A week and a half ago, I published a blog post titled "5 Underrated Beatles Songs That You Should Get to Know". Originally, it was going to contain 10 songs in total, but it got too wordy towards the end. Therefore, in this second part, I would like to share five other songs that the casual fan may not know or remember, from the Beatles' vast and popular catalogue.
5. I've Just Seen a Face
Out of all the songs on this list, this is quite likely the one most likely to be recognized, as Paul McCartney, its main songwriter, has taken to performing it live throughout his career, bringing more recognition to the tune. It was also mentioned in the 2012 film Stuck in Love, starring Jennifer Connelly and Greg Kinnear.
Recorded in June 1965 as part of the Help! album sessions, the track is one of a few songs by the Beatles that does not have a bass line. The song's instrumental part is quite catchy, but its true treasure is in the lyrics.
Most love songs one will hear are related to the loss of love or an unrequited one. With "I' details
Andrew Grant Jackson wasn’t even born in 1965, but in his new book, he does a credible impression of a baby-boomer author with firsthand experience of that year’s revolutionary music. Jackson, whose two previous books focused on the Beatles, considers 1965 to be “the most groundbreaking twelve months in music history”. “It was”, he writes, “the year rock and roll evolved into the premier art form of its time and accelerated the drive for personal liberty throughout the Western world.”
As that quote demonstrates, Jackson’s focus isn’t solely on music qua music, but also as a marker of and force for social change. Throughout the book, he contextualizes the astonishing surge of musical creativity and innovation during the mid-‘60s, making connections to the rise of youth culture, to the Civil Rights and anti-Vietnam War movements, to the emergence of “second wave” feminism and gay liberation. The music, whether rock, R&B and soul, jazz or country, was formally inventive and it “expressed pow details
A new study is being carried out between Liverpool John Moores University and the University of Liverpool to find out definitively what the legacy of the Beatles is worth to Liverpool. There will be in-depth research into the current Beatles offer, its value in monetary terms to the city, any gaps in the tourism offer and what the potential value of the Beatles could be if these gaps were filled.
The report will also study the other benefits of being linked to the Beatles ‘brand’, and what impact this has on the global reputation of the city. The research will involve stakeholders including tourist attraction operators, music industry experts and members of the public.
Liverpool City Council’s cabinet member for culture, tourism and events, Councillor Wendy Simon, said: “Talk to anyone in or outside of the city about Liverpool and its history and you can guarantee the Fab Four will get a mention.
“We know that the Beatles are a massive pull in terms of tourists, but we don’t know exactly what this translates to in terms of financial details
Jim Irsay explains why he paid half a million dollars for the iconic instrument.
Last November, John Lennon's Gretsch guitar, the instrument the rock legend used to record the Beatles' 1966 classic "Paperback Writer," hit the auction block, with TracksAuction, the company selling the instrument, calling it "the most significant of John's guitars to come onto the market in the last 30 years." Lennon's cousin, David Birch, had owned the instrument since 1967, but pulled the iconic guitar from auction after it failed to reach its $600,000 reserve.
It was hardly the end of the story, though. For months before and after the auction, Chris McKinney, the guitar curator for Indianapolis Colts owner and collector Jim Irsay, had been in contact with Birch, hoping to avoid the auction and buy the guitar directly on behalf of Irsay. When the instrument didn't sell at auction, Irsay paid $530,000 for the Gretsch 6120 Chet Atkins hollow body.
Lennon guitar used on 'Paperback Writer' and other sessions with the Beatles is a significant piece of history," Irsay t details
It isn’t Strawberry Fields.
But outside The Barrymore Hotel in downtown Tampa, John Lennon stands wearing a sport coat, long hair and his signature eyeglasses.
Steve and Cathy Ferguson walked around the corner at The Barrymore Hotel recently and spotted the life-size statue of Lennon. The couple and their friends couldn’t pass up the opportunity to take some selfies.
“We’ve been a lot of places and seen a lot of things, but I’ve never seen just a random Beatles’ statue or one of the Beatles standing in front of a hotel somewhere,” said Steve Ferguson, who was visiting from Virginia with his wife before getting on a cruise ship.
“When you came around the corner and you saw it, it just drew you right to it,” Cathy Ferguson said. “It was almost like he was going to talk to you. That was the kind of feeling.’’
Most Tampa residents haven’t yet seen the statue of one of the world’s most celebrated musicians, though it has been displayed outside the hotel, across the details
They are extraordinary pictures of the Beatles in their heyday, images never published before.
And, it is claimed, these photographs reveal for the first time a bombshell moment in the band’s history that has left Beatles experts baffled.
It is 1968 and John Lennon coolly stares into the camera. Alongside him, George Harrison has in his shirt pocket a resignation letter from Paul McCartney – apparently written a full two years before he would eventually quit.
That is the claim of Michael Herring, who took the pictures as a 19-year-old art student during a magical day other Beatles fans could only dream about.
Mr Herring says he took these intimate pictures of the Beatles after turning up uninvited on John’s doorstep, later sharing a car ride with him to George Harrison’s house to details
Albert Maysles was the least judgmental of documentary filmmakers, which is one compelling reason that Gimme Shelter holds up as the greatest of rock docs, 45 years after its release. The objective eye that he and his collaborator brother brought to the filming of the Rolling Stones at a critical juncture in their history let viewers fill in their own blanks about whether the tragedy at Altamont represented “the end of the 1960s,” as often proposed, or just a gig gone wrong; about whether the Stones were satanic majesties destined to be the soundtrack to very bad deeds, or could be just as baffled in the face of larger forces as any of us. The Maysles brothers’ dispassion, in the face of rock ‘n’ roll legends who would intimidate just about any other filmmakers, was something you could get passionate about.
Albert Maysles died Thursday at 88, having survived by decades his brother, David, who passed away in 1988. In recent years, Albert had directed or co-directed several music-related films comm details
An Outaouais man has stumbled upon negatives of the John Lennon and Yoko Ono bed-in at Montreal's Queen Elizabeth Hotel in 1969.
John Urban was searching last month for an old negative of a snow sculpture when he came across images of the famous week-long Montreal bed-in that he had never seen before.
"I was pleasantly surprised," he said. "It made my day."Urban initially thought his former roommate Frank Antonsen borrowed his camera to take the shots, and then left the roll in by mistake. But Antonsen told CBC News that though he was at the bed-in as a journalist, he only brought a tape recorder — not a camera. He said it's possible the photographer who went with him, Nathan Wolkowitz, took the photos but he has since died.
"It was a 36-exposure roll," Urban said.
"I look at these and say, I'd better put them on the scanner and blow them up cause I've never seen them before."
Urban has lived in Brennan's Hill, Que., about 5 details
Louise Harrison says she was more than just a big sister to The Beatles’ George Harrison. She almost was like his second mother.
“I was 11 years old when he was born,” says Harrison, 83, of San Diego. “So I was kind of like a younger mum to him!
“I would look after him, and I’d help him learn how to walk and to talk. And (when he got older and became famous) it was still very much of a supportive relationship.”
Now Harrison’s brother is gone, and she’s found herself continuing that same kind of motherly relationship with a George Harrison impersonator and three other guys in a Beatles tribute band. The Liverpool Legends performs Tuesday at Barbara B. Mann Performing Arts Hall.
Harrison hates using the word “manager” to describe her relationship with The Liverpool Legends — although she admits that that’s exactly what she is.
She prefers another title.
“I’m the mum!” she says and laughs. “I guess it&rs details
'Who was the most important photographer covering the sixties' rock and roll music scene? I can think of no one else whose work was so comprehensive and who captured the essence better than Linda,' Paul McCartney writes about his wife who died tragically of breast cancer at 56.
Paul McCartney remembers his adored wife who died in 1998 with portraits from this family album he states is a testament to her artistic talent.
Linda's passion for music inspired her to work independently and she amassed a major portfolio of photographs of rock musicians from the 1960s to the 1990s.
Linda Eastman McCartney was born in New York City in 1941 and raised in suburban Westchester County.
She was not related to the George Eastman family of Eastman Kodak fame. Rather, her father, Leopold Vail Epstein, was the son of Jewish Russian immigrants and had change details