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Ringo Starr has followed Bruce Springsteen in canceling a forthcoming concert in North Carolina in protest over the state’s newly minted anti-LGBT law.

The former Beatles drummer said in a statement: “I’m sorry to disappoint my fans in the area, but we need to take a stand against this hatred. Spread peace and love.”

The law, known as HB2, prevents transgender people from using the public restrooms that correspond with their gender identity, decreeing that all public institutions must post signs saying that bathrooms and locker rooms are to be used only based on biological sex. It also prevents municipal governments from passing anti-discrimination laws.

Describing the law as bigotry, Starr said of the legislators: “How sad that they feel this group of people cannot be defended.” He concluded his statement quoting the titles of two songs: Canned Heat’s Let’s Work Together and the Beatles’ All You Need is Love.

Starr and Springsteen are not the only performers to have canceled gigs in response to anti-LGBT legislation in the south. On Sunday, Bryan Adams pulled a show in Biloxi, Mississippi, over a new law that allows religious groups and some details

The oldest and arguably most famous purpose-built recording studio in the world, London’s Abbey Road has been at the forefront of the music business for close to 85 years. Synonymous with The Beatles, the Grade II listed complex has also played home to everyone from Pink Floyd to Kanye West to Adele, with a host of famous film scores and classical works recorded within the building’s iconic white walls.

Owned by Universal Music Group since 2012 following its acquisition of EMI, the facility has recently begun a program of significant expansion, building three new and more competitively priced recording spaces and launching a number of tech and brand partnerships, including a VR tour courtesy of Google. Billboard spoke to managing director Isabel Garvey. who formerly held senior executive posts at Warner Music International and EMI, to discuss the changing role of recording studios, appealing to new artists and breaking into the tech sector. “We’re not just a museum to The Beatles,” says Garvey. “We’re a living, breathing studio making future music history.”

Billboard: You became MD of Abbey Road in 2014. What's your remit on developing and growing the business?

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A movie chronicling the story of a man is every feminist’s dream come true. Ironic? Maybe. But the filmmakers behind the upcoming The Lennon Report had me falling in love with something I haven’t even seen yet, purely because of their conscience efforts to give women equal opportunity and allow them to shine with this project. Bustle caught wind of the film at the 2016 MTV Movie Awards and spoke with producers/brothers Rafael and Gabriel Francisco and star Stef Dawson about how they turn the story of an iconic man’s death into one which shares the spotlight with women — on and off screen — who are incredibly deserving of it.

First off, know that about 70% of the movie’s department heads was made up of women. “Having women work on a film, we’re never very conscience about it, it should just always be a regular thing,” says Rafael Francisco. “Women are just as qualified as men and that should never be a question. If everybody hired based on qualifications, it would be even everyday.” He explains how beneficial it is having women as such a strong part of a team’s backbone: “We have always hired women and men, we’ve never sort of [said], &ls details

Music fans have been known to do some pretty strange things over the years. For some people, the traditional acts of appreciation—buying records, going to gigs, sending the occasional item of underwear in the mail—simply aren’t enough. For some, devotion means more.

Consider the California woman who had a tattoo of Drake’s name branded onto her forehead; or the German dude who spent $60,000 on plastic surgery to look like Justin Bieber; or the man who regrettably covered his body in 29 Miley Cyrus tattoos. These are the fans whose rock ‘n’ roll reverence knows no sensible bounds.

Bryan Eccleshall might not quite be at the top of this list. But, undoubtedly, he’s somewhere on it. Over eight years, this Beatles-lover has travelled the length and breadth of his home country of England in an attempt to visit and take a photo of every single Abbey Road—the title of the Fab Four’s 11th album. He did it, too. Some 132 of them in total. Thousands of miles travelled, and many more dollars spent. “It wasn’t purely a fan-boy thing, though,” the 50-year-old tells Noisey when we meet for a pint in his home city of Sheffield, UK. “It was a conceptua details

Stuart died this day in 1962.

This article is from 2011....

What Stuart Sutcliffe fan hasn’t wished to learn as much as possible about the fascinating young artist and Beatle? His time with us was short yet incredibly creative; every surfacing artwork, picture, letter or anecdote is pored over with relish by admirers. But some things Sutcliffe-lovers were sadly certain they would never get to know: for instance—his voice.

That’s why the digital release of “Love Me Tender“, sung by Stuart himself, is an astonishing event generating stunned excitement and questions about the song’s origin and authenticity.

“Love Me Tender” was Stuart’s signature song; a ballad he performed so well in Hamburg it received the best applause during the Beatles’ sets at the Kaiserkeller and Star Club. Sutcliffe also performed Carl Perkins’ “Matchbox” and Elvis Presley’s “Wooden Heart”. But “Love Me Tender” is the song most associated with his name.

His newly-released song, now available to the public for the first time in 50 years, is compelling listening: Stu’s voice strains just slightly ending the details

Rock groups had split before, and no one bar their fans really cared. But the parting of the Beatles? This was the first time four musicians deciding to work separately became worldwide news, treated almost as a death.

The end itself, though, was distinctly anticlimactic. George Harrison was actually the first of the Fab Four to walk, back in 1968. He was coaxed back into the fold, only for John Lennon to quit in the autumn of 1969. A pact of stony silence in the face of the public was agreed, allowing for the release of the Beatles' Abbey Road album in September 1969 and the continuation of other works in progress. The four individual Beatles drifted yet further apart, with an increasingly estranged McCartney retreating as far as rural Scotland.

The White Album, released in November 1968, had already felt like the work of four distinct creatives, rather than the world's most unassailable musical force. The gold-plated songwriting partnership of Lennon/McCartney had become unworkable, as the influence of new romantic partners, inchoate business affairs, power struggles and the turn of the decade all came to bear on a Liverpudlian quartet who had turned rock music from a frivolous teenage pursuit into serious cul details

A Beatles fanatic who was good friends with the group has got his hands back on a historic amplifier almost certainly used by the band.

Halewood man Stan Cargill has spent years collecting Beatles memorabilia and owns hundreds of autographs - some worth thousands of pounds - as well as original photos of the band. And now he is the proud owner of a 55-year-old Vox AC30 amp which had been donated to The Beatles Story more than five years ago. The amp was found by one of Stan’s relatives in 2009 in a shed a few streets away from George Harrison’s old home in Woolton. Stan then got in touch with Sam Leach, who promoted the band in the early 60s, and said he had “no doubt” it was used by the Fab Four.

But now the former promoter has given it back to Stan, who also owns a Sennheiser microphone from the same period which he believes was used by John Lennon and Paul McCartney. He told the ECHO he is considering selling some of his signed photographs and cuttings. He said: “I’ll be very sad to sell some of them, they are treasures. “The Beatles were all brilliant, they were my heroes and I have met them all too many times to count. I used to live just up the road from Harrison, details

I’ve loved Paul since before I was born.

It really feels that way.

The world I came into was already reaching the fevered height of Beatlemania, with the folk-rock revolution not far behind. I was 5 days old on Aug. 15, 1965 and living in New York City when the Fab Four played their legendary Shea Stadium concert just across town. I was 2 when the movie “The Graduate” made “Sounds of Silence” and “Mrs. Robinson” the sad soundtrack of innocence crashing into experience.

Music mattered in our home. Dad loved classical and ragtime, but he also bought “Sgt. Pepper” and “Bookends” because he knew something important was up. My big brother was — and still is — a hairy singer-songwriter who worshipped Paul (and Bob and Joan; and Joni and Janis; and David, Stephen and Graham). I’m a musician, too, and I absorbed his worship deeply, perhaps as only a younger sibling can.

But I missed the Magical Mystery Tour by a generation. Paul’s partnership split in 1970, so that part of his story has always been history to me. My passion for Paul was embarrassingly passe in my early teens, just when such loyalties really matter t details

He’s one of the most famous songwriters ever, and now the music legend, peace campaigner and fan of very round glasses, John Lennon has had another role added to his already astonishing list of achievements: picture book author.

Human rights charity Amnesty International is pairing the lyrics of John Lennon with the work of award-winning illustrator and artist, Jean Jullien, to create an illustrated version of Lennon’s iconic song, Imagine.

The picture book aims to share more information about the work that Amnesty International do around the world, as well as raising money for the charity. For every copy sold, a donation will be made to Amnesty International.

Originally written by John Lennon in 1971, the song Imagine sets out Lennon’s dream of a peaceful world, where there is no war or suffering. Lennon was a passionate campaigner for peace, alongside his wife and fellow musician, Yoko Ono.

Amnesty’s new book takes takes Lennon’s lyrics and pairs them with Jean Jullien’s illustrated tale of a young pigeon’s mission to spread peace to all birds. This isn’t the first time Jullien has leant his pen to humanitarian causes – he is the illustrator details

“You swine! You swine! How dare you do that to a Rolls-Royce!”

Imagine John Lennon telling the story over a cup of tea, eyes glinting in quiet amusement behind those round-rimmed glasses. The tale of the woman who attacked him with an umbrella, provoked into berserker fury by the psychedelic Romany paintwork of his big yellow Rolls-Royce. Was it true? Maybe, maybe not.

As for the Rolls-Royce, it’s as solidly real as they come – 2,500 kilograms of a Liverpudlian’s Brobdingnagian folly. It sits in the foyer of Victoria’s Royal B.C. Museum, drawing eyeballs like it has its own gravity well, an icon of British nobility turned on its head. In the mid-1960s, this car was right in the heart of Beatlemania – so how did it end up in a museum on the Canadian West Coast?

You can blame Ringo Starr for the paint job. According to Lennon’s former chauffeur Les Anthony, the idea of painting the Rolls like a Romany caravan came from the Beatles’ drummer as they passed a fairground. Soon, respectable Rolls-Royce black was replaced by a yellow background with floral flourishes and a zodiac symbol atop the roof. Lennon would give back his MBE in 1969, and the yellow Rol details

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