Music-loving students coming to Newcastle could soon get a chance to live in accommodation with a notable pop history.
Plans have been submitted to convert Grade II listed Barclays House on Grey Street into a hall of residence.
The building was formerly the Royal Turks Head Hotel where, it is claimed, Paul McCartney and John Lennon were inspired to write She Loves You after a Beatles concert at the Majestic Ballroom in Newcastle as part of their tour with Roy Orbison and Gerry & The Pacemakers.
So it is possible that students could sleep in the very same room where the hit was penned.
In an interview McCartney said: “There was a Bobby Rydell song out at the time, Forget Him, and, as often happens, you think of one song when you write another,” said Paul. “We were in a van up in Newcastle-Upon-Tyne.
“I’d planned an ‘answering song’ where a couple of us would sing ‘she loves you’ and the other ones would answer ‘yeah yeah’.
“We decided that was a crummy idea but at least we then had the idea of a song called ‘She Loves You’.
“So we sat in the hotel bedroom for a few hours and wrote it — John and I, sitting on twin beds with guitars.”
However in 2003, plans to install a plaque at the hotel were stalled after it turned out neither Paul McCartney nor Ringo Starr, the surviving Beatles, could recall whether it was the Imperial Hotel in Jesmond or the Royal Turk’s Head where the group had stayed.
Sir Paul McCartney swapped stadiums for the back of a London shop as he entertained one of his smallest audiences for years - a crowd of little more than 30 people.
The star was aiming to give inspiration to musicians and aspiring songwriters after they assembled to hear him give a 42-minute talk about composing, as well as take taking questions about his experiences.
The superstar was appearing at the invitation of model Lily Cole, and decided to return a favour after she appeared in the video for his single Queenie Eye.
He agreed to speak at the small gathering run by Cole’s community website Impossible which encourages people to share their time and skills with others.
Guests gathered at an anonymous shopfront in Berwick Street, Soho, before taking their places inside to hear the former Beatles star discuss his art - just a stone’s throw from where he had performed an intimate show at the 100 Club, a little under four years earlier.
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A guitar owned by Beatles legend John Lennon is expected to raise more than £400,000 at auction.
The Gretsch 6120 model was played by Lennon when the band recorded Paperback Writer at London's famous Abbey Road studios in 1966.
It is described on auction website tracksauction.com as "one of the most significant of John's guitars to come on to the market in the last 30 years".
The website says it was played "whilst the group were approaching the peak of their recording powers".
The guitar comes with photographs of Lennon playing it with the rest of the band.
When he was 15, wearing Beatle boots from Hardy’s Shoes in Downtown Memphis and playing Fab Four covers on his 1961 Cherry Red Gibson SG Special, Robert Johnson didn’t dream he’d one day produce an album of songs by Paul McCartney. Or partner with a noted Beatles illustrator on the project.
To celebrate the 50th anniversary of the Beatles, Johnson, 62, produced "Music for Linda," a limited edition CD featuring McCartney classics performed by other artists for the “Alan Aldridge Beatles Illustrated Collective Set,” an 18-month calendar with illustrations Aldridge painted for “The Beatles Illustrated” songbook in the 1960s.
The CD and calendar benefit The Women and Cancer Fund in memory of McCartney’s wife, Linda McCartney, who died from breast cancer.
Johnson, whose numerous credits include playing guitar with Isaac Hayes, was honored, along with Aldridge, at The Blues Ball this fall, which celebrated the 50th anniversary of the Beatles.
Johnson is a longtime friend, said Pat Kerr Tigrett, Blues Ball founder and executive producer. “He’s incredibly talented,” she said. “And he’s remarkably knowledgeable about the music industry and musicians all over, and forms close friendships with some of our greatest musicians and artists, one of which is Alan Aldridge. I have known Alan since the mid ’70s when I was living in London. He actua
lly did the Hard Rock (Cafe) logo that still is being used.”
Asked why he wanted to do "Music for Linda," Johnson said, “I wanted to get Alan’s name back in the public eye. The British know who he is, but Americans have sort of lost track of Alan or forgotten.”
McCartney, he said, “is the best pop songwriter in the world. Just to tackle songwriting of that quality was very appealing to me. To tackle producing that. And putting a different spin on that.”
Never one for a big media blitz, Led Zeppelin guitarist Jimmy Page has probably done more interviews in the last six weeks promoting the Zeppelin remasters and his new book, Jimmy Page On Jimmy Page, than he did throughout the entirety of the '70s.
Last night, Page put the finishing touches on the promotional campaign with a private dinner at the iconic Sunset Marquis hotel, a place that has seen more rock and roll gatherings than maybe any other hotel. The evening featured so much guitar power that before we all sat down for the four-course meal, Metallica's Kirk Hammett told Billboard, "I'm one of the luckiest motherf--kers in the guitar slinger's universe."
Jimmy Page Talks New Music, Led Zeppelin's Future & Why He Has No Interest Being in a 'Tribute Band'
If ever there was an event to just sit and be a fan, it was in this intimate setting for 45 or so friends and associates of Page and the hotel. Observing the conversations as Page, Joe Perry and Chris Cornell sat side-by-side during the dinner left any music lover awestruck.
At one point during a champagne reception prior to the sit-down meal Page, Hammett, Perry, Ringo Starr and Joe Walsh posed for photos together. That's like the Rock and Roll Hall of Fame all-star class.
Everybody loves the Beatles. That's the first thought that came to Slidell artist Lori Gomez's mind as she tried to come up with a theme to transform a century-old, donated piano into a work of art.
The piano would be auctioned to help raise money to build veterans' homes in east St Tammany Parish, and so Gomez set about refurbishing and then painting the colorful Beatles artwork onto it.
But two final touches have made the upright, antique piano more rare and valuable than anyone involved in the upcoming auction ever imagined: personal autographs by both Ringo Starr and Sir Paul McCartney, the only two surviving members of The Beatles.
"I had no idea it would turn into this," Gomez said.
In a tale of destiny, aided by a good deal of persistence, Kim Bergeron, an art auction committee member for the East St. Tammany Habitat for Humanity, sought to have the piano autographed in time for the organization's "Home is Where Art Is" gala on Nov. 21. Proceeds from the seventh annual event will go toward building homes for veterans, a key factor in helping Bergeron obtain the signatures.
She first reached out to McCartney, who performed in New Orleans Oct. 11. Then, after hearing from her friend Amy Kaussman that Starr had a tour stop at the Hard Rock Hotel & Casino in Biloxi, Bergeron contacted his representatives on Oct. 17.
"Ours was the only autograph in Biloxi, and ours was the only autograph in Louisville. They do not sign autographs, so it's huge," Bergeron said. "This was persistence, and the story, the story behind the piano itself, the organization, the proceeds going to the veterans' build. It's the whole story. It really is a little fairy tale – a big fairy tale – with a happy ending."
the Spanish movie selected for this year’s Oscars “Living Is Easy With Eyes Closed”. The movie is based on the true story of the teacher Juan Carrion, who traveled to Almeria to meet John Lennon, where he was filming “How I Won the War”. The meeting with Carrion inspired Lennon to include the lyrics of the Beatles songs on all records.
As I’m sure you know, the movie title, “Living is Easy With Eyes Closed”, comes from the second line in Lennon's song “Strawberry Fields Forever” which he wrote in Almeria during the filming.
We would really appreciate your help in letting Beatles fans know that the film will be released in February in the US. We would also like to come back to you later on with a link to the Pat Metheny and Charlie Haden sound track to the film, which the fans may like.
(CNN) -- It would have been the ultimate supergroup: the Beatles, the Rolling Stones and Bob Dylan.
And it was actually proposed, says engineer and producer Glyn Johns, according to a piece in Rolling Stone.
According to Johns' new memoir, "Sound Man," while traveling with Rolling Stone founder Jann Wenner he ran into Dylan in New York sometime in 1969. The singer had just done an interview with Wenner and started peppering Johns with questions about the two bands.
Johns had worked with the Beatles in early 1969 on the "Get Back" sessions -- later to become "Let It Be" -- and the Stones on 1968's "Beggars Banquet," so he had recent experience with both.
Beatles photographer shares
Glyn Johns is a walking rebuttal to the maxim that if you remember the 1960s, you weren't there.
He was there — overseeing the Rolling Stones' first recording session, arranging the Beatles' rooftop concert, reeling from the first blast of Led Zeppelin — and he remembers everything.
Johns, a recording engineer and producer, began his career at the start of the 60s, when studio technicians still wore white lab coats. He went on to work with the Stones, the Small Faces, the Steve Miller Band, The Kinks, The Who, the Eagles and many more, helping to define a certain classic-rock sound.
"I'm a bit of a purist," said Johns, whose memoir, "Sound Man," is being published Thursday in the U.S. by Blue Rider Press. It's out in Britain next month.
Johns recalled how after the Beatles released the "Sgt. Pepper" album in 1967, Mick Jagger took him into a cafe near London's Olympic Studios.
"He said 'You've got to come up with some new sounds.' Because 'Sgt. Pepper' had reinvented the wheel," Johns explained. "And I said 'Oh really? Have I? I thought I was here to record you playing.' And that's really always been my attitude.""