Studio Three, EMI Studios, London
While the afternoon from 2:30 to 7:15 was spent overlaying many of the aforementioned effects onto take three of "Tomorrow Never Knows", the evening session, from 8:15 to 1:30 am, saw the Beatles start work on Paul's superb Tamla Motown-inspired "Got To Get You Into My Life", recording five takes.
The song changed a great deal before it ended up on Revolver with recording taking place sporadically until June 17th.
