Go beyond "Imagine."
Like many artistic geniuses who died young, John Lennon’s catalog has been painstakingly examined since his death. But some of his best moments remain unappreciated when compared to the classics he penned both with the Beatles and as a solo artist. In honor of what would’ve been Lennon’s 75th birthday, we’ve rounded up some of his deeper cuts to slot between “Strawberry Fields Forever” and “Imagine.”
The Dirty Mac, “Yer Blues” (1968)
With the Beatles disintegrating around him in December 1968, Lennon appeared on The Rolling Stones Rock and Roll Circus, a goofy event staged by the Rolling Stones that also featured the Who, Marianne Faithfull, Jethro Tull, and Taj Mahal. While Lennon appeared alongside Yoko Ono for a strange performance and Mick Jagger for a bizarre comedy sketch, his standout — and, perhaps, the entire event’s standout — was a one-off supergroup formed with Keith Richards, Eric Clapton, and Jimi Hendrix Experience drummer Mitch Mitchell. Dubbed The Dirty Mac, the ensemble performed Lennon’s Beatles tune “Yer Blues” with a raucous gusto that makes the original version sound details
It became the track that many listeners skipped on Sgt. Pepper’s Lonely Hearts Club Band. Indeed, the Beatles’ “Within You Without You” challenged fans with its Indian instrumentation, at that point quite foreign to Western ears. Yet the track has transformed into one of the album’s more intriguing songs, its philosophical lyrics and intricate lead vocal showcasing George Harrison’s astonishingly rapid development as an accomplished singer and songwriter.
Composed on a harmonium after a dinner party hosted by Klaus Voormann, “Within You Without You” represents Harrison’s second full venture into Indian music, the first being “Love You To” from Revolver. In his autobiography I Me Mine, Harrison explained that the tune came first, then the line “we were talking…”
Recording took place on March 15, 1967, with no other Beatles present other than George Harrison. Under the direction of George Martin and engineer Geoff Emerick, Harrison and Indian musicians playing such instruments as the sitar, dilruba, tambura, tabla and svarmandal recorded the basic backing track. According to Mark Lewisohn’s The Complete Beatles Recording Ses details
JOHN LENNON fans celebrate his 75th birthday today – a new limited edition print has inspired an interactive art installation where fans can climb on the famous bed and recreate that famous picture with Yoko Ono.
London-based artist Russell Marshall has joined forces with gallery Beautiful Crime to produce a limited edition screen print in honour of John Lennon’s 75th birthday. The new release has been personally endorsed by Yoko Ono Lennon as the world celebrate the life and work of her deeply-missed husband.
The stunning limited edition screen print will launch at a special ‘bed-in’ on Lennon’s birthday (October 9) and will remain on display as part of a week-long event celebrating the much-loved British star. Beatles fans and Lennon lovers will be able to view the art and join in the creative process as they remember the iconic singer-songwriter. Visitors will be encouraged to take part by climbing into the installation and taking pictures and selfies in the bed.
The print itself is based on a classic image of Lennon taken on a New York roof in 1974 by his friend and legendary rock n roll photographer Bob Gruen. Hand screen-printed in retro blue on pearl at Jealous Studio details
While Ohio might seem like a less noteworthy tour stop for a rock star like Paul McCartney, the state’s prominent role in the history of rock ‘n’ roll contributes to its appeal.
On Aug. 24 University President Michael Drake announced at convocation that McCartney would be returning to Columbus for the first time in ten years.
The Oct. 13 concert at Nationwide Arena is one of just five upcoming dates on the former The Beatles member’s Out There tour.
When rock music first gained popularity, Ohio was at the forefront of that movement, said Todd Mesek, The Rock and Roll Hall of Fame’s vice president of marketing and communications. The term rock ‘n’ roll actually originated from Cleveland disc jockey Alan Freed, Mesek said.
“Ohio has always been a state where significant music history has been made — including the first rock concert, the Moondog Coronation Ball,” he said. “Even way beyond that, Columbus, Cleveland and Cincinnati have all been cities where the radio stations, the music clubs and the fans really broke some significant acts.”
Mesek said that Cleveland figures such as Freed and Leo Mintz, founder of the infl details
As we mark what would have been John Lennon’s 75th birthday, there’s another big day in the family too - son Sean turns 40 on October 9.
Sean was born in New York on his father’s 35th birthday.
After Sean’s birth, John took time off to care for his young son, spending time with himand inspiring his love of music. His debut into the music world came at age five, when he recited a story on his mother’s 1981 album, Season of Glass.
From childhood into his teen years, Sean continued to collaborate with his mother, contributing vocals and receiving production credit on her solo albums It’s Alright, Starpeace and Onobox.
At 16 he co-wrote the song All I Ever Wanted with Lenny Kravitz for his 1991 album Mama Said. By 1995 he had formed the band IMA (with Sam Koppelman and Timo Ellis) to play alongside his mother on her album Rising.
His current band is The Ghost Of A Sabre Tooth Tiger, with whom he’s played recent gigs at The Kazimier and Liverpool Sound City.
The band was formed in 2008 by Sean and Charlotte, after they met at the Coachella Music Festival.
By: Jade Wright
Source: Liverpool Echo
John Lennon would have turned 75 on Friday.
He was two months past his 40th birthday when he was murdered as he entered his apartment building, the Dakota, on the Upper West Side of Manhattan, on Dec. 8, 1980.
Absent from the music business for five years — most of it spent living the quiet life of a house husband and father in New York — he had just returned to recording. The “Double Fantasy” album he made with his wife, Yoko Ono, had been in stores less than a month. A single from the album, “Just Like Starting Over,” pretty much said it all.
This “starting over” was chronicled in a profile by Robert Palmer in The Times on Nov. 9, a month before the murder. The article, based on a series of interviews with the couple during the making of “Double Fantasy” and after its completion, featured a reflective Lennon and began like this:
“ ‘Is it possible to have a life centered around a family and a child and still be an artist?’ asked John Lennon.”
He answered his own question as Mr. Palmer interviewed the couple in their apartment. “In a way,” he said, “we’re involved in a kind of exper details
I never met John Lennon. I came to the party a little too late. I was only just out of college and working for Chrysalis Records in London when the news broke that John had been killed. The ground floor of our West End building housed the production offices of AIR Studios, Beatles producer George Martin’s recording business. The entire staff gathered in shock to mark the moment. I will never forget the look on George’s face.
George had weathered with dignity, throughout the 1970s, endless public vitriol from his former charge. Lennon belittled George’s ‘influence’ and input, and denied him credit, while McCartney, Harrison and Starr, George revealed, ‘were always sweet.’ Implacably loyal, George was of course distressed by the news of John’s murder. There would not even be a funeral at which to pay his final respects. In the end, he fled to Montserrat, where he had opened his dream residential studio the previous year. He sat for hours, staring at the ocean, he later told me, while listening to Lennon in his head. The recording complex, indeed the whole island, would be flattened by Hurricane Hugo within the decade.
Only after John’s death did I begin to cros details
Luckily, The Beatles were always about stretching the boundaries of the genre until those boundaries ceased to exist. Their special brand of musical adventurism is the reason we have glorious songs like “She’s Leaving Home,” which blows up those preconceived notions of what rock and roll is supposed to be.
“She’s Leaving Home” is a gorgeously sad ballad found on the sublime Sgt. Pepper’s Lonely Hearts Club Band, an album where The Beatles took seemingly mundane stories of everyday life and exploded them into something grand and transcendent via the stunning innovation and indomitable spirit of the accompanying music.
In the case of “She’s Leaving Home,” Paul McCartney created an affecting melody that was fit for the harps and strings beautifully arranged by Mike Leander. (George Martin wasn’t available to do it, but he did fill his usual role as producer.) For the lyrics, he looked to the local paper; the song’s story of a runaway teenage girl came from an article in London’s Daily Mail.
“We’d seen that story and it was my inspiration,” McCartney said in the book 1,000 UK #1 Hits. “Ther details
"Everyone has choice/When to and not to raise their voices.” So sings George Harrison on “Run Of The Mill,” one of the ten outtakes and demos collected on Early Takes, Volume 1, a companion piece to the DVD/Blu-Ray release of Martin Scorsese’s documentary about George’s life, Living In The Material World.
It’s a telling line, because Harrison’s voice, not his slide guitar or sitar or ukulele, is what’s most prominent on these tracks, most of which date to the period around the release of All Things Must Pass. That voice had been muffled somewhat by the songwriting genius of his fellow Beatles, John Lennon and Paul McCartney, relegating the so-called Quiet Beatle to one or two tracks per Fab 4 album. Once he got the chance to go solo, it all came gushing forth, and the result was arguably the best Beatle solo album.
What makes this release more worthwhile than your average collection of odds and sods is the fact that it puts the spotlight on Harrison’s own songwriting acumen. While you can’t argue with the results producer Phil Spector got on All Things Must Pass, it’s nice to hear album tracks like “Run Of The Mill,” details
John Lennon would have been 75 on October 9th. His music had a profound impact on the world, and yet the years have not been kind to his legacy. Something Happens front-man and presenter Tom Dunne pays tribute to the former Beatle and explains why he still loves him.
I loved John Lennon. It makes no sense, we never met, he was a poster on my sister’s bedroom wall -not even mine - but when my mother told me of his death on December 8th 1980 she could not have delivered worse news. I skipped lectures, listened to Beatles records with a friend all day, and the next day recorded a mark so low in an Engineering exam I was brought before the Dean!
Prior to his death the question “Lennon or McCartney?” divided fans in the way “Blur or Oasis?” would years later. But after his death it would take a good two decades before anyone had the temerity to argue Paul’s case again. John was the caustic wit, the true rebel, the grit that made the pearl, the steel, the intelligence and, dare we say it, the greater talent.
Evidence of his standing in the band was revealed to me years later in an interview with Sir George Martin, in Dublin to perform at the NCH. I asked the usual questions, details
Earlier this month, Paul McCartney reissued two of his 1980s albums as he continues to release solo (and Wings) material that has been hard to find or has been out of print. “Tug of War” is a fantastic record, and “Pipes of Peace” is ... well, it has some good songs.
Let me throw you a curve. Rather than discuss those albums, I’d rather focus on one of my favorite McCartney releases. In fact, I’d like to talk about the first McCartney record that I bought when it was a new release: “Flaming Pie.”
Before the May 1997 release of “Flaming Pie,” I’d already owned McCartney’s first solo album, I had “Band on the Run” and a number of other records. All of them had been released well before I’d ever become a fan. “Flaming Pie” was new — on the shelves, a chart contender (it earned a gold record and was No. 2 on the Billboard 200 charts) — when I bought it.
I picked up “Flaming Pie” that May because I knew I was going to be working as a counselor at a Boy Scouts summer camp for the second straight summer, and I wanted a new album to spend some time with.
As a 16 year old, my music details
At a time when any pop star with two Top 40 hits is hailed as a legend, Ringo Starr is the genuine article.
Born 75 years ago in the Dingle section of Liverpool, Starr, along with Paul McCartney and the late John Lennon and George Harrison, forever redefined and altered the course of popular music.
Starr's drumming anchored The Beatles at rowdy Hamburg dives and over the screaming din at Shea Stadium. He has fended off crazed fans and battled an army of Blue Meanies.
Some would rest on their laurels, but not Richard Starkey, MBE. Indeed, it has been a particularly busy year for the once and still fab drummer.
Starr released a new album, "Postcards From Paradise"; was inducted into the Rock and Roll Hall of Fame by McCartney; published "Photograph," a collection of images from his private collection; announced plans to auction off 800 personal effects to benefit the Lotus Foundation charity he established with wife Barbara Bach; and kicked off a North American tour with his All Starr Band.
He is in the midst of a North American tour this month. Starr fielded a few questions before the start of the tour.
You launched the All Starr Band in 1989 with a talented lineup that changed wit details
John Lennon would have celebrated his 75th birthday this Friday. To celebrate the milestone, Yoko Ono, his widow, attempted to organize a party and a gift for him in New York City's Central Park. She invited the world to come and break a world record in Lennon's honor: arranging the world's largest human peace sign, a sign that essentially epitomizes Lennon's activism.
Fans came from all over — Italy, Venezuela, Ohio — to answer the call. Activists brought signs protesting war in all its forms. An unexpected number of children field tripping from several New York City schools sat singing along to tunes from the Beatles catalog piped through the loud speakers.
"We are more connected globally now," Luz Cano, a 14-year New York resident from Argentina, told Mic, marveling at the diversity. "I think younger generations are more aware of trying to make the world a better place and create peace."
The age range between the youngest and oldest participants was vast. However, it revealed the event's deeper significance: Beyond creating a visual tribute for Lennon, it was an opportunity to pass along the late artist's message to the next generation.
"If we instill in our children an understandi details
“You gotta remember, establishment, it’s just a name for evil. The monster doesn’t care whether it kills all the students or whether there’s a revolution. It’s not thinking logically, it’s out of control.”—John Lennon (1969) John Lennon, born 75 years ago on Oct. 9, 1940, was a musical genius and pop cultural icon. He was also a vocal peace protester, anti-war activist and a high-profile example of the lengths to which the U.S. government will go to persecute those who dare to challenge its authority.
Long before Chelsea Manning and Edward Snowden were being castigated for blowing the whistle on the government’s war crimes and the National Security Agency’s abuse of its surveillance powers, it was Lennon who was being singled out for daring to speak truth to power about the government’s warmongering, his phone calls monitored and data files collected on his activities and associations.
For a little while, at least, Lennon became enemy number one in the eyes of the U.S. government.
Years after Lennon’s assassination it would be revealed that the FBI had collected 281 pages of files on him, including song lyrics, a letter from FBI Dire details
A renegade with a bottomless bag of dance moves helps put the final contemporary touches on the 2015 remix of Paul McCartney and Michael Jackson's "Say Say Say," off the newly remastered edition of McCartney's 1983 LP, Pipes of Peace.
Ryan Huffington directed and choreographed the clip, which premiered on Facebook and follows a young man as he traipses, in time, through his neighborhood to a slick, streamlined reworking of the indelible pop cut. The dancer joins up with similarly quick-footed kids before breaking off on his own, cutting loose on top of a car and watching another group of dancers, whom the camera catches beautifully through his outspread, perpetually shaking legs.
As his journey continues, the boy barges into a bodega and brings out the youthful, rhinestone-studded luster of an elderly woman before making his way to a backroom where the festivities are already underway. The final minute of "Say Say Say" is an ebullient dance-off rife with outrageous moves befitting the timelessness of McCartney and Jackson's party jam.
By: Jon Blistein
Source: Rolling Stone
If John Lennon had lived he would have been 75 on Friday, October 9, 2015. Instead, he was shot in 1980, outside the apartment building in New York where he had lived for nine years. Radio 2 has marked the anniversary with a two-part Monday-night series, John Lennon: the New York Years. Radio 4 devoted its Archive on 4 hour on Saturday to John Lennon Verbatim. All three programmes were made by Des Shaw for independents Ten Alps. There were thus bound to be common uses of source material, overlaps in the narrative but differences in style.
The Radio 2 series had film star Susan Sarandon as narrator, and drew on reminiscences from journalists, photographers and friends. Part one traced the rise of The Beatles’ fame in the US, from their first Ed Sullivan shows to after they split and Lennon, having fallen in love with Yoko Ono and out of love with Britain (lack of privacy, constant press intrusion), moved to New York, where he could go out for a chocolate milkshake in peace. Part two last night looked at the later years, how his music changed, why he loved the city so. Colourful, fast moving, it was hard to know who was talking because Sarandon breathed their names so softly.
Radio 4’s programme had no details
Paul McCartney, still stung by the loss of his wife, was feeling nostalgic as the 1990s drew to a close.
Instead of rehashing the obvious successes he’d had with the Beatles or Wings, however, he traveled further back – all the way to the music that first sparked something inside the hearts of a young John Lennon and Paul McCartney: The records of the 1950s, of Chuck Berry and Larry Williams, of Carl Perkins and Gene Vincent. Each played an important role in shaping the early Beatles sound.
So, while McCartney holed up in Abbey Road (site of so many brilliant Beatles recordings) and with Chris Thomas (who had co-produced Back to the Egg, the 1979 finale of Paul McCartney’s sunsequent band Wings), he went about things in an older old-fashioned way. That meant none of the decades-old studio-craftsmanship so closely associated with McCartney. Instead, the resulting Run Devil Run (released on October 4, 1999) was fast and loose, and — because of its early-rock leanings — almost nothing like the bulk of his other previously issued solo recordings.
McCartney tears through Ricky Nelson’s “Lonesome Town,” and Elvis Presley’s “All Shook Up,” and Be details
Looking back on his first meeting with The Beatles, film director Richard Lester remembers the unexpected topic of conversation that brought them together. “The boys found out that I was this pathetic jazz piano player,” he explains. “That gave them something to lord over me because I was the past and they were the future. John Lennon in particular hated jazz, and he told me that.”
When Lester met The Beatles in late 1963, the intention was to make a cheap, black-and-white jukebox movie to capitalise on the band’s extraordinary success. For his film, Lester assembled a remarkable cross section of talent – including Wilfred Brambell, Victor Spinetti, Pattie Boyd and Lionel Blair – who all witnessed first hand Beatlemania in full tilt. “It was becoming increasingly intense for the boys,” says Boyd, who met her future husband George Harrison on the film’s shoot.
Meanwhile Blair, an old friend of the band, recalls the logistical problems accompanying the shoot: “They couldn’t walk round the streets or anything. There were screaming girls everywhere.” But despite such obstacles, A Hard Day’s Night rose about the ruck of rock’n&r details
The other day I threw out my first Beatles album — which is akin to throwing out one of the only photos of a dead relative, a perfectly good organic burrito or a $20 bill. Beatles albums have been discarded before, but mostly by crazies and Klansmen back in early March ’66, when dubiously contextualized quotes from John claimed that “Christianity will vanish and shrink…” and that “We’re (The Beatles) more popular than Jesus now.” That was 49 years ago, three years before I was born.
On Friday, I turned 46. And instead of taking some kind of inventory (I’m saving that for 50), I began to think about my relationship with the Beatles, who were still together when I was born (take that, Y and Z Generations!). And my relationship to them, unlike that with just about everyone else in my life after nearly half a century (friends, family, women, pets, the government, R.E.M.) is more or less the same: pure love. I am the human equivalent of Ringo’s peace fingers, and have been since I first began playing with the LPs that my mother and father gave me to play with because I was an early-depressed child. Some of those wonderful objects had posters, and lyrics, and these details
In The Beatles Anthology, George Harrison recalled, "There used to be a situation where we'd go in (as we did when we were kids), pick up our guitars, all learn the tune and chords and start talking about arrangements. But there came a time ... when Paul [McCartney] had fixed an idea in his brain as to how to record one of his songs ... It was taken to the most ridiculous situations, where I'd open my guitar case and go to get my guitar out and he'd say, 'No, no, we're not doing that yet.' ... It got so there was very little to do, other than sit around and hear him going, 'Fixing a hole ...' with Ringo [Starr] keeping the time."
John Lennon would allow Harrison to weave guitar hooks into his compositions, but McCartney would sometimes remove Harrison's guitar solos on songs like "Another Girl," "Penny Lane," and "Hello, Goodbye." Throughout the Seventies, guitarists for Wings would quit after realizing they would have almost zero input on what they played or did not play. Which is fine; McCartney's a musical genius and should be able to hire who he wants to do what he wants. But Harrison didn't need or want to be a faceless session man getting paid on the clock.
Harrison was also losing Lennon, the big brother/ details
Before The Beatles became a legendary supergroup whose music is still celebrated by generations of fans, there was The Quarrymen.
The name of John Lennon’s first skiffle/rock and roll group, the Quarrymen was formed in 1956 and featured some of Lennon’s school mates. One of those mates was Rod Davis, who grew up with Lennon near Liverpool, and played with him as a small child, even attending Sunday school with the future legend.
Currently touring Canada in celebration of what would have been Lennon’s 75th birthday, Oct. 9, Davis will tell some of those stories from the early days at the Best Western Vernon Lodge, Oct. 15. Hosted by the Vernon Folk-Roots Music Society (VFRMS), the show will also feature a PowerPoint presentation with photos of the guys and the places where they grew up and performed. “He will also be playing some of the songs he sang with Lennon so long ago, and will wrap up the evening with a Q&A from the audience,” said Paul Tessier, with the VFRMS.
Davis, who grew up in Woolton, a suburb of Liverpool, first met Lennon at St. Peter’s Church, where the boys both attended Sunday school. Later, they found themselves students at Quarry Bank High Schoo details
On December 8, 1980, mere weeks after his 40th birthday, musical legend John Lennon was murdered. An article in Newsweek's December 13, 2010 issue commemorated both his birthday and the anniversary of his death. This article, and others about Lennon's life and legacy, are included in a new Newsweek Special Edition.
'Tis the season for John Lennon. The former Beatle had the misfortune of being murdered on December 8, 1980, mere weeks after his 40th birthday, and so for the past few months we’ve had to endure a wearying deluge of documentaries, reissues, biopics and exhibitions of the sort that only the twinned, round-number, life-bracketing anniversaries of an assassinated pop legend could possibly occasion. At first, it seemed as if the releases might reveal something new about Lennon’s music. But now that the date of his death is approaching and the tributes haven’t stopped, it’s clear that the most revealing thing about this year’s anniversary extravaganza isn’t some remastered version of “Imagine.” It’s that Lennon’s celebrity—the very thing that killed him—is still large and lucrative enough to inspire such a frenzy in 2010.
The hullabal details
Statues of The Beatles could be installed on Liverpool’s waterfront.
During the summer it was revealed that the Cavern Club is paying £200,000 for the 8ft tall bronzes of John Lennon, Paul McCartney, George Harrison and Ringo Starr. The club said it was donating the statues to the city and hoped they would be placed at the Pier Head. Now a planning application has been submitted by Liverpool City Council for the statues to be placed prominently at the waterfront site near Brunswick Street, and in front of the Three Graces.
According to a heritage statement accompanying the plans, the location is “within the Castle Street Conservation Area, and the Liverpool Maritime Mercantile City World Heritage Site”. But the planning application says the Statement of Outstanding Universal Value, which was written for the location’s World Heritage Site status, also says “the significance of the Beatles is mentioned specifically”.
The application also states: “From distant views the statue will not be seen, and even closer vistas such as the view west from Castle Street along Brunswick Street, the figures will be indistinguishable from people.
“The figures wi details
John Lennon made drawings before he met Yoko Ono in 1966, but it was only after he started a relationship with Ono—at the time a rising art star—that he really came into his own as an artist. Over the course of their time together, the Beatle went from rendering cartoons influenced by British absurdist humor to a simple but elegant style that was indebted to both contemporary minimalism and traditional Japanese painting. His modest, intimate portraits of Yoko and their son Sean provided a fitting visual accompaniment to the music he made about their lives together.
This month, the AFA Gallery in New York City is unveiling an exhibition of Lennon's drawings to mark what would have been his 75th birthday. Before its opening, Esquire got on the phone with Yoko to discuss John Lennon the artist, and why Paul McCartney expressed gripes about Beatles songwriting credits.
How are you?
You know, busy. That's good.
You have this exhibit opening soon.
I know. I'm really happy about that, because this is John's 75th this year, so I wanted good representation of John in many places. And this is one that's very good.
By: Miles Raymer
More than 60% of Britons cannot identify the famous historical faces on our banknotes, a survey reveals today (Fri). Many believe their banknote images should be replaced by modern-day icons like the Beatles, JK Rowling and Cilla Black. Only 33% of people could name philanthropist and social reformer Elizabeth Fry whose face appears on £5 notes. Four in ten Brits mistakenly thought she was either modern nursing founder Florence Nightingale or Queen Victoria - while the rest had no idea who was pictured on the note.
Even fewer people (25%) recognised economist Adam Smith on the £20 note - with many mistaking him for civil engineer George Stevenson or the Duke of Wellington.
Founding father of evolutionary theory Charles Darwin proved easier to pick out on the £10 note - with two thirds naming him correctly.
But only one in three knew manufacturers Matthew Boulton and James Watt featured on the £50 note. They were mistaken for 1960s British comedy duo Michael Flanders and Donald Swan and French chemist Louis Pasteur and Robert Koch the German founder of bacteriology. Vix Leyton of cash-back site Quidco, which quizzed 2,000 people in the survey, said: “This lack of knowledge co details