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When death and celebrity mix, it can make for an especially compelling narrative, as was the case for a story involving John Lennon’s ghost making itself known in the studio during The Beatles’ mid-1990s reunion. Paul McCartney, George Harrison, and Ringo Starr (or the “Threetles”) met in February 1994 to work on an unreleased Lennon demo that would become part of the band’s Anthology 1 compilation album.

Some corners of the internet suggest Lennon’s ghost was there in the studio with the rest of his bandmates. But are we really to believe a dead rockstar was lurking in the shadows?
The Story of John Lennon’s Ghost in the Studio

In August 2025, The Mirror published a story that cited an unlinked interview with Paul McCartney conducted by OnHike.com. For whatever it’s worth, this writer was unable to track down the primary source of this interview. But for context purposes, we’ll repeat the narrative published in the British tabloid. In the alleged conversation, McCartney recalled a series of uncanny occurrences happening mid-recording sessions.

“There were a lot of strange goings-on in the studio,” he said of the sessions for Lennon&r details

A “lot of money” borrowed by George Harrison landed him his first musical instrument.

Even before he bought his first guitar, Harrison was obsessed with the instrument. His attention at school would suffer because he was “drawing guitars” and he eventually managed to convince his mother to purchase him his first guitar. It marked quite an expensive purchase too, with the £3.10 loaned to Harrison for a “little acoustic” instrument. The Beatles‘ Harrison said: “When I was thirteen or fourteen I used to be at the back of the class drawing guitars, big cello cutaway guitars with F holes, little solid ones with pointed cutaways and rounded cutaways.

“You know, I was totally into guitars. I heard about this kid who had a guitar and it was £3.10 it was just a little acoustic round guitar and I got the £3.10 off my mother, that was a lot of money in those days.” It was a similar story for McCartney, who shared early musical influences with Harrison and would end up trading his way to a guitar.

McCartney said as much on the Anthology documentary, and recalled his early years of musical influences. He said: “My dad bought me a trum details

George Martin had a natural flair for music. He was fascinated by orchestras from a young age and studied oboe at Guildhall before working in the BBC’s classical music department. After not long doing that job, Martin found his true calling at EMI in Abbey Road as a record producer. He was head of Parlophone at 29 and, in 1962, he met a band from Liverpool that had been rejected by pretty much every label in the country, one he remembered as "Not very in tune. They weren't very good." But they were special, they were the Beatles. Over the next eight years, Martin became the architect who made the ideas of the Beatles become a reality. He experimented endlessly and crafted a sound of depth for the band that would catapult them into global sensations.
George Martin Brought Class to the Beatles

Martin’s classical training was invaluable, but perhaps an initial shock to the pop system. Paul McCartney recalled the time he presented the classic “Yesterday,” and discussed the arrangements with Martin. In this talk, Martin calmly suggested putting a string quartet on the record, and McCartney responded, thinking it was a bad idea, as they were a rock and roll band. Ultimately, McCartney shared that details

The guitar featured on All My Loving was a “last-minute” idea, according to songwriter Paul McCartney.

The Beatles‘ hit would have a recognisable guitar line throughout the track, but it would be added at the very last moment. John Lennon would play the riff on the With The Beatles song, and McCartney would say this instrumental addition was a difference-maker. In his book, The Lyrics, McCartney shared the help Lennon offered to the song with the instrumental addition. While it’s difficult to pin down when the Wings frontman wrote the song (he has said he thought of the lyrics while shaving, and also wrote it on a tour bus), the song is one of the many great hits of The Beatles. It drew consistent wordplay and, released on November 22, 1963, became one of the Fab Four’s biggest, early hits. Though it has the Lennon-McCartney writing credit, it’s the latter name which is behind the song.

Lennon was full of praise for the song even after the band had broken up, saying All My Loving is a “damn good song” in an interview given months before his death. Speaking to Playboy in 1980, Lennon said: “[I]t’s a damn good piece of work … But I play a pretty me details

Individual Beatles members got together on several occasions after the band broke up. Though they were never all in the studio as a foursome again, different duos and trios broke off from the pack, creating pseudo reunions for fans to get excited about. The one pairing that never could work things out, at least musically, was Paul McCartney and John Lennon. The two took jabs at each other in their solo discographies, making it known that at least part of their breakup as a band was to do with this fracturing relationship. Lennon tapped George Harrison for one of his most cutting songs about McCartney. Harrison found it intensely “nerve-wracking” to work on this Lennon project. Find out why below.

The title track to Lennon’s 1971 album, Imagine, is his most famous work from his post-Beatles career. The rest of the album was similarly popular upon its release, but it may not be as widespread as Lennon’s magnum opus ballad.

Other than “Imagine,” the most interesting part of this album is “How Do You Sleep?” Lennon penned this song as a reaction to his broken partnership with McCartney. He certainly didn’t set out to spare McCartney’s feelings with this son details

In 1966, the Beatles famously stopped touring, despite being arguably the biggest musical act in the entire world with millions of fans who wanted nothing more than to see the Fab Four perform live.

The decision to quit touring was made for a multitude of reasons, as the members of the Beatles explained in subsequent years, but one thing was abundantly clear: the band felt far more comfortable in a studio setting than anywhere else. That was where the magic happened.

"We feel that only through recordings do people listen to us, so that is the most important form of communication," Paul McCartney said to Hit Parader in May of 1967. "Now we take time because we haven't any pressing engagements like tours to limit us. All we want is to make one track better than the last. We make all 'A' sides and never go into the studio thinking 'This will be our next single.' We just make tracks, then listen to them and decide from what we have what will be a single, what will go on to an LP."

This attitude worked out in the Beatles favor, to put it mildly, both in their native U.K. and across the big pond in the U.S. At the time of this writing, the Beatles have the most No. 1 hits on the American Billboard chart, with details

The influence that The Beatles' 1967 album 'Sgt Pepper's Lonely Hearts Club Band' had on music cannot be overstated. The psychedelic masterpiece became the soundtrack to that year's 'summer of love' and reimagined what could be done with an album.

It was the brainchild of Paul McCartney, who came up with the idea of a song by a fictional Edwardian military band. This developed into an album concept, allowing the band to move away from their mop-top image and try something a bit more creative.  ‌

Having retired from touring in 1966, The Beatles wanted to focus on experimenting in the studio and advancing their sound. They also wanted to reinvent themselves, tired with the clean-cut and fresh faced image they had during the first half of the 1960s.  ‌

About that, Paul said: "We were fed up with being The Beatles. We really hated that f***ing four little mop-top approach. We were not boys, we were men ... and thought of ourselves as artists rather than just performers". The band's sound had evolved over the previous two studio albums. 1965's 'Rubber Soul' is widely viewed as starting that process, before the 1966 album 'Revolver' saw The Beatles really experiment and embra details

In 1974, David Bowie was fresh off his reign as the glam-rock’s biggest act. After his breakthrough success that began with Ziggy Stardust and continued through Diamond Dogs, he was about to make a turn toward soul and funk with his next album, Young Americans.

Despite his success, he could still be in awe of his idols. When the opportunity to meet John Lennon arose that year, Bowie was beside himself.  Like millions of teens in the 1960s, he had been a Beatles fan. His own career began to take off in the mid 1960s, during which time he flirted with influences ranging from the Rolling Stones to the Who to Syd Barrett’s Pink Floyd. But while Bowie never dabbled in the Beatles’ style of pop, but he was enamored of the group, and John Lennon in particular.

“Oh hell, he was one of the major influences on my musical life,” Bowie said in an interview recorded in the 1980s. “I mean, I just thought he was the very best of what could be done with rock and roll, and also ideas.  “I felt such kin to him in as much as that he would rifle the avant-garde and look for ideas that were so on the outside, on the periphery of what was the mainstream — and then ap details

Paul McCartney and John Lennon's songwriting skills didn't just benefit The Beatles. The dynamic duo penned numerous tracks that became hits for other artists during the 1960s. ‌

In the early part of the decade, The Beatles' manager Brian Epstein leveraged John and Paul's talent to boost other artists he managed. He would commission them to write songs or distribute songs they'd already written to other artists in his roster, such as Cilla Black and Bootle-born Billy J. Kramer and his band The Dakotas.

But it wasn't just Epstein's artists who benefited. John and Paul also wrote 'I Wanna Be Your Man', The Rolling Stones' first hit, and gifted songs to bands like Badfinger ('Come and Get It') and Peter and Gordon ('A World Without Love'), which turned into massive successes. Meanwhile, McCartney confirmed he was in floods of tears as he tried to write an 'emotional' song.

Peter and Gordon, in particular, reaped significant benefits from John and Paul's work. Paul had written 'A World Without Love' when he was just 16, reports the Liverpool Echo.  

When he moved in with then-girlfriend Jane Asher in 1963, her brother Peter Asher (of Peter and Gordon) heard the song and asked if h details

Paul McCartney has been accused, on several occasions, of being corny. He might be guilty, but is it a bad thing? As he famously said, Some people want to fill the world with silly love songs / And what’s wrong with that? In our opinion, nothing. Sometimes a song needs a little extra sentiment to be good. If you can let go of your corny-meter and enjoy what they have to offer, the three McCartney songs below are stunners.

“Maxwell’s Silver Hammer” is one of McCartney’s cheesiest Beatles offerings. The instrumentation is silly to say the least, but the earnestness with which McCartney delivers his story makes it work. The former Beatle delightfully tells a macabre tale, reveling in the dark humor of it all. Bang! Bang! Maxwell’s silver hammer / Came down upon her head, McCartney sings with a marked grin.

The juxtaposition between the lyrics and the melody of this song is mounting. It’s part of what could make listeners consider this song corny, and his bandmates reject this idea at first listen. In the end, McCartney believed enough in this song to get it a spot on Abbey Road. Not just any artist could’ve pulled off something so outlandish and gotten away with it. I details

Beatles fans were floored after discovering the staggering $400+ million budget that's been allocated to Sam Mendes' forthcoming four-installment biopic.‌

This year it was announced that a four-part movie franchise is in production with each film focusing on a different band member, including the lives of John Lennon, Paul McCartney, George Harrison and Ringo Starr. This ambitious project is the first authorized biopic of the band, with feedback given directly from The Beatles' families.

And now, fans are in disbelief as it has been confirmed that each movie will be given a budget of roughly $100 million apiece, with the total project costing an estimated $400+ million. In addition to this jaw-dropping budget, the movie has also released their star-studded lineup of actors leading the project including Paul Mescal, Harris Dickinson, Joseph Quinn, and Barry Keoghan.

According to reports by Screen Rant, this over $400+ million budget will make The Beatles biopics the fifth most expensive movies of all time. The budget follows Star Wars: The Rise of Skywalker ($416 million), Star Wars: The Force Awakens ($447 million), Jurassic World: Fallen Kingdom ($465 million), and Jurassic World Dominion ($465 mil details

 Celebrating his 85th birthday in July, Ringo Starr has likely uttered his signature phrase "Peace and Love" millions of times. Sept. 12 from the Miller High Life Theatre stage in Milwaukee with his supergroup the All Starr Band, he added three more to the tally.

That sentiment - and Starr's uplifting spirit - is something we all could really use right now. Milwaukee was especially lucky to get it. Starr and the band - including Steve Lukather from Toto, Colin Hay from Men at Work and Hamish Stuart from Average White Band - is performing in just six cities this month before heading off the road, the Miller High Life Theatre being the second stop. Naturally it was at capacity.

Source: jsonline.com/Piet Levy

A photo signed by all four Beatles for a Birmingham teenager is set to go under the hammer. The world-famous group from Liverpool signed the incredible piece of history roughly 62 years ago after they were told to stop playing by the teen's dad because they were being too noisy.  ‌

The picture of John Lennon, Paul McCartney, George Harrison and Ringo Starr was signed by the group before a gig at the Coventry Theatre at the start of Beatlemania.

‌Chris Barrows, selling the photo, said his late brother Phil was at the gig with their father Ron who was Steinway’s chief piano tuner for the Midlands area at the time.  "My dad came home one day and said he was going to tune the piano ahead of The Beatles’ show and other performances,” said Chris, 74, who now lives in Atherstone, Warwickshire.

‌“I didn’t go as at that time I was more interested in football...but my brother had been playing guitar for six months and went along.”
Rob French, ephemera valuer at Richard Winterton Auctioneers, with the signed Beatles photograph(Image: Richard Winterton Auctioneers)

The Beatles were already there when the pair arrived - and the b details

Sixty years ago today, on September 13, 1965, The Beatles released “Yesterday” in the United States. It went straight to No. 1 and has since become the most recorded song in history, with over 2,200 cover versions.

But what fascinates me more than the stats is how the song came into the world.

Paul McCartney told Terry Gross in a 2001 Fresh Air interview that the melody came to him in a dream. He woke up with the tune running through his head, hurried to the piano by his bed, and played it before it slipped away.

At first, the words to the song running through McCartney’s head as he played the song were nonsense: “Scrambled eggs, oh my baby, how I love your legs.”

For months, he carried that melody around, convinced he must have stolen it.

Only later, while driving through France with Jane Asher, his long-time girlfriend, did the real words arrive: “Yesterday, all my troubles seemed so far away.”

That gap between melody and meaning has always stayed with me. Sometimes the music of what we feel is crystal clear, but the words fail us.

I know that from experience.

I once told a woman I loved for forty years tha details

Once in a blue moon, a cultural or historical event will happen that shakes our idea of what is and isn’t possible. The “unsinkable” Titanic’s tragic fate. Putting a man on the moon. From a purely pop cultural standpoint, The Beatles breaking up was another one of those “this will never happen” moments.

The Beatles were one of the first musical acts to make being in a band cool. This pioneering status, paired with just under a decade’s worth of chart-topping hits and international stardom, made the band’s official split in 1970 all the more jarring—to the public, anyway. The Beatles repeatedly said they saw the split coming, and John Lennon was no exception.

But what was a bit more surprising, perhaps even to the other Beatles, was a revelation that John Lennon spoke about three years after the Fab Four split for good. What Caused the Beatles To Split, Anyway?

The answer to that question changes depending on who you ask and is, most likely, an amalgamation of several causal factors that blended into one another until the Beatles couldn’t take it any longer. But from a strictly legal, financial perspective, one of the most pressing reasons t details

When the surviving Beatles — Paul McCartney, George Harrison and Ringo Starr — reunited in the studio in the mid ’90s, the band members felt they weren’t alone, as “strange goings-on” hinted at John Lennon’s supernatural presence.

The trio’s team-up, coming 25 years after the Fab Four disbanded, and a decade and a half after the death of John Lennon, represented the time they’d worked on new music together as they set about bringing the unreleased John Lennon song “Free as a Bird” to life.

It was one of two new songs, alongside “Real Love” — also born from John Lennon’s mind — to feature on 1995’s Anthology box set. As news of a fourth addition in the Anthology series broke last week, McCartney’s reflections on the unusual incidents that surrounded the recording of “Free as a Bird” have come to light.

“There were a lot of strange goings-on in the studio — noises that shouldn’t have been there and equipment doing all manner of weird things,” McCartney once told OnHike.com (via The Mirror). “There was just an overall feeling that John was around.”

The Beatles have been busy. So has New Orleans-based Beatles expert Bruce Spizer.

Just as the Beatles announced that the 1995 “Anthology” documentary will be rereleased and expanded on screen, on vinyl and in print this fall, Spizer has released the ninth and final book in his meticulously researched Beatles Album Series about the band’s recorded output.

The utilitarian title of Spizer’s “Beatles For Sale To Help!” conveys the span of albums covered in the new book.

As with his 16 previous Beatles books, Spizer published the latest through his own 498 Productions with a hardback cover and heavy, glossy stock. The 264 pages are chock-full of full-color photographs of album and singles covers, relevant news magazines — Spizer likes to discuss Beatles releases within the context of what was going on in the world at large — vintage advertisements and promotional items from his personal collection of memorabilia.

Such is Spizer’s expertise that Universal Music Group, Capitol Records and the Beatles’ Apple Corps Ltd. consult with him on Beatles-related projects. He wrote the questions for the Beatles-themed special edition of Trivial Pursuit.< details

Sir Paul McCartney is close to finishing his first solo album in more than five years.

The Beatles legend is not only nearing completion on his follow-up to 2020's McCartney III, but the 83-year-old musician is said to be plotting a return to his homeland for a UK tour in 2026.

A source told The Sun newspaper's Bizarre column: “Paul has been working on the album all year and initially hoped it would be out by the end of this year but as with most things plans change.

“It’s not quite finished but the majority of the album is done and Paul is really proud of it.

“As for live shows he’s told his team he wants to tour the UK again, so live gigs next year are also happening.”

Until then, Macca has a US tour kicking off next month, which will commence on September 29 in Palm Desert, California, and is currently due to end on November 25 in Chicago.

In February this year, Macca put on a series of intimate concerts at New York’s iconic Bowery Ballroom.

Meanwhile, McCartney has co-authored a book about his time in Wings, set for release in November.

The icon formed the rock band in 1971, after the Beatles split, and McCartney has sh details

Each of The Beatles has enjoyed a successful solo career. I wouldn’t say that the band’s beloved late guitarist, George Harrison, is anywhere close to underrated. However, when compared to the likes of John Lennon and Paul McCartney, I don’t think he gets as much love as he deserves for the big things he did as a solo artist post-Beatles. Let’s look at just a few moments that prove George Harrison was capable of outshining his past with the Fab Four.
He Formed One of the Best Supergroups

The Travelling Wilburys were a killer supergroup. There’s no denying that. Formed in 1988 and lasting just a few short years, this group was made up of some of the greatest artists in rock and folk. Members included George Harrison, Jeff Lynne, Tom Petty, Bob Dylan, and Roy Orbison. And songs like “Handle With Care” and “She’s My Baby” would have never hit the airwaves if Harrison and Lynne hadn’t come up with the idea together while working on the former’s 1987 record, Cloud Nine.

All Things Must Pass was technically George Harrison’s third album as a solo artist. However, it was his first after The Beatles broke up in 1970, and also the first of details

The “rose-tinted glasses” worn by The Beatles in several of their music videos were picked up by Paul McCartney from an optician.

Iconic glasses featured in music videos for The Beatles were, according to McCartney, picked up out of a necessity to make the drab recording studio that much better. Ordering “half a dozen” different colours, the Let It Be songwriter brought them to the sessions as a way of livening things up. George Martin, The Beatles’ long-serving producer, added that fluorescent poles were also added into the studio to kindle the band’s creativity. McCartney shared: “If you remember, we all came in with rose-coloured or funny-coloured specs, and where I was living.

“There was a little optician round the corner, and I sort of popped in and said, ‘Do you do different coloured lenses and everything?’ and they said, ‘Yeah, I do anything.’ So I ordered up like, half a dozen different colours, you know, rose, green, blue, and took them to the sessions.

Producer Martin confirmed he remembers the glasses, but also remembers the Fab Four’s strong dislike for the drab studio. White walls and the lack of atmosphere proved details

Brian Epstein, the Fab Four's manager, guided them from Liverpool's Cavern Club to global fame. When he died 58 years ago this week, the band was left suddenly adrift. Three years earlier, Epstein had told the BBC how he knew they would be "the biggest attraction in the world".

When The Beatles were told that their manager, Brian Epstein, had been found dead in his London home on 27 August 1967, they were sent into a tailspin. "It was shattering, sad, and a little frightening," Paul McCartney told Barry Miles in his 1997 biography Many Years from Now. "We loved him."

Epstein had been instrumental in the Fab Four's rise from playing local Liverpool clubs to being the biggest band in the world. He had shaped their early image, helped them get a recording contract, managed all their business affairs, and championed them relentlessly. And he had always believed in them. When the BBC's Panorama profiled him in 1964, the pop impresario said that when he signed the band in 1961, he already knew they would be "one of the biggest, if not the biggest attraction, theatrical attraction, in the world".

By the time of the Panorama interview, Epstein was managing a whole roster of artists, including Gerry and the Pacem details

Ever since The Beatles broke up, everyone and their mother has seemingly been blaming their demise on Yoko Ono. The conspiracies that she broke the band apart and that John chose her over the band are incredibly far-fetched and, frankly, unfair. Thanks to these loose and unfounded claims, Paul McCartney has often stated that Yoko was not the sole reason for The Beatles’ disbandment. However, McCartney has definitively declared that he was not a fan of her joining in on The Beatles recording sessions.

If anyone has watched The Beatles: Get Back, they know that Yoko was present for nearly the entire recording process of the band’s final album. Consequently, fans and critics were always curious as to what her presence made The Beatles feel like. Well, eight years before the release of the film, McCartney divulged exactly why he wasn’t a fan of it. Paul McCartney Reveals His Reason on the Matter

In a 2013 interview on The Howard Stern Show, McCartney went fairly in-depth on the matter in a candid fashion. Being McCartney, he was, of course, polite, cordial, and kind, but he put the rumours to rest with his answer. So, if you’re still crafting your rumors about Yoko and The Beatles, then details

The night Elvis Presley played with The Beatles is fondly remembered as the most epic jam in the history of rock ‘n’ roll. That is, if it actually happened.

What is certain is that Elvis politely hosted the Fab Four at his Bel Air home on Aug. 27, 1965, when John Lennon, Paul McCartney, George Harrison and Ringo Starr were in Los Angeles to perform two shows at the Hollywood Bowl. Elvis, looking every inch a rock god, greeted the quartet with his future wife Priscilla Beaulieu and his “Memphis Mafia” inner circle at his side.

“The Beatles were in awe, and I can say that because they told me that the next day,” Jerry Schilling, Elvis’ longtime friend, tells USA TODAY, while discussing the new Elvis collection “Sunset Boulevard,” which spans Presley’s LA studio sessions from 1970 to 1975. “But it got kind of quiet” after they were ushered into the den.

Elvis sat on the couch, holding his Fender bass guitar, as the four shaggy-haired Beatles stood and sat uneasily. Then Elvis announced, “If you guys are going to look at me all night, I’m going to bed,” Schilling, 83, recalls. “Everyone burst out laughing and that details

Everyone has their favorite Beatles album, including the iconic musicians themselves, but one album in particular seemed to drive a wedge between two of the bandmates.

‌While many fans would name Sgt. Pepper's Lonely Hearts Club Band as their favorite, featuring hugely popular hits, the 1967 record divided Paul McCartney and George Harrison. While McCartney touted the album as his favorite, Harrison said it felt like taking a step "backwards" from their revolutionary craftsmanship.

While their eighth album was Paul's "baby," Harrison had grown tired of that particular sound. Comparing it to Rubber Soul and Revolver, Harrison said Sgt Pepper was "not as enjoyable" as the other two and said it "felt like going backwards."

He said, "Everybody else thought that Sgt Pepper was a revolutionary record – but for me it was not as enjoyable as Rubber Soul or Revolver, purely because I had gone through so many trips of my own and I was growing out of that kind of thing."
Revolver was created after Harrison's time in India with Ravi Shankar, where he honed his own voice as a musician. The track Love You To in particular was inspired by that time in Harrison's life and how it shaped his personal music details

Comedy legend Eric Idle has opened up on his strong friendship with the late George Harrison. The Monty Python star struck up a close bond with The Beatles icon when they met at a party in Los Angeles in the 1970s.

‌However, Eric lived in Merseyside as a child and he told the ECHO in an exclusive interview how he's convinced he met the iconic musician when they were both children. He said: "I hung out with someone called George on the Red Noses in New Brighton when I was about five and I often wondered if it was him because we got on so well when we met.

‌"It was like I already knew him and we were talking all night. He was wonderful and he had such a great effect on my life." The 82-year-old will pay tribute to his friendship with the All Things Must Pass writer in his new show, Always Look on the Bright Side of Life, LIVE!, which is coming to the Liverpool Empire on September 14.

‌The one man musical is described as "an evening of comedy, music, philosophy and one fart joke", and Eric told the ECHO how one song is dedicated to George. He said: "There's a couple of singalongs. there's some touching songs. I've written a song for George because I miss him so much. That's really quite emoti details