Shipping

Paul McCartney is remembering his late friend and fellow musician, Bob Weir.

Days after Weir's death at age 78 on Saturday, Jan. 10, McCartney took to Instagram to pay tribute to the late Grateful Dead co-founder while highlighting his lasting legacy on the music world.  Paul McCartney Remembers the Last Time He Saw Bob Weir

In an emotional Instagram post shared on Thursday, Jan. 15, McCartney shared a photo of himself performing on stage with Weir, who he described as a "great musician who inspired many people of many generations."

McCartney, 83, went on to reflect on the last time he saw Weir while watching Dead & Company perform at Sphere in Las Vegas.

"He was very welcoming and during the interval in the show he invited us into his trailer, and it was a special moment to meet his family and friends," McCartney recalled. "Bob showed me the recording set up that he had in the back of the bus so even though he was on tour he could make and record music; I offered to play the bass on one of the tracks he played me but unfortunately that never came to pass."

McCartney's heartfelt message continued, "His humour, friendship and musicianship inspired me and will inspire many peo details

The Beatles had many iconic album covers. From simple shots of the band staring down the lens to more off-kilter, artistic choices, the Beatles’ covers were as diverse as their sound. It’s hard to find fault in any album cover from the Fab Four. Although if we had to, there is one that comes to mind…George Harrison certainly thought so, pointing a finger at one “gross” and “stupid” cover that shouldn’t have made it past the ideation stage.

In 1966, the Beatles released one of their more controversial records: Yesterday and Today. Though the album’s sound was par for the course, the cover turned heads.

The cover featured the band donning butcher coats, surrounded by headless baby dolls. Not the image one typically thinks of when discussing the Beatles. Somehow, the cover got through, although Harrison refused to give it his stamp of approval.
“Gross and Stupid”

Harrison made his feelings on the album quite clear, saying, “I thought it was gross, and I also thought it was stupid.”

“Sometimes we all did stupid things, thinking it was cool or hip when it was naive and dumb, and that was one of them,” he ad details

George Harrison’s broken guitar string and a rare set of Beatles autographs obtained by a teenage fan in 1963 could sell for more than $5,352 at auction. The Fab Four scribbled their names down for starstruck 15-year-old Elizabeth Salt and also signed her arm following a gig on April 7, 1963.

Elizabeth, then Elizabeth McBrierty, got to meet her idols following the concert at the Savoy Ballroom in Southsea, Portsmouth. Elizabeth Salt holding her autograph book with The Beatles' signatures and George Harrison's broken guitar string.
  

An open autograph book with Beatles signatures and George Harrison's broken guitar string taped inside. Now, the autographs and George Harrison’s broken guitar string could sell for more than $5,352 at auction.  During the performance, George Harrison snapped his guitar string, and quick-thinking Elizabeth scooped it up from the stage as a souvenir.

Elizabeth said she was “heartbroken” when her dad made her wash off the autographs from her arm – but fortunately still had her autograph book. The album is also stuffed with signatures of other stars, including the Rolling Stones, Cliff Richard, Adam Fait details

As one of the most iconic musical groups of all time, The Beatles have had more than their share of critically well-received album releases.

From early hits like With the Beatles to transformative classics like Sgt. Pepper's Lonely Hearts Club Band, The Beatles are one of the few bands in rock history to have nothing but enjoyable hits making up their larger discography.

As fantastic as many of their musical ventures were over the years, however, there's one classic Beatles album that Paul McCartney remains less than enthusiastic about.

According to Far Out Magazine, McCartney maintains a cool-headed view of the band's 1970 tour de force Let It Be, the twelfth and final Beatles album the group released prior to their breakup in 1970.

While McCartney initially envisioned the project as an epic collaboration between himself, John Lennon, George Harrison and Ringo Starr, studio interference from Phil Spector on the album's direction ultimately led to increasing frustration for McCartney.

As an example, McCartney had hoped to present "The Long and Winding Road" as a straightforward song, using a simple arrangement of piano, bass, guitar and percussion instruments.

When Spector got his details

George Martin became the world’s most legendary producer with the Beatles, the studio wizard who teamed up with four lads from Liverpool to transform music. Now his music has been collected in a lavish new book, George Martin: The Scores, which will be published in April by Curvebender. It’s the first collection of his music manuscripts, opening up his personal archives. The Scores honors the late Sir George Martin on the occasion of his centenary — he was born 100 years ago, on Jan. 3, 1926.

The three-volume book includes dozens of his original handwritten scores for classics like “Strawberry Fields Forever,” “A Day in the Life,” “Here Comes the Sun,” “Yesterday,” “Live and Let Die,” and more. It also has a foreword from one of his biggest fans and closest collaborators: Paul McCartney.

George’s son Giles Martin, an acclaimed producer in his own right, tells Rolling Stone, “It’s a book of art, if you like, because his scores are very beautiful. There’s a fluidity to it. There’s a vibrancy to looking at that music on a page.”

The Scores is a project that began in the producer’ final yea details

Few figures in popular culture carry the kind of gravitational pull John Lennon still commands. As a member of The Beatles, he helped reshape music in real time, first as part of a sharp-suited pop phenomenon, then as one of the central architects of rock’s psychedelic and political awakening. By the early 1970s, Lennon had lived a life few could comprehend: global adoration, unprecedented wealth, and a creative freedom that bordered on dangerous.

That perspective, hard-earned and deeply personal, is what makes a handwritten letter Lennon wrote in 1971 so striking, and so heartbreaking. The letter was addressed to Steve Tilston, then a 21-year-old folk musician riding modest underground momentum following the release of his debut album An Acoustic Confusion. Tilston had recently appeared in an interview with ZigZag magazine, where he was asked whether sudden wealth and fame would damage his songwriting.

Tilston answered honestly: he thought it would. Lennon disagreed.

According to Tilston, recalling the moment years later, “I thought it was bound to, but obviously John Lennon disagreed, and he wrote to me to point out the error of my ways.” What followed was a thoughtful, cand details

With all the machismo that often surrounds the rock ‘n’ roll world and its inhabitants, it’s no wonder that so many rock bands have become aggressive toward one another at some point in their careers. Even without the massive egos and on-stage pressure, working with someone in close quarters can be difficult. The Eagles, Aerosmith, and, more recently, Jane’s Addiction, are all no exceptions. And neither were The Beatles.

The Beatles’ most ubiquitous conflict is certainly the months-long breakup that bookended their time together as the Fab Four. But they had their fair share of rows while they were cutting their teeth, too. According to John Lennon and George Harrison, the worst of this aggression came out in the hours-long gigs they would play in Hamburg, boosted by dangerous mixes of booze and uppers.
How The Beatles Killed Time During Their Lengthy Nightclub Sets

Even the most seasoned musician is bound to feel at least a little weary after playing at performance-level for four hours straight, and The Beatles were doing it while they were just starting out. With the help of upper pills handed out by the Hamburg nightclub waitstaff, the musicians managed to play their rock mu details

Paul McCartney recalls being "depressed" post-Beatles and recounts the formation of Wings in Paul McCartney: Man on the Run
PEOPLE can exclusively reveal the trailer for the new Prime Video documentary, premiering Feb. 27
Wings enjoyed a string of hits in the '70s, including "Live and Let Die" and "Silly Love Songs"

The Beatles were Paul McCartney’s entire life. When the group parted ways, he thought his pen had run dry for good.

The English singer-songwriter, 83, opens up about his life in the wake of the break-up of the iconic British invasion band (McCartney, John Lennon, George Harrison and Ringo Starr) in the new Prime Video documentary Paul McCartney: Man on the Run.

In the trailer for the Morgan Neville-directed doc — which PEOPLE is exclusively premiering — McCartney reflects on the depression he experienced after the Beatles’ break-up, and recounts how he climbed out of it while steering his career in a new direction with his '70s band Wings. 

 "I’ve always loved the Beatles, but Wings was the band putting out records when I was young," Neville, who directed the Oscar-winning 2013 documentary 20 Feet from Stardom, tells PEOPLE exclusive details

Why would a band member want to sabotage a song that could potentially become a hit? Well, there are quite a few reasons, some of them nonsensical. Let’s take a look at a few rock songs from the 20th century that ended up becoming hits, but not without some resistance from band members who (allegedly) tried to ruin them from the start.

“Across The Universe” by The Beatles (1969)

This gorgeous song, written by John Lennon, is one of the most memorable tracks in The Beatles’ discography. It inspired a movie musical based on their music, after all. And yet, apparently, Paul McCartney was not a fan. And Lennon accused him of trying to ruin the song during the recording process.

“Paul would […] sort of subconsciously try and destroy a great song,” said Lennon. “Usually we’d spend hours doing little detailed cleaning-ups of Paul’s songs; when it came to mine […] somehow this atmosphere of looseness and casualness and experimentation would creep in. Subconscious sabotage.”

He would also say in his famed 1980 Playboy interview that the “guitars are out of tune” on “Across The Universe” and that “nobody details

Take a look inside George Harrison’s childhood home, as guided tours launch for the first time.

Harrison lived at the three-bedroom house in Speke between 1950 and 1962, moving from Arnold Grove in Wavertree at the age of six. The house became a regular rehearsal spot for The Quarrymen and The Beatles, before the Harrison family eventually moved away and George enjoyed worldwide fame.

The property at 25 Upton Green was purchased by Ken Lambert at auction in 2021, who turned the house into a living museum where Beatles fans can stay overnight.

Guests can book to stay at the historic house through Airbnb, with the listing noting: “Walk and stay in George’s bedroom, where he first heard himself and the band on the radio” and “Sit and strum a guitar in the same room where George, Paul, and John sat and rehearsed during the early years.”

While the property has been available on Airbnb for more than three years, tours officially launch today (January 13), delivered by co-owner Dale Roberts. Available once a month, the tours will offer 1.5 hour guided experience inside the house, with unrestricted photography and the chance to try out the instruments inside.

T details

Paul Mescal has said fans “will benefit from knowing as little as possible” about the upcoming Beatles biopics before watching them.

The actor will portray Paul McCartney in Sam Mendes’ four-film series about the Fab Four, which is currently scheduled for a simultaneous release in April 2028. He has said he will be doing his own singing for the role and has spent time with McCartney to prepare.

Speaking to Variety about The Beatles – A Four-Film Cinematic Event, Mescal was hesitant to reveal any details about the new movies. “I don’t want to get into the Beatles thing, not coyly, but actually because I think the world hopefully will benefit from knowing as little as possible going into it,” he explained.

Mescal went on to confirm that production for the forthcoming project was still ongoing. “We’re a while away from finishing,” he told the outlet. “That’s my job for all of 2026.” He also said he and co-stars Harris Dickinson (who is playing John Lennon), Joseph Quinn (George Harrison) and Barry Keoghan (Ringo Starr) were “pinching ourselves” over being involved in the biopics.

“I think the en details

The Beatles Anthology was originally released as a vinyl, CD, DVD box set, and hardbound book volume in 1995. It came 25 years after the band had broken up. And according to the interviews with the group in the new Episode 9, it was better off for it.

Doing it after some time had passed, the band members said, allowed for perspective. They also — and by this time, it was just the three of them after Lennon’s assassination in 1980 — were in a better mood to talk to each other.

The acrimony surrounding the band’s breakup would have made it difficult to work on such a project — and 30 years on, the public would have more of an appetite for a retrospective.

This new edition of the Anthology has been restored and remastered by the wizardry of Peter Jackson of The Lord of the Rings fame. It was he who created the Get Back movie in 2021 out of the ashes of the previous footage shot for the Let it Be film by another director in 1969. And so 30 years after the first retrospective, we have another one with some more nuance and certainly better picture quality than before.  There is also the previously mentioned new episode which is essentially a behind the scenes of the maki details

Many called George Harrison the quiet Beatle, but this chaotic TV performance proved he was actually the funniest Beatle! When Harrison was booked for a TV appearance, no doubt the producers were expecting a beautiful spiritual song, or maybe a Beatles classic. But no, he had other plans. Harrison quickly derailed his performance of “My Sweet Lord” by laconically singing “I like to be a pirate, a pirate’s life for me!”, causing chaos in the studio.

The backing band seemed to be thrown for a loop by this, but they managed to keep up while Harrison steamed ahead with his cheeky sea shanty. The presenter objects to the change in material, but Harrison sends him on his way off stage without missing a beat, and then the performance keeps getting weirder from there. The Music Man has to say that this classic performance shows everything we love about the late and dearly missed George Harrison!

Harrison delivered “The Pirate Song,” as he titled it, at the Rutland Weekend Television Christmas special in 1976. Fan channel Kitsu Beatles in recent years uploaded a restored HD version of the performance. Fans loved the skit and added comments such as “Now I understand all the details

Paul McCartney has always had a passion for live performance. Right from The Beatles’ heady days in Hamburg – when the group would play for eight to 10 hours a day – to his current globe-trotting international runs, the legendary songwriter has relished a connection with audiences. It’s part of what set him apart from the other members of the Fab Four – while John Lennon and George Harrison were keen to get off the road, he always had an itch to get out there and tour.

The legendary figure’s live shows are packed with classic after classic, with the data at Setlist.com making for revealing reading.

Of the 40 most-played songs on Macca’s tours – and around 800 shows have been inputted to the site – the majority are from his Beatles days, testimony to the group’s enduring popularity. The most-represented post-Beatles record is Wings’ all-time classic ‘Band On The Run’, which supplies live highlights such as ‘Jet’.

A closer look at the Top 10 reveals some of the most popular moments of the Paul McCartney live show – ‘Live And Let Die’ and ‘Band On The Run’ are the most-cited Wings tracks, details

The Beatles are back in the spotlight with deluxe releases, viral TikToks and a new wave of young fans discovering the legends. Here’s what you need to know right now.

The Beatles are having yet another moment, and if you thought their story ended in the 60s, you’re missing half the fun. From chart-topping remixes and deluxe reissues to TikTok edits and emotional fan reactions, the most legendary band in pop history is trending with a whole new generation.  Whether you grew up with their vinyl, discovered them through your parents, or only know them from that one TikTok sound, this is your quick guide to the latest Breaking News, the must-hear tracks, and how to dive into The Beatles live experience from your screen. 

The wild thing about The Beatles right now? Their "new" hits are often songs that are decades old – but getting a second life thanks to remasters, documentaries, and social media.  Here are some of the tracks you keep seeing on playlists, charts, and soundtracks:

"Now and Then" – Marketed as the "last Beatles song" and built from a John Lennon demo with help from modern audio technology, this track became a global talking point. The vibe is b details

Most Beatles fans know all about each and every Fab Four album. But what about the non-album singles that often slip through the cracks? Enter “You Know My Name (Look Up The Number)”, one of the most underrated Beatles deep cut tunes out there.

Originally released as the B-side to “Let It Be”, the song itself didn’t make it to the band’s final album in 1970. Rather, it was released as a non-album single. And despite being a bit of an underrated gem, Paul McCartney himself praised John Lennon for writing it. He even said it was his favorite Beatles song.

This comedic music hall song is a unique one for the Fab Four, considering it has some Latin-inspired mambo elements. And the song itself is composed mainly of one line of lyrics; the rest of the song focuses solely on instrumentation. Allegedly, the song title is a reference to one Denis O’Dell, a producer who worked on A Hard Day’s Night with the band back in the day. Apparently, a fan (or several) kept calling him and saying things like, “We know your name and now we’ve got your number.” Fans can be crazy, after all. Especially during the Beatlemania days.  Paul McCartney Said It Was & details

People cover Paul McCartney, Wings, and The Beatles all the time. Honestly, much of the work he’s produced is just fun to cover. However, some of those Paul McCartney covers out there come close to topping the quality of the original, though I doubt anyone can truly do Macca better than Macca. And when it comes to the following four Paul McCartney covers, I bet you’ve never heard them before. Let’s dive in!

This is not the kind of band you’d expect Foo Fighters to cover, but they did a killer job with it. They don’t shy away from the bluesy elements, either, making this both a faithful cover of “Band On The Run” and a uniquely Foo Fighters release.

The original version of “Band On The Run” was released by Paul McCartney and Wings in 1973.  “Dear Boy” by Death Cab For Cutie

An underrated cover of an underrated song from Paul McCartney. Death Cab For Cutie did a great job with the overall instrumentation of this cover, as well as those reverb-y vocals that really do sound just like something Paul McCartney would produce.

“Dear Boy” is one of many excellent songs from the 1971 album Ram, featuring both McCartney details

Before The Beatles became massively popular in 1963, Beatlemania had not quite kicked off yet. They were nearing closer with their first big hit, “Love Me Do”, in 1962. But for the most part, the Fab Four were just a regular ol’ band full of young men that also happened to be friends. And, naturally, young men love to play pranks on one another.

That’s exactly what George Harrison did by sending a handwritten letter to a fan of The Beatles, asking them to thoroughly trash Paul McCartney’s car. And, thankfully, that letter has been preserved for music history buffs and Beatles fans alike to have a laugh at today.
The Beatles Started Out as a Regular Band, and Regular Bandmates Often Prank Each Other

George Harrison, like the rest of The Beatles before they became insanely famous, often responded to fan mail while they were on the up-and-up. Harrison came across a letter from one Susan Houghton, who had contacted the band to wish them well during the holidays and send some flowers to Harrison’s mother. And, strangely, Houghton also asked for some advice on how to properly wash a car. Harrison obliged, but not without ulterior motives.

He was quite thorough, too. Whi details

George Harrison was, without a doubt, one of the reasons the Beatles remain an unforgettable and remarkable band. While often overshadowed by the group’s primary songwriting duo, John Lennon and Paul McCartney, the guitarist proved he could write original songs just as well. In fact, he is the songwriter behind some of the band’s most beloved tracks, including “While My Guitar Gently Weeps” and the massive fan favorite — and currently the most-streamed Beatles song on Spotify — “Here Comes the Sun.” Although considerably underappreciated at first, Harrison emerged as the Fab Four’s greatest lyricist, even arguably surpassing the Lennon-McCartney partnership. Unsurprisingly, his solo career took off immediately after the band disbanded, thanks not only to his time with the Beatles but also to his exceptional talent for writing meaningful, introspective songs. And some of his most tender material was inspired by a far more personal source: his son, Dhani Harrison. "Soft Touch" Is a Tender Ode to Early Parenthood

Some of the best songs from our favorite artists are often inspired by their personal experiences. Some write about heartbreaks, relationships, loss, and details

After The Beatles broke up in 1970, the chance of a reunion seemed very low. This is due to multiple factors, but the main one is that all four of the members were actively involved in a lawsuit that aimed to dissolve their creative partnership. That lawsuit was finally resolved in 1974 after John Lennon signed the final documents; this transpired four years after Paul McCartney filed the suit in 1970. Contrary to popular belief, a year before that lawsuit was settled, John Lennon revealed that a Beatles reunion was in fact possible.

The year was 1973, and Lennon sat down with his friend and American radio personality, Elliot Mintz, for an interview. Later on, Mintz published that interview in the 2024 book, We All Shine On: John, Yoko, and Me. During that interview, the major soundbite that caught the attention of rock historians and Beatles fans was that John Lennon teased a potential Beatles reunion before he signed, sealed, and delivered the final documents closing their lawsuit.
Despite His Displeasure, John Lennon Never Definitively Shut Down the Idea

Following The Beatles’ breakup, John Lennon was very verbal about his irritation with his former bandmates, particularly Paul McCartney. In 1971, details

When The Beatles burst onto the scene in the early 1960s, they had a clear image. Their mop-top hair and love songs aimed at the seas of screaming fans made them the ultimate teenage heartthrobs, fueling Beatlemania. Their lyrics spoke directly to a version of “you,” teasing flirtation. But as the band grew, the device of using women’s names evolved into a sophisticated literary device to romanticize the mundane every day. In their almost-decade together, The Beatles used women’s names in the titles of 18 songs, meaning that it was never just a phase. From “Lovely Rita” to “Eleanor Rigby,” “Sexy Sadie” to “Michelle,” the named figures helped the band grow into sharp storytellers who found magic and power in the ordinary.

The Beatles had matured sonically and narratively by the time Revolver came around in 1966, and “Eleanor Rigby” is a great example. They were smart enough to stick to a technique that worked for them—using a specific name in the title. But they had developed the substance to go beyond romance, using Eleanor to amplify the voices of “all the lonely people.” Of course, they continued with romantic narrati details

1975 was the year one of the greatest collaborations in the history of music happened. David Bowie was at the peak of his career. He'd had his commercial breakthrough in 1972 with the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and had previously enjoyed great success with his legendary single, "Space Oddity." But he had yet to conquer the American charts. That didn't happen until 1975, and in a way that surprised even Bowie himself. In 1974, he got to meet one of his greatest heroes, and thanks to that meeting, a number-one single was born.  David Bowie Was Terrified to Meet John Lennon

"I think we were polite with each other, in that kind of older-younger way," Bowie explained. Apparently, he didn't have to introduce himself, since Lennon knew who he was, and treated him like an up-and-coming artist, which intimidated Bowie. "I was sort of, ‘It’s John Lennon!’ I don’t know what to say. ‘Don’t mention The Beatles, you’ll look really stupid.’”

Visconti explained that, despite the awkward first meeting, Lennon took a liking to Bowie. The pair became friends, and months later, when Lennon invited him to hang out in his ho details

Sir Paul McCartney treated George Clooney to a personal performance of When I'm Sixty-Four when he reached the age last year.

The Hollywood actor marked the milestone in May 2025 and he has now revealed he received a special video message from McCartney in which he belted out the Beatles classic as a birthday surprise.

When asked about his 64th birthday, George told The Los Angeles Times newspaper: "I actually got a message from Paul, which is pretty cool ...

"It was a video of him playing When I’m Sixty-Four ... I never really thought when I was cutting tobacco in Augusta, Kentucky, that I would meet Paul, much less become friends with him.

"I feel very in awe. In the scheme of people, you look at Michael Jordan as the best to ever play the game. Paul’s got to be in the conversation as one of the greats of all time. So it’s really something to have him call up and do When I’m Sixty-Four for you."

When asked if he ever sends messages to McCartney, the actor revealed he exchanges messages with the Beatles legend "from time to time".

George went on to recall the chat he had with the musician after hearing Beatles track Now and Then, which was released in 2003 details

Paul Mescal reveals he's started writing his own music after filming the Beatles biopic and shares how Paul McCartney reacted to learning the Irish actor would be playing him.  Paul Mescal has revealed he's been inspired to start writing music after filming the Beatles biopic.

The actor, 29, plays Paul McCartney in the upcoming four-part film series, alongside Harris Dickinson as John Lennon, Barry Keoghan as Ringo Starr and Joseph Quinn as George Harrison.

Mescal is doing all of his own singing in the films and told British GQ of the role: 'I've learned so much. It's really inspired a love'.

Confirming that he is now penning his own music, he continued: 'I've always loved music, but getting to play one of the great songwriters and great frontmen has really lit a fire in terms of personally writing music and engaging and hearing music in a different way.'

Mescal, who previously showcased his vocal abilities in the musical films Carmen and The History of Sound, also revealed how McCartney reacted upon learning he'd been cast to play him, as he praised the 'brilliant' Liverpudlian.

'He's the most brilliant man, Mescal gushed. 'I feel emotionally attached to him. He received me wit details

In the new Disney+ documentary series "The Beatles Anthology," a 1991 interview is presented in which the then-surviving Beatles describe secretly spiking the tea served to engineer Geoff Emerick and producer George Martin with "uppers" in order to get them to do studio work later into the night.

In Episode 9, George Harrison described how Emerick and Martin would want to quit for the day around 5:30, while the band wanted to continue recording.

"Some of the people here, the engineer, for instance, would be always like, trying to go home at 5:30. And we'd all be like, well, you know, trying to make history or whatever. And Mal [Evans], our roadie, had this big teapot, it was a big aluminum teapot, and he'd go out. And I remember one specific incident where he made a pot of tea and we doused the tea with uppers. And then he was up there with George Martin, and I think it was Geoff Emerick, giving them the tea. 'Cause they were, you know, "Can we go home now?" No, you can't, you bastard. Have a cup of tea. And, you know, until they were up there, you know like, til 11:00 at night."

Paul McCartney continues, "Yeah, and then they didn't want to go home. … They don't know to this day, until they s details