The Beatles are known as the greatest band to ever exist – and many argue ever will exist. But the way in which we view this is in a limited way, we haven’t got the ability to time travel so our generation doesn’t know of the highs and lows the band had – Unless of course, we take the time to read about them.
For me, I regularly read about the Beatles and I can tell you – There wasn’t a stranger year for the Beatles than 1966. This time 50 years ago the worlds greatest ever band was experiencing their low point. The band had went to the Philippines and had accidentally snubbed a party invite from the first lady. Brian Epstein, the Beatles manager had simply declined a formal invite from what he seen as political PR and thought nothing of it. However the nation took this as a huge insult, and literally chased the Beatles out of the country. The police withdrew all help meaning the Beatles had to defend themselves from attacks from the locals who had suddenly began to hate them. Lennon got home and said that “He wouldn’t visit Manilla ever again unless it was with an H-Bomb.”
As we know from that comment, Lennon was prone to say comments that people may find of details
The Beatles legend gave the crowd in Fresno, California, everything they had hoped for and more as he kicked off his world tour. And it wasn't just the thousands of fans who were having the time of their lives. "This is cool," McCartney told them. "I just want to take a little minute to drink it in for myself." One of the highlights was a rousing rendition of A Hard Day's Night.
Admittedly, the man has a pretty extensive back catalogue upon which to draw, but it still seems incredible that he hasn't performed this iconic crowd-pleaser live since the Beatles' heyday. The last time the band played the track live was way back in 1965, a whopping 51 years ago. McCartney also performed other Beatles classic during the show including Eleanor Rigby and 1962's Love Me Do, the Fab Four's first No1 single. The 73-year-old left far younger artists in the shade with a stggering three-hour show in which he delivered a remarkable 38 songs.
The One on One show spanned McCartney's entire career right up to 2015’s global hit single FourFiveSeconds, his collaboration with Kanye West and Rihanna. The set-list also included a rare outing for some of his pre-Beatles material, with the inclusion of The Quarrymen’s In Spit details
Ringo Starr has followed Bruce Springsteen in canceling a forthcoming concert in North Carolina in protest over the state’s newly minted anti-LGBT law.
The former Beatles drummer said in a statement: “I’m sorry to disappoint my fans in the area, but we need to take a stand against this hatred. Spread peace and love.”
The law, known as HB2, prevents transgender people from using the public restrooms that correspond with their gender identity, decreeing that all public institutions must post signs saying that bathrooms and locker rooms are to be used only based on biological sex. It also prevents municipal governments from passing anti-discrimination laws.
Describing the law as bigotry, Starr said of the legislators: “How sad that they feel this group of people cannot be defended.” He concluded his statement quoting the titles of two songs: Canned Heat’s Let’s Work Together and the Beatles’ All You Need is Love.
Starr and Springsteen are not the only performers to have canceled gigs in response to anti-LGBT legislation in the south. On Sunday, Bryan Adams pulled a show in Biloxi, Mississippi, over a new law that allows religious groups and some details
The oldest and arguably most famous purpose-built recording studio in the world, London’s Abbey Road has been at the forefront of the music business for close to 85 years. Synonymous with The Beatles, the Grade II listed complex has also played home to everyone from Pink Floyd to Kanye West to Adele, with a host of famous film scores and classical works recorded within the building’s iconic white walls.
Owned by Universal Music Group since 2012 following its acquisition of EMI, the facility has recently begun a program of significant expansion, building three new and more competitively priced recording spaces and launching a number of tech and brand partnerships, including a VR tour courtesy of Google. Billboard spoke to managing director Isabel Garvey. who formerly held senior executive posts at Warner Music International and EMI, to discuss the changing role of recording studios, appealing to new artists and breaking into the tech sector. “We’re not just a museum to The Beatles,” says Garvey. “We’re a living, breathing studio making future music history.”
Billboard: You became MD of Abbey Road in 2014. What's your remit on developing and growing the business?details
A movie chronicling the story of a man is every feminist’s dream come true. Ironic? Maybe. But the filmmakers behind the upcoming The Lennon Report had me falling in love with something I haven’t even seen yet, purely because of their conscience efforts to give women equal opportunity and allow them to shine with this project. Bustle caught wind of the film at the 2016 MTV Movie Awards and spoke with producers/brothers Rafael and Gabriel Francisco and star Stef Dawson about how they turn the story of an iconic man’s death into one which shares the spotlight with women — on and off screen — who are incredibly deserving of it.
First off, know that about 70% of the movie’s department heads was made up of women. “Having women work on a film, we’re never very conscience about it, it should just always be a regular thing,” says Rafael Francisco. “Women are just as qualified as men and that should never be a question. If everybody hired based on qualifications, it would be even everyday.” He explains how beneficial it is having women as such a strong part of a team’s backbone: “We have always hired women and men, we’ve never sort of [said], &ls details
Music fans have been known to do some pretty strange things over the years. For some people, the traditional acts of appreciation—buying records, going to gigs, sending the occasional item of underwear in the mail—simply aren’t enough. For some, devotion means more.
Consider the California woman who had a tattoo of Drake’s name branded onto her forehead; or the German dude who spent $60,000 on plastic surgery to look like Justin Bieber; or the man who regrettably covered his body in 29 Miley Cyrus tattoos. These are the fans whose rock ‘n’ roll reverence knows no sensible bounds.
Bryan Eccleshall might not quite be at the top of this list. But, undoubtedly, he’s somewhere on it. Over eight years, this Beatles-lover has travelled the length and breadth of his home country of England in an attempt to visit and take a photo of every single Abbey Road—the title of the Fab Four’s 11th album. He did it, too. Some 132 of them in total. Thousands of miles travelled, and many more dollars spent. “It wasn’t purely a fan-boy thing, though,” the 50-year-old tells Noisey when we meet for a pint in his home city of Sheffield, UK. “It was a conceptua details
Stuart died this day in 1962.
This article is from 2011....
What Stuart Sutcliffe fan hasn’t wished to learn as much as possible about the fascinating young artist and Beatle? His time with us was short yet incredibly creative; every surfacing artwork, picture, letter or anecdote is pored over with relish by admirers. But some things Sutcliffe-lovers were sadly certain they would never get to know: for instance—his voice.
That’s why the digital release of “Love Me Tender“, sung by Stuart himself, is an astonishing event generating stunned excitement and questions about the song’s origin and authenticity.
“Love Me Tender” was Stuart’s signature song; a ballad he performed so well in Hamburg it received the best applause during the Beatles’ sets at the Kaiserkeller and Star Club. Sutcliffe also performed Carl Perkins’ “Matchbox” and Elvis Presley’s “Wooden Heart”. But “Love Me Tender” is the song most associated with his name.
His newly-released song, now available to the public for the first time in 50 years, is compelling listening: Stu’s voice strains just slightly ending the details
Rock groups had split before, and no one bar their fans really cared. But the parting of the Beatles? This was the first time four musicians deciding to work separately became worldwide news, treated almost as a death.
The end itself, though, was distinctly anticlimactic. George Harrison was actually the first of the Fab Four to walk, back in 1968. He was coaxed back into the fold, only for John Lennon to quit in the autumn of 1969. A pact of stony silence in the face of the public was agreed, allowing for the release of the Beatles' Abbey Road album in September 1969 and the continuation of other works in progress. The four individual Beatles drifted yet further apart, with an increasingly estranged McCartney retreating as far as rural Scotland.
The White Album, released in November 1968, had already felt like the work of four distinct creatives, rather than the world's most unassailable musical force. The gold-plated songwriting partnership of Lennon/McCartney had become unworkable, as the influence of new romantic partners, inchoate business affairs, power struggles and the turn of the decade all came to bear on a Liverpudlian quartet who had turned rock music from a frivolous teenage pursuit into serious cul details
A Beatles fanatic who was good friends with the group has got his hands back on a historic amplifier almost certainly used by the band.
Halewood man Stan Cargill has spent years collecting Beatles memorabilia and owns hundreds of autographs - some worth thousands of pounds - as well as original photos of the band. And now he is the proud owner of a 55-year-old Vox AC30 amp which had been donated to The Beatles Story more than five years ago. The amp was found by one of Stan’s relatives in 2009 in a shed a few streets away from George Harrison’s old home in Woolton. Stan then got in touch with Sam Leach, who promoted the band in the early 60s, and said he had “no doubt” it was used by the Fab Four.
But now the former promoter has given it back to Stan, who also owns a Sennheiser microphone from the same period which he believes was used by John Lennon and Paul McCartney. He told the ECHO he is considering selling some of his signed photographs and cuttings. He said: “I’ll be very sad to sell some of them, they are treasures. “The Beatles were all brilliant, they were my heroes and I have met them all too many times to count. I used to live just up the road from Harrison, details
I’ve loved Paul since before I was born.
It really feels that way.
The world I came into was already reaching the fevered height of Beatlemania, with the folk-rock revolution not far behind. I was 5 days old on Aug. 15, 1965 and living in New York City when the Fab Four played their legendary Shea Stadium concert just across town. I was 2 when the movie “The Graduate” made “Sounds of Silence” and “Mrs. Robinson” the sad soundtrack of innocence crashing into experience.
Music mattered in our home. Dad loved classical and ragtime, but he also bought “Sgt. Pepper” and “Bookends” because he knew something important was up. My big brother was — and still is — a hairy singer-songwriter who worshipped Paul (and Bob and Joan; and Joni and Janis; and David, Stephen and Graham). I’m a musician, too, and I absorbed his worship deeply, perhaps as only a younger sibling can.
But I missed the Magical Mystery Tour by a generation. Paul’s partnership split in 1970, so that part of his story has always been history to me. My passion for Paul was embarrassingly passe in my early teens, just when such loyalties really matter t details