A book signed by Sir Paul McCartney has sold for nearly £1,000 after being donated to a charity shop.
The copy of Paul McCartney In His Own Words, a collection of interviews with the Beatles star, was given to an Oxfam shop in Aberystwyth, Ceredigion.
The book, donated as part of a wider collection of 1970s memorabilia, sat in the shop for several months before its inscription was discovered by manager Joan Randle.
It was subsequently sold at auction with Bonhams, raising £950 for the charity.
PA Media The inside front cover of a book. The pages are cream and on the inside there is a signed note from Sir Paul McCartney. On the other side there is a black and white image of Sir Paul McCartney and the headline text Paul McCartney In His Own WordsPA Media
The copy of Paul McCartney In His Own Words was given to an Oxfam shop in Aberystwyth
Randle said: "The book had actually been sitting on a shelf for a few months alongside lots of other 1970s memorabilia. "I'd been planning to use some of the items in a fun window display, so it wasn't something we'd paid particular attention to at first."
She added that one afternoon she found herself "with a bit of spare tim details
Some of the best songs come from a difficult place. Here are a few Beatles songs that are already a bit sad but become absolutely devastating once you know the thought that went behind them.
“Julia”
“Julia” is a song inspired by Lennon’s mother, who died in a car accident when Lennon was just 17. In a 2020 interview, McCartney shared that this was his favorite Lennon song. It doesn’t really even sound that sad, even though there are elements of grief in it.
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“Half of what I say is meaningless / But I say it just to reach you, Julia, Julia / Julia, ocean child, calls me.”
“Julia was my mother,” Lennon told David Sheff. “But [the song] was sort of a combination of Yoko and my mother blended into one…”
“Blackbird”
If you’ve ever heard “Blackbird”, you’ve likely felt captivated by that guitar riff that plays at the beginning of the song or noticed the catchy melody that McCartney sings over top of it. While “Blackbird” basically sounds like a song about a raven, the idea behind the tune actually goes a lot deeper than that, as McCar details
With a songwriting catalogue that features some of the most important music ever created, there’s no doubt that John Lennon changed the world. His partnership with Paul McCartney throughout their tenure with The Beatles spawned some special, revolutionary, and oftentimes musically complex songs.
With tracks like “Tomorrow Never Knows” and “Day in the Life,” there’s no shortage of musical experimentation across the band’s catalog. In a new interview however, the legendary singer’s son Sean Lennon spoke about the song that he finds “shockingly complex,” and the story behind its composition. That song is “Because.”
The story goes that Yoko Ono was playing Beethoven’s “Moonlight Sonata” on the piano, and Lennon took notice and asked for her to write the chords down backwards. These chords became the basis for the chords in the song.
It’s so interesting learning this and then listening to the two iconic songs next to each other. It’s so obvious, I don’t know how I didn’t notice the similarities sooner. The song is a particularly interesting one in in The Beatles’ discography as well, as it c details
Mick Jagger has spoken to NME about the “very easy” experience of working with Paul McCartney on The Rolling Stones‘ new album ‘Foreign Tongues’.
The Beatles legend teamed up with the Stones for their latest full-length effort – released next Friday (July 10) – taking on bass duties for the song ‘Covered In You’.
The Wings star and solo icon also spoke to NME about his excitement to get involved in the record, explaining that he was “chuffed” to be asked to contribute.
“You could be a bit blasé and go, ‘Yeah, OK, so what?’ But for me, it wasn’t – it went the other way,” he said, going on to recall how he felt in the studio.
“It was like, ‘Wow, there’s Mick [Jagger]! Ooh, there’s Keith [Richards]! Woah, there’s Ronnie [Wood]!’ It was exciting. It was really good. A great thing is all I had to do was play bass and not make mistakes, so it was good.”
McCartney continued: “I went home that day, and I’m saying to everyone, ‘I just played with The Stones!’ I was glad I wasn’t blasé about it. It’s really details
In 1966, The Beatles released “Yellow Submarine”. On their Revolver record, “Yellow Submarine” is written by John Lennon and Paul McCartney. Out in 1966, the song became one of The Beatles’ many No. 1 hits.
An uptempo, light-hearted tune, “Yellow Submarine” begins with, “In the town where I was born / Lived a man who sailed to sea / And he told us of his life / In the land of submarines / So we sailed up to the sun / ’Til we found the sea of green / And we lived beneath the waves / In our yellow submarine.”
The success of “Yellow Submarine” is surprising, since it was never written to be a mainstream hit. Instead, McCartney says it was originally supposed to be for their younger fans.
“‘Yellow Submarine’ is very simple but very different,” McCartney says. “It’s a fun song, a children’s song. Originally, we intended it to be Sparky, a children’s record. But now it’s the idea of a yellow submarine where all the kids went to have fun. I was just going to sleep one night and thinking if we had a children’s song, it would be nice to be on a yellow submarine where all your friends details
When most people think of The Beatles, they likely think of songs like “I Want To Hold Your Hand” or “Here Comes The Sun”. While these are great songs, The Beatles experimented with lots of different sounds in their day. Here are a few Beatles songs that might surprise you.
“Helter Skelter”
“Helter Skelter”, which appears on the White Album, is a lot more rock ‘n roll than most Beatles’ songs. When Paul McCartney wrote this one, he was referring to a helter-skelter carnival slide, and not so much Charles Manson.
He told Barry Miles: “I was using the symbol of a helter skelter as a ride from the top to the bottom – the rise and fall of the Roman Empire – and this was the fall, the demise, the going down. You could have thought of it as a rather cute title but it’s since taken on all sorts of ominous overtones because Manson picked it up as an anthem, and since then quite a few punk bands have done it because it is a raunchy rocker.”
“Within You Without You”
This is actually one of many Beatles songs that have a lot of Indian musical influence. George Harrison wrote his first song in this style w details
By the mid-1960s, the Beatles had left behind their matching suits and clean-cut image in favor of something far more bohemian. Rubber Soul was famously dubbed the band’s “pot album” by John Lennon, while increasingly mind-altering substances helped shape the psychedelic sounds of Revolver and Sgt. Pepper’s Lonely Hearts Club Band.
It was a period of constant experimentation, both musically and chemically. As Paul McCartney later told Howard Stern, “Things happened in the studio that you couldn’t always predict.”
Stern asked McCartney about one of the best-known stories from the making of Sgt. Pepper: the claim that Lennon was tripping on LSD while recording the album’s fourth track, “Getting Better.” “It was crazy, because he had a little pillbox,” McCartney recalled. “He’d have his little uppers and his little downers, and he thought he was taking a little upper, and we could get on with the session.
“[Then] he comes over to me and whispers, ‘I took the wrong pill.’
“‘What did you take?’
“‘Acid.’”
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Ringo Starr’s new album, Long Long Road, which has roots in country and Americana, is out today.
It's the second straight album he’s done with producer T Bone Burnett. At a recent listening party in Los Angeles, Ringo said Burnett made making the album easy, noting, "There's a lot of great players in Nashville, and he knows most of them."
Ringo said Burnett would send him "tracks with some meat on" them, and he would send back his drum and singing parts. Then Burnett would "complete the deal," which Ringo describes as “a great way of working."
And it was just as easy for Burnett, who said he’s been listening to Ringo play drums for so long that “his feel is in my DNA at this point. It's in my cells, you know.”
“I've always thought of him as a Texas musician because he played so Texas," he added. "He's the swinginest drummer in the history of the United Kingdom. I can tell you that.”
Ringo said the title of the album represents "the road I’ve taken," adding, “You know all of those stop marks on your walk of life, it’s so far out."
He said that the title track "is me going through my things about my life." And while h details
During a 1963 visit to St. Louis, George Harrison found a record he couldn't stop thinking about. He even imagined the Beatles recording it. But despite his enthusiasm, the song never made its way into the band's repertoire. Harrison would eventually get another chance with it — 24 years later.
It all stemmed from an early 1960s vacation. “In 1963, the year before the Beatles first came to America, I took a trip to St. Louis to visit my sister, who was living there at the time,” Harrison wrote in The Beatles Anthology. “The whole Beatlemania thing had really begun in the U.K., and we’d had three or four hit singles.
“So while visiting my sister, I went around to all the music shops looking for new singles and especially albums that were really hard to find in Liverpool. And that’s where I finally found the James Ray album, If You’re Gonna Make a Fool of Somebody.”
In particular, the song that grabbed his attention most was “Got My Mind Set on You,” and Harrison thought it had the makings of a Beatles recording — despite one significant drawback. All the latest guitar news, interviews, lessons, reviews, deals and details
During a career that was chock-full of momentous events, The Beatles enjoyed plenty of turning points that contributed to their unparalleled achievements. And few loom larger than the release of “A Hard Day’s Night” (1964), their feature film debut, and their August 29, 1966, performance at San Francisco’s Candlestick Park. Both are subjects of terrific new books about the band.
Samira Ahmed’s superb book about the making and legacy of “A Hard Day’s Night” should send music (and film) lovers to their favorite streamer to revisit the movie. Under Richard Lester’s direction, “A Hard Day’s Night” not only showcased the group’s media-friendly personalities, but ensured that Beatlemania was portable, that you didn’t have to live in a big city for the Fab Four to come to your town.
As Ahmed demonstrates, the film’s documentary style both reimagined the jukebox musical and captured the frenzy of mid-1960s filmmaking. In its finest moments, Ahmed’s book takes readers back to The Beatles’ heyday, when rock ‘n’ roll was still relatively new, and the band was only just getting started in terms of the musical ar details
Northern Irish actor Louis McCartney has been cast as Ringo Starr in upcoming BBC drama Hamburg Days, which will chart The Beatles' formative years in Germany. McCartney, from Helen’s Bay in County Down, is best known for playing Henry Creel in the West End and Broadway productions of Stranger Things: The First Shadow.
The six-part series will explore the band’s time in Hamburg in the early 1960s, before they became one of the biggest acts in music history. Sex Education star Asa Butterfield, Trainspotting actor Jonny Lee Miller and Adolescence actress Christine Tremarco are also among the newly announced cast.
Butterfield will play Beatles manager Brian Epstein, who guided the group from 1961 until he died in 1967. Miller will portray Jim McCartney, Paul McCartney’s father, while Tremarco will play John Lennon’s aunt and guardian, Mimi Smith. McCartney joins Rhys Mannion as Lennon, Ellis Murphy as Paul McCartney, and Harvey Brett as George Harrison. Louis Landau will play the band’s original bassist Stuart Sutcliffe, while Patrick Gilmore will portray their first drummer, Pete Best.
A Thousand Blows actress Darci Shaw has been cast as Cynthia details
One fact about the Beatles that should not be overlooked is how little calendar time it took them to effectively change the course of music forever.
They officially formed in 1960 (counting the years before the permanent lineup was created) and split up precisely 10 years later — not a lot of time in the grand scheme of things — and yet, their influence was unmatched. Plenty of other artists spend their entire lives crafting a legacy like that, while the Fab Four did it in a decade.
Because they only worked together for a relatively short amount of time, the Beatles only released 13 albums, but each of them paints a different picture of a band working hard to develop something groundbreaking, whether they realized it at the time or not.
The full story of the Beatles is told through these 13 albums, but if we absolutely had to narrow things down to the "Big 4," these would be our selections.
1. A Hard Day's Night (1964)
From the opening chord of A Hard Day's Night, it's clear that the Beatles were not and never would be a "normal" rock 'n' roll band — few '60s acts at that time would be willing to start an album with such a bizarre sound, one that would leave guitarists wond details
Sir Paul McCartney says his 14-year marriage to Nancy Shevell works so well because they are total opposites.
The Beatles legend tied the knot with Nancy back in May 2011, with the pair beginning their relationship in 2007 as Paul was finalizing his acrimonious divorce from second wife Heather Mills.
Paul, 83, says he and Nancy, 66, are so happy together because they are “nothing like each other” and that works well for their relationship.
Speaking on the Song Exploder podcast, he said: "We’ve known each other quite a long time and it’s a very interesting relationship. We’re nothing like each other. I’m English, she’s American. She’s very practical, gets things done, I’m much more sort of whimsical. I will get things done but maybe not in as practical a way.
“We know each other and we know how to be with each other.” Paul has dedicated the song Ripples in a Pond to Nancy from his new number one album The Boys of Dungeon Lane. McCartney was thinking about how “blessed” he is to have Nancy as his wife when the lyrics and chords began to flow.
Paul - who lost his first wife Linda to breast cancer in 1998, details
On this day (June 22) in 1966, the Beatles topped the UK Singles Chart with “Paperback Writer.” It gave the band their tenth consecutive No. 1 in their home country. The song stood out from anything else they had ever released in two important ways. First and foremost, it was the loudest song they had ever recorded. It was also the first song from the Fab Four to feature a boosted bassline.
“Paperback Writer” came at a pivotal time for the band. Brian Epstein and George Martin had formulated a release schedule for the Beatles early in their career. They planned to push four singles and two albums each year, believing this would keep public interest in the band alive. At the same time, it would deliver enough new music to keep up with fans’ demands. According to Beatles Bible, this single marked the end of that release plan.
More importantly, it marked a new period for the band. They were less motivated by commercial gains. Instead, they wanted to experiment and expand their musical horizons. The Fab Four wanted to break the mold they’d made for themselves and explore new sounds and topics. “Paperback Writer” was an example of studio experimentation.
Source: details
It had been a long and gruelling tour and, by the end of August 1966, The Beatles had had enough. Since their formative years, which by this point spanned back almost a decade, they had been performing endlessly, and had amassed an estimated 2,000 hours on stage. The 33 minutes they spent on a cold San Francisco stage on 29 August 1966 were the last they would ever spend together in front of a paying audience. The North American tour that had begun 18 days earlier was merely the final leg of a round of touring that had begun on 24 June with a series of shows in West Germany – including one in Hamburg, where they had met up with people they’d known from their pre-fame days when they had regularly played all-night session night in nightclubs. From West Germany they flew to London to take a flight to Tokyo.
In Japan, controversy greeted them, with protests about their booking to play at Tokyo’s Budokan, a martial arts arena. Opening the sacred site to what some saw as a negative influence on Japan’s youth and culture proved too much for many hardline Japanese nationalists, who threatened to disrupt proceedings. In the end, an estimated 35,000 police were deployed to protect the group.
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John Lennon, Ringo Starr, Paul McCartney and George Harrison had all become fathers by 1978. Several of the Beatles' children pursued music, while Paul McCartney's daughter Stella built a successful career in fashion
The Beatles changed music forever, but their legacy extends far beyond the recording studio. As Beatlemania swept the globe in the 1960s and transformed John Lennon, Paul McCartney, George Harrison and Ringo Starr into international icons, they were also building families behind the scenes. Lennon and Starr both welcomed sons before the band's fame reached its peak, and by 1978, all four Beatles had become fathers.
In the decades since, their children have forged paths of their own — sometimes embracing the spotlight and sometimes avoiding it altogether. Several followed their famous fathers into music, including John and Paul's sons, while others found success in different creative fields. Paul's daughter, Stella McCartney, became one of the world's most influential fashion designers.
John was the first of the Fab Four to become a father. His older son, Julian Charles John, was born in 1963 while John was married to his first wife, Cynthia Lennon. The couple divorced in 1968 details
The world of pop and rock music was dominated by the Beatles for almost the entire 1960s until their breakup in 1970. Their debut hit “Love Me Do” launched them to superstardom almost immediately in 1962, and when their success in the UK was later matched by success in the U.S., the band for a time became—in the infamous words of John Lennon, at least—“more popular than Jesus.”
But, perhaps understandably for a band as big and influential as the Beatles became, their true story, impact, and reputation have long been muddled with myth and legend. Ultimately, music historians and fans alike will forever be faced with setting straight the endless misconceptions and misunderstandings that have emerged over the years.
Misconception #1: They Were Basically Just a Manufactured Boy Band That Got Lucky
Not everyone is a Beatles fan, of course, and their style of music isn’t for everyone either. But if there’s one thing some non-fans like to claim, it’s that the band was little more than a jumped-up, poppy boy band—or, in more generous terms, a basic rock-and-roll covers band that got lucky.
It’s certainly true that good fortune and good timin details
When it was announced that Sir Paul McCartney was about to release a nostalgic, autobiographical new album, named after a Liverpool street, outsize hopes sprang anew. The surviving half of the most influential songwriting duo in popular music ever was releasing his 18th solo album. What would The Boys of Dungeon Lane add to that rich story? At the very least, it was hoped, listeners might gain some insight into one of the world's most celebrated musicians, now in his ninth decade.
The Boys of Dungeon Lane, Sir Paul's first album since his surprisingly pleasing COVID woodshed project, 2020's McCartney III, does offer bits of what's in the heart of his seemingly inextinguishable creative engine. Yet this nostalgic look back at humble beginnings in Liverpool is less revealing than many had apparently hoped it would be. A slight but audible sepia emotional tone hovers over these 14 tracks. Paul's usual energies toward making pop music are more subdued. His voice has aged. But while he can't stretch vocally quite like he used to, there's enough of the old fire to make certain vocal turns work. His screams in the opening track, "As You Lie There," still have some of the fire he employed in "Twist and Shout" and "Why Don't We details
The Beatles Story is inviting guests to Ringo Starr’s 86th birthday and help share his message of Peace and Love with the world. Each year on his birthday, since 2008, Ringo invites people everywhere to pause at 12 noon local time to say, think, or post “Peace and Love” as a collective moment of global unity. At The Beatles Story in Liverpool, fans and visitors are encouraged to take part in this uplifting initiative as the special “Peace and Love” moment is filmed, to be shared on Ringo’s official Facebook page as part of the international celebration.
The event will take place on 7 July 2026, and visitors are recommended to arrive between 11:30 and 11:45am. Peace message to be recorded at 12noon. Location is via entrance to The Beatles Story Museum, Royal Albert Dock.
Mary Chadwick, General Manager of The Beatles Story, will be on-hand as spokesperson. Also in attendance will be VIPs (TBC), as well as pupils from Ringo Starr’s primary school St Silas. Over 100 people from the general public are expected to be in attendance.
Source: ukinbound.org/Kardelen Yuce
detailsQuote of the day by Ringo Starr: Legendary Beatles drummer Ringo Starr emphasizes the crucial, often overlooked, role of rhythm sections in music. Starr's perspective highlights the power of teamwork and the importance of appreciating those who work diligently behind the scenes, ensuring collective success in any endeavor.
In every band, certain roles naturally attract more attention than others. Lead singers often stand at the center of the stage, while guitar solos frequently become the moments audiences remember most. Yet behind every successful musical performance is a rhythm section that keeps everything together. Without a steady foundation, even the most talented performers can struggle to stay in sync. Musicians have long recognized that while drummers may not always receive the spotlight, they play a vital role in shaping a band's sound and stability.
Source: economictimes.indiatimes.com/Shreya Biswas
When The Beatles first made it big, they quickly pumped out albums and a feature film, "A Hard Day's Night," to satisfy the public's insatiable thirst for "Fab Four" content. Between the grabby, noisy fans and the ever-present cameras from the press and the film crew, life was likely pretty overwhelming for the bandmates. Over the years, Paul McCartney has been refreshingly candid about his discomfort with fan photos. But, in George Harrison's case, one impromptu picture became an unexpected source of mirth for him. In this particular instance, a photographer caught the famed guitarist with rumply hair and a bit of a sneer as he stepped out with his fellow Beatles. Instead of being embarrassed by it, Harrison adored the pic, and he asked Alistair Taylor, who reported directly to the band's manager, Brian Epstein, to locate a negative.
"Make me a blow up of me about five feet high," Harrison instructed in a letter (via X). "You may think this is very strange, but don't worry I haven't gone mad yet!" Unfortunately for Taylor, this photo-finding mission was pretty arduous in the pre-Internet era. However, when a Beatle had a request, Taylor had to persevere and fulfil it no matter what. While the original plan was to place details
George Harrison sits in the pantheon of the greatest guitarists of all time. Rolling Stone put him at No. 31 in a list of the 250 greatest guitarists thanks to his otherworldly talent.
His greatness was displayed on the Beatles’ 1969 hit Something, which Rolling Stone ranked as the No. 32 greatest guitar solo of all time.
“All it takes is 26 seconds of sweet, low-gain distortion — played by the guitar maestro himself, George Harrison, in tones more akin to a piano — to make one of the most dynamic and memorable solos of the Beatles canon. Complemented by swelling strings, Something is, well, something in its surprising simplicity,” Rolling Stone wrote.
While his guitar playing is the stuff of legend, Harrison finally found a songwriting win when he broke through with Something.Harrison was stuck behind two of the greatest pop songwriters in history who just so happened to be in the same band as him. But he finally broke through with Something.
Source: mensjournal.com/Andrew McCarty
details“I thought for a long time there was no room for me in writing about the Beatles,” says British journalist and author Philip Norman. “So many millions of words have being written about the Beatles. How could there possibly be room for me?”
Yet the fates conspired to have Norman write not just one, but four Beatles-related tomes: Shout! The Beatles in Their Generation (1981), and biographies of John Lennon (2008), Paul McCartney (2016), and George Harrison (2023). Now, he’s onto his fifth book about the Fab Four, but has skipped over Ringo Starr (“Ringo would not be a book, really; a ‘booklet,’ I think, in Ringo’s case”). Instead, he tackles the life of the group’s ill-fated manager, Brian Epstein, in Mr. Moonlight: Brian Epstein and the Making of the Beatles.
Epstein’s story is as remarkable as those of the Beatles’ own band members. He was from a prosperous family, albeit in provincial Liverpool, running what was billed as “The finest record store in the North [of England]” when he fell under the Beatles’ spell. Then, through sheer determination and a sizeable dose of luck, he managed to get them a record contract, s details
Given how wildly popular The Beatles were, one would imagine they felt anything but isolated. How do you feel alone when the entire world knows your name, and you can’t walk down the street without being recognized? Many musicians have spoken about the perhaps ironic sense of isolation that fame brings. John Lennon put his two cents in on the matter with his solo track, “Isolation”.
This song was the manifestation of Lennon’s inner turmoil after being pitted against the rest of the world, alongside Yoko Ono, because of his broken image. Despite being beloved, Lennon wasn’t a saintly, pristine figure. He often ruffled feathers, leaving him with a unique legacy as both one of the most legendary musicians of all time and the source of public hatred. He bottled up that complex position in “Isolation”.
“I don’t expect you to understand / After you’ve caused so much pain / But then again, you’re not to blame / You’re just a human, a victim of the insane,” the lyrics to Lennon’s “Isolation” read. As with many of Lennon’s solo songs, this track takes a bit of dissecting to get to the bottom of. But, as many fans and Bea details
While he doesn't sit in the pantheon of greatest drummers of all time, Ringo Starr certainly isn't the worst drummer of all time - or the worst drummer of the Beatles, for that matter.
A long-held myth regarding the popular musician is that his bandmate John Lennon suggested he was, in fact, the worst drummer in the band's history.
"Ringo wasn’t the best drummer in the world … Let’s face it, he wasn’t even the best drummer in The Beatles," the quote goes. The truth is Lennon never said it and the quote was eventually attributed to comedian Jasper Carrott.
For all the flak Starr took, he also received some praise. Drumeo ranked his performance on Come Together as the second greatest drum song of all time.
"In this iconic beat, Ringo emphasizes John Lennon’s vocal “Shoot me…” with the bass drum, the bass line on the hi-hats, and finishes with a roll on the toms," wrote Drumeo.
"Ringo leads with the left hand, playing the kit backwards so it goes from floor tom to rack tom. He keeps time with a simple kick and floor tom pattern in the verses, but the feel is unbelievable – it’s not what is being played, but how Ringo is play details