In 1969, The Beatles were practically over. Especially after their disastrous sessions in January, which eventually became the album Let It Be. The sessions were filmed with the intent of making a TV show of their recording sessions. In a way, they were pioneering reality TV. But the addition of cameras, as evidenced by Peter Jackson's documentary, The Beatles: Get Back, only served to sour their already deteriorated relationship. John Lennon Asked for Paul McCartney's Help Despite Their Estrangement.

When John Lennon returned to England, newly married and with a new song, his fellow Beatles were scattered. Ringo Starr was on set filming The Magic Christian, and George Harrison was away on vacation. But his best friend and long-time songwriting partner was home, so, of course, Lennon took the song to Paul McCartney. The song was the retelling of his and Yoko Ono's complicated journey towards getting married and their unconventional honeymoon. He titled it "The Ballad of John and Yoko". "It’s a piece of journalism," Lennon described it. "It’s a folk song. That’s why I called it The Ballad Of."

Source: Collider/Val Barone

After his decade-long career as a member of the Beatles, George Harrison released several solo hits, like "Got My Mind Set on You," "Give Me Love (Give Me Peace on Earth)," and "Ding Dong, Ding Dong."

According to Far Out magazine, Harrison jotted down "Ding Dong, Ding Dong," off his 1974 album Dark Horse, in record time. The publication reported that Harrison discussed coming up with the tune while writing his memoir, I, Me, Mine, published in 1980. He explained his inspiration for the track was the inscriptions near his Victorian estate's fireplace and shed.

“‘Ding Dong, Ding Dong’ was the quickest one I ever wrote. It took me three minutes, except it took me four years of looking at the thing, which was written on the wall at my home, ‘Ring out the old, ring in the new. Ring out the false, ring in the truth,’ before I realised it was a hit song. It makes me laugh because it’s so simple. That song evaded me for four years," wrote Harrison, who died in 2001 at the age of 58.

“Instead of getting stuck in a rut, everybody should try ringing out the old and ringing in the new… [People] sing about it, but they never apply it to their lives,” shared Harr details

Have you heard the Beatles have split up? This distraught cry could be heard echoed by countless voices around the world following Paul McCartney's shocking disclosure via press release on April 10, 1970, that he would no longer be working with the group. In fact, although not known publicly, John Lennon had already informed his bandmates (McCartney, Ringo Starr, and George Harrison) back in September 1969 of his own decision to leave the band.

This wasn't automatically viewed by the others as the end of the road, however. Starr himself had previously quit for two weeks in 1968, and Harrison for five days in January 1969. 

The Beatles taking New York City by storm during their groundbreaking North American tour in 1964. But what led to this increasing discontent and the true end of the Beatles? One important factor is pressure. There had been supergroups before, but the rise of the Beatles and resultant Beatlemania, not only in England and America, but around the globe, was unprecedented.

So ardent were the Beatles' fans that, as early as 1966, the group had decided to stop touring, due to a combination of exhaustion, a lack of being able to hear themselves onstage over the screams, and threats details

WhenJohn Lennon wrote "Give Peace a Chance," the anti-war song was a cry for one thing only: "All we are saying is give peace a chance," the track echoed throughout its nearly five-minute runtime. Recorded 57 years ago today on June 1, 1969, it was released on July 4 in the U.K. and July 7 in the U.S., and became a historic peace anthem—without ever hitting No. 1 on the charts.

Despite never reaching the top spot on the Billboard Hot 100, the song peaked at No. 14, enjoying a nine-week tenure on the chart overall. It spent four weeks within the Top 20 and six weeks in the Top 40, records show.

Credited to the Plastic Ono Band, the track itself was created in the moment during one of Lennon's and wife, Yoko Ono's, famous "bed-in" protests, sparking a movement during the anti-Vietnam War era of the late 1960s/early 1970s.

"Lennon and Ono were well-known members of the anti-war movement. They even created the method of protest known as a “bed-in,” involving occupying a hotel room for a week at a time as they did on their honeymoon in Amsterdam. This song was actually recorded during one of their “bed-ins” in Montreal," according to Genius.

While the Montreal bed-in was details

Paul McCartney has revealed to NME that he is unsure if he will ever retire from recording and touring.

The Beatles legend released his latest solo album ‘The Boys Of Dungeon Lane’ last week (May 29), a poignantly nostalgic record that sees McCartney reflect on his years growing up in Liverpool. It includes a duet with Ringo Starr on ‘Home To Us’, as well as the tearjerker lead single ’Days We Left Behind’.

Ahead of the album’s release, McCartney sat down with NME to look forwards and back on his extraordinary career, and we asked him whether he can imagine ever walking away from being an active musician.

“I don’t know. I never know, y’know?” he replied. “I remember when I was 50 years old, my manager at the time said, ‘Well, are you thinking of retiring?’ I went, ‘Uh, I don’t think so.’ But he obviously thought, 50… which, I get it, because we thought 30 was really old [when] we were 20. So 30 was like that’d be unseemly, but it came, and it went, and people were still playing, and audiences like the music.”

He went on to explain that he is conscious of the fact that there are details

Ringo Starr is not slowing down.

The 85-year-old drum legend, who is adored by hundreds of millions of music lovers for his work in The Beatles, just released the brand new album “Long Long Road.”

It’s his second T-Bone Burnett country music album in as many years, following “Look Up” in early 2025.

Starr, who has more than 20 solo studio albums to his credit, also can found on his fellow Fab Four buddy Paul McCartney’s “The Boys of Dungeon Lane” record, which just hit stores last week.

The two Beatles greats team up for their first-ever vocal duet on “Home to Us,” which was released as the second single (following the equally nostalgic “Days We Left Behind”) off McCartney’s album.

Starr is also still heavily involved with His All-Starr Band — the current lineup of which features Steve Lukather (the brilliant guitarist and better-than-decent singer from Toto), Colin Hay (the fun frontman of Men at Work), Warren Ham (another Toto talent who shines on saxophone and vocals), Hamish Stuart (bassit/guitarist/vocalist from Average White Band), Gregg Bissonette (who has drummed for everyone from David Lee Roth to details

From its garish artwork to the strange mismatch of covers and originals, Rock ’n’ Roll Music is the unloved outlier of the band’s catalogue

In June 1976, the American monthly Phonograph Record Magazine printed a long piece on the parlous state of pop. “Music has been plagued by both the lack of striking inventiveness and visible leadership,” it declared, “and the record-buying public is seeking a cure”. That cure would involve looking a decade or more backwards, with a double-LP compilation of old Beatles material called Rock ’n’ Roll Music. A “million-dollar promotional campaign” would “recreate Beatlemania”, and so the moribund music industry would be saved.

Meanwhile, in the very same issue, the debut album of punk pioneers the Ramones was being praised (“you have to love anything this moronic – the Ramones have managed to turn this style of heavy metal into something that might just be commercial”) and the Sex Pistols’ legendary 100 Club gig was being very favourably reviewed (“they’ll be so popular they’ll hate themselves”). Sometimes the way forward is begging for your attention and details

Paul McCartney is back with a new solo album, “The Boys of Dungeon Lane,” and in doing the press rounds behind the release, he’s opening up about the losses of Beatles bandmates John Lennon and George Harrison.

McCartney’s new solo release takes inspiration from his childhood and the early days with the Beatles, and it even features a duet with Beatles drummer Ringo Starr on the song “Home to Us.”

Speaking with The Guardian, McCartney talked about what gives him comfort in the absence of friends and fellow musicians Lennon and Harrison. “My collaborator was probably one of the best writers of the century, so, yeah, you’re going to miss him,” he said in the interview. “But that’s life. You lose people.”

More entertainment news: Rolling Stones Producer Hypes Upcoming Album as ‘Unbelievable’.

He also remembered what Beatles producer George Martin said to him about aging. “The terrible thing about it is all your mates start popping off,” Martin said. “Now I’m probably at that age, and I’m very conscious of that, having lost John and George – two big touchstones for an details

Paul McCartney, like any passionate fan of the Beatles, finds it difficult to choose his favorite album from the iconic rock band.

The legendary musician, 83, is Willie Geist’s latest Sunday Sitdown guest. Together, the two discussed McCartney’s decades-long career in the music industry, both with the band and as a solo artist. During their chat, Willie asked McCartney if he could name one album in the band’s discography that represents the Beatles at their “best.”

“That’s always a very difficult question, you know?” McCartney replied. “My mind went to ‘Rubber Soul,’ because I think that was a change in what we’d been doing.”

He said the 1965 album, their sixth, was a little more “advanced.” But, of course, he couldn’t highlight just one album in the band’s extensive catalogue. “Then I’d have to say ‘Sgt. Pepper’ was, like, a crazy different experience,” he continued, referring to their 1967 album, “Sgt. Pepper’s Lonely Hearts Club Band.”

He had one more album to add that is many fans’ favorite. “And then I would probably finis details

The numbers increasingly add up for Ringo Starr, whose sold-out Friday night San Diego performance at Humphreys Concerts by the Bay was the second date on the 2026 spring tour by this two-time Rock & Roll Hall of Fame inductee and his six-man All-Starr Band.

Ringo Starr, with new San Diego and L.A. concerts set, talks candidly: ‘I’m giving away all the secrets here!’ he says

Their 21-song repertoire ranged from “Matchbox,” the Carl Perkins-penned 1956 rockabilly rave-up that opened the evening, to the concert-closing double-punch of The Beatles’ 1967 classic, “With a Little Help From My Friends,” and the sing-along chorus of John Lennon’s sadly still-timely 1969 anti-war anthem, “Give Peace a Chance.”

In between came an array of favorites from the songbooks of Starr and The Beatles, including “It Don’t Come Easy” and “I Wanna Be Your Man,” plus hits by Toto, Average White Band and Men At Work. Three of those bands’ key members — Toto guitarist-vocalist Steve Lukather, former Average White Bands bassist/singer Hamish Stewart and Men At Work singer-guitarist Colin Hay — are All-Starr Band v details

They were best friends since they were teenagers. Together they wrote some of the greatest songs the world has ever known. In 1971, they tried to destroy each other, one record at a time.

By the time Paul McCartney released Ram in May 1971, The Beatles had been done for just over a year. Those wounds were still very fresh. The lawyers had moved in and buried inside that new album was a line John Lennon just couldn't ignore.

"Too many people preaching practices / Don't let them tell you what you wanna be."

Those lyrics were a shot aimed directly at Lennon and his wife, Yoko Ono, at their protests, their activism and the whole new life they'd built together. The insult was subtle enough to deny, yet sharp enough to hurt.

Lennon wasn't in the mood to ignore it or let it go. "It starts off with 'too many people going underground. That was your first mistake. You took your lucky break and broke it in two,'" Lennon said later. "Now, if that doesn't mean what it says, I don't know what."

So Lennon sat down and wrote back his reply.

"How Do You Sleep?" came out swinging. Lennon was hurt and went after everything, calling McCartney's solo work "muzak," suggesting the only song he wrot details

There was a time during the Beatles’ rise to fame that Paul McCartney thought he had found the one place he could roam without being spotted.

During an interview on The Zane Lowe Show to discuss his deeply nostalgic new album, The Boys of Dungeon Lane, the 83-year-old musician shared memories of navigating the early days of Beatlemania alongside John Lennon, George Harrison, and Ringo Starr. When looking back at that “very intense period of time” in the Sixties when the band shot to the top of the charts worldwide, Lowe asked McCartney how he managed to “remain relatable” and enjoy his life under the spotlight.

“I remember once in the early days of the Beatles, we were kind of recognized most places, but me and Ringo went on holiday with our girlfriends then to Greece and nobody knew us,” McCartney said, recalling thinking at the time: “This is great. Wow, we must come back here more often. Even when we get really famous, we can always come to Greece and they’re never going to know us.” He added, “But, of course, that didn’t work.” Soon, their music — and faces — reached Greece and beyond.

“I realized, ‘ details

Fans of The Beatles may be aware of George Harrison's solo career, in which he quickly established himself as a successful artist in his own right. Shortly before and following the iconic group's breakup, the musician released a whopping 12 albums under his own name, with many of them enjoying critical acclaim, even more than five decades later.

In 1970, the Beatles' lead guitarist released All Things Must Pass, his third solo album and the first after the breakup of the legendary Liverpool four-piece. The record featured "My Sweet Lord," a song that has now taken the top spot on Grunge's list as the biggest No. 1 hit of 1970.

The track is arguably Harrison's most famous song after it left him in the middle of a huge music scandal that has gone down in history. In 1971, less than a year after the release of "My Sweet Lord," Harrison was accused of plagiarizing The Chiffons' 1963 song "He's So Fine."

Bright Tunes Music, the owners of "He's So Fine," sued the former member of The Fab Four, and the legal battle was dragged out for decades after his former manager, Allen Klein, purchased Bright Tunes and subsequently became the one to be suing his previous client.

Source: yahoo.com/Emma Kershaw< details

It’s incredible to think that just six and a half years after the Beatles’ first single, Love Me Do, had peaked at a modest 17 in the UK chart, the band that went on to shake the foundations of popular culture were trying to find the right words to say goodbye.

The Fab Four’s final year had kicked off in a flurry of activity, with the writing and recording of the Let it Be LP documented in real-time by director Michael Lindsay-Hogg, throughout January 1969.

Beginning at Twickenham Studios before relocating to the Apple Corps studios at 3 Savile Row, the events of that frosty month would become the stuff of legend.

Although intended to be a quite innovative, fly-on-the-wall insight into the songwriting process of the world’s favourite band, which would culminate in a triumphant return to the stage, Lindsay-Hogg’s final edit of the film depicted the Beatles as a band fast running out of road. Their slow demise was seemingly inevitable, or so the footage that made up the spirit-crushing 1970 docu-movie, Let it Be, suggested.

But once the rushes and archive material were finally exhumed, examined and polished-up to produce Peter Jackson’s expansive, eight-hour labo details

Paul McCartney’s new album The Boys of Dungeon Lane is out now. Many of the songs were inspired by his childhood and experiences with former Beatles bandmates John Lennon, George Harrison and Ringo Starr, who joins him for a duet on the song “Home to Us.” While Lennon and Harrison are gone, Paul said there’s one thing that gives him some comfort about that loss.

Speaking to The Guardian, McCartney said of Lennon, “My collaborator was probably one of the best writers of the century, so, yeah, you’re going to miss him. … But that’s life: you lose people.” He also recalled Beatles producer George Martin telling him about aging, “The terrible thing about it is all your mates start popping off.”

“Now I’m probably at that age, and I’m very conscious of that, having lost John and George – two big touchstones for anything we’re talking about [in this interview],” he continued. He adds “So, yeah, you do miss them. I start to get very sad, and I have to think, ‘Wow, wait a minute, everyone misses them.’ It’s not just me. So that makes me feel a bit better.”

“I think, ‘Wel details

In 1963, The Beatles released “Twist And Shout”, a song that would become one of their biggest hits. Written by Phil Medley and Bert Russell, “Twist And Shout” is on both Introducing…The Beatles, their first record in the United States, and Please Please Me, The Beatles’ debut record released in the United Kingdom.

Before The Beatles recorded “Twist And Shout”, it was first released by R&B group, The Top Notes in 1961. One year later, The Isley Brothers released “Twist And Shout”, a version that inspired The Beatles to put their own spin on the song. Unfortunately, singer John Lennon was ill when they recorded “Twist And Shout”, making it a challenge for him in the studio.

Lennon was already suffering from a cold when The Beatles went in to record “Twist And Shout”. Struggling with a sore throat, The Beatles were at the end of a 12-hour studio session when they decided to record “Twist And Shout”.

“Someone suggested they do ‘Twist and Shout’ with John taking the lead vocal,” studio engineer Norman Smith recalls. “But by this time, all their throats were sore; it was 12 hours details

For Paul McCartney, songwriting isn’t only a job, a craft and an emotional outlet. It’s a compulsion and a craving.

“People say, ‘Well, why do you still write songs?’ And it’s just because I love it. I’m addicted,” he said in an interview at Boulevard Carroll, a warren of recording and rehearsal studios on Manhattan’s Far West Side, where McCartney, 83, had just wrapped up an afternoon of band practice for the season finale of “Saturday Night Live.” “Out of a black hole comes forth milk and honey. And it’s so great, the feeling.”

Prolific as he has been — through the Beatles, Wings and solo albums — McCartney doesn’t follow any songwriting discipline or routine. “I’ll just be somewhere, and with some time to spare, and my guitar will be there, or I’ll be near a piano. And the urge will take me,” he said. “Whenever I’ve hit something, it’s just like, ooh, wow. It’s a great feeling. You know, the whole creative thing is a great thing. I say it beats working.”

Even for a rehearsal, McCartney was nattily dressed. He sported a blue jacket, a black shirt wi details

Paul McCartney has finally made the admission all Beatles fans have been waiting for – that the quartet are the greatest band across the universe.

The musician, 83, has always modestly claimed that the best singer-songwriters of all time were crooning duo The Everly Brothers, whose songs included “Cathy’s Clown” and “All I Have to Do is Dream”.

However, in a TikTok Q&A interview ahead of his new record, McCartney revealed he feels fine saying The Beatles – made up of McCartney, John Lennon, George Harrison and Ringo Starr – probably pip them to the post.

“It is phenomenal, it is really phenomenal,” he said of the band’s stratospheric success.

“When we started out, we were just kids, and rock and roll was just really coming in, and we thought, ‘If we’re lucky, we’ve got a couple of years’ – that’s how long people normally lasted. They couldn’t really sustain much more after that.“

He said he only expected their music would be played for “maybe five years max”, adding: “Then that became 10, and we were kind of still going and the scene’s still t details

In the wake of his 2016 death, Prince left behind an enviable vault containing thousands of unreleased songs, most of which will likely never see the light of day. While the late musician’s estate has shared a few selections from the collection over the years, there’s one in particular that Paul McCartney is hoping they’ll come around to releasing: a cover Prince recorded of the Beatles‘ Let It Be single, “The Long and Winding Road.”

“I was with some guy couple of years ago, so it was after Prince had died, and this guy said, ‘Have you heard Prince do ‘Long and Winding Road?'” McCartney said on BBC Radio 2’s Tracks of My Years. “I said, ‘Well, no, that’s one of my songs. I don’t think he ever did it.’ He said, ‘Well, he did. He did it in rehearsal. He was rehearsing it for something.’ So, he said, ‘I’ll send it to you if you want.’ He sent it to me and it’s really great.”

The guy, McCartney believes, was a personal photographer for Prince. He described the recording as “kind of rocky,” adding, “He plays some really good guitar on it.” McCartney proposed details

With Paul McCartney releasing his first solo album in over five years, The Boys of Dungeon Lane, and the Beatles’ four-film biopic’s main cast already announced, it seems only natural that the actor who’s transforming into Macca – Paul Mescal – had a chat with the legend about his songwriting process. And luckily for the rest of us, it was captured on camera.

“I teach some kids up in my old school in Liverpool, and that's like the first thing [they ask]. I don't know how to do this, which is not very inspiring. I haven’t got a formula,” McCartney tells Mescal.

“They used to ask me and John [Lennon], ‘How’d you do it? Who writes the music, who writes the words?’ I don’t know. To me, I think any story or song you’re gonna do, it’s gotta involve memory. With the Beatles, we always tried to write something different.”

Lennon still serves as a source of inspiration for McCartney – especially considering his upcoming album turns a lens inward and revisits the formative years that not only shaped his own life but the very foundation of the Beatles.

“I ran into this guy called John Lennon, and he w details

Imbuing spiritual philosophy into music was a practice George Harrison started back when he was still a mop-topped Beatle with tracks like “Within You Without You” and “I Me Mine”, so it’s no surprise that he continued this songwriting tradition into his solo career. In fact, two of his first major wins as a solo artist were spiritual numbers, one of which he later referred to as a “prayer and personal statement.”

For many folks, their minds might wander to Harrison’s first No. 1 hit post-Beatles, “My Sweet Lord”. The 1970 chart-topper sounds like a word-for-word prayer, right down to the “hallelujah” refrains. But the one Harrison felt was an even stronger impression of his spiritual state was his second No. 1: the 1973 track “Give Me Love (Give Me Peace On Earth)” from Living In The Material World.

Whereas “My Sweet Lord” was adoring and reverent, “Give Me Love”, as the title would suggest, was more about his hopes and immaterial desires. “Give me love, give me peace on earth, give me light, give me life,” the song begins. “Keep me from birth, give me hope, help me cope with this heavy details

Pattie Boyd says George Harrison once got upset that she was on the cover of a magazine without him
On a recent podcast, Boyd spoke about whether intense publicity during the height of The Beatles' success affected their marriage
"He couldn't believe that they would put me on the paper and not him," Boyd said of her former husband

Pattie Boyd is opening up about her relationship with The Beatles' George Harrison — and how the late musician once got "jealous" of her own publicity.

The model and photographer, 82, appeared on a recent episode of the podcast Miss O’Dell: Abbey Road to Tulsa Time, hosted by Chris O’Dell. On the podcast, Boyd spoke about whether intense publicity during the height of The Beatles' success affected their marriage.

"I know George was rather upset one time when I was on the cover of one of the trashy newspapers, you know, because I was wearing whatever I was wearing — something mad — and he couldn't believe that they would put me on the paper and not him," Boyd said.

She added: "Jealousy comes in many, many different forms. It's very odd."

Boyd first met Harrison in 1964, on the set of A Hard Day's Night. The pair married i details

Paul McCartney sat down with Paul Mescal, the actor who portrays him in the upcoming films about the Beatles, to discuss his new album.

The two Pauls sat down “In Conversation” for an exclusive short film posted by Amazon. In the 10-minute chat in the same restaurant the album trailer was filmed, the rocker and the actor talked about the nostalgic The Boys of Dungeon Lane.

“How do you feel about being interviewed?” Mescal asked McCartney.

“It depends if I like the person. Which is where we’re running into a problem already,” McCartney joked. “No, I find if I like who I’m being interviewed by, it comes easy.”

Mescal asked McCartney about his songwriting process on The Boys of Dungeon Lane, which features lyrics made up of memories but still “in the present tense.”

“I haven’t got a formula,” McCartney said. “They used to ask me and John [Lennon], ‘How’d you do it? Who writes the music, who writes the words?’ I don’t know. To me, I think any story or song you’re gonna do, it’s gotta involve memory. With the Beatles, we always tried to write som details

The rock legend in the autumn of their years who chooses to release a new album is well advised to get themselves an angle. If the music that made you legendary was written and recorded long ago – and is highly unlikely to be displaced in the public’s affections by anything you do now – it’s good to have something that suggests a sense of purpose, beyond just adding to an already vast back catalogue for the sake of it.

We’ve recently seen it with Bob Dylan’s Rough and Rowdy Ways, rooted in its jawdropping 17-minute survey of American political history, Murder Most Foul; and with Bruce Springsteen’s Only the Strong Survive, with its canny covers of soul and R&B classics. And an angle is clearly something that has occurred to Paul McCartney, too. From its title referencing a road in the suburb of Liverpool where McCartney spent his early childhood, to the circumstances of its launch – the first single Days We Left Behind was premiered not on YouTube or Spotify but BBC Radio Merseyside – his 27th studio album has been presented as a nostalgic look back at what you might call his pre-Fab years.

The idea has certainly generated excitement and not a little emot details

The Beatles’ 1969 magnum opus, Abbey Road, has the same sort of “love it or hate it” legacy as other mega albums like Pink Floyd’s Dark Side Of The Moon and Fleetwood Mac’s Rumours. Diehard fans will accuse people of choosing the “sell-out” option when they list these albums as their personal favorites, and in some cases, these fans will even argue that the album’s no good.

As silly and subjective as this mindset is, it’s easy to see why albums that have been elevated to such high regard also have an immense amount of pressure to be absolutely perfect. Abbey Road is no exception, with many fans criticizing some tracks for being less-than-ideal offerings from the Fab Four.

That includes these four tracks—although, personally speaking, I can’t get enough of them.
“Maxwell’s Silver Hammer”

Not even the rest of The Beatles liked “Maxwell’s Silver Hammer”, but that’s where I disagree with John Lennon, George Harrison, and Ringo Starr. This Paul McCartney number is catchy, morbidly funny, and a great example of how effective groove switches can really be. My personal favorite part of the song is whe details