Beatles News

 The actress who plays Ringo Starr’s first wife in a forthcoming biopic has admitted that she couldn’t name all four members of The Beatles. Mia McKenna-Bruce, 28, also said she was unfamiliar with most of the band’s songs until she was cast as Maureen Starkey.

Sam Mendes is directing four Beatles biopics, each focusing on a different member of the band, to be released in 2028.

McKenna-Bruce’s casting was announced while she was filming an adaptation of Agatha Christie’s The Seven Dials Mystery with Martin Freeman. The actress revealed that Freeman teased her over her lack of Beatles knowledge. “We sang Eleanor Rigby and Yellow Submarine at school, but it wasn’t my jam,” she told Tatler.

“On Seven Dials, Martin Freeman was asking me to name all the Beatles. I didn’t know. Then he’d ask me: ‘What band was Mick Jagger in?’ I was like, ‘I have no idea, Martin’, and he was like, ‘Aargh!’

“Yet now, I’m like: ‘Oh my God, the Beatles are underrated! This is good! It’s music I’d sit and listen to on the train.’”
The Beatles films will star Pau details

By 1974, George Harrison had recorded countless number 1 albums, sold out tours across the globe, and he had enough of being in the biggest band in the world, The Beatles. The lead single from his fifth studio album, Dark Horse, “Ding Dong, Ding Dong,” has long divided fans, with half enjoying the New Year’s optimistic festivities and the other half disregarding it as a novelty piece. Where critics saw emptiness, Harrison shared a sentiment that had been dear to him for years. When we put the song in a wider context instead of jumping to easy, harsh conclusions, it becomes far more interesting and impactful than one might think on the surface.
Criticism of George Harrison’s Single Rang Out Loud

“Ding Dong, Ding Dong” was the lead single from George Harrison’s fifth solo studio album, Dark Horse, which was released in 1974. Harrison wrote the song to be a sing-along classic to enjoy festivities, and crucially to embrace the future by letting go of the past in welcoming the new year. Critics and fellow musicians alike have speculated that Harrison wanted to follow in the successful footsteps of the British glam rock Christmas tunes of 1973 and 1974 by Wizzard and Slade, but n details

It was a moment of horrible deja vu for music fans around the world — a mentally unwell man had attacked one of the Beatles, leaving him for dead.

It's a headline that could have been from December 8, 1980, but it was also sadly true of this day, December 30, 1999, when George Harrison was stabbed in his home.

Unlike his former bandmate John Lennon, Harrison survived the attack by a knife-wielding attacker, though Harrison's friends and family speculated it ultimately hastened his death from lung cancer less than two years later.

But like the fatal attack on Lennon outside the Dakota Building in New York, the stabbing of Harrison was another case of someone with mental health issues slipping through the cracks and not getting the help they needed before doing something horrible to a much-loved musician.
A troubled man struggling

About a month before he broke into Harrison's home and stabbed the former Beatle, Michael Abram was in a psychiatric ward in Merseyside, the English county centred around Liverpool.

The 33-year-old father of two had been grappling with addiction and undiagnosed schizophrenia for the previous decade, according to reporting from the BBC and The Guardian a details

Did John Lennon really steal music from other musicians? That’s been the hot subject of debate among Beatles fans for decades. Many of those accusations aren’t based in reality. However, when it comes to a few songs from back in John Lennon’s heyday, it really does seem like he stole at least part of some famous tunes. I’ll let you form your own opinion on that. Let’s take a look at three songs that John Lennon allegedly stole from other musicians!

“Come Together” by The Beatles

This might just be one of the biggest songs of the 20th century. “Come Together”, released in 1969, is a blues-rock venture that went on to be one of the most-covered songs of all time. And according to lore, it wasn’t entirely John Lennon’s brainchild.

Some believe that “Come Together” boasts a very similar melody and overall song structure to rock and roll icon Chuck Berry’s tune, “You Can’t Catch Me”. In fact, Chuck Berry (or whoever owned the copyright to that song) even sued The Beatles over it. The suit was settled out of court without much fanfare, and Berry would later collaborate with Lennon. Apparently, there were no ha details

An Antiques Roadshow guest was adamant that an item signed by John Lennon and George Harrison is 'not going anywhere' despite its £1,000 to £1,500 value. On Sunday night's episode of the show (December 28) Fiona Bruce presented a showcase of 'unseen treasures' from Trentham Gardens in Staffordshire.

‌Throughout the show, valuable items included a rare Shamshir sword and a painting by George Leslie Hunter. Plus, Fiona's antiques knowledge was also put to the test with three pieces of pottery with Cubist designs, and ceramics expert John Sandon chatted about his life in antiques.

‌One man showcased a restaurant bill from his parents dated in 1965, that at first Marc Allum described as 'unremarkable'. It wasn't until the man explained that his parents were joined by some 'interesting people' in the London restaurant - who were none other than John Lennon and George Harrison.

‌Marc Allum said: "So this looks like a pretty unremarkable restaurant bill from Parks restaurant in Beauchamp Place in London, what's going on with it?"

When explaining the backstory, the man said: "My parents had a very special anniversary dinner, and my father said to the restaurant maître d' details

In 2007, Paul McCartney told an interviewer that the Beatles song When I’m Sixty-Four had been on his mind. “Heard it a lot recently – I wonder why?” he said, with a laugh.

Everyone knew the answer: The ex-Beatle had turned 64. And so did I, recently. The song has been on my mind, too. In fact, I can’t stop thinking about it. I sing it in the shower, whistle it as I walk to work, and hum it on my way home. I even played it for my students in class.

They weren’t impressed. The song is about old age, which is something that young people usually don’t think about. And why should they, really? When I’m Sixty-Four reminds us about how much we get wrong when we imagine aging. It’s probably good to put it out of our minds, as best we can.

Mr. McCartney composed the song’s tune on his father’s piano when he was a teenager. His father, Jim McCartney, was a jazz trumpeter who took Paul to big-band shows. The melody has a jaunty cabaret sound. But Mr. McCartney didn’t add words to it until much later, around the time his dad turned 64; it was recorded in 1967 for Sgt. Pepper’s Lonely Hearts Club Band. Mr. McCartney was only details

In 2026, the 60th anniversary of The Beatles' first compilation of old hits will be celebrated. A Collection of Beatles Oldies (But Goldies!), released for Christmas in 1966, aimed to satisfy the insatiable appetite of fans frustrated by the gap between the releases of Revolver (August 1966) and Sgt. Pepper's Lonely Hearts Club Band (June 1967). The group still had three good years ahead. Even before their break-up, the respectable sales of this premature best-of hinted at the quartet's ability to perpetuate itself beyond its own demise, which was officially announced by Paul McCartney on April 10, 1970.

Since then, from compilations to remixes, from archive discoveries to documentaries, The Beatles, their music, and their legend have become an inexhaustible source of products designed to fuel nostalgia. Logic would suggest that this seam should be running dry – after all, the band's generation, the baby boomers, is nearing extinction, and nostalgia implies having experienced what one now misses.

But that is without counting the digital age and its ability to blur the boundaries of reality. The constant bombardment of Beatles music and footage – from the release of the 1973 compilations (the "blue" a details

The Beatles, the famous British rock band formed in 1960, have become one of the most revered and successful musical acts in history. Their classic hits such as "Here Comes The Sun", "I Want To Hold Your Hand", and "All You Need Is Love" helped the Fab Four to change the face of popular music forever. As many ardent fans know, some of their most famous songs have interesting backstories. One such song, written by George Harrison, could have been one of The Beatles' biggest hits, but instead it became part of Harrison's solo discovery, and the reason why is quite intriguing.

As ardent music fans will know, Frank Sinatra had a love-hate relationship and opinion when it came to The Beatles. For example, in a press release for his 1965 released album A Man and His Music, Sinatra didn’t hold back when it came to criticizing the British band and their new-age sound, choosing instead to prop up his own music, “If you happen to be tired of kid singers wearing mops of hair thick enough to hide a crate of melons…it should be refreshing.” However, at the same time, he also begrudgingly gave the group their much-deserved props when the moment called for it.

Case in point, Sinatra praised the George details

Shunning The Beatles seems like almost an impossible task, especially given how inescapable their music, history, and cultural presence have been since the 1960s. Yet Zak Starkey, the son of Ringo Starr, recently admitted he deliberately avoided listening to the Fab Four until he was well into his twenties.

During an interview with Q1043 New York, the 60-year-old Starkey, who is an exceptionally talented drummer in his own right (having played with the likes of The Who, Oasis, and Johnny Marr, among others), offered up this surprising revelation.

"I'll be honest, when I was a kid, The Beatles were in my way," Starkey said (transcribed by Ultimate Guitar). "I was in groups from a really young age, and I was getting press attention, but they were only paying me attention, and they weren't paying the rest of the band attention."  "And I got a bit resentful of this. And that sort of got me into a place where I sort of shunned The Beatles, for a long time. A few people say that's why I have an identity of my own."

But as previously mentioned, finding his own identity on the drum kit proved exceptionally beneficial, leading to a gig with The Who from 1996 through 2025. A band which he was details

We know he’s a fantastic songwriter, dynamic singer of bashers and ballads, and top-of-the-line bassist. But casual fans might not realize that Paul McCartney can play a wide variety of instruments when called upon to do so.

Occasionally, McCartney has even taken the initiative to tackle a song (or even an entire album) all on his own. These four outstanding tracks feature nobody but Macca, who makes for a formidable one-man band.  “Maybe I’m Amazed”

McCartney wasn’t really intending to do a solo album, at least not initially, when he headed out to his barn and started making music in his home studio in 1969/1970. He was mostly trying to shake the bad feelings of The Beatles’ breakup, which had occurred but hadn’t yet been announced. The one song that McCartney took into Abbey Road studios was “Maybe I’m Amazed”, perhaps sensing that it needed that professional studio touch. Macca offers several instrumental flourishes on the track, as if it were a band where each member grabs center stage for a moment. Ultimately, the spotlight is on the emotionally potent song and Paul’s stellar, all-in lead vocal performance.
“Every Night&r details

"The greatest pop record ever made. A record that never dates, because it lives outside time”: How The Beatles created Strawberry Fields Forever – the experimental masterpiece that John Lennon regarded as the best song he ever wrote for the band.
Lennon once described Strawberry Fields Forever as “one of the few true songs I ever wrote”, adding that, along with Help!, “they were the ones I really wrote from experience and not projecting myself into a situation and writing a nice story about it”.

Strawberry Fields Forever is quite simply a masterpiece, a poignant, heartfelt song that bridges the innocence of Lennon’s post-War childhood with the kaleidoscopic, heady sensation of ’60s psychedelia.

It is also a landmark moment in the rich back catalogue of The Beatles.  Like everything within the exhaustively chronicled career of The Beatles, there's no shortage of opinions on when exactly John Lennon first came up with the germ of Strawberry Fields Forever.

Forums were abuzz in late 2024, when a clip in the Beatles ’64 documentary showed Lennon in a New York hotel room at the height of Beatlemania playing what certainly sounds like the ope details

During an interview on Stephen Colbert , former Beatle Paul McCartney Nancy Shevell went undercover to a movie theater to watch Yesterday , a film that imagines a world without the band.

“It was really fun. We were in the back row, and someone in the movie says, ‘Paul McCartney, the greatest songwriter in history.’ I had to laugh. It was really cool. We wanted to see the movie with the people, not with the studio executives. I thought it was great,” he said.

He also confessed to constantly dreaming about John Lennon , his friend and former bandmate. "When you have such a close and deep relationship with someone, for so long, sometimes that person can visit you in your dreams. I love when that happens," he confessed.

McCartney also commented a bit on his relationship with the musician, revealing that he felt a strong connection with Lennon who, like him, lost his mother very early. “We both knew that feeling. I never thought it affected my music, until someone told me that 'Yesterday' could be about my mother. 'Why did she have to go? / I don't know / She didn't tell me.' I didn't write it with that intention, but maybe it is.”

At the end of the interview, the s details

The Beatles did not find lasting peace in India, but they found something more enduring: a body of work that captured uncertainty without resolving it.

In February of 1968, at the height of their fame, the Beatles boarded a plane bound for India. They were the most recognisable faces on the planet, their music saturating radios, bedrooms, and public life, yet they arrived in Rishikesh seeking something stubbornly intangible.

Success had delivered them everything it promised and very little that it could sustain. The world expected spectacle; the four young men wanted silence. What they found instead was a brief, strange interlude—part retreat, part unravelling—that would leave behind some of the most enduring music of the twentieth century and quietly mark the beginning of the end.

Their destination was an ashram perched above the Ganges, run by Maharishi Mahesh Yogi, whose teachings on transcendental meditation had begun to circulate through Western “counterculture.” India, to the Beatles, existed both as a real place and as a projection—a landscape onto which exhaustion, hope, and dissatisfaction could be mapped.

The Western press followed eagerly, framing the jour details

Val Barone is a journalist working remotely and specializing in music features. A passionate music lover, she keeps up to date on the latest developments in the entertainment world, and in the past five years, she's written for several sites, including ScreenRant, MovieWeb, TheThings, and Far Out Magazine. She covers breaking news in the music world and loves sharing stories about the classic rock musicians she grew up listening to. As a Gen Z writer, she offers a fresh perspective on the events that change music history.

In 1967, The Beatles were at the height of their creativity. They had stopped touring, and their last release from 1966, Revolver, was their most ambitious album. At least, until the album that changed everything. Sgt. Pepper's Lonely Hearts Club Band was revolutionary from the start, considered the first concept album. Just the cover art drove people into a frenzy in the '60s, and each song pulls the listener deeper into the world the Fab Four crafted. The last song, "A Day In The Life," is the perfect culmination for the album of the decade, its psychedelic themes, orchestral arrangements, and pop culture references perfectly capturing the music revolution The Beatles were leading at the time. & details

Yoko Ono has been reduced, in the eyes of many Beatles fans, to a punchline. She’s the “reason for the band’s breakup”—a wedge between the once iron-clad John Lennon-Paul McCartney partnership. That’s, of course, obscuring the group’s numerous other issues among themselves. She’s an easy scapegoat for one of the most disappointing band breakups of all time. Anyone who came between a pair of friends from the late ’60s on has been branded a “Yoko”.

Ono’s unpopularity with fans was likely always a source of struggle for the artist, but it only got worse after Lennon’s death in 1980. Ono reportedly faced unthinkable bullying from grieving Beatles fans, who seemingly forgot she felt all they were feeling, albeit with a personal angle.

There was one Lennon song that managed to comfort Ono in the wake of her husband’s death and public backlash, “Grow Old With Me.”

“Grow Old With Me”

We can’t think of a more heartbreaking choice of song for Ono to listen to in the aftermath of Lennon’s murder than “Grow Old With Me.” Grow old along with me / The best is yet to be / When our details