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Beatles News
All of The Beatles were fans of Dylan, even before they met in 1964. But of all of them, it was George who became a close, lifelong friend. Any interview with George in his last decade almost always includes quotations from songs by “the man,” as George referred to him. He’d then recite a line or two of these sacred verses, like a believer reciting a Gospel passage.
After Dylan’s motorcycle accident in 1968, Bob moved with his family to Woodstock. It’s there he wrote a lot of new songs and recorded demos of them – which became The Basement Tapes – with the Band in their house Big Pink. It was one of the most peaceful and productive periods of his life, off the road, reflective, recovering his full artistic powers and writing a whole new kind of song.
This is when Dylan and George wrote “I’d Have You Anytime.” It was November 20, 1968, four years beyond their initial meeting.
Source: americansongwriter.com
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The Beatles were a major force in popular culture, however, Ringo Starr still felt “weighed down” by the Fab Four many years after their breakup. He revealed why the experience of being a former Beatle could be “heavy.” Here’s a look at what he had to say — and whether being a Beatles weighed him down commercially.
In 1992, Ringo gave an interview to Rolling Stone’s David Wild. During the interview, Wild mentioned a song John Lennon wrote for Ringo called “I’m the Greatest.” He cited the song’s line “I was in the greatest show on earth” as an example of Ringo’s “ambivalence” about his time in The Beatles.
“Of course that was John Lennon’s line,” Ringo said. “But sure, there have been times when I felt weighed down by it I’m still weighed down by it I mean, I’m sitting here, and I’m all excited about the new product, and you’re still going to be asking me about those days. Everybody wants to talk about those days, and sometimes it gets heavy for me. Right now that waitress is not looking at me as Richard Starkey. It’s Mr. Starr to her. It’s the Beatle, not eve details
John Lennon’s 1970 album “John Lennon/Plastic Ono Band” was his first song-based album following the dissolution of the Beatles—he’d previously released three avant-garde albums with Yoko Ono —and 50 years on it remains his most highly regarded solo work. Freed from the commercial demands of recording with the most successful band in the world, Lennon drew inspiration from within: He and Ms. Ono had recently undergone a new kind of therapy introduced by psychologist Arthur Janov, based on his book “The Primal Scream.” The therapeutic process involved re-experiencing childhood trauma and Lennon had plenty to work through—he barely knew his father and was removed from his mother’s care at age 5; she died when he was still a teenager. Co-producer Phil Spector helped realize the heady mix of fear, anguish and catharsis found on songs like “Mother,” “Working Class Hero” and “God.” “Raw” is typically the first adjective deployed to describe “John Lennon/Plastic Ono Band” and it’s not just referring to the lyrical content: The LP’s dark and atmospheric presence gives it a special mood.
Source: Mar details
Every day throughout 1964, a postman called Eric Clague would deliver another bulging sack of fan letters to 20 Forthlin Road, Liverpool, where Paul McCartney had been brought up, and where his father still lived.
That year, The Beatles were the four most famous young men in the world. In the first week of April, all top five singles in the American charts were by The Beatles.
Who was Eric Clague? Six years before, he had been a junior constable in the Liverpool police force.
On July 15, 1958, while off-duty, he had been driving a standard Vanguard sedan along Menlove Avenue when a 44-year-old woman stepped into his path. He braked, but too late: his car hit the woman, hurling her into the air.
An ambulance arrived, but there was nothing to be done. Julia Lennon was dead.
At that time, Eric Clague was a learner driver who was not supposed to be driving alone. His case was brought to court. Though an onlooker claimed Clague had been speeding, he denied it. The jury chose to believe him, and returned a verdict of misadventure.
Source: Craig Brown/dailymail.co.uk
If there are two things you would never instinctively put together, it’s The Beatles and Lewisham.
But once upon a time, the international pop stars played two gigs in the South London borough.
The first concert in March 1963 was before Beatlemania had really begun, while the latter in December 1963 was everything you would expect from the 60s icons.
There were screaming girls, uncontrollable crowds, and the streets were overflowing with people eager to catch a glimpse of the group.
They played their first gig at Lewisham’s Odeon Cinema on March 29 and performed a number of hits including Love Me Do and Please, Please Me.
Source: Ruby Gregory/mylondon.news
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On August 17, 1960, the Beatles kicked off one of their earliest professional gigs—a months-long residency at the Indra Club in Hamburg, Germany. Over the next two years, the budding British rock stars, who’d struggled to book venues in their hometown of Liverpool, continued to perform regularly in the German city.
“We had to learn millions of songs because we’d be on for hours,” guitarist George Harrison later recalled, as quoted by the Los Angeles Times’ Dean R. Owen. “Hamburg was really like our apprenticeship, learning how to play in front of people.”
Now, reports Richard Brooks for the Observer, a trove of largely unseen letters, photographs and work permits from this pivotal period is set to go up for auction. The mementos—including a 1963 missive in which Paul McCartney discusses the release of the band’s first LP, Please Please Me, as well as sketches and poems by John Lennon—will go under the hammer at the London-based auction house Bonhams on May 5.
Source: Isis Davis-Marks/smithsonianmag.com
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Jane Asher met the Beatles on April 18, 1963, at the Royal Albert Hall. The band had exploded onto the scene after their second single, Please Please Me, topped the charts that January, followed by three more singles and the album of the same name. Jane was only 17 but she was already famous herself as a child star and young actress in films like The Prince and the Pauper and television's Robin Hood series. She was also a panelist on the BBC's hugely popular and influential Juke Box Jury, which rated new music releases. She had already caught Paul's eye.
Paul later said: "I met Jane Asher when she was sent by the Radio Times to cover a concert we were in at the Royal Albert Hall – we had a photo taken with her for the magazine and we all fancied her.
"We’d thought she was blonde, because we had only ever seen her on black-and-white telly doing Juke Box Jury, but she turned out to be a redhead. So it was: ‘Wow, you’re a redhead!’
"I tried pulling her, succeeded, and we were boyfriend and girlfriend for quite a long time."
Source: Stefan Kyriazis/express.co.uk
The members of The Beatles were more than just bandmates, their relationships with one another were more like that of brothers.
The band’s drummer Ringo Starr recalled decades after John Lennon’s death the surprise and emotion he felt at hearing the voice of his old friend speaking directly to him on a recording Starr hadn’t been aware of.
Lennon wrote ‘Grow Old With Me’
Recorded a month before Lennon was gunned down in front of his New York City home in 1980, “Grow Old With Me” was eventually released on a posthumous Lennon album called Milk and Honey.
The album also featured two songs that received abundant radio airplay: “Nobody Told Me” and “I’m Steppin’ Out.”
The song’s opening lines are ‘Grow old along with me / The best is yet to be,’ quoted from poet Robert Browning’s 1864 work “Rabbi ben Ezra.”
Rolling Stone in a review of the album stated that Lennon’s widow Yoko Ono’s liner notes “consciously adopted the image of [the Lennons] as the reincarnation of Victorian poets Elizabeth Barrett Browning and Robert Browning for Milk and Honey.”
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Letters and memorabilia from The Beatles’ time in Hamburg are set to go up for auction in London next month.
The iconic band played over 250 shows in the German city between August 1960 and December 1962, with their time gigging and some of the relationships they formed there helping to propel them to fame in the UK and beyond.
The new auction lot will include previously unseen letters, work permits, photos, drawings, poems and more. Some of the items were sent by the band to photographer Astrid Kirchherr, who was engaged to former Beatle Stuart Sutcliffe after meeting them in Hamburg.
The group were close with Kirchherr and wrote to her when they were back in the UK. In one letter that is going up for auction, George Harrison invited her to visit him and Ringo Starr in their new flat and instructed her not to put his name on the envelope when she wrote back.
Source: Rhian Daly/nme.com
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It was the city that made the Beatles. Not Liverpool, but Hamburg, the north German seaport where, between August 1960 and October 1962, the group played more than they ever did at the Cavern in their home city.
Sixty years on, previously unseen letters, work permits and photos have been unearthed about the band’s time in Germany and their relationship with Astrid Kirchherr, the photographer best known for her stark black-and-white portraits of the Beatles taken in Hamburg before they were famous.
Letters to Kirchherr – who is credited with influencing the group’s style and signature “mop-top” haircuts – include one from George Harrison inviting her to London “to make him tea and give him cornflakes” and one from John Lennon, who mentions their just-released first single, Love Me Do, writing modestly: “It’s quite good but not good enough.”
Source: Richard Brooks/theguardian.com
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Students 0n the class Zoom call could barely believe their eyes. Some gasped. Others cheered. A few started crying tears of joy.
“IS THIS REAL?” asked Glenna Jane Galarion ’21 in the Zoom chat, as Sir Paul McCartney logged onto the Princeton Atelier course “How to Write a Song.” The students had the rare opportunity to have their work critiqued by the legendary Beatles musician and songwriter when McCartney, calling from New York, joined their virtual classroom in February.
“When we started listening to [my group’s] song, Paul McCartney started bobbing his head,” Galarion told PAW. “And I thought, ‘No way is Paul McCartney, the greatest songwriter in music history, grooving to our song right now!’”
“How to Write a Song,” taught by poet and Princeton creative writing professor Paul Muldoon, has been offered at Princeton in various forms since 2010. Bridget Kearney, a songwriter and bassist for the band Lake Street Dive and a former guest artist in the course, is co-teaching with Muldoon this year.
Source: By Anna Allport ’23/paw.princeton.edu
The Beatles were so big they inspired a parody movie called The Rutles, also known as All You Need Is Cash and The Rutles: All You Need Is Cash. Subsequently, George Harrison revealed what he thought of the film. Here’s a look at The Rutles, a Beatles parody band, and how the world reacted to it.
In 1978, The Beatles’ story was so well-known it inspired a film that spoofed every aspect of it: The Rutles. It features jokes about everything from Yoko Ono to Yellow Submarine to “Get Back.” Part of what makes the film interesting is that it includes members of the Monty Python comedy troupe, specifically Eric Idle and Michael Palin. In addition, George appears in the film as an interviewer.
During a 1979 interview with Rolling Stone, Mick Brown asked George if Idle consulted him during the making of The Rutles. “Yes,” George said. “I slipped him the odd movie here and there that nobody had seen, so he could have more to draw from. I loved The Rutles because, in the end, The Beatles for The Beatles is just tiresome; it needs to be deflated a bit, and I loved the idea of The Rutles taking that burden off us in a way. Everything can be seen as comedy, and the Fab Four are no ex details
It’s the buoyant aquatic jam on Abbey Road: Ringo Starr’s final contribution to The Beatles’ oeuvre, an upbeat and cheerful dedication to cephalopod habitats and love without bounds that gently rises and falls with cascading guitars and charming melodies. It’s been covered by The Muppets three times, it has its own children’s book (written by Starr himself and published in 2014), and in (500) Days of Summer, Zooey Deschanel’s character Summer Finn calls it “the greatest Beatles song ever.”
Simply put, “Octopus’s Garden” is ubiquitous: One of The Beatles’ most iconic, if not also one of their most unique contributions to the modern songbook.
But what inspired this unabridged underwater immersion into the mysterious and oft unforgiving sea world? What sparked The Beatles’ unfiltered embrace of octopedal life? To find out, Atwood Magazine‘s investigative team dove deep into the hazy annals of the late 1960s – and what we discovered may shock you.
Source: Mitch Mosk/atwoodmagazine.com
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John Waite is a very deep and spiritual man. He has a new box set coming out called "Wooden Hearts." Actually each of the three volumes are already released as well. It was the lockdown that caused Waite to go back into the studio and finish the "Wooden Hearts" series.
John Waite is a very deep and spiritual man. He has a new box set coming out called "Wooden Hearts." Actually, each of the three volumes are already released as well. It was the lockdown that caused Waite to go back into the studio and finish the Wooden Hearts series. One of the songs "Downtown" was co-written with Jersey's own Glen Burtnik.
One great line Waite uttered in our phone conversation which sums up where he right now, "I don't need a headlight in all this darkness, I know exactly where I'm going."
Source: New Jersey 101.5
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Whether you’re a John Lennon or a Paul McCartney fan, The Beatles wouldn’t have been the same without the four famous members. Each musician contributed their own unique sound and talent to the rock and roll band, together creating countless top hits during the 1960s and '70s that are still popular today. Each member had instruments they preferred to play, but all of them loved to sing. Lennon, McCartney, George Harrison, and Ringo Starr are all credited as lead singers of the band having each recorded vocals for various tracks.
For their song titled “Something,” Harrison and McCartney recorded particularly beautiful harmonies. A recently released recording reveals how their voices sound isolated—without the instrumental track. You can hear Harrison belt out the song’s famous lyrics, “Something in the way she moves” with rich clarity. Then, McCartney complements Harrison in various parts of the tune by singing with him in harmony. Both Beatles sound particularly powerful in their raw form; you can really hear the emotion in their voices.