Saturday’s 2017 San Diego Beatles Fair comes 53 years and 45 days after The Beatles first performed on “The Ed Sullivan Show.” An audience of 73 million tuned in to watch that telecast on Feb. 9, 1964. The impact of the four-man band from Liverpool was profound for several generations of musicians and fans alike.
How profound? These quotes from various Union-Tribune interviews help tell the story.
“That one performance changed my life," Billy Joel recalled.
“I was like every kid in America: I sat there, mesmerized, and it was life-changing,” said former Arkansas Governor Mike Huckabee.
"I'm amazed at The Beatles’ ingenuity and willingness to experiment with different instruments and music," Rage Against The Machine guitarist Tom Morello said.
"There was nothing like them, before or since," agreed John Flansburgh of They Might Be Giants.
"A blueprint for me was The Beatles," Sting said.
"They turned me on to music,” Ozzy Osbourne concurred.
“Hearing The Beatles is what made me want to do what I do.” "They created an excitement that made music magic," Aerosmith guitarist Joe Perry marveled. "And then they to details
In a reflective tribute to the late Chuck Berry, Paul McCartney honored the rock icon's massive influence on the Beatles' formative music. "To us, he was a magician making music that was exotic, yet normal, at the same time," the singer wrote on his website. "We learnt so many things from him which led us into a dream world of rock & roll music."
While admitting it's "not really possible to sum up what he meant to all us young guys growing up in Liverpool," McCartney pinpointed a few signature moments that demonstrated Berry's genius as a guitarist and lyricist. "From the first minute we heard the great guitar intro to 'Sweet Little Sixteen,' we became fans of the great Chuck Berry," he continued. "His stories were more like poems than lyrics – the likes of 'Johnny B. Goode' or 'Maybellene.'"
The former Beatle also recalled meeting his rock idol in Berry's hometown, St. Louis, during a tour stop. "It's a memory I will cherish forever," he said, calling him "one of rock & roll's greatest poets."
The Beatles covered one of Berry's signature hits, 1956's "Roll Over Beethoven," on their second LP, 1963's With the Beatles. They also added their own spin to "Rock and Roll Music" on 1964's Beatles details
As one of the world's most iconic bands you probably won't be surprised to discover The Beatles made quite an impression on Bristol during their visits.
As part of our series celebrating the up-coming 150 anniversary of the Colston Hall we've been granted rare access to their archives and we've taken a look at when the iconic Liverpool four-piece regularly stole headlines performing in the city.
There were threats of bans, day-long queues for tickets and John, Paul, George and Ringo were even 'attacked' on stage – there was never a dull moment.
During the 1960s, The Beatles were just one of an abundance of iconic acts including The Rolling Stones, Bob Dylan, Sir Cliff Richard and Jimi Hendrix booked to play the Colston Hall.
Many of these gigs and more were penciled in by Bristol's legendary promoter Charles H Lockier. Delving through the Hall's archives, thanks to Lockier keeping newspaper cuttings, there was quite a ruckus ahead of The Beatles bringing their tour to Bristol in November, 1963.
After something of an unruly Colston Hall appearance by Gerry and The Pacemakers the city's entertainment committee, overseen by the council, seriously discussed whether Bristol s details
From the writer of the stage play adaptation of Helen Forrester's 'Twopence to Cross the Mersey' comes a brand-new comedy about the disappearance of Lennon's first musical instrument.
The play is based on the 2012 novel 'Julia's Banjo' by Rob Fennah and Helen A Jones and will mark the 60th anniversary of Julia Lennon's death and the disappearance of the banjo she taught her son to play.
Produced by Pulse Records Ltd in association with Bill Elms, Lennon's Banjo will open at Liverpool's Epstein Theatre on Tuesday 24th April 2018 for a two-week run until Saturday 5th May. Full cast and creative team to be announced soon.
Set in present day Liverpool: When Beatles tour guide Barry Seddon finds a letter written by John Lennon he unearths a clue to the solving the greatest mystery in pop history - the whereabouts of Lennon's first musical instrument which has been missing for 60 years. But Barry's loose tongue alerts Texan dealer, Travis Lawson, to the priceless relic. In an attempt to get his hands on the letter and the clues within he persuades his beautiful wife, Cheryl, to befriend the hapless tour guide and win his affections. The race for the holy grail of pop memorabilia is on!
"The intrigue an details
THE MUSICAL instrument on which John Lennon strummed his first tune has been billed as the 'holy grail of pop memorabilia' with experts claiming it could be worth up to £3 million.
The whereabouts of the much-fabled banjo has been a mystery more than 50 years. The last time anybody saw or heard of the banjo was before Lennon's beloved mother Julia was killed in a road accident in Woolton, Merseyside, in 1958. But now author and playwright Rob Fennah is on a personal quest to locate it. In a new novel, Julia's Banjo, Rob, 47, from Crosby, Merseyside, tells the little-known story of a teenage Lennon learning how to play his Rock 'n' Roll favourites with his mother Julia. The book tells the fictional story of Beatles tour guide, Barry Seddon, who finds a letter giving him clues to the location of the banjo before ruthless Texan antique dealer Travis Lawton hears about the priceless relic and a drama ensues.
In real life, for more than a decade Mr Fennah has combed through car boot sales and dusty attics in a bid to find the 'catalyst that changed the world'. Now he is urging people in Liverpool to rummage through their wardrobes and attics to check whether 'Julia's banjo' banjo could be lurking unacknowledged details
When someone nonchalantly decorated the set for the Beatles' film Help! with a sitar, they were probably thinking it added a certain Eastern exoticism. In a break between takes, George Harrison picked it up and tried to work out how to play it. That set decorator could never have foreseen how this would change the course of popular culture, if not history itself.
Chances are that George's first efforts were less than dulcet, given he'd have had little idea how to tune the labyrinth of strings. Nonetheless his interest was piqued, and so he sought, well, help.
That mainly came in the shape of Ravi Shankar, one of the great sitar players of the century. A friendship blossomed, as, gradually, did Harrison's ability on the instrument, to the point where he could add sitar to Lennon's Norwegian Wood on the Rubber Soul album. By the time the band came to record Sergeant Pepper's, Harrison was capable of playing his own much more demanding Within You, Without You, the song that, more than any other, turned a generation of Western listeners onto the shimmering enchantment of Indian classical music. From there it was a short hippie shuffle to a fascination with Indian mysticism, meditation and yoga. Suddenly mind-expandi details
The 1980s had not been going well for Paul McCartney. A series of commercial flops left even the artist taking stock. "It was time to prove something to myself," McCartney said back then. That he did. "Flowers in the Dirt," released in 1989, marked a rebirth.
But the most intriguing element of "Flowers" was shelved for decades. In 1987, McCartney had invited Elvis Costello to work with him. Four of their songs ended up on "Flowers," but a few others never came out. And both McCartney and Costello agree that their nine initial demo recordings remain the best part of their collaboration. On March 24, those demos are being released as part of an elaborate, box-set reissue of "Flowers in the Dirt."
We spoke recently with McCartney and Costello, separately and by phone, about their intense writing spurts, the challenges of turning the demos into a polished album and about their obvious differences over a certain synth-pop group.
In 1986, McCartney released his sixth solo studio album, "Press to Play," working with producer Hugh Padgham, known for his work with Phil Collins and the Human League.
McCartney: Sometimes you get caught up in trying to be the current flavor, trying to go along and flavor you details
A popular restaurant known for its ‘fab’ selection of groovy food is celebrating a landmark anniversary.
For more than three decades Mike Power and his staff at Sgt. Peppers restaurant in Lowestoft have worked many a hard day’s night. And this year marks the 35th anniversary since the restaurant opened in 1982.
Mr Power, managing director at Sgt Peppers restaurant, said: “We are surprised to reach this landmark especially in the current climate. “Every year we are amazed at the number of people who continue to support us. As well as tourists we have visitors come from Beccles and Great Yarmouth which is very gratifying.”
Previously a pinewood furniture shop, Mr Power opened Sgt Peppers with his former partner, Marie Power, on August 19, 1982. A hotelier by trade, he had worked in hotels and restaurants across country, before moving to Lowestoft to establish Sgt Peppers.
This year’s milestone also coincides with the 50th anniversary of The Beatles’ iconic Sgt Peppers album after which the restaurant is named. And with musical instruments hanging from the ceiling and images of famous faces from the swinging sixties covering the restaurant’s wall details
A record sleeve covered in doodles by John Lennon as he brainstormed ideas for an album cover has emerged for sale for £15,000.
The black felt tip pen sketchings are believed to have been Lennon's initial ideas for the cover of his 1974 album Walls and Bridges and span both sides of an opened-out record sleeve. The record sleeve was given by the former Beatle to Jesse Davies, a session musician who provided lead guitar on the album.
One of the drawings depicts a flying saucer with the word "UFOer" written on the bottom of the object, most likely influenced by Lennon's UFO sighting that year. This sighting was mentioned in the album liner notes: "On the 23rd Aug. 1974 at 9 o'clock I saw a UFO J.L."
On the record sleeve, in amongst the numerous doodles, he wrote the names of four people who were central to his life. These were himself, Yoko which refers to his wife Yoko Ono , May for his lover May Pang and Julian, his son who he had become reacquainted with.
This album was produced while John and Yoko were separated and Lennon was with May Pang who also worked on the album. It was a chapter in his life he called his 'lost weekend'. The word 'home' is written multiple times and to reflect his details
Paul McCartney has announced that he’ll release a three-track cassette for this year’s Record Store Day. Titled Flowers In The Dirt – The Cassette Demos With Elvis Costello, the limited edition release features I Don’t Want To Confess, Shallow Grave and Mistress & Maid which were all recorded in 1989.
It’ll be on sale on April 22 and comes after the re-launch of the Flowers In The Dirt Archive Collection, which will arrive on March 24. McCartney says: “The demos are red hot off the skillet and that’s why we wanted to include them on this boxed set. “What’s great about these songs is that they’ve just been written, so there’s nothing more hot off the skillet as I say. That was the kind of great instant thing about them. “I hadn’t listened to them in ages but when I did I knew we had to put them out. We made a little tape of them and sent them to Elvis, who loved them too. We said we should put out an EP or something and now the moment’s finally arrived.”
Last month, McCartney released a studio demo and video for My Brave Face along with an audio stream of Twenty Fine Fingers from the record.
Along with a standard details
Before he was a Led Zep, before he was a Yardbird, Jimmy Page was an incredibly busy London session guitarist with several notable production credits under his belt.
And we're not talking about long-forgotten recordings made under a flickering lightbulb in his cousin's basement; Page played on countless high-profile sessions, appearing on seminal tracks by the Who, Donovan, Joe Cocker, the Kinks and many more.
One thing he never did, however, is play on a Beatles song. That honor went to only a handful of non-Beatles, including (but not limited to) Billy Preston, Alan Civil, Beatles producer George Martin, the Rolling Stones' Brian Jones, good ol' Anil Bhagwat and, of course, Eric Clapton.
It turns out, however, that Page was involved in a seriously Beatles-related session in 1964; his guitar playing can be heard in the score for the band's first film, the hugely successful A Hard Day's Night.
According to a 7-year-old article by U.K. broadcaster Tony Barrell, Page would typically show up for a session "cold," as in, not knowing what he was going to play that day, exactly who had hired him, where and how the music would appear, etc. One day in early '64, he arrived at EMI Studios in London for a details
In new court papers, the song publishing giant says the former Beatle is "clearly forum-shopping."
Paul McCartney waited decades for his opportunity to reclaim rights to songs he authored as a member of The Beatles. Now, Sony/ATV Music Publishing is telling a judge he should have to cool his heels a little longer.
McCartney made his move in January, suing to confirm that under the termination provisions of U.S. copyright law, he gets to recapture his share. The lawsuit in New York federal court followed a stunning U.K. decision, Gloucester Place Music Ltd v. Le Bon, where it was ruled late last year in a dispute involving Duran Duran songs that American termination law took a backseat to an interpretation of contracts under English law.
"As an initial matter, SATV has made no statement challenging the validity of Plaintiff’s termination notices," states Sony in a letter to the judge on Monday in anticipation of a conference that will lay out its forthcoming motion to dismiss. "Indeed, it has acknowledged they are valid, so there is no controversy regarding this issue. Nor has SATV claimed that Plaintiff’s service of the notices breached any agreement and SATV may never make such a claim. details
For Paul McCartney, it was an all-too-familiar feeling. There he was, paired with an acerbic, rough-voiced co-writer with Liverpudlian roots, sitting face to face as they strummed acoustic guitars, finishing each other's musical phrases and lyrics, singing in comfortable harmony. "We would write in the same method that me and John used to write," says McCartney, recalling his wildly productive late-Eighties collaborations with Elvis Costello. "I figured, in a way, he was being John. And for me, that was good and bad. He was a great person to write with, a great foil to bounce off, but here's me, trying to avoid doing something too Beatle-y!"
Those sessions, at McCartney's rustic Hog Hill Mill Studio in East Sussex, England, were intended to yield songs for what became the ex-Beatle's 1989 album Flowers in the Dirt, an Eighties high point. Four tracks, including the playful duet "You Want Her Too," ended up on that LP, two on McCartney's next one (1993's Off the Ground), and the rest on Costello's albums – most notably the hit single "Veronica."
But as an upcoming box-set reissue of Flowers in the Dirt reveals, the collaborative recordings – rough acoustic versions (long circulated as coveted bootlegs details
The scream at the end – “no reply!” – is one of the bleakest moments in the breakup song genre.
“It was my version of “Silhouettes”: I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life. Because phones weren’t part of the English child’s life.” – John Lennon on “No Reply”
This was going to be another essay. I had planned to write about what I am convinced is the greatest single ever released – “Strawberry Fields Forever” b/w “Penny Lane.” But that was going nowhere (though I can see what I want to say, I can’t quite seem to say it yet, which betrays a lot about my love of the Fabs) so I turn to another favorite, the opening song on both the British release Beatles for Sale or, if you were an 8th grade nerd like me, Beatles ’65.
“No Reply” opens both albums. This is one of those rare times that the British album and its American counterpart agree. That makes me very happy. Let’s leave it at that.
As John notes above, he was trying to write a song l details
Merseyside is packed with fantastic tourist attractions and some of the biggest Hollywood stars have been drawn here for a spot of sight-seeing. A-listers including Tom Hardy , Kim Cattrall and Bob Dylan have been seen snapping selfies and exploring our cultural hot spots. Here are 10 times a celebrity was spotted on the tourist trail in Liverpool .
When the Sex and the City star was in town filming Agatha Christie thriller Witness for the Prosecution, she squeezed in a quick trip to Crosby beach to see the Iron Men. Kim regularly comes back to Merseyside - she was born in Liverpool, before her family migrated to Canada - and was enthralled by Gormley’s “spectacular sculptures”, tweeting a picture of herself at the Another Place installation.
The Beatles have fans all over the world - including some huge celebrity admirers. So it’s no surprise that some have wanted to do the tourist thing in the Fab Four’s hometown. Paul Weller was pictured outside John Lennon’s childhood home Mendips in July 2014. The Modfather squeezed in the visit after a charity gig at the East Village Arts Club. Back in April 2009, singer Bob Dylan also visited Mendips when he joined one of the Beatles mi details
I watched a couple of documentaries (thank you Open Culture) this week featuring rock stars from the classic era, one about a living musician, the other about one who has, alas, shuffled off this mortal coil. What I found most interesting about each of these films is the reminder that it is very difficult for any successful artist, especially for a David Bowie or Paul McCartney, who have enjoyed success at the highest level of their art, to move forward. In a popular art form such as rock music has been, part of the problem is commerce; one who is successful and whose art is embraced by a wide public sells much “plastic ware,” as Roger McGuinn and Chris Hillman wrote. They feel constant commercial pressure to repeat their sales success – a pressure that can make any artist choose a safe route.
Another, perhaps even greater part of the problem, especially for an artist like Bowie or McCartney, comes from those whose admiration (and money) made them acclaimed, and wealthy: fans. Any artist like Bowie or McCartney with a long career arc (given that the average length of a popular musical star’s career is 18 months, the nearly 50 year career of Bowie and the 50+ year career of McCartney are by any me details
The Beatles at the Hollywood Bowl is the only official live Beatles album ever released. Recorded in 1964 and 1965 but not put out until 1977, the album is a fairly disappointing listen. Though recorded at the peak of Beatlemania, when the Fab Four were still riding a euphoric wave of success driven by their touring years, the concerts tapes were rendered near unlistenable by the insane racket produced by the 10,000 strong crowds.
The Beatles were on point on those nights, and George Martin can seldom be associated with any technical shortcoming within the band’s career. Rather, the limitations of mastering technology in the 70s are to blame for the dismal quality of the original recordings.
You may ask then, how did they get the recordings up to scratch for last year’s triumphant Live at the Hollywood remaster, which coincided with the August release of Ron Howard’s Eight Days a Week doco?
Technological wizardry of the mastering engineers at Abbey Road would be the answer.
“What became apparent when you compared it to what came out in 1977 is how hard Ringo is hitting the drums,” says Giles Martin, George Martin’s son and the producer of the remastered album. details
Imagine there's no tree. It's easy if you try... Sean Lennon has removed the tree that Marisa Tomei's parents claimed tore through the foundation of their Greenwich Village townhouse, they said Tuesday. Gary and Addie Tomei alleged in a lawsuit that the son of John Lennon and Yoko Ono had let the 60-foot ailanthus in front of his W. 13th St. townhouse bore under their property.
The Tomeis demanded $10 million in their Manhattan Supreme Court suit, which was filed in February 2015.
A judge ruled in favor of the Tomeis last September. While Lennon filed an appeal shortly thereafter, court filings indicate he stopped pursuing his appeal at some point before the settlement was reached. Gary Tomei said Tuesday that he and Lennon had “recently” reached a confidential settlement. He confirmed that the tree had been removed “about a month ago.”
Gary Tomei declined to comment on the agreement other than to say he’s “just happy it's over.”
Lennon’s lawyer declined to comment.
By: Victoria Bekiempis
Source: The New York Daily News
Stella McCartney continues to prove it’s possible to design luxury collections with cruelty-free fashion. Showcasing her A/W17 collection during Paris Fashion Week on Tuesday 7 March, the longtime advocate of animal welfare debuted a leather alternative material, calling it “skin-free skin”.
Stella McCartney continues to prove it’s possible to design luxury collections with cruelty-free fashion. Showcasing her A/W17 collection during Paris Fashion Week on Tuesday 7 March, the longtime advocate of animal welfare debuted a leather alternative material, calling it “skin-free skin”.
Until recently, I avoided using fake [leather] because it never looked luxurious enough,” McCartney told The Guardian. “I am so excited that we have finally developed fabrics that look just as good as the real thing and therefore genuinely pose a question to the industry about why anyone needs to use leather any more.”
Adding a heart-warming moment, the designer also paid tribute to the late George Michael with a diversified group of models singing to his hit ‘Faith’.
By: Susan Devaney
Source: The Huffington Post
A vintage Liverpool police recruitment film dating from 1958 may very likely have a glimpse of John Lennon, Paul McCartney and his brother Michael, the McCartney brother told the Liverpool Echo March 7. If it is indeed The Beatles in the footage, it would be the earliest known film appearance of any of the group members.
Contacted by the Echo, Michael McCartney said he believed it was himself, Paul McCartney and very likely John Lennon. “Wow! That could definitely be us,” he told the paper. “It was a really big occasion in Liverpool and that’s what we used to do every summer –- take deck chairs and climb onto the concrete shed and watch a free show. And I think there is every chance John would have been there that year – absolutely. His friend, Pete Shotton, was a police cadet. And George could easily have been there, too. It’s bloody mad – absolutely fascinating and unbelievable!”
The footage was discovered by Peter Hodgson, who posted on Facebook, “I have old footage from 1958. They are seen, stood on top of their outside toilet roof, watching the annual Police Horse and dog display.” Hodgson told the Echo, “I love watching old films about details
Liverpool’s Beatles -themed Hard Days Night hotel has been named the best hotel in the UK in the 2017 Travel Republic Awards. The awards are based on customer scores posted on the travel booking firm’s website. Hard Days Night is said to have prevailed because of its customer service.
The hotel’s general manager Stephen Fernley said: “It’s great to see our hotel being applauded on both a local and global scale, and it makes me feel so proud of our dedicated team members, who go above and beyond to make each guest’s stay enjoyable and highly memorable.” The hotel, situated on North John Street, offers Beatles fans from outside Liverpool great access to the Cavern Club and other Beatles-themed bars and attractions on Mathew Street.
Since opening in February 2008 for Liverpool’s year as the European Capital of Culture, the hotel has experienced several significant brushes with celebrity.
The Voice UK judge Jennifer Hudson posted a series of selfies from the hotel last year when she jetted into Liverpool for R&B star Ciara’s wedding. It’s believed she stayed in the luxurious Lennon suite.
By: Liam O'Brien
Source: The Liverpool Ec details
Musician Sean Lennon has released a song he co-wrote with late Star Wars actress Carrie Fisher. The track, titled Bird Song, was penned "years ago" by Fisher, Lennon – the son of John Lennon and Yoko Ono – explained in a note on Soundcloud.
He said he felt the need to record the unreleased song following Fisher's death from a heart attack in December, aged 60. "Carrie and I used to stay up 'til dawn chatting and pontificating about life. They were my best moments," Lennon, 41, wrote.
"Anyway, we wrote a song about staying up too late and hearing the birds sing... The lyrics she wrote with me I think are marvellous." Willow Smith, the 16-year-old daughter of Hollywood stars Will Smith and Jada Pinkett-Smith, contributed vocals to the unmixed recording.
"It's all so wrong to greet the dawn / The birds sing that awful song, saying 'You don't belong here!'" go Fisher's lyrics, over a tinkling piano and lilting harmonies that are more than a little Beatles-esque.
By: Rob Moran
Source: Sydney Morning Herald
“Strawberry Fields Forever” and “Penny Lane” were an early clue to a new direction. The first songs that opened The Beatles' contribution to the summer of love bridged the gap between the experiments of Rubber Soul and Revolver and the massively ambitious George Martin production that became Sgt. Pepper's Lonely Hearts Club Band. Both songs were originally the twin pillars of that album but the Beatles had a policy of leaving off pre-released singles because they were “filler” material. But there’s nothing to get hung about, there is an unsubstantiated rumor going round that an upcoming re-release of the Beatles’ classic album will remedy that. No worries, though, the rumors give us reason to explore the childhood memory song couplet by songwriters John Lennon and Paul McCartney.
The Mirror of London reported that “Strawberry Fields Forever” and “Penny Lane” will be included on the Sgt Pepper’s Lonely Hearts Club Band 50th anniversary reissue when it comes out on June 1. While the story has since been questioned, there is no question that the songs were a centerpiece of the album whether they were included or not. Fans were angry that the song details
In the mid-Nineties, while Paul McCartney, George Harrison and Ringo Starr were working on the Beatles' massive Anthology project, they got together with George Martin, their old producer, at Abbey Road Studios to discuss and dissect a few classic Beatles tracks. In the incredible clip below, you can watch as they go through the various parts of John Lennon's Revolver masterpiece, "Tomorrow Never Knows," a song that signaled the band's new direction for 1966.
At the 1:10 mark, watch as Martin and McCartney grab the faders to reveal the many different layers of "Tomorrow Never Knows." "People tend to credit John with the backwards recordings, the loops and the weird sound effects, but the tape loops were my thing," McCartney says in Barry Miles' Many Years From Now. "The only thing I ever used them on was 'Tomorrow Never Knows.' It was nice for this to leak into the Beatle stuff as it did. We ran the loops and then we ran the track of 'Tomorrow Never Knows' and we played the faders, and just before you could tell it was a loop, before it began to repeat a lot, I'd pull in one of the other faders, and so, using the other people, 'You pull that in there,' 'You pull that in,' we did a half random, half orchestrated playing details
To hear Olivia Harrison tell it, it wasn't unusual for George Harrison to stroll through the house spouting words at random — a process that could cause an outsider to wonder whether the ex-Beatle had suddenly started speaking in tongues.
“George would throw out words one after another,” she said in a recent interview. “He knew he’d find the word. He was good at that. Sometimes he was quiet and just thought about it, sometimes he just kept writing down words that began with ‘S’ until he got the right one. … It didn’t matter what they were — he knew he would get to something.” In fact, that method is exactly what helped him get to Something — and While My Guitar Gently Weeps, Here Comes the Sun, Give Me Love, Give Me Peace on Earth, My Sweet Lord, Awaiting on You All, Brainwashed and so many other songs he wrote in the Beatles and as a solo artist.
Olivia Harrison had good reason to recall that detail. She’s been deep in her husband’s writing for months, culling scraps of paper, notebook entries, scribbles on hotel stationery, napkins and other bits of writing surfaces for the new “extended edition” of Harrison’ details