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John Lennon and Paul McCartney have long been ranked among the premiere songwriters of the 20th century. That the pair both wrote for the same band is certainly a central element of the The Beatles’ standing in rock history. Any band with two great songwriters is certainly very, very lucky.

As we all know, the Fabs didn’t have two great songwriters – they had three. The emergence of George Harrison’s songwriting talent only serves to reiterate that, as in so much of their lives and career, The Beatles were winners of whatever history’s equivalent of the Powerball is.

George, who was given the moniker “the quiet Beatle,” might better have been denominated “the independent Beatle.” Because he was younger (and remember, Paul, and George got together when they were very young and Paul had to sell John on allowing George to join the band that eventually became THE band), his status was predicated on 1) his guitar playing (which was better than anyone’s, not excluding John or Paul) and 2) his absolute commitment to the cause (which equaled John’s and Paul’s). That he might be a creative contributor was a matter of little importance to the creative details

There's a barbershop in Buenos Aires where you can have any haircut you want - as long as it's a Beatles haircut. The most popular style is the John Lennon 1967 Sergeant Pepper cut, a look that's still going strong 50 years after the release of the Beatles' hit record.

Welcome to the Beatles barbershop of Buenos Aires, where the only haircuts on offer are inspired by the styles of the Fab Four.

Hairdresser Gerardo Weiss has brought together his twin passions to create what he claims is one of only four Beatles-inspired barbershops in the world. After a long career working for top Argentine hairdressers, Weiss decided to forge his own path and opened a barbershop back in 1988.

His modest salon was nothing out of the ordinary, until one night in 2004 he had a dream that would change his life forever. "One day I dreamt that The Beatles were waiting for me at the door of the barber shop and I fell asleep in the dream and I couldn't attend to them, a very, very crazy thing. It made me feel so worried, so bad, I woke up so upset, that I changed everything instantly, overnight. I took out the pictures of conventional cuts, I started to fill the walls with pictures of them and I said to myself, 'from now on, thi details

Fashion designer Stella McCartney has apologised after video emerged showing her leaving the scene of an accident involving a taxi driver, without providing her full details.

Paul McCartney’s daughter issued a statement on Tuesday saying she was “very apologetic” about the accident after driver Arash Nabezadeh released footage of the aftermath to The Sun.

McCartney was said to have given Nabezadeh her registration number, but failed to provide him with her personal details, driving off when the 32-year-old began filming her. In footage of the incident, the designer is heard saying, “take the number of my licence plate. Do whatever you need to do, no problem”. The law states that if you are involved in a collision you must give your full name, address and registration number, or report the incident to the police within 24 hours.

Following the accident, Nabezadeh followed the celebrity to the gates of her children’s school to try and get further details from the 45-year-old. McCartney, Nabezadeh said, took his number and her husband, Alasdhair Willis, called the next day to give their insurance details. Nabezadeh told The Sun: “I didn’t even know who she was details

Washington has 27 specialty license plates celebrating law enforcement, snow sports, firefighters, rhododendrons and more. Some lawmakers think using John Lennon to fight hunger justifies a 28th.

Bipartisan bills in the House and the Senate aim to create a new license plate and source of income for Feeding Washington, a nonprofit organization that supports food banks around the state. The plates would feature a self-portrait of the former Beatle with the word “imagine” across the bottom. I

nitial revenue will go to the Department of Licensing to cover the cost of establishing the new plate, but the rest will go to Feeding Washington. The plates would cost $40 initially with a $30 renewal fee. 

“This provides a great opportunity to provide support across the state to help people live a better life,” said Michael Towner, special projects director for Imagine License Plate Program.

The organization says similar specialty plates in Florida have raise more than $3 million for anti-hunger efforts. Supporters needed 3,500 signatures to apply for a new plate design with the state Department of Licensing, Towner said. They stopped taking signatures after they reached 4,850.&nb details

Sir Paul McCartney has been dubbed a "really talented magician".

The 74-year-old musician was recently spotted showing off his trickery at a party in Los Angeles, and onlookers have described his act as "really good".

One fellow party-goer said: "Sir Paul is a really talented magician. He often performs tricks during any showbiz bash he attends. He's actually really good, people are always so shocked."

It has been claimed that The Beatles legend is thinking about expanding his career prospects and making his magic tricks available for hire.

The source added to the Daily Star newspaper: "He even mentioned that he would have to start hiring himself out for parties."

However, the 'Hey Jude' hitmaker will have his work cut out for him if he wants to take his magic to the stage, as he recently admitted he suffered from terrible stage fright during the early days of The Beatles and at one concert at Wembley in London he nearly gave it all up for good because it was so "painful".

Asked by a fan on his website what his biggest fear is, he admitted: "Performing, it was always the idea that the audience didn't like you and you had to prove yourself.

Source: Simcoe.com

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MY OBSESSION WITH A BEATLES SONG - Monday, February 20, 2017

I was the species of moody adolescent who drove people away from me when that was the last thing I wanted, so I spent a lot of time alone. I had private enthusiasms. I liked to be in the woods by myself, I liked to sleep, I liked to swim underwater, and I liked to sit in my room and listen to music, usually repetitively, while looking at the record’s cover. The first record I did this with was the Kingston Trio’s “At Large,” which belonged to one of my older brothers. I played it often enough that I was able finally to establish who among the three men on the cover was Dave Guard, who was Bob Shane, and who was Nick Reynolds; also, who had the husky voice, who had the tenor, and who had the slightly stiff delivery. Likewise, several years later, staring at the cover of the Grateful Dead’s first record, I determined who was Bob Weir, who were Captain Trips, Phil Lesh, and Bill the Drummer, and who was Pigpen. (People tend to look like their names, and when they sing they often sound like their names, too.) When “Revolver” came out, in 1966, I already knew who the individual Beatles were—they had cunningly saturated the culture by then—but, even so, I stared at their images wh details

Paul McCartney and Ringo Starr have reunited in the recording studio for the first time since 2009.

The Beatles shared a picture of themselves following a studio session on Sunday, suggesting that they had been working together on new material. Shared on Starr’s Twitter page, the caption read: “Thanks for coming over man and playing. Great bass. I love you man - peace and love.” McCartney is expected to feature on a number of tracks from Starr’s forthcoming follow-up to 2015’s Postcard from Paradise.

Eagles star Joe Walsh was also in the studio at Starr’s home over the weekend, leading fans to believe that an epic collaboration in the works.

Producer Bruce Sugar, who has worked with both Starr and Walsh on a number of their most recent releases, also posted a snap of himself with the Beatles. “Magical day in the studio today with these two,” he wrote.

McCartney and Starr last worked together back in 2010 on tracks Peace Dream and Walk With You for album Y Not.

Rumours of a new collaboration surfaced last week when the pair were spotted having dinner together in Santa Monica, alongside Walsh, Tom Hanks and Dave Grohl.

By: Jennifer Rub details

The current owner bought the car for spares and was unaware that it once belonged to one of the world's most successful pop stars.

A rare black Porsche 928 once owned by Beatles guitarist George Harrison is being put up for auction. Harrison, who bought the car in 1980, reportedly drove it regularly when he lived in Henley-on-Thames in Oxfordshire.

The vehicle is currently owned by Raj Sedha, from Leeds, who bought it for spares in 2003 without knowing its history.

Details of its famous former owner only came to light when Mr Sedha's wife saw Harrison's name in the logbook. Mr Sedha said: "It didn't click with me. She said it is George Harrison's. "I said, 'That's who the man who I bought it off said. Who is he?' "She said, 'He's the Beatle. You can't take the car apart for spares.'"

The car is rare because the stitching on its interior leather is completely black. Usually the model includes a combination of either black and red or black and cream stitching. Auctioneer Paul Fairweather said: "For anybody that's into cars and The Beatles, this is a must-have. "The 928 is an absolute classic and the fact that it was owned by George for four years from new will ensure that it roars off the auction b details

Here’s the thing about Paul. As I have written before on more than one occasion, McCartney rubs a lot of people the wrong way. He’s the most musically gifted of The Beatles (though George Harrison fans would likely argue) and in some ways the most creative force in the band (which will likely make John Lennon fans see red). He has even been accused of being an occasional threat to Ringo’s self-esteem (unjustified) which seems unconscionable, especially to the most lovable Beatle’s fans.

Here’s some truth that I doubt anyone would deny: Paul was and is the most driven Beatle, the one who wanted/needed to achieve. In a very real way, that has made him odd man out, even within The Beatles. Even within that close knit band of brothers, he felt his differentness.

As I noted in a piece written for his 70th birthday, if you want to know Paul, you’ll find him in his music. One of the songs that tells us a lot about Paul is “The Fool on the Hill.”

Paul, of course, as he is wont to do, explains away the composition of the song as a meditation on, of all people, the Maharishi:

“The Fool On The Hill” was mine and I think I was writing about someone details

It was a commission for Paul McCartney’s Kintyre hideaway that led to the Beatles’ most memorable album cover. Now Sir Peter Blake’s version of The Monarch Of The Glen, made in the Swinging Sixties, could go on display alongside the 19th-century original if the latter is secured for the nation.

National Galleries of Scotland chiefs have revealed the idea after pop artist Blake, who painted his take on the masterpiece for McCartney’s dining room, recorded a message backing a £4 million fundraising drive to buy Sir Edwin Landseer’s picture.

The National Galleries said it had four weeks to raise the final £750,000 to buy the painting from whisky giant Diageo, which had been poised to auction it off last November until it was asked to consider a “part-purchase, part-deal” gift.

It would have to borrow the Blake painting directly from the former Beatle. It has been hanging for years in his McCartney Productions offices in London.

The work was completed in 1966, shortly before the artist worked on the famous cover of the Beatles’ eighth album, Sgt. Pepper’s Lonely Hearts Club Band. The album cover depicted dozens of famous figures, inclu details

A musician from Cardiff has used a sample of John Lennon on his debut album after getting permission from Yoko Ono.

It’s something of a coup for Gizmo Varillas, the 27-year-old whose family are from Spain but who moved to Cardiff when he was five. The Lennon estate very rarely grants permission for Lennon’s voice to be sampled, but the singer-songwriter who grew up in the Canton area of the city, managed to persuade the wife of the late-Beatles’ guitarist to allow him to use a sample of a Lennon interview on his song No War - which features on his debut album El Dorado.

“He was a huge inspiration of mine - an idol for what he stood for,” said Gizmo, who now lives in London. “I didn’t set out to write an anti-war song, not did I consciously set out to use a sample of John Lennon. All of this happened as I started writing the song and it developed from there.

“The song evolved as I wrote each individual line. Line by line it revealed itself, and then when I reached the middle eight I was thinking to myself what else could I add to the song. “The song is called No War and who expressed that message better than John Lennon.”

By: David Owens< details

The helter skelter story of the Cavern Club - Saturday, February 18, 2017

It has been shut down, demolished, and rebuilt, but Liverpool's Cavern Club remains an icon of pop history. As it celebrates its 60th year, those who were there in its heyday recall its evolution from subterranean jazz club to international music Mecca.

Peter Morris was a friend of the club's first owner, Alan Sytner, who modelled the basement venue on Le Caveau de la Huchette - a jazz place he'd seen in Paris.

He recalled how they were drinking at The Grapes pub in Mathew Street when the idea was formed.

"Alan said, 'We should have a place like [Le Caveau]'. He said, 'I'd love to find a place, like a basement or something'.

"We came out of the pub and [one of us] said, 'Hey Alan, what about that place there?' And there was a sign that said 'Basement For Sale, Or Let'.

 

"The next day we met up again for a pint at lunch time and Alan said, 'Got that place. I've bought it'."

Peter recalled how Alan's vision for the club, which opened on 16 January 1957, involved some questionable manual labour.

"It was actually three rooms, and Alan said, 'What we need is one big room, so these walls will have to come down'. details

David Magnus was once told that he’d never make a photographer. But, at the age of 19, in 1963 he was invited to photograph the Beatles at Stowe School — the first of many assignments he’d undertake for the band.

“They were absolutely charming. They were great fun to be with and I found them very easy to work with throughout,” says Magnus, a member of Stanmore and Canons Park Synagogue.

Magnus went on to photograph everyone from Gerry and the Pacemakers to Cilla Black for NEMS Enterprises, the management company formed by Beatles manager Brian Epstein.

For the first time in his career, Magnus’s photographs, many of which have never been seen, are being exhibited. And at the heart of The Beatles Unseen, at Proud Chelsea, is his exclusive shoot from the historical live recording of All You Need Is Love for the BBC’s Our World on 25 June 1967, watched by 400 million people worldwide.

Magnus took unusually candid photographs of The Beatles relaxing backstage. “The best pictures that I ever took of them were that weekend. I think that was the closest I ever got to the Beatles photographically because it is natural and unposed as you see it.

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The children's home immortalised by John Lennon in The Beatles hit Strawberry Fields Forever is to be redeveloped by the Salvation Army.

An £8m scheme has been unveiled for the home, where Lennon played as a child. The venture will combine an education centre for young people with learning difficulties and an exhibition on the home, the song and Lennon's early life. The gates at the site, which is closed to he public, are a popular attraction for Beatles fans visiting Liverpool.

The plans were announced on the 50th anniversary of the release of the single, which was a double-A side with Penny Lane, reaching number two in the UK charts and number eight on the Billboard Hot 100 chart in the USA.

The original home in Woolton was demolished in the early 1970s and replaced with a smaller building.

Major Drew McCombe, divisional leader for the North West branch of the charity, said: "Strawberry Field is special in the hearts of many people in Liverpool, the UK and across the world, and we at the Salvation Army are aiming to redevelop the site to do justice to the many people that have been supported by the children's home or formed a connection with the iconic Beatles song."

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Will you still love me when I'm 64 - Wednesday, February 15, 2017

Liverpool's most popular museum, The Beatles Story, recently asked any "Fab Four" fans celebrating their 64th birthday in 2017 to contact them. It's 50 years since the first song the Beatles recorded for their iconic 1967 album, Sgt Pepper's Lonely Hearts Club Band, was completed.

George Martin (the band's legendary producer) called When I'm Sixty-Four the album's "jokey song", a classic counterpoint to George Harrison's sombre, spiritual and sitar-influenced Within You without You which started Side Two. Yet Paul McCartney's jaunty, music hall melody now causes more angst and introspection than any of the other more exulted tracks on the album.

Why? Because Baby Boomers regard it with special dread.

If you had the misfortune to be born in the 1950s, celebrating your 64th has become far more gut-wrenching than your 60th ever was. Or your 65th could ever possibly be. As a rite of passage, it's simply the pits. Search the web and you'll find entreaties from both sexes complaining about the pressure they felt. Some post photos of themselves looking hot. Subtext? "Be honest – does my backside look 64 to you?" 

Others – mostly divorced, as McCartney has been – insist they're per details

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