Paul McCartney's ex-wife Heather Mills has claimed to "do all the music teaching" for their daughter because the former Beatles can't read sheet music.
The former ski racer and environmental activist, who was married to McCartney between 2002 and 2008, recently spoke to The Guardian about their only child, Beatrice, 11. "Beatrice says she’s 99 per cent me," Mills said. "I don’t know if that’s a good thing. I think she’s got the best of both of [Paul and I], we’re both very musical."
"I taught her the saxophone, because her father can’t read music so I do all the music teaching, and I’m good with languages. She’s a brilliant poet so obviously gets that from him, but I think she’s got the best of both of us."
Mills also added that she doesn't like to discuss her past with McCartney that often, saying: "I don’t want to go into my second marriage too much because if you haven’t got something nice to say about someone you shouldn’t say anything at all, and it had a lot to do with the person I married."
By: Luke Morgan Britton
A few days after my Christie pilgrimage I visited the childhood homes of John Lennon and Paul McCartney, now also owned and managed by the National Trust, extremely modest properties in comparison but the Liverpool houses tell a story even more extraordinary.
Lennon and McCartney’s homes themselves were both unspectacular (McCartney’s substantially more unspectacular than Lennon’s) – they were the houses lived in by most British people in the Fifties; yet visitors come to gaze on the signs they gave of incipient greatness.
Going in to Lennon’s house I felt rather like the chap who welled up in Greenway. I saw The Beatles in Weston-super-Mare in 1963, aged nine, pre-Beatlemania, so had some stake in their success; Lennon’s death was my Diana moment.
And Colin has had illustrious visitors. Six years ago he met the minibus at the gate and there was Bob Dylan.
‘He was interested in how cold it was in the house in winter – he’d had a similar experience growing up in Minnesota.’
Other paying punters have included Debbie Harry, James Taylor and ‘someone from Kasabian’.
He estimates he’s shown more than 110,000 details
They worked on the transatlantic liners that shuttled between Liverpool and New York in the 1950s – and every time they docked, they brought fresh sounds and fashions to an eager city.
One solitary record changed Bill Harrison’s life. He was a 15-year-old lad from Liverpool, walking down to his local sports centre, when he heard a bewitching sound coming from someone’s window.
“I sat on the wall to listen,” he says, “and this chap came out in a beautiful midnight blue suit and a pair of oxblood slip-on shoes with a brass bull’s head on the top. I thought, ‘This fellow’s a film star!’”
He wasn’t a film star, though. He was a seaman – one of the famed Cunard Yanks, whose journeys took them around the world, giving them access to the records and clothes you could only buy in the US. The song that had transfixed Harrison was Settin’ the Woods on Fire by Hank Williams, which the mystery seaman explained he had found in Texas. He promised Harrison that such treasures awaited him, too, should he choose to join the merchant navy.
And so began a long career at sea in which Harrison and his colleagues performed dual roles: details
Hodder & Stoughton has acquired an “intimate portrait” of musician Paul McCartney, written by journalist Paul Du Noyer.
Non fiction publisher Hannah Black acquired world English rights to Conversations with McCartney in a deal with Ros Edwards at Edwards Fuglewicz Literary Agency.
As a young music journalist in 1989, Du Noyer was contacted by McCartney's office and invited to interview the star.
In the years that followed, Du Noyer continued to meet, interview and work closely with McCartney, with their conversations covering music and his private feelings on John Lennon and his late wife Linda, among others.
Written with the permission “and blessing” of McCartney, Conversations With McCartney will draw from Du Noyer’s interview sessions and couple "McCartney’s own candid thoughts with Du Noyer’s observations".
Du Noyer said: “Decades of access to Paul McCartney have been a privilege for me as a writer, and a personal thrill as a fan. I’ve now woven together our many interviews, many published for the first time, because - thanks to Paul's honesty, humour and unique perspective – I think they make for an affectionate and full details
THE Beatles are among the stars to have graced an iconic double decker bus but the search has begun to find the hundreds across the country who stepped through its famous doors in the 1960s.
Stockton Heath resident David Thrower, aged 64, bought the Leyland RTL double decker vehicle 30 years ago for £750 and has continued to restore it ever since.
The bus toured the country and made its way through Europe on a journey which helped accumulate numerous high-profile film roles.
It appeared in around 20 films including Ballad in Blue, I Was Happy Here and The Deadly Affair but the main claim to fame arrived in 1964 during the filming for A Hard Day's Night, starring The Beatles.
Sadly, the scenes were edited out from the final release, but all four members, who rode in the bus, autographed the upper-deck ceiling. The signatures were lost when the ceiling was repainted before the bus was converted to an open-top
Source: Warrington Guardian
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The jacket worn by Ringo Starr in The Beatles' movie Help! is to be auctioned. Help! was the band's second feature-length film, released in 1965, and spawned the soundtrack album of the same name.
Now, Starr's double-breasted black woolen jacket from the picture is going on sale at Boston-based auction house RR Auctions. The jacket will go on sale later this month, with the auction running from July 16 to July 23.
No estimate has been given for the item's value.
Meanwhile, the auction will also see nearly 500 other items on sale as part of the auction house's Marvels Of Modern Music collection. Additional items include a 1971 letter from The Doors' frontman Jim Morrison and a guitar owned by the Ramones' Johnny Ramone.
By: Luke Morgan Britton
Unpublished photos of the Beatles are increasingly hard to come by, but Alison Martino found a few taken in Los Angeles to twist and shout about.
My friend Laura Fleming and I were teenagers when we first pored over images of John Lennon, Paul McCartney, George Harrison, and Ringo Starr in her family’s photo albums back in the ‘80s. I remember fixating on a snap of Laura’s mother, Bonnie Cowan Fleming, getting chummy with Paul and members of the band’s entourage at a garden party in Brentwood in 1964. She looked like Gidget in a polka dot dress from Jax boutique in Beverly Hills. Laura and I were so jealous.
Bonnie hadn’t attended that garden party by luck. Laura’s grandfather, Warren Cowan, was the cofounder of Rogers & Cowan, a publicity firm that once counted Hollywood legends like Paul Newman, Kirk Douglas, Natalie Wood, and Elizabeth Taylor as clients. The company added the Beatles to that list during the band’s first trip to America.
Decades later—and with a little help from my friends—I’m thrilled to make the Cowan’s family photos and the story behind them public for the first time.
By: Alison Martino
It’s one of the great dog-themed anthems of rock ’n’ roll, but up until the last minute “Hey Bulldog” was supposed to be about a frog. It was early February 1968, as the Beatles were preparing for their fateful trip to India to meditate with the Maharishi. Pressed for time, and with a commitment for one more song to round out the soundtrack of the “Yellow Submarine” movie, the group decided to bang one out quickly. John Lennon had notes for a song he called “Hey Bullfrog” and brought the idea into the studio. Paul McCartney helped polish it up, and in one of their typical all-night recording sessions the band worked out a bluesy, no-frills arrangement—just the four Beatles playing together, with none of the psychedelic effects that characterized their work of the period.
During the session McCartney began barking to amuse his mates. Lennon got into the spirit of it, and soon the two were ad-libbing a crazed dog-and-master routine during the song’s fadeout. They enjoyed the bit so much they decided to keep it in the final recording. To justify the inclusion of the impromptu horseplay, they simply changed the song’s title from “Hey Bullfrog&rdqu details
One of the most significant moments in Walthamstow history was over in a flash for one young fan as she recalls the day The Beatles came to town.
The Beatles, a mop-topped four piece from Liverpool, were still just on their way to global stardom when they visited the Granada cinema in Hoe Street, Walthamstow on May 24 1963.
The Granada, which could hold almost 3,000 people, had played host to many leading acts of the period including John Coltrane, Little Richard, Gene Vincent, Jerry Lee Lewis and Buddy Holly but the excitement was palpable for the arrival of John, Paul, Ringo and George.
Tickets were 7 shillings and a six pence and had 4,000 fans, some queuing for over two days, held back across the road by police as the cinema continued to show films.
In the show with US support from planned headliner Roy Orbison, the band delivered a frantic seven-song set including, Love Me Do, From Me To You, Please Please Me, and crowd favourite Twist And Shout.
Newspaper reports at the time said that 24 girls were treated by the St. John's Ambulance volunteers for hysteria.
By: Barnaby Davis
We've already glanced back at the albums that defined 1985 and 1975.
So let's turn back the clocks another decade!
Nineteen hundred and sixty-five was when many of rock's titans began to take off creatively, transitioning from brilliant hit makers into true artists who changed the rulebook as they went along.
This was still in the era when major artists were expected to release an album every 10 months or so, meaning that many artists took not one but two enormous creative leaps in 1965.
First and foremost, of course, was the Fab Four. They began the year with the soundtrack to their whimsical classic, Help!. On Help!, you could hear the first seeds of John Lennon and Paul McCartney staking out their own, equally brilliant musical grounds, with Paul's timeless ballad "Yesterday" and John's world-weary "You've Got to Hide Your Love Away."
On Rubber Soul, they took their taste for boundary-pushing to a new level, dipping into Eastern music for the first time on Lennon's astounding "Norwegian Wood" and psychedelia on the spellbinding "Nowhere Man."
By: Jackson Maxwell
Source: Guitar World