Before George Harrison started any part of his 11th studio album, Cloud Nine, he needed a producer, and the first person that came to mind was Jeff Lynne, ironically. George once called Lynne a Beatles copycat. However, he realized how wrong he was and contacted Lynne.
After meeting, the former Beatle wanted to get to know the ELO frontman and producer before they started work. George had to make sure they’d be good songwriting partners. Lynne passed the test, and the pair began Cloud Nine. Once they started, George realized why he and Lynne worked well together.
Initially, George knew it was ironic that he wanted Lynne to produce Cloud Nine. However, that was the reason why George wanted the producer. If Lynne was a Beatles copycat, that was OK with George. He wanted someone who made music like him.
It would truly be a pity if you didn’t give this George Harrison song a listen.
“Isn’t It A Pity” is a song everyone should know, and here’s why: It’s a song about how we tend to take our loved ones for granted, but it’s also a reminder that we have the ability to change that behavior. We have the ability to give back.
Tensions were running high amongst The Beatles in their final days together. Harrison, in particular, felt smothered by the band in the late 1960s. He had been sitting on a mountain of songs that he wrote but didn’t make the cut for a Beatles record. So, once The Beatles officially broke up in 1970, Harrison unleashed an avalanche of music onto listeners. His 1970 triple album All Things Must Pass had 23 new songs on it, two of which were “Isn’t It A Pity (Version 1)” and “Isn’t It A Pity (Version 2).”
In all the nooks and crannies of Beatles Scholarship, the Fabs’ relationship to and time spent in India is one of the most interesting. In fact, it could be argued that no group did more to open Western ears, eyes, and minds to Indian music, culture, and spirituality than the Beatles did in the mid/late 1960s.
The connection is told in the fascinating 2021 documentary The Beatles and India (available on DVD & Blu-Ray June 21 from MVD Entertainment). It’s co-directed by Ajoy Bose (based on his book, Across the Universe—The Beatles in India) and Pete Compton.
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The Beatles‘ 1966 album Revolver is what ultimately cemented the band’s reputation as creative studio geniuses atop the pyramid of commercial music at the time. It may not have the epic range of material as heard on The White Album, or the cohesiveness of Sgt. Pepper’s Lonely Hearts Club Band, released the following year, but Revolver marks the first time where the Beatles truly stepped outside of their comfort zone in the studio and expanded the idea of what rock and roll could be.
Coming off 1965’s Rubber Soul, the Beatles were at the peak of their fame. Yet, each member was growing increasingly disillusioned with all that was involved with “The Beatles” and their growing legion of fans. John Lennon was perhaps the most affected, causing a huge uproar in the United States when he proclaimed that the Beatles were “bigger than Jesus Christ.” The demands of the road, the size of the shows, and the non-stop schedule had pushed the band to their limits, so they cleared a few months from their calendar to give themselves time to prepare for their next album. The band used this time to delve deep into their new-found love of LSD–in particular Lennon and George Harrison&md details
George Harrison and Pattie Boyd’s relationship was marred by extramarital affairs.
A former assistant to The Beatles said Pattie Boyd made the right decision when she left George Harrison.
George Harrison and Pattie Boyd had a friendly relationship later in life.
After her divorce from George Harrison, Pattie Boyd was left feeling incredibly guilty. Both were involved in extramarital affairs, and Boyd said that Harrison barely spoke to her toward the end of their relationship. Still, she wondered if she’d made a mistake. After running into The Beatles’ former assistant, though, she felt more assured that the separation was a good idea.
Boyd and Harrison married in 1966. While Boyd said they were very much in love, the connection between them began to wilt as time passed. Harrison conducted multiple affairs, and after dedicated pursuit by Eric Clapton, Boyd began an affair with him.
Harrison grew increasingly distant and cold, but Boyd said the final straw came when he started an affair with Maureen Starkey, Ringo Starr’s wife. To add insult to injury, they conducted the relationship at the home Boyd and Harrison shared, sometimes even while she was home.
When George Harrison and Pattie Boyd were married, they decided to switch to a vegetarian diet together. Boyd threw herself into finding new recipes for them and found joy in cooking. After their divorce, though, she began reincorporating meat into her diet. Harrison remained a vegetarian for the rest of his life. When he surprised her on Christmas and saw her eating meat, he scolded her.
When Boyd and Harrison began their relationship, she took a great deal of enjoyment in cooking for them.
“When George and I first got together I wasn’t a good cook but quite enthusiastic — I knew there was something better than school food and even Lilie’s fare,” she wrote in the book Wonderful Tonight. “I tried to make the sorts of things I imagined boys from the north would like — shepherd’s pie, roast beef, and Yorkshire pudding — and then George and I became vegetarian, which gave me a whole new interest.”
John Lennon explained a famous lyric from The Beatles’ “Strawberry Fields Forever.”
He said he was “awake” for his entire life.
“Strawberry Fields Forever” appeared on the soundtrack of one of The Beatles’ movies.
John Lennon was asked if The Beatles’ “Strawberry Fields Forever” represented a “new awakening” for him. Subsequently, John said the song was about being “awake” his whole life. He said his claim wasn’t “egomania.”
“It still goes now, doesn’t it?” John replied. “Aren’t I saying exactly the same thing now?”
John was asked if the lyric was a “new awakening” for him. “No, it wasn’t a new awakening,” he responded. “It was the fact that I was putting it on paper. I was awake all my life. You understand? I’ve always been, all my life.”
Sir Paul McCartney wrote reams of music and lyrics for The Beatles for the better part of 20 years. Along with his best friend and writing partner, John Lennon, he started the Lennon-McCartney Songwriting Partnership, a collective that was responsible for penning dozens of tracks.
But in 1970 The Beatles announced they were splitting up after the release of their 13th album, Let It Be.
In the same year, McCartney took his creativity into his own hands.
In April 1970 the former Fab Four star released his first solo album: McCartney.
The record was a labour of love for the star, who wrote and recorded every instrument on it.
Looking back at McCartney, the star has commented on how it felt to do his own thing after The Beatles came to an end.
He said via his Twitter account: "I like its bare bones, I mean, talk about honest. You couldn’t get more honest than plugging right in the back of the machine, and if the snare was too loud you moved the mic away from it a bit."
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”The Royal Tenenbaums,“ ”The Social Network“ and ”Withnail & I“ have all made use of classics by the Fab FourThe Fab Four have provided the soundtrack to some great movie moments over the years -- and we're not even counting movies that exclusively use Beatles songs like "Across the Universe," "I Am Sam" and The Beatles' own movies "A Hard Day's Night," "Help!" and "Yellow Submarine."In this wistful moment in Sergio Leone's sprawling epic "Once Upon a Time in America," Robert De Niro plays a gangster leaving New York to the sound of an old fashioned, Ennio Morricone score, only to return years later as a now worn old man. As he steps back into 1960s New York to look back on the memories of his former life, Morricone's score blends into a rendition of "Yesterday" that is as forlorn as the movie itself.
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Yoko Ono, the 83-year-old artist and widow of John Lennon, has been hospitalized with a “serious flu,” according to her longtime spokesman.
“It’s just an advanced case of the flu,” Elliot Mintz told media, who initially published reports that Ono had suffered a stroke.
He said: “To the best of my knowledge, she had symptoms along the lines of a serious flu, and her doctor thought it was best that she would get a check-up at the hospital. There is no stroke and there are no life threatening circumstances as has been described to me.”
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