At one point, George Harrison’s catalog was available on a number of the streaming services but it was slowly withdrawn a few years ago.
As of last Friday, such albums as All Things Must Pass, Living in the Material World and Dark Horse, have returned and are available on such services as Spotify, Apple Music, Deezer, Google Play, Rhapsody, rdio and Tidal.
Harrison joins his former Beatles bandmates who also have their music on the streaming services; however, the music by the full band is among one of the great missing pieces to the streaming revolution.
Harrison was known as the quiet Beatles and that continued on into his solo years. Never as prolific as his three bandmates, releasing just ten albums post-breakup with only the four making the U.S. top ten and three in the U.K. All Things Must Pass was the biggest of his career, which included the double sided hit My Sweet Lord / Isn’t It a Pity along with What is Life and the followup, Living in the Material World, which included his second of three number 1 singles Give Me Love (Give Me Peace on Earth).
By: VVN Music
Former investment analyst Isabel Garvey plans to make the world-renowned Abbey Road Studios a music tech and innovation powerhouse.
'This is the legendary studio where The Beatles recorded. You can see cigarette burns left by John Lennon on this Steinway honky-tonk piano. Men have been known to cry here when they get this close to the history," says Isabel Garvey, with a laugh.
Having worked her way up through the ranks of record companies EMI and Warner, the Ranelagh native and would-be tech start-up founder is overseeing a multi-million pound revamp of London's Abbey Road Studios as it repositions itself to become a leader in music technology and innovation as well as the go-to recording studio.
Part of the new strategy has seen the business link up with Cork Institute of Technology's Nimbus Centre, partnering with sound engineer and researcher Dr Derry Fitzgerald there, who hopes to secure Enterprise Ireland funding for a clever software innovation he calls "Photoshop for audio". It aims to make it easier to separate out different sounds on a piece of music and sample, remix and remaster the tracks.
He has previously worked on remastering songs for The Beach Boys and The Beatles Rock Band comp details
It’s a pretty safe bet that ice hockey wasn’t a big part of Paul McCartney’s world growing up in Liverpool.
But for decades, the superstar musician has carried a bit of the Detroit Red Wings with him around the world — and now it's on the way home.
Fans are likely to see it Wednesday night when McCartney plays his first-ever Joe Louis Arena show: his classic Epiphone Texan acoustic guitar, adorned with a bright Red Wings decal.
It’s become an iconic feature on an instrument with a rich history. This was the guitar, after all, used by McCartney in the studio and onstage for “Yesterday” during the Beatles years.
The sticker’s precise origins are murky, though it seems certain to date to a May 1976 concert by McCartney and his band Wings at Olympia Stadium, then the Red Wings’ home. Varying stories circulated for years, some contending that McCartney was given the decal by a fan or team staffer, others claiming he found it in a dressing room before the show.
In an online Q-&-A last year, McCartney finally addressed the topic, albeit with few specifics:
“We were on a Wings tour quite a while ago and when we played Detroit details
The latest releases in the Paul McCartney Archive Collection represent two turning points in McCartney’s career. Tug of War emerged in the wake of personal chaos: John Lennon’s death and McCartney’s pot bust in Japan. A year after the critically acclaimed album, McCartney released the followup Pipes of Peace, which represents his attempt to embrace 1980s pop.
Best remembered for “Say Say Say,” the hit duet with Michael Jackson, Pipes of Peace received a lukewarm critical reception, unlike its predecessor. The remastered Archive Collection releases allows listeners to revisit this turning point in Paul McCartney’s career, determining his place in the 1980s musical landscape.
Tug of War finds McCartney in a reflective mood, embracing his Beatles past and paying tribute to his best-known songwriting partner. Beginning the album with the title track, Paul McCartney gently sings words of turmoil and conflict, longing for a better world (“In another world we could stand on top of the mountain, with our flag unfurled”) but recognizing that only through struggle and change can we achieve such lofty goals (“In a time to come we will be dancing to the beat, played on a details
John, Paul, George and Ringo grew up with the River Mersey and Liverpool's docks as the backdrop to their live and music and now, for the first time, the Beatles will be permanently honoured on a cruise ship.
Monday sees the unveiling of the Cavern Club on the newly refurbished Norwegian Epic - a replica of the cellar venue where the Fab Four played a frenetic residency in the days before their hit records. It was also the venue where the likes of Cilla Black and Gerry and the Pacemakers performed back in the early 1960s.
The on-board Cavern is a joint venture with the club in Liverpool, where crowds are daily entertained by tribute bands and original acts. Launching the Norwegian Cruise Line version are the original's regular act, the Cavern Club Beatles, with a high energy rock 'n' roll set - although whether they play Yellow Submarine isn't known.
Cruise passengers will be able to enjoy the Beatles music daily with live acts along with regularly changing tributes to other artists as well as original bands and singers. The colour and atmosphere of the original club - the warm, dark setting with trademark brick arches, the brightly-coloured posters, the 1960s style - have all been recreated in the ship' details
As a child, Paul McCartney hated classical. But as Liverpool's favourite son has matured, he has found a way back to the music that so appalled his younger self. In his latest book, Conversations with McCartney, Paul Du Noyer spoke to the former Beatle about that journey and his growing catalogue of classical compositions.
'I’m primitive on music,' says Paul McCartney. 'I don’t want to learn music. It’s too serious, too like homework.' And nothing about his childhood inspired him with a love of classical music. 'Classical used to get switched off in our house,' he remembers. 'My dad was a bit of a jazzer. If a symphony came on the radio he’d turn it off.'
School was no better: 'You would have just had to play one Elvis record and we would have been hooked. We’d have turned up in droves to that lesson.' To this day he can’t read music, and his parents’ attempt to encourage the boy’s potential came to nothing: 'That’s what put me off learning the piano. The minute they gave me stuff to do at home, "This is it, I’m jacking it in." I hated homework. When the piano lady gave me some stuff, "Go and learn these crotchets", bloody hell, I hated that. I just cou details
A letter signed by all four members of the Beatles petitioning for Mick Jagger to play the lead role of Alex in the film adaptation of A Clockwork Orange has hit the auction block. Paddle8 will offer up the unique item, which carries an estimated selling price of $18,000 to $25,000.
As the story goes, in February 1968, Jagger's famous friends – including John Lennon, Paul McCartney, Ringo Starr, George Harrison, Marianne Faithfull and Anita Pallenberg, among others – sent the autographed petition to Dr. Strangelove screenwriter Terry Southern. Southern was working on the big screen adaptation of Anthony Burgess' dystopian, ultraviolent novel and the letter implored that Southern cast the Rolling Stones singer, and not Blow Up star David Hemmings, in the leading role of the film.
"We, the undersigned, do hereby protest with extreme vehemence as well as shattered illusions (in you) the preference of David Hemmings above Mick Jagger in the role of Alex in The Clockwork Orange," the typewritten, all-caps letter reads. The front side of the petition is signed by Pallenberg, Faithfull, French filmmaker Christian Marquand and others, while the back of the letter finds the signatures of all four Beatle details
If you're one of those pop-culture obsessives whose Venn diagram of interests include both The Beatles and "The Simpsons," you may have already heard this anecdote about the famous overlap. But with Slate's recent account of the behind-the-scenes story of how Paul and Linda McCartney came to guest star on "The Simpsons," one particular piece of trivia seemed worthy to highlight once again.
On Slate, Alan Siegel details how "The Simpsons" writers felt they would need an idea McCartney would connect with in order to convince him to be on the show. When they happened to have a script about Lisa becoming a vegetarian in the mid-'90s, showrunner David Mirkin felt that might be the opportunity.
Mirkin, who gifted the McCartneys with a then rare turkey substitute from New York, got the two famous vegetarians to agree, but the musicians had one condition -- Lisa would have to remain a vegetarian forever.
As Slate notes, Linda told Entertainment Weekly at the time that doing the show gave them an opportunity "to spread the vegetarian word to a wider audience."
The show aired on Oct. 15, 1995, and featured the McCartneys hanging out with "Simpsons" character, Apu, who was revealed to be vegan in the episod details
Here's the story about George Harrison's Les Paul "Lucy" as it appears in the book "Beatles Gear, All the Fab Four's Instruments, From Stage to Studio" by Andy Babiuk. Don't mind the British spellings: Quote: George's Lucy, the Gibson Les Paul
By the summer of 1968 more new guitars and other gear had crept into The Beatles camp. In August, Harrison acquired a guitar with a unique history, his now famous Gibson Les Paul, known as Lucy. Later, as we shall see, Harrison would have to chase Lucy half way around the world in order to bring her back from hiding. But the first public indication of the new arrival in the guitar collection had come in Mal Evan's (Beatles roadie) monthly column for "The Beatles Monthly Book".
Evans, discussing the recording of Harrison's new song 'Not Guilty', wrote: "This is one of two August recordings you won't hear on the album because they were dropped at the last minute in favour of more recent numbers . . . Interesting note - he used Lucy for the first time on this session. Lucy is the fantastic solid red Gibson guitar that was given to George at the beginning of August by Eric Clapton. Recording began on August 7th at EMI Studios." The Beatle roadie's report puts to rest the myth details
In 2014, on the 50th anniversary of the Beatles' arrival in the United States (and legendary February 1964 appearance on the Ed Sullivan Show), Guitar World celebrated the 50 best guitar moments from the band's hit-making history.
The Beatles were such talented songwriters that it’s easy to overlook the fact that their music has some great—and occasionally groundbreaking—guitar work.
In assembling this list, we looked beyond our personal favorite songs and reflected on where John Lennon, George Harrison and Paul McCartney showed their talents as guitarists, whether in a solo, a riff, a technique or by their astute selection of instrument and arrangement.
For some songs, we’ve gone a step further and analyzed the guitar work to give you insights into the magic that makes these moments so special.
50. Across the Universe Let It Be… Naked (2003)
John Lennon considered the Beatles’ recording of this 1967 composition “a lousy track of a great song,” dismissing even his own work on it. He was too hard on himself: his imperfect acoustic guitar work and vocal delivery effectively work in service of the song’s sincere devotional message, thoug details