lads did my exams for me.”

Source: Stephen White/mirror.co.uk

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Ringo Starr, the legendary drummer for the iconic band The Beatles,” has always had “peace and love” as his mantra. In a new interview, the 81 year-old spoke out to say that spreading this message is more important now than it ever has been before.

“Well it’s always been important – and I do spread the message,” Starr told Fox News. “I mean, you look at the photos in the ‘60s, we’re all doing this. We loved ’66 when flower power was coming in. It was such a change in those years – people with flowers and loving each other.”

There were a few bad moments, like Kent State and things like that, but we just went right for it,” Starr added, referring to the 1970 tragedy in which the Ohio National Guard opened fire on unarmed college students at a war protest at Kent State University, killing four students and injuring nine others.

“It was part of how we felt,” Starr said of sharing the message then and now. “And I keep doing it now. I do it, I can only have myself do it. I can’t force anybody to be peaceful and loving.”

Source James Conrad/themix.net

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George Harrison rarely strayed from his guitar, but he did for “Old Brown Shoe” twice. He wrote the song on an instrument he barely knew how to play and then added bass to the track in the recording studio.

In his 1980 memoir, I Me Mine, George said he wrote “Old Brown Shoe” on the piano, an instrument he wasn’t very familiar with.

“‘Old Brown Shoe.’ I started the chord sequences on the piano (which I don’t really play) and then began writing ideas for the words from various opposites: ‘I want a love that’s right/ But right is only half of what’s wrong.” Again it’s the duality of things–yes-no, up-down, left-right, right-wrong, etc.”

During an interview with Creem Magazine, George said he liked playing the bass.

He said, “But I do: I think bass is a good instrument because, even without being clever, the part of the bass is real­ly important in the way it holds it all down with the bass drum. I like a bass when it doesn’t get in the way of anything.

Source: cheatsheet.com

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John Lennon compared The Rolling Stones’ “Miss You” to one of his songs. John had a strong reaction to “Miss You.”Listeners in the United States had a similarity strong reaction.

One of The Rolling Stones‘ most famous songs is “Miss You.” John Lennon believed “Miss You” was based on one of his solo songs. On the other hand, The Rolling Stones’ Ron Wood said the song was inspired by a genre that had nothing to do with John’s output.John felt Mick Jagger was influenced by “Bless You.” “I think Mick Jagger took ‘Bless You’ and turned it into ‘Miss You,'” John opined. “‘Wherever you are, child on a shooting star.’ The engineer kept wanting me to speed that up — he said, ‘This is a hit song if you’d just do it fast.’ He was right. ‘Cause as ‘Miss You’ it turned into a hit.”

Source: cheatsheet.com

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George Harrison was one of the best songwriters of the 20th century, but even he sometimes needed a little help in the songwriting process, especially on “Piggies.” The White Album track contains a lyric from George’s mother, Louise.

However, the song about snooty rich people soon morphed into something disturbing by a notorious cult leader.

In his 1980 memoir, I Me Mine, George said that his mother stepped in to help him write “Piggies” when he needed help.

“‘Piggies’ is a social comment,” he wrote. “I was stuck for one line in the middle until my mother came up with the lyric ‘What they need’s a damn good whacking!’ (a damned good throttling), which is a nice simple way of saying they need a good hiding. It needed to rhyme with ‘backing,’ ‘lacking.'”

George had no clue he’d be giving some dangerous people bad ideas.

Source: cheatsheet.com

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