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Like his father, the late Beatles guitarist George Harrison, Dhani Harrison is a musician. He made his professional debut on his dad's last studio album, Brainwashed, issued after George's death in 2001. Now 36, Dhani composes film scores and is half of a band, the newno2 – named after a recurring character in the late-Sixties British television show, The Prisoner – with another musical son, Paul Hicks. (His father, Tony, is the founding guitarist of the Hollies.) 

Unlike his father, Dhani is – with his mother, Olivia – a caretaker. Since George's passing, Dhani has been active in the archiving and release of his father's solo legacy, including a 2004 box, The Dark Horse Years 1976-1992; a 2012 rarities CD, Early Takes: Volume 1; and the first comprehensive reissue of George's early life away from the Beatles, The Apple Years 1968-1975. The centerpiece of that set – seven CDs with bonus tracks plus a DVD, issued in September – is, of course, the 1970 masterpiece, All Things Must Pass.

But The Apple Years begins with George's initial, eccentric excursions – the 1968 Indo-rock film score, Wonderwall; the '69 Moog holiday, Electronic Sound – and runs through the details

On May 22, 1965, children across England – and maybe some parents, too – finished their afternoon tea and took to the couch to watch the latest episode of the increasingly popular BBC 1 program, Doctor Who. A new storyline was beginning. Over six cliff-hanging episodes, “The Chase” would feature the Doctor and his friends being pursued across space and time by their arch nemeses, the Daleks.

Shaped like pepper pots, the Daleks were mechanical creatures that glided around on unseen wheels, barking out the word “exterminate!” in a nails-on-chalkboard screech and zapping people with electronic rays. They were terrifying and kids loved them. The Daleks had become a phenomenon. There were Dalek toys and books and board games. And, that summer, there would be a big screen Doctor Who and the Daleks movie, starring Peter Cushing as the Doctor. In color!

But, right then, on TV, the picture was still black and white and the Doctor was veteran character actor William Hartnell. The Daleks hadn’t shown up in the story yet and the Doctor – a kindly/crotchety man who looked to be in his early 60s – was in his time and space machine, the TARDIS, enjoying some down time with details

Sir Paul McCartney reviews his songs as he sings them to stop himself becoming emotional.

The legendary musician found fame in band The Beatles in 1960 and has since forged a successful solo career as well as fronting his own group Wings.

His tracks are known for their meaningful lyrics, many of which were inspired by events in his own life. He doesn't let the emotions take over him too much while performing though as he understands his songs are interpreted in various ways.

"I'm really doing them just because they're songs. I mean, when I do Let it Be I'm not thinking about my mum. If there's one thing I know it's that everyone in that audience is thinking something different. And that's 50,000 different thoughts, depending on the capacity of the hall," he explained to British magazine Esquire. "Obviously, when I do Here Today as I do, that is very personal. That is me talking to John [Lennon, Paul's former Beatles bandmate who was killed in 1980]. But as you sing them you review them. So I go, [sings] 'What about the night we cried?' And I'm thinking, 'Oh, yeah: Key West'. We were all drunk. We'd delayed Jacksonville because of a hurricane."

Source: MusicNews.com

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Yoko Ono took out a full-page ad in the New York Times on Friday calling on Gov. Andrew Cuomo to reject state permits for a pipeline that would transport gas fracked in Pennsylvania into New York's Southern Tier.

The ad, paid for by the anti-fracking activist, artist and widow of John Lennon, called on Cuomo and President Barack Obama to reject the Constitution pipeline.

“We must stop fracking, which means we must not transport fracked gas across our state where it is headed for foreign export markets,” she wrote. “The danger to our homes is also the danger to the rest of the world, as we continue to harm the climate, the world is watching us.”

In the ad, Ono called the pipeline a “scar that never heals” and said it had an Orwellian name.

Plans call for the Constitution pipeline to become part of a network that will transport natural gas to New England, where governors have called for more capacity amid dramatic price spikes. Federal regulators have already largely signed off on necessary approvals for the pipeline. Some residents who have fought the pipeline running through their land have been taken to court by the developers.

By: Scott Waldman

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Revolver marked an important milestone for the Beatles: It represents the group at their most experimental to date. Backwards guitars, eerie sound loops, surrealist lyrics: nothing was off-limits for their 1966 masterpiece. A perfect example of this early innovation is “I’m Only Sleeping,” the primarily John Lennon-penned track that features sound effects, a stellar Lennon vocal, and an unusual Harrison guitar solo.

While many fans believe “I’m Only Sleeping” refers to drugs, the words also refer to Lennon’s habit of sleeping late. In his infamous interview with journalist Maureen Cleave on March 4, 1966, he claimed that he was “physically lazy. … I don’t mind writing or reading or watching or speaking, but sex is the only physical thing I can be bothered with any more.” Cleave even mentioned that “he can sleep almost indefinitely, is probably the laziest person in England.

” According to other sources such as Rolling Stone and the Beatles Bible, the story may also derive from John Lennon’s annoyance at Paul McCartney waking him up for a songwriting session. Lennon scribbled the initial lyrics on the back of an envelope, althoug details

Louise Harrison never wanted to write a book about her famous brother, George Harrison.

“I felt there were so many crazy books out there about The Beatles I didn’t need to add to it,” Harrison, 83, says during a phone interview from her Southern California home.

She finally decided it would be OK to join the gaggle of authors because no one who has written about the famous British band has the personal knowledge she does. That’s why she penned “My Kid Brother’s Band a.k.a. The Beatles” (Acclaim Press, $18.89). The 354-page book is a behind-the-scenes look at how she helped fuel Beatlemania while living in America when The Beatles began to emerge.

The book is available in stores and online at Amazon.com.

It was another John, Paul, George and Ringo who made the final arguments for her to write the book. Harrison has been the manager of The Beatles cover band, Liverpool Legends, for several years.

“The guys told me that I had a perspective that no one else would have. They told me that it was important that I write the book,” Harrison says.

The Liverpool-born Harrison moved to the United States in 1963 because of her husband&rsquo details

“It’s just a happy coincidence.” That’s my oft-repeated mantra when I’m asked if I’m related to Ringo Starr, the subject of my new book, “Ringo: With a Little Help” — the first comprehensive biography of The World’s Most Famous Drummer.

You’d be surprised how often I’m asked that particular question, mostly by people who either don’t know — or just plain forgot — that Ringo Starr was born Richard Starkey in Liverpool, England 75 years ago on July 7, 1940.

But that’s not the only thing about Ringo that people forget — or didn’t know about him in the first place:

The ingrained Dickensian image (particularly among Beatles fans) of Richy Starkey growing up dirt-poor in Liverpool? Not quite. While Richy and his mom, Elsie, lived in the Dingle — a gritty part of town located near the rough-and-tumble Liverpool docks — Elsie worked several jobs (barmaid, cleaning houses) to keep a relatively comfortable roof over Richy’s head. A photo from his youth shows Richy and his childhood friend, Dave Patterson, posing in sharp suits — and the Starkey grandparents lived just down the street details

Paul McCartney has spoken out about the British government's impending amendment that will once again open the door for fox hunting in England and Wales. In a statement, the bassist and longtime animal rights activist called the sport "cruel and unnecessary" and threatened that, by passing the bill, the conservative Tory party "would lose support from ordinary people and animal lovers like myself." 

"The people of Britain are behind this Tory government on many things, but the vast majority of us will be against them if hunting is reintroduced," McCartney said. In 2004, the British government placed stricter restrictions on fox hunting, which was practiced legally for sport for nearly five centuries until the legislation passed. However, current Prime Minister David Cameron revealed in March he hoped to repeal the ban as long as the fox hunts were "appropriate" and done "efficiently," The Guardian reports.

McCartney isn't the only rocker to argue against renewing fox hunts: On July 9th, Queen guitarist Brian May appeared on BBC's Newsnight to slam the amendment, which will be put to a vote on July 15th. "There is no justification for the hunting of foxes on the grounds of control of foxes," May said. "They details

For those of you who haven’t watched the Beatles’ 1970 documentary Let it Be (likely through less than legal means, for reasons I will get into here), here’s what went down: After noticing how unusual The White Album turned out to be, especially with the songs increasingly becoming less rock n roll, and being less group-oriented, Paul decided the band should get back to basics, writing new songs and performing them at a special concert that nobody agreed exactly where it should take place. They decided to rehearse at Twickenham Studios in London and have a crew film them for a possible TV Special. It did not go well; instead of showcasing a reborn Beatles, it showed off the beginning of the end, with constant fighting between Paul and the other members of the band. In the end, the concert did take place, on the Apple Studios rooftop, and the footage for the TV special was released into a full-blown movie.

However, the last time it was released to home video, it was in 1981. In the decades since, the band has teased the possibility of a rerelease (including, in 1992, doing what appeared to be a full restoration of the film which only saw the light of day through snippets on the Anthology miniseries,) bu details

Alex Ross made his name with his painted, nearly photorealist artwork for superhero comic books, most famously Kingdom Come and Marvels. Now he's turning his hand to a different set of visual icons. Rolling Stone can exclusively reveal Ross's series of illustrations of the Beatles, created with the blessing of the band's organization Apple Corps. Ross is set to unveil the artwork in person at this week's Comic-Con International in San Diego.

The first fruit of the project was a six-foot-wide print of the band; a painterly, CinemaScope-style re-envisioning of the distinctly cartoony, two-dimensional imagery from the Beatles' 1968 animated movie Yellow Submarine.

"I was very much raised on that film," Ross tells Rolling Stone, "so I know every detail of it, and I can import that into my work, as though it was a live-action film that they starred in. I was warned at the outset that they might not get approval from the [John Lennon and George Harrison] estates to release it formally — that it was a kind of test. I thought I might not get another chance at this, so I wanted to put everything plus the kitchen sink in one piece of art."

By: Douglas Wolk

Source: Rolling Stone

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