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A London municipal crew has repainted the Abbey Road crossing made famous by the cover of The Beatles‘ 1969 album of the same name, while the city is under lockdown to stem the spread of coronavirus.

The crew quietly painted the normally swamped tourist hotspot zebra crossing on Tuesday (March 24), after Prime Minister Boris Johnson announced a shutdown of non-essential businesses on Friday (March 20).

The pedestrian crossing was designated a site of national importance by the British government in 2010. This means it can only be altered with the approval of the local authorities which would make a decision based on the site’s historic significance, function and condition, according to Reuters.

Source: Josh Martin/nme.com

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A riverside apartment previously owned by Sir Paul McCartney and ex-wife Heather Mills is for sale.

According to Paul McCartney: The Biography, by Philip Norman, the former Beatle gifted cash to Mills to buy the two-bedroom apartment in the exclusive Thames Reach development so she could use it as an office.

Source: Amira Hashish/homesandproperty.co.uk

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Tonight we get words of wisdom from two of my favorite Britons ever -- Winston Churchill and George Harrison.

(Others in contention for favorite, in no particular order: John Cleese, Elvis Costello, Emma Thompson, William Shakespeare, Obi-Wan Kenobi, Sean Connery, Brian May’s hair and Laurel or Hardy -- whichever one was British.)

Over Churchill's loud objections, we'll give Harrison top billing, if only because I don't think The Bulldog could sing.

And so, Churchill provides the opening act:

Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.

Heck, we're not even at the end of the beginning of this COVID-19 pandemic. Things are probably going to get pretty bad, including right here in Putnam County.

But I know there will be an end. What will life be like on the other side? I don't know. None of us do.

Source: bannergraphic.com

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Back in 1963, The Beatles released their Parlophone single I Want to Hold Your Hand. The track also came with This Boy on the B-side, but it turns out there was some controversy behind-the-scenes on this one. In fact, John Lennon’s vocals on the song had replaced George Harrison’s guitar solo.

According to Showbiz CheatSheet, The Beatles’ producer George Martin was very much in control of the band’s recording sessions.

Unlike their later work, they whizzed through their early music in a matter of hours.

The Fab Four had 15 full run-throughs of This Boy, but the middle eight featured Harrison’s guitar solo.

Geoff Emerick, who was working a the studio’s second engineer that day, has revealed in Here, There Everywhere what the producer made of it.

Source: George Simpson/express.co.uk

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The writers of The Simpsons say that Paul McCartney “always checks” that Lisa is still a vegetarian, after it became a key condition of his guest appearance on the show.

The Beatles icon appeared alongside his late wife Linda in 1995’s Lisa The Vegetarian, an episode in which Lisa vows to stop eating meat after meeting the McCartneys.

In a new interview with the Radio Times, show consultant David Mirkin – who is also a vegetarian – said he was “happy to comply” with McCartney’s request.

But he admitted that every time he bumps into McCartney, “he always checks. And he’s always surrounded by nine or ten lawyers so it’s quite frightening.”

Source: Nick Reilly/nme.com

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The musician, who was well-known for performing with The Beatles fell ill with Covid-19 on Saturday after performing a gig, his close friend Arthur Kerevan has confirmed.

But sadly, the father-of-three passed away from the virus on Tuesday.

His family paid a tribute to the musician, who described him as ‘our world’.

‘As a family we are devastated at the sudden loss of our husband, father-in-law, grandad, brother and friend who touched so many lives through music,’ they said in a statement.

‘What makes his loss even more heartbreaking is the fact that it could have been so easily avoided had it not been for coronavirus.’

Source: Abbie Bray/metro.co.uk

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Lots of music appears to be emerging from the world’s windows and balconies, in some cases recalling The Beatles’ famous rooftop concert from 1969. Now some enterprising fan out there might be able to replicate the band’s very first concert—from almost a decade earlier—on the actual stage where they played.

On April 10, in commemoration of the 50th anniversary of the band’s breakup, California-based Julien’s Auctions will offer a slew of Beatles memorabilia (with live online bidding available), from the handwritten lyrics for “Hey Jude” to corduroy trousers worn by John Lennon himself. While it may not look so illustrious, this set of wooden planks pulled straight out of the floor are in fact witnesses to history, and a marquee item that could fetch as much as $20,000.

Source: by Matthew Taub /atlasobscura.com

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The Beatles are one of the greatest rock bands ever. The Beach Boys are one of the greatest rock bands ever. It only makes sense that Sir Paul McCartney would want to collaborate with one of the Beach Boys.

When Paul worked with the Beach Boys, things went down an unexpected path. Paul is a reknown multi-instrumentalist. The Beach Boys’ Brian Wilson asked him to play an uncommon instrument: celery.
The Beach Boys evolved from a doo-wop/pop band to one of the most experimental acts in the history of mainstream music. Some of their experiments included using non-instruments as instruments. Their album Pet Sounds famously features the sounds of dogs barking at some point.

Source: cheatsheet.com

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Tom Jones opened up on his relationship with John Lennon in a past interview with Channel Bee. In a newly uncovered video, the Delilah hitmaker recalled how he and nearly got into a fight with The Beatles star the first time they ever crossed paths. He explained how they had first met when both acts were appearing on Thank Your Lucky Stars back in the mid-1960s.

“I had It’s Not Unusual out, my first hit record, in 1965,” Jones said. “The Beatles were on the show.

“I went to watch them rehearse in the afternoon. I’m sitting there where the audience would be later on with my manager Gordon Mills.

“I’m waiting for The Beatles to come on; I want to watch them rehearse,” he remembered.

Source: Minnie Wright/express.co.uk

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One day in mid-October 1963, John Lennon had dropped by at the house in Wimpole Street, London, where Paul was living with the family of his girlfriend, Jane Asher. 

The two of them went down to a little room in the basement and sat together on Mrs Asher's piano stool. 

Their manager Brian Epstein had told them that their next, most important task was to compose a song to crack the elusive American market. 

Up to now, their hit singles in Britain — From Me To You, She Loves You, Please Please Me — had all flopped over there. 

After an hour or so of doodling about, Paul went upstairs to the bedroom of Jane's brother, and put his head around the door.

Source: Craig Brown for the Daily Mail  

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In November 1971, George Harrison stopped by The Dick Cavett Show to act as one of the main guests for an episode of the talk show along with Indian sitar master Ravi Shankar and rock singer Gary Wright. Segments of the episode were recently shared to YouTube by Daphne Productions, Inc., which owns the rights to the classic talk show. The interview features a young Harrison, who’d still been a member of The Beatles just a little over a year earlier.

Related: The Beatles Share Previously Unreleased Early Acoustic Take Of “While My Guitar Gently Weeps” [Listen]

One of the segments shared to the show’s YouTube is that of a conversation with the topic of drugs within rock and roll and show business. After Cavett allows Harrison to vent on his frustration with the over-commercialization of American television, George briefly touches on the time he and John Lennon were dosed with LSD by their dentist. He also discusses his take on whether or not rock start should bear responsibility for glamourizing drug use.

The two do get a little serious late on in the segment where the topic of heroin use and the problem with substance addiction amongst entertainers.

Source: Tom Shackleford/ details

Welcome to the "Sheltering in Place with Classic Albums" series. Each week, I'll present a new album for your consideration—a means for passing these uncertain times in musical bliss. For some readers, hearing about the latest selection might offer a chance reacquaintance with an old friend. For others, the series might provide an unexpected avenue for making a new one.

For the inaugural selection in our series, we begin with "Rubber Soul," arguably the Beatles' maiden voyage into classic album-hood. No less than the Beach Boys' Brian Wilson described "Rubber Soul" as the greatest LP of all time. When he first heard it, Wilson recalled, "I couldn't deal with it. It blew my mind."

Released in December 1965, the Beatles' sixth studio album took its name from Paul McCartney's concept of "plastic soul." In his coinage, plastic soul referred to the band's penchant for transforming musical forms — often American rhythm and blues — into their own image, retaining their fundamental qualities in the process of making them their own. Perhaps even more dramatically, the record featured several tunes that upended prevailing 1960s thinking about gender norms at the time, making the album revolutionary in mo details

Hard to believe, but next month sees the 50th anniversary of the day The Beatles broke up. 

The four of them had been together for under eight years, Ringo having joined John, Paul and George in the summer of 1962. 

Yet as President Obama noted when presenting Sir Paul McCartney with an award at the White House, in that short time they had 'changed the way that we listened to music, thought about music, and performed music, forever'. 

Even Her Majesty the Queen — hardly your typical fan — said in a speech on the occasion of her golden wedding anniversary: 'What a remarkable 50 years they have been for the world... Think what we would have missed if we had never heard The Beatles.'

Source: dailymail.co.uk

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 If you hear anything about the upcoming Peter Jackson documentary The Beatles: Get Back (due September 2020), you’ll hear how it aims to tell a different story than Let It Be, the 1970 doc that showed the Fab Four headed towards their breakup.

You can count Paul McCartney and Ringo Starr, the two surviving Beatles, among those who see Get Back as a correction. “I am really happy that Peter has delved into our archives to make a film that shows the truth about The Beatles recording together,” Paul said in a statement on the film’s release.

If Get Back indeed shows a happy and united Fab Four, it would surprise most Beatles fans. After all, George Harrison did walk out on the band during the January 1969 sessions. And John Lennon described the “dreadful, dreadful feeling” hanging over the group at the time.

Source: cheatsheet.com

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The genius of the Beatles' "Rubber Soul" - Saturday, March 21, 2020

Welcome to the "Sheltering in Place with Classic Albums" series. Each week, I'll present a new album for your consideration—a means for passing these uncertain times in musical bliss. For some readers, hearing about the latest selection might offer a chance reacquaintance with an old friend. For others, the series might provide an unexpected avenue for making a new one.

For the inaugural selection in our series, we begin with "Rubber Soul," arguably the Beatles' maiden voyage into classic album-hood. No less than the Beach Boys' Brian Wilson described "Rubber Soul" as the greatest LP of all time. When he first heard it, Wilson recalled, "I couldn't deal with it. It blew my mind."

Released in December 1965, the Beatles' sixth studio album took its name from Paul McCartney's concept of "plastic soul." In his coinage, plastic soul referred to the band's penchant for transforming musical forms — often American rhythm and blues — into their own image, retaining their fundamental qualities in the process of making them their own. Perhaps even more dramatically, the record featured several tunes that upended prevailing 1960s thinking about gender norms at the time, making the album revolutionary in mo details

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