Beatles News

A couple of weeks ago, immediately after the Hot Springs Documentary Film Festival's screening of Ron Howard's The Beatles: Eight Days a Week -- The Touring Years, my wife, Karen Martin, who was moderating a post-screening discussion of the film, asked the nearly 600 audience members how many of them had seen The Beatles live before they stopped touring after their 1966 concert trek.

Six or eight hands shot up around the room and Karen raised her own -- she'd seen the group at Cleveland's Public Hall in September 1964.

That show, which she says she doesn't remember much about (though she remembers how she dressed in black turtleneck, red blazer, black skirt, leather cap and Beatle boots and, most of all, how she anticipated going), was remarkable for a couple of reasons. First, shortly after The Beatles started playing, teenagers rushed the stage and Police Inspector Carl Bear of the Cleveland Police Department's juvenile division ordered the band back to their dressing room. The show proceeded after a 15-minute delay, during which the crowd presumably calmed down.

After the performance, all rock 'n' roll shows were temporarily banned. Less than two years later The Beatles were back, playing a show at Cl details

Dave Meister, of BlueSky Jazz, stands on the stage of his replica of the Cavern Club he is building in Hartland. It is based on the Liverpool, England venue where the Beatles got their start.(Photo: Tyler Langan/Now Media Group)

Driving past 510 Hartbrook Drive in Hartland, there isn't anything out of the ordinary. The office building fits in with its surroundings in this quiet part of town with a park and another office building next door. A chiropractic office and a drivers education company call the building home.

Aside from a few piles of brick in the front, it's impossible to tell that Dave Meister, the building's owner, is nearly done constructing a spitting image of the legendary rock 'n' roll venue the Cavern Club, where the Beatles got their start in Liverpool, England.

It's all part of Meister's plan for BlueSky Jazz, a nonprofit organization that will create a music venue where military veterans and students can learn, perform and someday record music with professionals. He also plans to use the space as a venue for fundraisers to benefit veterans.

“Music is therapy,” Meister said.

The venue is a bold undertaking for a man with no interior design experience. The bas details

He rubbed Lennon up the wrong way, thought he’d killed his brother Ray, and would have loved a three-in-a-bed romp with Brian Jones and their shared girlfriend. He's Kinks man Dave Davies

John Lennon

The only thing me and [late Kinks bassist] Pete Quaife ever argued about was The Beatles. I never liked them but Pete thought the sun shone out of their arses. I used to say: “C’mon, Pete, we can do this stuff better than them!” The Kinks opened for The Beatles at Liverpool Empire, and we were dying to see the guitars they used. We knew they were Rickenbackers. I was going to go up there and play one, but John Lennon wouldn’t let us touch anything. “Don’t you dare touch those!” He was a paranoid guy, but funny.

They were so protective of everything, with their posh suits and Beatle haircuts. John used to hang out at the Scotch of St James. I think he liked me, mostly because he knew I didn’t give a shit. My attitude wasn’t down to inner resentment, like his was. A lot of his discontent was born from deep-rooted experience and resentment. But, unlike John, I’d had a great childhood. We were once both drunk, sitting at the tab details

(photo) The Capitol Records building photographed on March 26, 1958 in Hollywood, Calif.

In honor of Capitol Records’ 75th anniversary, the record company plans to give music fans a better glimpse into the history of the label with reissues of old favorites and more.

The celebration kicks off Nov. 15 when Capitol Records becomes the first record company to receive a star of recognition from the Hollywood Chamber of Commerce to be placed in front of Capitol Tower near the Hollywood Walk of Fame.

Capitol Music Group Chairman and CEO Steve Barnett announced Tuesday (Nov. 1) that the company has three endeavors planned out that include music, film and literary projects that pay tribute to eight decades worth of artists signed to the famed West Coast label.

The first is a year-long major vinyl reissue campaign called The Capitol Records 75th Anniversary Collection, which features 75 albums. The list spans many Capitol eras, genres and artists and includes well-known and lesser-known releases.

Capitol joined noted music journalists, authors and other renowned creative figures to decide on the final list, which includes artists like Coldplay, Katy Perry, Bonnie Raitt, The Beatles and Frank details

48 years ago today (11/1/68) George Harrison released his first solo album, Wonderwall Music on the Apple label. The songs which were mostly Harrison instrumentals, featured Eric Clapton, Ringo Starr and an unaccredited banjo contribution by Peter Tork of The Monkees. Wonderwall Music also marks the first solo album by a member of The Beatles and although it doesn’t have any standout hit songs, its equally strong in its range of music from Indian to guitar workouts and early time nostalgia. Listen to the sonic scorcher “”Ski-ing” featuring Clapton that sounds years ahead of its time…

ake a surreal trip under the seas in the LEGO® version of the Yellow Submarine (#21306). A collectible replica of the underwater vessel from The Beatles inspired musical fantasy film, the LEGO Yellow Submarine takes fans on a journey to Pepperland with the Fab Four!

The submarine features a removable top for easy play, a cockpit that accommodates the included John, Paul, George and Ringo cartoon minifigures, two rotating propellers, four periscopes, an adjustable rudder, plus assorted accessory elements that The Beatles have collected on their journey. The set also includes a Jeremy figure – on board to help the musicians defeat the Meanies. An ideal gift for fans of LEGO building and The Beatles, it’s great for role-play or to create a colourful retro display.

Created by fan-designer Kevin Szeto and selected by LEGO Ideas members, the set measures over 5” (13cm) high, 9” (25cm) long and 2” (6cm) wide. At £49.99 RRP, the set includes over 550 pieces, is suitable for ages 10+ and contains a collectible booklet about the LEGO fan designer and the Yellow Submarine.

“As an amateur musician and songwriter, I have always been drawn to the music of Th details

We’ve all dreamt of being in The Cavern Club with The Beatles twisting, shouting and mop-wobbling the place into a Cilla-quivering frenzy, but only the more imaginative business studies student has ever dreamed of what it might be like to run the club after they’d graduated to Shea Stadium. Until now. A new book, 'Cavern Club: The Inside Story', tells the story of Debbie Greenberg, a Beatles-era Cavern regular whose family bought the legendary club in 1966, nursed it into a second golden era and who wants to set the record straight on why the original Cavern was demolished in 1973.

What was it like being at The Cavern in the ’50s?

“When I first started to go there, there was quite a bit of jazz being played, then it moved into a bit of skiffle and they very slowly started to introduce rock’n’roll, which the owners of the club were against at the time. But of course the kids went wild when they played rock’n’roll so gradually the rock’n’roll took over. It made for a very different vibe, it was vibrant and exciting. Every time, you got that tingle, your feet started to tap and you couldn’t wait to get details

The Music Universe recently interviewed Vivek J. Tiwary, author of the New York Times best selling graphic novel and soon to be TV series The Fifth Beatle: The Brian Epstein Story. It is the story of Brian Epstein, the man responsible for discovering the British supergroup and who had such a profound impact on the band. Discovering the band when they were disorganized teenagers playing pubs in Liverpool, he masterminded their transformation into a revolutionary, trailblazing, pioneering band that would have more impact not just in music but also in the arts and society than any other rock band in history. It’s fair to say without Brian Epstein, the world would not have The Beatles we know today, if at all.

But The Fifth Beatle is not a book about The Beatles. It tells the remarkable story of Brian Epstein, a gay, Jewish man living in England at a time when one could be arrested for being gay. Dying at the age of 32, he would not live long enough to see how his work behind the scenes would influence the way bands made their deals. He laid much of the groundwork that paved the way for bands to profit handsomely from their work.

From thefifthbeatle details

“It was one of those things. You take the enormity of being the Beatle brother or the Guinness heir, you face it, you accept it warmly, it is your heritage, it’s who you are,” Mike McCartney said of life in the shadow of his older brother Paul.

“As our kid [Paul McCartney] once said to me, “Mike don’t ever forget, you were there”. And it’s true,” he told Róisín Ingle, presenter of the Róisín Meets podcast.

Another person who was there was Mike McCartney’s friend the Guinness heir Tara Browne. Artists, writers and musicians – including the Beatles and the Rolling Stones – were guests at wild parties at his home, Luggala in Co.Wicklow.

Immortalised in the Beatles song, A Day in the Life, after he was killed in 1966 aged 21 in a car crash in London, Browne is now the subject of the Paul Howard biography, I Read the News Today, Oh Boy.

McCartney is responsible for helping Howard paint a picture of Browne’s life at the centre of the London scene during the swinging 60s. The pair got on well, according to the Liverpudlian, because he and the aristocrat both had big names to live up to.

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A vintage amplifier used on classic Beatles albums Sergeant Pepper and Revolver has been given a new lease of life at a Whitworth recording studio. Chris Hewitt, the man behind the Deeply Vale music festivals, who ran a music shop in Rochdale during the 70s and 80s, got his hands on the amp while working on a Joy Division exhibition with the band’s bassist Peter Hook.

But it was only when it was sent for repair, after Hooky blew it up, that its history as a Beatles studio amp was discovered.

Chris said: “He borrowed it and blew it up. “The repair man could only see it under a certain light, but it had scratched on it ‘Beatles studio amp’. “He had it under a spotlight looking at it and it was scratched on under all the grime and dirt.” After undertaking research on the amp, including looking through old photographs and carrying out a check of its history, Chris was able to confirm it was the one used by George Harrison on some of the Fab Four’s most celebrated work.

Chris has his guitars repaired by Michael Eastwood, guitarist in the band Kelly’s Heroes And when the band came to record their new EP For the Years to Come at Studio-Studio, in Spodden Mil details

A letter John Lennon wrote to the Queen explaining why he was returning his MBE was found tucked in a record sleeve from a £10 car boot haul.

The anonymous owner took the document to a valuation day at The Beatles Story in Liverpool on Wednesday - and discovered it was worth about £60,000.

One expert believes the text is a draft of the letter Lennon eventually sent, which remains in the Royal archives. Lennon returned the MBE in protest at Britain's involvement in a civil war.

The letter reads: "I am returning this MBE in protest against Britain's involvement in the Nigeria-Biafra thing, against our support of America in Vietnam and against Cold Turkey slipping down the charts."

The letter, which was recently unearthed in the owner's attic, has been described as an "incredible find" by music memorabilia expert Darren Julien. It was originally discovered inside the sleeve of a record that was part of a collection of 45s, picked up for £10 at a car boot sale 20 years ago.

"My theory is that John Lennon never sent this draft because of the smeared ink," said Mr Julien. "If you're writing to the Queen, you want the letter to look pretty perfect, you don't want the ink to be details

In late 1974, former Beatle George Harrison released a holiday single of sorts. Its A-side, "Ding Dong, Ding Dong," was one of the catchier tunes from his latest album, Dark Horse.

Luckily for Beatles fans—and for guitar fans in general—Harrison filmed a pre-MTV music video to go along with the tune. It's overflowing with guitar cameo appearances; we even see a few of his iconic, Fab Four-era axes a full 10 years after the height of Beatlemania. You can check it out below.

As Harrison parodies several younger versions of himself—"ringing out the old," as it were—he plays (and/or displays) a Gibson ES-5 (not one of his Beatles guitars, despite the Hamburg-era leather jacket he's sporting as he plays it), his legendary 1963 Rickenbacker 360/12, his original Epiphone Casino (the same guitar he played on the Beatles' final tour in 1966) and his 1957 Gibson Les Paul, also known as "Lucy."

This is the guitar Harrison plays in the "Revolution" promo video, the same ax Eric Clapton plays on "While My Guitar Gently Weeps" (according to Andy Babiuk, and I totally agree). We also see a few custom instruments, including a 12-string acoustic guitar made by Zemaitis.

By: Damian Fanelli< details

THE recent release of The Beatles documentary, Eight Days A Week –­ The Touring Years, showed what life was like for the Fab Four at the height of their popularity. Now a new book, The Beatles – I Was There, uncovers the stories of the fans who saw the band live. Author Richard Houghton spoke to more than 400 people lucky enough to see the group between 1957 and 1966 to record their memories. The Beatles made several trips to Scotland during that period and the book features tales of Scots who saw John, Paul, Ringo and George as they went from unknowns to the biggest stars in the world.

Beach Ballroom, Aberdeen, January 6 1963

Bill Cowie, 15 at the time, and his brother Mike turned up early, so knocked on the stage door and were invited in to meet them. “They were tuning their guitars and discussing their playlist,” Bill recalled. He requested Chuck Berry’s Sweet Little Sixteen, which John later dedicated to the “lads in the front row”. After the first set, Bill and Mike went back to the dressing room and Paul offered them a cup of tea. Afterwards, Kathleen Donald, 15, and her friend Pat Masson knocked on the dressing room door for autographs. “When I got marri details

Imagine a Beatles biography that combines the rigorous research of a World War II history tome with the continuously unfurling dramatic plot of a Game Of Thrones-style epic. Mark Lewisohn had this thought, or something like it, in 2003, and went about purging his life of virtually all non-Beatles-related activity from that day forward.

Ten years later, in 2013, the first volume of the wryly titled The Beatles: All These Years showed up on bookstore shelves, taking us all the way from the lineage of Ringo Starr’s grandparents to the moment right before the crushing onset of Beatlemania in 1963. Lewisohn expects to finish the second volume, which will cover 1963 to 70, in 2020.

His appearance at the Toronto Reference Library on Saturday, October 22, marked the end of a three-week research trip of gathering new material for this book, some of which he promised would significantly change the way we think about the story of Beatle-mania.

Disputes about the Beatles’ musicianship almost always feel like a show of faux contrarianism, but it’s important to acknowledge that their enduring popularity is due in part to the sheer volume of ephemera produced during the Beatlemania years. Nothing enab details