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In the summer of 1968, the other three Beatles watched as Ringo took off for Italy after taking flack from Paul McCartney for the drum part on “Back in the U.S.S.R.” When George staged his own walkout early the following year, people around the band couldn’t help thinking the end was near.
To Geoff Emerick, the legendary engineer behind Sgt. Pepper’s and Revolver, the happiest he remembered John and Paul toward the end was early ’68, when they were recording “Hey Bulldog.” Prior to the heated White Album sessions, the old songwriting partners/friends still had their moments.
A lot changed with the arrival of Yoko in the studio, and true Lennon-McCartney collaborations became fewer and farther between. However, early in the Abbey Road sessions, John and Paul found that old spark. It happened when they picked up a crazy old song from two years earlier.
If you ask a Beatles fan or even a casual music listener why the Beatles broke up, they’ll probably have one simple answer: Yoko Ono. John Lennon’s second wife Yoko was an artist in her own right and was famous for sitting in on the Beatles’ recording sessions. Because of the tension this created between the group, numerous commentators have blamed Yoko for the band’s dissolution. Paul McCartney has repeatedly said that the Beatles did not break up because of Yoko, but does this mean that the two singers are friends?
When Yoko first insisted on entering the studio during the Beatles’ sessions, Paul was annoyed. He told CNN “We weren’t sexist, but girls didn’t come to the studio — they tended to leave us to it. When John got with Yoko, she wasn’t in the control room or to the side. It was in the middle of the four of us.”
Paul would later admit that these experiences caused him to harbor some ill-will towards Yoko. He said that he found her presence in the studio “intrusive,” though he understood that her behavior stemmed from her intense romance with John.
Source: The Cheatsheet
Beatles impersonators recreate the iconic "Abbey Road" photograph made 50 years ago Aug. 8 in London, where fans continue to flock to the famed zebra crossing near Abbey Road Studios. (Leon Neal / Getty Images)
We popped up from the London Underground station of St. John’s Wood and noticed right away that we were in a leafier part of England’s capital, outside the congested city center.
Just about a five minute walk down Grove End Road, we came around a curve and there it was: the unmistakable zebra crossing of Abbey Road.
Fifty years ago Sept. 26, the Beatles’ “Abbey Road” album was released, showing, on the cover, George, Paul, Ringo and John jauntily striding across this very crosswalk in what would become one of the most iconic photos in rock ’n’ roll history.
Source: John Biemer/chicagotribune.comdetails
When George Harrison asked his friend Eric Clapton to play the guitar solo on his new song, Clapton was understandably nervous about the situation. After all, The Beatles weren’t known for guests playing on their records. It basically hadn’t been done, and Clapton wasn’t keen on being the first to try.
However, George finally convinced him to shrug off these concerns and deliver the memorable solo on “While My Guitar Gently Weeps.” Of course, that’s only part of the story. Beatles fans would be right to wonder why George needed anyone to solo on his latest composition.
For one thing, George was the Beatles’ lead guitar player. By the time of these White Album sessions (summer 1968), just about everyone on the planet knew what George played in the Fab Four.
Grow Old With Me is latest collaboration between the surviving Beatles members
Sir Paul McCartney and Sir Ringo Starr have reunited to record a cover version of a song written by John Lennon in the final year of his life.
The track marks the latest collaboration between the two surviving members of the Beatles and goes some way to reuniting the musical talents of the Fab Four, since part of a George Harrison song is also reprised on the recording.
Lennon wrote Grow Old With Me during the recording sessions for Double Fantasy, the final album he made before he was shot dead outside his apartment in Manhattan in December 1980.
Starr, 79, said he had not been aware that Lennon recorded a demo version of the song until he was played it by the record producer Jack Douglas, who produced Double Fantasy, which was co-written by Yoko Ono, Lennon’s widow.
Source: Mattha Busby/theguardian.comdetails
While The Beatles stayed together long enough to make The White Album, Let It Be, and Abbey Road, it doesn’t mean they enjoyed it. In fact, by the beginning of that run in 1968, the Fab Four had just about had it with each other.
That became easy to see during the sessions for The White Album, which Paul McCartney had dubbed (without exaggeration) “the tension album.” After all, he and John Lennon nearly fought in the studio while running through endless takes of “Ob-La-Di, Ob-La-Da.”
In early ’69, things hadn’t improved much. If you can’t tell from Paul and George Harrison arguing in the Let It Be film, the hushed-up tale of John and George’s fistfight should fill in the blanks.
By the summer ’69 sessions for Abbey Road, John wasn’t pretending to care and sat out on Paul’s goofy “Maxwell’s Silver Hammer.” As for George and Ringo, they braved through it but savaged Paul’s song later.
One of the most entertaining hypotheticals for Beatles’ fans to discuss is what the Beatles would have sounded like or recorded if they had stayed together after the release of Let It Be.* In a sense, this is an even more fruitless counterfactual than another popular one: What songs would have been on The White Album if it hadn’t been a double album (which I have already covered). Unlike the case of that what-if, the songs the Beatles would have done together were never released as Beatles songs. And to imagine the Beatles staying together after 1970 is to wish away the centrifugal forces that had by that point already largely torn the four musical titans at the band’s center apart.**
But Beatles’ fans such as myself speculate nonetheless, aided by morsels such as collaborations between members after the break-up (most notably in the almost-Beatles song “I’m the Greatest!”), and demos of songs that later became solo work but were conceived or sometimes even recorded while the Beatles were still together (e.g., much of George Harrison’s first post-Beatle solo album, All Things Must Pass).
“Let me take you down, ’cause I’m going to Strawberry Fields” urged John Lennon in 1967. Now, for the first time, everyone will be able to walk in his footsteps, when the gardens immortalised in the classic Beatles song are opened to the public on 14 September, alongside a new visitors’ centre, cafe and shop.
Housed in a sleek, modern, light-filled building, it is a stark contrast to the original Gothic mansion that stood there when Lennon was a young boy and would bunk over the wall to climb trees and play hide-and-seek in its garden. Built in 1878 for a shipping magnate in the wealthy Liverpool suburb of Woolton (the family of prime minister William Gladstone lived nearby, in another long-gone pile) it was bought by the Salvation Army in 1934 and turned into a children’s home.
Lennon lived round the corner with his Uncle George and Aunt Mimi, and as well as sneaking into the garden with friends, he loved the summer fete held at Strawberry Field (in the singular, Lennon added the “s”). His aunt once recalled: “As soon as we could hear the Salvation Army band starting, John would jump up and down shouting, ‘Mimi, come on. We’re going to be late!&r details
Starr announced his 20th studio record, What's My Name, to be released on UMe October 25, 2019. What's My Name is the latest in a series of heartfelt and homespun records that Starr has produced in his home studio and a distinguished, ever-changing yet often repeating cast of musical characters and friends playing along with Ringo. Those friends include Paul McCartney, Joe Walsh, Edgar Winter, Dave Stewart, Benmont Tench, Steve Lukather, Nathan East, Colin Hay, Richard Page, Warren Ham, Windy Wagner, Kari Kimmel and more (full track and credit list below).For Ringo, recording at home, known as Roccabella West, has become a welcome and productive way of life. "I don't want to be in an old-fashioned recording studio anymore, really," Starr explains. "I've had enough of the big glass wall and the separation. We are all together in here, whoever I invite over. This is the smallest club in town. And I love it, being at home, being able to say hi to Barb, it's just been good for me and the music."
Struggling singer-songwriter Jack Malikwaus (Himesh Patel) suffers a blackout and, when he awakens, he quickly discovers that he is somehow the only person in the world who actually remember The Beatles. Desperate to keep the songs written by John Lennon, Paul McCartney and George Harrison alive, he starts writing down the lyrics and performing them — which transforms him into a superstar and changes his life in ways he never could have imagined. On top of that, there’s a potential love story with his best friend, and the woman who believed in him before he went Fab, Ellie (Lily James). Such is the premise of the 2019 film Yesterday, which begs one question: What kind of sick mind imagines a world without The Beatles?
“Only someone who can’t imagine the world without The Beatles,” replies screenwriter Richard Curtis in an exclusive interview. “And, if The Beatles were to disappear, would do everything he could to bring them back again.” He pauses briefly before emphasizing, “You know, it’s an argument for The Beatles rather than against.”
When music writers and critics decide to round up the best Beatles album, you find a familiar record at the top: Sgt. Pepper’s Lonely Hearts Club Band. Rolling Stone not only named it the best Fab Four album; the magazine ranked it No. 1 on its list of “500 Greatest Albums of All Time” in 2012.
There’s more where that came from. You’ll hear the oft-repeated line Ringo Starr delivered for the Anthology project. (He called it “our grandest endeavor.”) To Paul McCartney, whose work dominated the album, it was an album “in the spirit of the age,” “a huge advance” for the group, something the band did as “spokesmen” for their generation.
Another quote from Paul could hint at one reasons behind his personal regard for the album. “If records had a director within a band, I sort of directed ‘Pepper,’” he said in 1990. (At other points, Ringo has cited the much heavier 1966’s “Rain” and 1968’s “Yer Blues” as his favorite tracks.)
The Beatles discussed radically shifting their approach on a potential follow-up to Abbey Road.
John Lennon suggested the proposed recording more fairly showcase each from the group's principal composers, giving George Harrison equal footing for the first time. He would have the opportunity to contribute four songs, the same as Lennon and Paul McCartney. (Ringo Starr, Lennon added, could have two – "If he wants them.")
The news comes courtesy of Beatles expert Mark Lewisohn, who unearthed a tape from a meeting the Beatles held on Sept. 8, 1969, at Apple headquarters on London's Savile Row. The recording was made while Starr was hospitalized with stomach problems. "Ringo – you can't be here, but this is so you can hear what we're discussing," Lennon says at the beginning of the tape.
The Beatles weren’t a group much given to squabbling, says Mark Lewisohn, who probably knows more about them than they knew about themselves. But then he plays me the tape of a meeting held 50 years ago this month – on 8 September 1969 – containing a disagreement that sheds new light on their breakup.
They’ve wrapped up the recording of Abbey Road, which would turn out to be their last studio album, and are awaiting its release in two weeks’ time. Ringo Starr is in hospital, undergoing tests for an intestinal complaint. In his absence, John Lennon, Paul McCartney and George Harrison convene at Apple’s HQ in Savile Row. John has brought a portable tape recorder. He puts it on the table, switches it on and says: “Ringo – you can’t be here, but this is so you can hear what we’re discussing.”
What they talk about is the plan to make another album – and perhaps a single for release in time for Christmas, a commercial strategy going back to the earliest days of Beatlemania. “It’s a revelation,” Lewisohn says. “The books have always told us that they knew Abbey Road was their last album and they wanted to go out on an artist details
In the penultimate song on the Beatles’ album Abbey Road, the Fab Four sing “And in the end, the love you take, is equal to the love you make.” The song was called “The End” and although Let It Be was released later, the fact is that Abbey Road was the last album the band recorded and, as Beatles lore has told us for the past five decades, it was consciously designed to be the last Beatles album ever.Except, maybe it wasn’t? A historian has unearthed a lost interview tape featuring a conversation that seems to indicate that the Beatles were at one point considering recording an album to be released after both Let It Be and Abbey Road. It’s a kooky, alternate 1970s fever dream, that might have almost happened. On Wednesday, the Guardian published a story in which music historian Mark Lewisohn says a long-forgotten recording of Beatles chatter proves John Lennon and Paul McCartney were kicking around the idea of another album beyond Abbey Road.
Source: Ryan Britt/yahoo.com
As British Prime Minister Boris Johnson struggles to remove Britain from the European Union -- which Brits voted for in June 2016 -- it's interesting to note that the famous Brit and Beatles drummer Ringo Starr strongly supports Brexit because the people voted for it, he says, and "it's a great move" to be "in control of your own country."
In a BBC Newsnight interview from 2017, which resurfaced on social media this week, Starr is asked why he supports Brexit.
“The people voted and, you know, they have to get on with it," said Starr. "Suddenly it’s like, ‘oh well, we don’t like that vote.'"
"What do you mean you don’t like that vote?" he said. "You had the vote, this is what won, let’s get on with it."
The BBC then asked Starr, who now lives in the United States, whether he would have voted for Brext it in 2016.
Starr answered, "I would have voted for Brexit. Yeah, I would have voted to get out. But don’t tell Bob Geldof!”
Bob Geldof, born in Ireland, is a left-wing activist and musician, most famous for starring in the 1982 film "Pink Floyd -- The Wall." Geldof thinks the arts will suffer if Britain leaves the European Union.< details
While The Beatles were laid-back about a lot of things, they kept their recording sessions off-limits to outsiders for most of the ’60s. That’s why the arrival of Yoko Ono came as such a shock to any band member not named John Lennon.
However, by 1968, the Fab Four had bigger problems than the occasional comment from Yoko. During the White Album sessions, Paul McCartney worked by himself so frequently that the others wondered if they were in a band together.
Meanwhile, Ringo got so fed up that summer he walked out on the group while recording “Back in the U.S.S.R.” And, during all the turbulence, just about everyone was ignoring a brilliant song George Harrison had written for the record.
That track, “While My Guitar Gently Weeps,” eventually got recorded with a guitar solo by Eric Clapton. But it was so small feat for George to convince a nervous Clapton to join him and the Beatles at Abbey Road studios.
If ever there was a moment for someone to wish to be the proverbial fly on the wall, it would no doubt have been at about 10 p.m. in Los Angeles on August 27, 1965 — when, in the midst of their North America tour, The Beatles paid a visit on Elvis Presley.
Elvis, of course, had been one of the principal rock ‘n’ rollers to have inspired The Beatles in the first place so, for them, it was quite the honor. It’s unknown what the King felt in regards to the Fab Four, although rumors were that he admired their talent. At the same time, there was no doubt that their impact on music had truly shaken things up for him, and what had been considered hip had somehow become a little less so in comparison. Things weren’t helped by the fact that Elvis’ career had fallen into a rut of sorts as epitomized by a string of less-than-impressive films with just as lackluster soundtracks — though things would decidedly turn around in 1968 when Elvis, never looking or sounding better, launched his much-heralded comeback tour).
Acclaimed Beatles historian, Kenneth Womack, is on the verge of releasing what has been described as his “most definitive account yet” in the exploration of the writing, recording, mixing, and reception of Abbey Road.
In his new book, ‘Solid State’ which details ‘The Story of “Abbey Road” and the End of the Beatles’, Womack steps back in time to February 1969 when the Beatles began working on what became their final album together. Abbey Road, the group’s 11th studio album, introduced a number of new techniques and technologies to develop the band’s style but also marked the final time in which all four members worked together in the studio.
In his book, Womack focuses on the relationships between John, Paul, George, Ringo, and producer George Martin and his team of engineers as clear fractions begin to develop. Here, in this exclusive extract handed over exclusively to Far Out Magazine, Womack details a significant moment in which guitarist George Harrison made his biggest songwriting breakthrough and, in the process, shaking up the established band dynamics.
Source: Lee Thomas-Mason/faroutmagazine.co.uk
If you asked someone who played lead guitar in The Beatles, the simple answer would be George Harrison. However, that didn’t mean John Lennon (the rhythm guitarist) wouldn’t take a solo now and then. John had done so in the early days on tracks like “Long Tall Sally” and “You Can’t Do That.”
By the time the Fab Four got to the White Album sessions (1968), the every-man-for-himself situation meant more solos for John. On that double album, you’ll find him taking the lead on “Yer Blues,” “Happiness Is a Warm Gun,” and even Paul McCartney’s “Honey Pie.”
Over the years, only a handful of tracks with guitar solos by John went out on Beatles singles, and they were usually B sides. That happened in the White Album era as well, when Paul’s “Hey Jude” had the heavy version of “Revolution” (with a solo by John) on the B side.
Paul McCartney has responded to reports that he could headline Glastonbury next year – and it’s looking pretty positive.
The Beatles icon has been tipped for a headline slot as the iconic festival celebrates its 50th anniversary in 2020. He’s also the bookies favourite to take top billing – alongside the likes of Fleetwood Mac, Foals and Elton John.
Appearing on Zoe Ball’s BBC Radio 2 Breakfast Show this morning (September 5), McCartney did little to quell the speculation when asked if a Pyramid Stage appearance was in order.
“I mean people are saying that it would be good if I did it, so I’m starting to think about whether I can or whether it would be a good thing. My kids are saying ‘Dad we’ve got to talk about Glastonbury’ and I think I know what they mean,” he said.
“So they go every year, like a lot of people these days, and it is a great festival and we played there quite a long time ago so, maybe it is time to go back, I don’t know, I’d have to put a few things in place and try and do that but it’s starting to become some sort of remote possibility. (ZB: fingers crossed) I mean it’s definitely n details
Sir Paul McCartney may be a world-famous rock star, but to his grandchildren he is known as the ‘Grandude’.
The affectionate term birthed the idea behind the former Beatles star first children’s book, out today.
‘Hey Grandude’, a play on the title of The Beatles’ famous song ‘Hey Jude’, is based on McCartney’s own experiences of being a grandfather.
READ MORE: Stella McCartney doesn’t always clean her clothes
The 77-year-old said the idea for his book was inspired by his grandchildren’s nickname for him.
“One of my grandkids - who used to call me Grandad - just happened one day to say ‘Grandude’ and it kind of stuck,” he said in an interview with The Times. “So the other kids started calling me ‘Grandude.’”
Source: Jessica Morgan/news.yahoo.comdetails
From his days as a teenager in Liverpool, John Lennon was a rock ‘n’ roller at heart. And, after over a decade with The Beatles, he hadn’t really changed. Thinking of his favorite songs with the Fab Four, John put “Come Together,” the rocking track that opened Abbey Road, at the top of his list.
Other than “I Want You (She’s So Heavy)” and the other songs that made up the first side of that album, John didn’t think too highly of Abbey Road. His chief complaint was “that sort of pop opera” that closed out the record. (John flatly called the medley “junk.”)
Looking back on his career with The Beatles a few years after the breakup, John spoke of what he loved about the band. Unlike his bandmates (as well as legions of fans and critics), John didn’t point to Sgt. Pepper’s or Abbey Road as the band’s high points.
For him, the rawer music on the self-titled, double-album release of 1968 — later known as The White Album — represented the band at its best.
The Beatles’ 1968 trip to India marked a clear dividing line for the group. When they arrived back in England, they would begin The White Album and begin disintegrating as a band. John Lennon would tell his bandmates he was quitting the following year.
But by early ’68, the Beatles still had a lot left in the tank. First up was The White Album, which was the group’s longest record by far. Though Paul McCartney worked on his own for several tracks and Ringo quit the band for weeks during the sessions, it stands as a masterpiece.
Most of the material for that record came from songs they wrote in India. During the weeks they were there studying with the Maharishi, John and Paul wrote several White Album tracks in between meditation sessions and hanging out with Donovan and the Beach Boys’ Mike Love (among others).
Everyone loves Ringo Starr. Not only was he the drummer in one of the biggest, most influential bands of the 20th century, but he’s also one of the most positive and upbeat Twitter users ever, sending out no less than 10 emojis with each tweet and flashing peace signs in every photo. Last year, Ringo Starr was knighted by The Duke of Cambridge, and he continues to tour with his All-Starr band.
On this day in 1977, Starr spoke in an interview about his sixth solo album, Ringo the 4th, as well as The Beatles era, his work with T. Rex’s Marc Bolan and how he chose the name Ringo Starr. During this interview, you can briefly hear a thunderstorm blaring and Ringo eating. It’s a candid, jovial chat from one quarter of the iconic Fab Four.
Source: Ellen Johnson/pastemagazine.comdetails
At the 2004 Rock and Roll Hall of Fame induction ceremony, an all-star band was put together to celebrate George Harrison's induction. Tom Petty, Jeff Lynne, Steve Winwood, Dhani Harrison, and Prince were among the artists making up the band. Performing The Beatles classic ,"While My Guitar Gently Weeps," Prince's guitar solo at the end of the song spans three minutes and represents some of his finest work.
Rumor has it that Prince utilized the national stage to show off his guitar chops after not being named to Rolling Stone's list of the 100 greatest guitarists of all time. While this has never been confirmed, you could reasonably see how this would be the case with the emotion he played with.
The New York Times published a fascinating account of how it all came together back in 2016. Essentially, Joel Gallen (producer and director of the Rock and Roll Hall of Fame ceremony) thought of the idea of bringing everyone up on stage to perform the track with Prince taking the solos. Prince was inducted into the Hall of Fame that year, which is how Gallen got the idea.
Source: Marty Rosenbaum/wxrt.radio.com