Beatles legend Paul McCartney made a lifelong dream come true for a cancer-stricken fan by calling her when she was admitted in the hospital. McCartney called the terminally ill woman, who had left city government to become a top official at the MTA, to fulfil her life-long dream, reported the New York daily News.
Susan Kupferman and McCartney's wife, former MTA board member Nancy Shevell, were friends. "I wasn't on the call but I'm telling you, Paul called. He is a great guy," said mayor Bloomberg. Kupferman, 54, was in the final stages of cancer and died on June 26.
One mistake and your reputation is shot. Dick Rowe was one of the pillars of the Decca label, but he has gone down in history as "the talent scout who turned down The Beatles." A sin of a different nature was committed by Vee-Jay Records, the Chicago firm that in 1963 signed a contract to release The Beatles' records in the United States. But it lost that license to print money out of mere fecklessness.
Early in 1963 Capitol, the California branch of EMI, didn't want to know about The Beatles, or even how to pronounce their name. Despairing of making any progress in the matter, EMI ceded its masters to Vee-Jay, which was trying to sign a balladeer, Frank Ifield. The Beatles came as part of a two-for-one package.
The Beatles saga is portrayed as a triumphal march, but it might have ground to a halt on several occasions. In spite of Vee-Jay's good relations with Chicago radio, the first Beatles singles hardly got any air time. Faced with this lukewarm reception, they delayed their first LP, Introducing... The Beatles .< details
After close to 300 Beatles appearances at the Cavern Club, spanning two and a half years, this was the last! The venue had played perhaps the vital role in preparing them for "The Big Time" and now that time had come. Bob Wooler, the Cavern Club compere, remembers Brian Epstein promising that one day the Beatles would be back, but it was not to be.
Tickets for the performance went on sale on July 21st at 1:30 pm and by 2:00 pm were sold out. The Beatles fee was £300 - The first time they played at the Cavern it was £5.
Source: Beatles Radio
detailsIn 2010, a small jazz festival in Toronto decided to produce a tribute to British singer-songwriter John Lennon to commemorate the 30th anniversary of his death. The project brought some of Canada’s most renowned musicians together to perform music by Lennon and the Beatles, thoughtfully arranged by Michael Occhipinti, a talented musician who had done a similar project previously with the music of Bruce Cockburn.
The tribute was a huge hit, and it spun off into a CD, which was also successful. As a treat for music lovers, that concert experience will be recreated during the 2013 P.E.I. Jazz and Blues Festival in Charlottetown. Shine On: The Universe of John Lennon will hit the stage of the Homburg Theatre of the Confederation Centre of the Arts on Sunday, Aug. 25, 7:30 p.m.
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Stuart Sutcliffe, the late artist and early bassist for the Beatles, will receive an art showcase from Harper's Books in East Hampton, New York on August 10th (running until October 14th). The exhibition, titled "Stuart Sutcliffe: Yea Yea Yea" and curated by artist Richard Prince, will feature 21 of Sutcliffe's paintings and paper-based works.
According to the Harper's website, the exhibition "seeks to recontextualize (Sutcliffe's) oeuvre within the paradigm of the contemporary art world, highlighting the enduring significance of his work for both late Modernist art history and present-day artistic practices." The selected art will emphasize "the collaged geometricism of his works on paper and the dense gestural abstraction of his paintings."
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TAOS, N.M. (AP) — Snow and frigid temperatures didn't stop thousands of screaming teenagers from crowding into the Washington Coliseum in the nation's capital for the Beatles first live concert on American soil. And not having a flash didn't stop photographer Mike Mitchell, then just 18 years old, from using his unrestricted access to document that historic February night in 1964 using only the dim light in the arena.
Ghostly shadows and streams of light filled some negatives. With the help of modern technology and close to 1,000 hours in front of the computer screen, Mitchell was able to peel back decades of grunge and transform those old negatives into a rare, artful look at one of pop culture's defining moments.
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A rare shot of John Lennon and Paul McCartney singing together at the time of the Beatles' demise has been found. The photograph was taken at the 1969 recording of The Ballad of John and Yoko at Abbey Road Studios in London. The song was released in May of that year and became the band's last number one single.
Merseyside author Dean Johnson, who has revealed the shot in a book, said it showed a "sad epitaph to the greatest musical partnership". Mr Johnson was sent the photo by a Beatles fan after appealing for unusual and rare images of the band on Facebook. He said he had seen "nearly everything" to do with the Liverpool group, but had "never seen" the shot of John and Paul. "The Ballad of John and Yoko was a unique session as only John and Paul took part and, in a way, was a sad epitaph to the greatest musical partnership in pop history."
Source: BBC News England
detailsA RARE Beatles programme emblazoned with no less than three signatures of John Lennon is to go on sale at a South Derbyshire auction house. The commemorative item, from a show in March 1963, has been signed by the late singer on three separate pages. There are also signatures from the other band members.
It will be sold at Hansons, in Etwall in a sale later in the month. Music and memorabilia consultant Clare Howell said: “Our client’s father and friends went along to the concert and were fortunate enough to meet the boys. Having just the one programme between them, they asked John to sign three time, so they could each have an autograph. One lucky fan was left with the programme.” The starting bid for the lot is £1,000. Another lot of cuttings from the concert, in Sheffield, will go for an estimated £250-£350.
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DEMOLITION has started at an iconic pop venue of the 1960s that has been at the heart of Northwich for decades. Northwich Memorial Hall drew crowds in their hundreds in the 1960s and ‘70s when it played host to legendary acts like The Beatles, The Rolling Stones, Animals, Tom Jones, Cilla Black, Dusty Springfield, Lulu, Ben E King and Jimmy Ruffin, among many others.
But now the hall is being knocked down to make way for Memorial Court, a new £13.7 million leisure complex planned by Cheshire West and Chester Council (CWAC). Gwili Lewis, from Castle, was manager at the hall thoughout its 1960s and ‘70s glory years. The 92-year-old was present at the start of demolition on Monday and shared some anecdotes from his career there.
Source: Northwich Guardian
detailsPIECES of a Wirral stage trodden by The Beatles – before they took the pop world by storm – are being snapped up at extraordinary prices across the globe. A Beatles fan in America has paid $300 for a four-inch square section of the stage, while a UK enthusiast has parted with £250.
The blocks have been auctioned over the years to help finance the present day Birkenhead YMCA. When the old building was demolished in the 1980s, staff had the foresight to salvage sections of the stage ,after recognising their historic value because of the appearance of the Fab Four. Just a handful of the blocks remain, signed by world renowned Beatles biographer Paolo Hewitt.
Source: Wirral Globe
detailsSir Paul McCartney still has a ''treasure trove'' of Beatles songs he wants to play live. The 'Paperback Writer' musician plans to continue introducing more ''hidden gems'' from his most famous band's back catalogue into his future solo shows.
He told Rolling Stone magazine: ''What I do is, each tour or each concert we're going to do, I will go back into the catalog and think, 'Wait a minute, we could do that one,' and there are a few little hidden gems. ''I haven't actually decided which ones are which yet, but I know there's so much in there. It's like a little treasure trove, you know? It's really quite a cool feeling, because as I do the songs, I am made very aware that that period when we recorded - the 10 years the Beatles were together - was a particularly rich period for art, anyway, and for us.''
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Tony Palmer was studying moral sciences at Cambridge University in the 1960s when a moderately famous band arrived in town. "I got a call to attend this press conference the Beatles were holding, to cover it for the college paper," he recalls. "They'd had a No 1 single or two by then, so they were very well known – but not yet intergalactic. Afterwards, John Lennon came up and asked me why I hadn't asked them any questions. I told him I found the whole thing pretty silly.
He laughed, and when I told him I was studying moral sciences, he thought me pretty silly, too. He wanted someone to show him around the university – I realised much later that he was very interested in education. So we meet up later and he's in disguise – a dreadful one, with a large fedora hat, long brown raincoat and fake beard.
Source: The Guardian
He remembered the reaction of his older sister to the band’s appearance on television and decided he wanted to learn to play the guitar. He started taking guitar lessons near his home in Waterbury, Conn., and eventually formed a band with friends, playing a variety of rock and pop songs, but always going back to playing songs by The Beatles.
For nearly 35 years, Cantamessa has continued to play The Beatles’ songs, performing on stage as John Lennon in “The Neatles,” “Beatle Magic: The Show,” various touring incarnations of “Beatlemania,” and his current show, “The Cast of Beatlemania,” with other veteran musicians who have specialized as the Mop Tops in various tribute bands over the years.
Source: Mansfield Patch
Photo Credit: Peter Morenus details
This summer, I had the pleasure of visiting California for the first time. Although it was a family vacation with my girlfriend and her daughter, I did find the time to do a little bit of "Beatling about". Most of this was concentrated in the one day I spent with Gillian Lomax. Gillian is a Merseyside gal who has lived most of her adult life in the USA, following a hitch-hiking trip many years ago. A Beatles fan by heart, Gillian realised that Los Angeles was a city full of Beatles history, but without a Beatles tour. So she created one.
There are a few cities in the world with organized Beatles tours, Liverpool of course, London of course, Hamburg, New York and Los Angeles. I'm not sure if the New York tour still exists, but in 2005 I had the pleasure of attending a New York Beatles walking tour, guided by Trina Yannicos. You can explore a few Beatles sights in Los Angeles by walking, but most sights are far apart, so the best option is to do a tour by car.
The sun’s rays, on a lucky day, are making their way through the rooftops of Liverpool. The solitary figure moves quietly over the sidewalks, dropping off the fresh milk at his appointed rounds. He is hungry and, as always in the morning hours, filled with anxiety, a smidge of anger, and a touch of day- dreaming—the kind of fantastic dreams that fill us with hope as teenagers.
Chances are that he is thinking about music and creating a reasonable amount of mayhem during the day ahead. In young John Lennon’s mind, the milk delivery is a necessary means to an end, a few extra pounds, a pur- chase here or there of American records, a chance to chart his future, undaunted and barely affected by the doubts of the adults in his life. Above and beyond everything he was—friend, lover, son, nephew, brother, student, milkman—he was an incessant dreamer and devilish manipulator.
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