The contract between The Beatles and their manager Brian Epstein is set to fetch up to £500,000 at a London auction this month. The document, signed by all four members of the band, is the only managerial contract signed by both the final line-up of the Beatles - and their manager. Signed in October 1962, the contract was finalised just days before the release of the band's first single, Love Me Do.
The contract is between Brian Epstein and The Beatles, signed by John Winston Lennon, George Harrison, James Paul McCartney, and Richard Starkey (Ringo Starr). As Paul and George were under 21, their fathers, Harold Hargreaves Harrison and James McCartney, were also summoned to co-sign the contract.
The contract states that The Beatles agree to 'appoint the Manager to act as such Manager throughout the world ... for a period of 5 years from the 1st day of October 1962', signed by Brian Epstein as company Director and Clive Epstein as company Secretary, then signed by all other parties including all four Beatles. 'Without this contract, and the relationship it represents, it seems inconceivable that The Beatles could have achieved all that they did,' Sotheby's writes on its website. 'It took more than insp details
They were two young working-class kids growing up together in Liverpool, Richie Starkey and Priscilla White. Then he was a drummer in bands and she was the cloakroom girl who got up to sing at the Cavern Club. Then suddenly he was Ringo Starr of the world-conquering Beatles and she was Cilla Black, chart-topping singer and TV personality.
Now Ringo, 75, who knew Cilla long before his bandmates John, Paul or George had ever met her, has spoken for the first time about the death of his old childhood friend. “I was in LA when I found out she died, and actually found out via a news outlet rather than someone ringing me up to tell me,” he says.
She was three years younger than Ringo and he was shocked that she went so suddenly following a fall at her home in Spain on August 1. They had always kept in touch and over the years went on lots of holidays together, particularly when they both had young children.
“Cilla started at the same time we did,” Ringo recalls. “She was important in Liverpool and so were we – and then we had to fight the rest of the world together!
“I remember her before she ever made it – she lived in a tenement. Her mother was a friend details
At 26, Paul McCartney should have been on top of the world. He was single, rich beyond most people’s dreams and a member of the most successful pop band of them all.
Back home at the Beatle’s home in St John’s Wood, London, though, it was a different story. His beautiful green velvet sofa was covered in dog hair and the state of the carpets was indescribable. Unwashed wine glasses, plates and dirty ashtrays littered the living room.
Meanwhile, women fought like cats for a place in Paul’s grubby bed. Indeed, when his friend the writer Barry Miles came round one day, he found several semi-clad girls in residence. It was all too much — yet not enough.
So Paul reached out to the one woman who had made sense to him in recent months: American photographer Linda Eastman.
But when he called her in New York to invite her to London, she was already committed to photographing the Grateful Dead and Jefferson Airplane in San Francisco — so he had to wait.
As in the past, Linda ended up in bed with one of the musicians — this time Marty Balin, founder of Jefferson Airplane. But this time, at least, she applied the brakes.
Balin recalls: ‘She details
Records from John Lennon’s school days suggest there may be more than a grain of autobiographical truth in Getting Better, the Beatles song that includes the line “I used to get mad at my school, the teachers that taught me weren’t cool”.
Auction house Sotheby’s said on Wednesday it would be offering a lined sheet, torn from a 1950s school notebook, listing the 15-year-old Lennon’s detentions for such transgressions as “impertinence” and “not wearing school cap”.
Sotheby’s said the sheet, listing 29 detentions imposed on Lennon between September 1955 and July 1956 at Quarry Bank High School in Liverpool, was rescued from a bonfire of old school records by an eagle-eyed member of staff in the 1970s.
“The frequent entries on this sheet from six different teachers reveal that John Lennon’s rebellious nature and irreverence were well established traits of his character even at the age of 15,” Sotheby’s said in a news release.
On one day, September 12, 1955, Lennon received five detentions from two teachers for a range of offences from “no hwk” (homework) to “talk after two warnings” and & details
The late Ray Charles—the great American singer, songwriter, musician and composer—was born on this date (September 23) in 1930.
No, this factoid doesn't have a lot to do with guitars.
It does, however, bring to mind John Mayall and the Bluesbreakers' interesting 1966 version of Charles' 1959 hit "What'd I Say." The Bluesbreakers version features a young Eric Clapton on guitar.
To put it bluntly, even though it appears on a groundbreaking, legendary guitar album—Blues Breakers with Eric Clapton—"What'd I Say" is not a standout track by any means. It just sort of sits there, and its lengthy drum solo (played by Hughie Flint) isn't exactly "Moby Dick." Who knows, maybe it was a crowd favorite at the Bluesbreakers' live shows.
Anyway, there is this oddity to consider: When the rest of the band comes back into the song after Flint's drum solo (at 3:36), Clapton is playing the very-hard-to-miss guitar riff from the Beatles' late-1965 single "Day Tripper"—over and over again. Blues Breakers was recorded in March 1966, so there's no question as to whose riff it was.
Is it theft? Plagiarism? Maybe by today's standards. But in reality, it's just a 21-year-old guitarist details
Unpublished negatives of John Lennon with his wife Yoko Ono, taken just two days before he died, are set to go on sale at auction in the US, with prices expected to reach tens of thousands of dollars.
The set of photographs was taken by BBC producer Paul Williams just 48 hours before the former Beatle was gunned down outside his home in New York, and is part of the same lot as a controversial peace of film footage showing John Lennon and the other Beatles on stage in Blackpool.
The photos were taken during John's final interview at the Hit Factory, a legendary Manhattan recording studio. DJ Andy Peebles conducted the interview for the BBC, and the material to emerge became known as the Last Lennon Tapes. Williams shot nine photos of Lennon with Ono, and one solo shot of Ono. 23 of the photos feature Peebles with unidentified people. Bidding for the negatives begins at $14,000 for the lot at Nate D Sanders Auctions.
The very last photos of John Lennon were taken by Annie Leibovitz on the day of his death.
Part of the same collection going under the hammer is 3 ½ minutes of 8 mm footage of the Beatles performing at the ABC Theatre in Blackpool, England along with backstage clips.
In 1989, a Liverpool-born music journalist was contacted by Paul McCartney's office in London and invited to interview the star. They had met before and enjoyed a good rapport. In the years that followed, Paul Du Noyer (right) continued to meet, interview and work closely with McCartney, their conversations moving between music – life as one of the Beatles and later with Wings – and his most private feelings on John Lennon and his beloved Linda, among others.
Over the last 35 years Du Noyer has interviewed McCartney more often than any other magazine writer. Conversations with McCartney is the result. Drawing from their interview sessions and coupling McCartney’s own candid thoughts with Du Noyer’s observations, the book is an intimate portrait spanning McCartney’s entire musical career.
THE nearest I have come to dying, so far, was an asthma attack in childhood. I found myself in a Liverpool hospital with an oxygen mask clamped to my face and radio headphones on my ears. The station was broadcasting the Beatles’ new record Abbey Road in its entirety. That is why, when people call the group’s music ‘life-affirming’, I understand them in a very literal way. At details
What is it that keeps the phenomenon of The Beatles going and going and going?
Without the Beatles, music would simply not exist. Songwriting, musical innovation and comedy; the Fab Four were geniuses at everything. The depth of emotion with which they have written about love, it’s just incredible! Not just that, they have created music that can make you laugh, cry, smile and think.
Well, what have I learnt from them?
I have learnt that people change, people fall out, people get divorced, people forgive, people don’t forgive, people make mistakes, people get left behind, people die.
..and that you get one chance to live, so you better enjoy it.
I believe one of the reasons why they continue to affect us is because they taught us (and are still teaching us) lessons we’ll never forget. So, here, for example, are 11 of the most important things that we all learned from The Beatles:
1. There are many things we want in life, but in the end, All You Need Is Love
2. Everybody’s Got Something To Hide
3. Money Can’t Buy Me Love
By: Shuvro Ghoshal
She was a vision of loveliness who attracted the eye of some of the best photographers in the world -- not to mention the fancy of two of rock 'n' roll's most iconic guitar heroes.
Today, though, Pattie Boyd feels most comfortable on the other side of camera. She's taken her passion for photography to a professional level, and is wrapping up a tour of five American cities this week with the Behind the Lens exhibit, presenting still and moving images while telling some of the stories behind her work.
It's the last part that the perpetually shy Boyd struggles to pull off, she admitted over the phone last week after sharing the stage at City Winery Nashville with award-winning rock photographer Henry Diltz on September 13.
"It was done really well," said Boyd, whose past exhibition experiences didn't require getting up in front of an audience to speak. "Everybody enjoyed it. My part was an hour but Henry likes to talk longer than me. I was a little nervous to say the least when we were in L.A. (at Largo for the first event). And then (in Nashville), I felt a little more confident, maybe because we were in the winery."
The classy venue even presented them with a bottle displaying a Behind the Lens la details
Being born in Liverpool I literally grew up on The Beatles. My mum and dad would have their songs on in the house 24/7 and when I hear the early stuff it really takes me back to being a kid. I admit I did fall out of love with them for a little while when I worked in terrible Elizabethan themed tea room in my home town of Brixham in Devon as a teenager. This was one of those situations, no doubt familiar to many where you work intensively in a place that has one CD that they play on repeat - forever. I admit even to this day if I hear 'I Want to Hold Your Hand' I feel physically sick AND get the strange urge to toast a teacake. I have the exact same situation with heavyweight Greek crooner Demis Roussos, there's one particular album of his that just makes me feel like I'm about to pass out and unusually incites me to prepare food for hungry tourists.
Anyway back to The Beatles, I've always felt like there's a strange impenetrability about the Liverpool legends, their songs are cherished cultural land marks that we've all grown up with and the general feeling is that the creative process should never be questioned. I've always suspected that if you were to mentioned in a Liverpool pub that you weren't that keen on the Be details