Beatles News

The documentary, directed by Michael Lindsay-Hogg, will be available to watch for the first time in 50 years. The film follows The Beatles as they record 'Let It Be,' and as they perform for what would be their final time as a group. Everett

Disney+ is adding to its library of music documentaries, bringing a long lost Beatles doc to its slate.

The streaming service is adding the 1970 film Let It Be to its platform, beginning May 8, 2024. It will be the first time that the film, directed by Michael Lindsay-Hogg, has been made available to watch in 50 years.

Peter Jackson’s Park Road Post Production restored the film, with Lindsay-Hogg’s support, allowing for its rerelease. Jackson, of course, directed the 2021 documentary for Disney+ The Beatles: Get Back.

Let It Be follows The Beatles as they record the aforementioned album, and as they perform for what would be their final time as a group.

Disney says that the background and story provided by Get Back allows for the film to be more fully appreciated, with Jackson and Lindsay-Hogg now voicing support for people to see both projects in a more complete context.

“Let It Be was ready to go in October/November 1969, details

At 81, Paul McCartney still going strong, considers himself on first wind aiming for 100. Fans praise McCartney's positive attitude, secrets for aging well, including yoga and a vegan lifestyle. Rock asked McCartney about aging, received hilarious response from Beatles star.

The artist is getting older, but at the age of 81, Paul McCartney isn't quitting music. The Beatles star continues to age in reverse. While speaking alongside Chris Rock, Paul McCartney revealed his true feelings on getting older.

In the following, we're going to take a look back at the entertaining interview between the two, and what Paul McCartney had to say. We'll also reveal how the fans reacted to the interview. As expected, fans had nothing but praise for Paul and his thoughts.

We'll conclude things by taking a closer look at the ways McCartney is currently fighting the aging process, and what he's doing to keep a youthful look and mindset.

Paul McCartney Told Chris Rock He's Still On His First-Wind, Building Up To His Second-Wind On The Road To 100

Paul McCarntey has always been a great guest, filled with fantastic stories from the past. He's also full of wisdom, and that was on full display during his chat details

The Beatles’s influence ranges far and wide. Almost every artist today can trace their musicality back to the foursome in one way or another. While that credit isn’t always given, there are a few artists that have made it a point to pay homage to the Fab Four. Find three such artists and their Beatles-centric songs, below.

1. “Edge of Seventeen” (Stevie Nicks)

Stevie Nicks’ “Edge of Seventeen” has transcended its original meaning. While Nicks wrote this track as an ode to John Lennon (and her uncle who’s name was also John), it now stands as Nicks’ thesis statement of sorts. It has a certain magic that only Nicks is able to deliver. Nevertheless, Nicks’ original intent was to pay homage to the former Beatles member. Because of that, it earns a worthy spot on this list.

Source: Alex Hopper/



The Beatles were one of the most successful musical acts when it came to collecting Hot 100 hits during their heyday. The band pushed pretty much every single they released to the ranking of the most-consumed songs in the U.S. for nearly a decade. While many of their beloved smashes reached the competitive tally, plenty of other well-known tunes from the group never had a chance to shine on the chart, based on how it was arranged at the time.

This week, one of The Beatles’ most recognizable songs finds a home on the Hot 100. It does so thanks to an inventive and beautiful cover from one of the biggest musical stars in the world—and it reaches a new peak thanks to the reworking.

A cover of The Beatles’ “Blackbird” by Beyoncé debuts on the Hot 100 this week. The tune opens at No. 27 on the ranking of the most-consumed songs in the U.S.

Beyoncé’s take on the Beatles classic sticks pretty close to the original, though she does make it her own in some ways. For starters, she changed the name, but only slightly. To help differentiate it from the classic, and to keep it in the same format as her other tracks on her latest album, she’s added a second "i," c details

The Beatles are getting the big-screen biopic treatment in not just one film, but a Fab Four of movies that will give each band member their own spotlight — all of which are to be directed by Sam Mendes.

For the first time, the Beatles, long among the stingiest rights granters, are giving full life and music rights to a movie project. Sony Pictures announced Monday a deal that may dwarf all music biopics that have come before it, with the stories of Paul McCartney, John Lennon, George Harrison and Ringo Starr spread out over a quartet of films.

The films, conceived by Mendes, are expected to roll out theatrically in innovative fashion, with the movies potentially coexisting or intersecting in theaters. Precise release plans will be announced at a later date. Sony is targeting 2027 for their release.

McCartney, Starr and the families of John Lennon and George Harrison have all signed off on the project through the band’s Apple Corps. Ltd. Sony Music Publishing controls the rights to the majority of Beatles songs.

“I’m honored to be telling the story of the greatest rock band of all time, and excited to challenge the notion of what constitutes a trip to the movies,” Me details

One, two, three, four

Those four words kick off the debut album by The Beatles as they explode into the intro with guitar, bass, and drums. After “Love Me Do” reached No. 17 on the British charts and “Please Please Me” hit No. 1, it was time to record an album. When producer George Martin witnessed the audience’s reaction to the band’s live shows, he decided they should record the same songs they regularly performed. On February 11, 1963, the band entered EMI Studios on Abbey Road in London and laid down 10 songs. Let’s take a look at the story behind one of them—”I Saw Her Standing There” by The Beatles.

Well, she was just seventeen
You know what I mean
And the way she looked
Was way beyond compare
So how could I dance with another
Ooh, when I saw her standing there?
The Origin

Paul McCartney began writing the song as he was returning home from a show in Southport, England. He was influenced by the traditional song “As I Roved Out.” He worked out the arrangement on an acoustic guitar at musician Alan Caldwell’s house in October 1962. (Caldwell went by the name of Rory Storm and had a band, Rory St details

Described inevitably, but correctly, as ‘a classic’, it’s pretty close to perfection.

That’s not so much because of the discreet studio, where a white grand piano currently takes pride of place, but because of the captivating, white-shuttered 18th century house which looks out, across a terrace arrayed with statues, to the Mediterranean – and which is even blessed with its own chapel, carved into the hillside above.

But, dream South of France property though it may be, I can reveal that Julian Lennon has decided to walk away from it – albeit for £22million.

That’s the price tag which musician, photographer and philanthropist Julian – only child of John Lennon’s marriage to his first wife, Cynthia – has put on the house which he’s owned for the past 25 years or so.

Described as a ‘passion project’, the four-storey house, which has five bedrooms, four bathrooms, and numerous balconies, is the sort of architectural gem which could have appeared in a play by Noel Coward or a novel by Somerset Maugham, who memorably called the Riviera, his home for many years, ‘a sunny place for shady people’.

Sourc details

During Monday’s (April 8) solar eclipse, a number of well-known hits surged on streaming platforms as Americans got into the spirit of the event. Plenty of songs that had some connection to the sun, or the moon, or, more specifically, eclipses, benefited from the special occurrence. One of the most successful from that day comes from the biggest bands of all time, and it’s way up in terms of plays on the top streaming platforms.

The Beatles’ “Here Comes the Sun” gained massively on Monday as millions of Americans focused on all things related to the eclipse–even songs that weren’t really connected to the event. On that one day, the Fab Four’s track earned 656,000 plays on streaming sites, according to Billboard.

More than 600,000 streams in a single day is impressive. Given the fact that “Here Comes the Sun” is already more than half a century old, its performance is even more notable. The Beatles’ cut ranked inside the top 200 on Spotify’s U.S. chart on that day, beating out dozens of more current smashes.

Billboard states that when compared to the Monday before the eclipse, streams of “Here Comes the Sun” were up 58%. T details

The Beatles are, well, what can we really say that isn’t obvious? They are probably the biggest band ever. The Fab Four remain icons of music. Throughout their time together, the Beatles created a litany of indelible songs and massive hits. In fact, 20 different Beatles songs hit number one on the Billboard Hot 100 charts. And yet, that isn’t the end of the Beatles’ quality output. In fact, these are 30 great songs from the Fab Four that were never chart-toppers in the United States.

“All My Loving”

Interestingly, the Beatles (or their label, more than likely) didn’t go in too heavily on “All My Loving.” It was released as a single in Canada, becoming a number-one hit. Then, eventually, the Canadian single got imported to the United States, but that left it to peak at 45 in America, which is a real surprise.

Source: Chris Morgan/Yardbarker



We love a classic interview where someone famous either nails a future prediction or, better still, they fail miserably at it, so we can gently mock them. We've discovered one that definitely sits in the former camp, and it's with none other than Beatles legend George Martin.

Back in 1983, Martin had, of course, moved on from producing The Beatles and onto other projects including setting up AIR Studios in Montserrat – a fascinating story in itself, which we go into here. That didn't mean he would ever stop getting asked about the band though, but he was always more than willing to talk about them.

It was also the year Martin had written his book, Making Music: The Guide to Writing- Performing and Recording, a compilation of his own "little tricks of the trade" and those from a vast number of his contacts, from Adam Ant to Hans Zimmer. And it was this book that he was being interviewed about in the November issue of Home & Studio Recording.

Source: Andy Jones/


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