After all these years, it’s difficult to believe there’s a nation on Earth that Paul McCartney hasn’t played, but he’s still checking off spots on the map — and they’re awfully excited to see him. For proof, look no further than Pichincha Mountain, which overlooks Quito, the Ecuadorian city where McCartney took his current run of ‘Out There’ tour dates on April 28.
To commemorate his first-ever show in Ecuador, NME reports that local authorities and the Ecuadorian Beatles fan club collaborated to put a giant reproduction of the distinctive logo on McCartney’s ‘New‘ album across the mountain, up high enough so “it could be seen from much of the city.” As the NME report notes, McCartney’s Quito show wasn’t just his first Ecuadorian concert; at nearly 9,200 feet above sea level, it also marks the highest show he’s ever performed. (Insert your own marijuana joke here.) He’ll continue marking firsts on May 1, when the ‘Out There’ tour arrives in San Jose, details
While Beatles books continue to flood the market, few focus on specific musical details. Who played what instrument? How did producer George Martin contribute to the group’s sound? Finally, and perhaps most importantly, why do the Beatles’ recordings stand the test of time and still sound distinctive? Musician Anthony Robustelli has undertaken such a project with I Want to Tell You: The Definitive Guide to the Music of the Beatles Volume 1: 1962/1963, a multi-volume series thoroughly analyzing every officially released Beatles song.
The recently released first volume, covering 1962-63, intensely studies Please Please Me and With the Beatles. Through his technical descriptions, Robustelli successfully argues how the Beatles’ music differed from their contemporaries. Robustelli provides some historical background on the group, but primarily focuses on ingredients such as George Harrison, John Lennon, and Paul McCartney’s unique vocal blend, Martin’s contr details
A coat previously owned by John Lennon has sold for $31,250 in an online auction. The blue coat, designed by Great Coat Fireman, is believed to have been worn on the back cover of Lennon and Yoko Ono 's 1969 album Life With The Lions.
The size 3 garment was auctioned by Los Angeles-based Nate D Sanders, fetching more than $6,000 over its reserve price. The description given by the auction house read; “Blue cropped coat features an asymmetrical design, epaulettes and silver tone metal buttons. Features a brand label of Great Coat Fireman in size 3. Missing a button, else near fine.” It was passed on to an American, Andrew B. Harvey, by Lennon's friend Jon Hendricks in 1978. Mr Harvey said; “In 1978 we went to stay with Jon for a few weeks. He told me the fireman's coat hanging in the hall had been left there by John Lennon when he'd called in a few months earlier. "I think that was the last time he saw John Lennon.” The coat ended up in the possession of Connecticut-based Beatles collector Keith Marron in 1996. Mr Mar details
Living in Japan is often a magical mystery tour. Many things are counter-intuitive: the most popular attraction in a nation with 17 World Heritage Sites is Tokyo Disney Land; and theHakone Open-Air Museum has more than 300 items by Picasso. So, in this vein, it was perfectly reasonable that the only (official) John Lennon museum in the world was located in Omiya, about 40 minutes from either Shinjuku or Tokyo stations.
John never set foot in Omiya, so let’s deal with the 900-pound walrus in the room: General Manager Junichi Mizusawa told me that he was always asked why the museum wasn't located in Liverpool, London, New York or even Hamburg – cities which have varying degrees of legitimate connections. According to Mr. Mizusawa, in the late 1990s, the Saitama Prefectural government was developing a large area of land near Omiya Station. The centerpiece of this project was Saitama Shintoshin(Stadium). It was thought that the stadium would bring in weekend crowds for concerts, sports events and business exhibitions, but th details
Forty years ago this month, Wings‘ Band on the Run was released as a single. To mark the occasion, Sir Paul McCartney has debuted a new lyric video for the song, produced and directed by innovative visual artist Ben Ib.
For those paying close attention to Macca’s tours, Ib is responsible for many of the tour screens seen on stage in past years. McCartney continues to pump out news – this new video comes on the heels of his ever-expanding Out There tour dates.
Sir Paul McCartney played his first ever show in Ecuador last night (28.04.14). The former Beatles star took to the stage at the Estadio De Liga in Quito, 2,800 metres above sea level, making it the highest concert Paul has ever played.
To celebrate his visit, local authorities organised for a meet and greet between the musician and the Ecuadorian Beatles Fan Club, who created an impressive giant logo for his latest album 'New' on the Pichincha Mountain, an Ecuadorian landmark, which could be seen across the entire city. The 71-year-old star performed for almost three hours and also gave a special rendition of the Beatle's hit 'All You Need Is Love' on the piano, which is being used in a global tourism advert for Ecuador. He later took to Twitter and posted a photograph of himself carrying the flag of Ecuador on stage, along with the message: ''Ecuador - what a night! Thank you. (sic)''
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A large piece of stage backdrop signed by the Beatles during their first live U.S. concert 50 years ago has failed to sell at a New York City auction. Heritage Auctions spokesman Noah Fleisher said Saturday that the Dallas-based company will now try to privately broker the $800,000, 4-foot-by-2-foot plastic wall section the Fab Four autographed on Feb. 9, 1964.
Other memorabilia items from the Beatles' historic appearance on "The Ed Sullivan Show" were bought by a high-end collector who asked not to be named. Those included a signed "Sgt. Pepper's Lonely Hearts Club Band" original fan club poster for $59,375 and a "Beatles Meet the Beatles!" signed stereo LP for $56,250.
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A new restoration of the Beatles’ 1964 film “A Hard Day’s Night” has been set to play in more than 50 cities nationwide over July 4 weekend. Janus Films announced that the music movie has been digitally restored in 4K resolution from the original camera negative by the Criterion Collection’s restoration team and approved by director Richard Lester.
The soundtrack has been remixed and remastered by producer Giles Martin at Abbey Road Studios. The newly restored “A Hard Day’s Night” premiered earlier this month at the TCM Classic Movie Film Festival in Hollywood, where it was introduced by Alec Baldwin and record producer Don Was. The film, which premiered in 1964 at London’s Pavillion Theatre, stars John Lennon, Paul McCartney, George Harrison and Ringo Starr with Wilfrid Brambell portraying McCartney’s grandfather. The story is a light-hearted satirical look at several days in the lives of the group and features eight Beatles songs, including “I Should Have Known Be details
Vivek J. Tiwary is the writer of the graphic novel, “The Fifth Beatle,” and a producer of many successful plays and musicals including “American Idiot” and “The Producers.” He will be writing the script to the film adaptation of his acclaimed book. Tiwary answered questions at WonderCon about his many accomplishments, the relevance of his work and answered if he ever met the living members of The Beatles.
The Daily Aztec: How did you become a producer? Vivek J. Tiwary: I was born in New York City and my parents were huge lovers of the arts. Ever since I was a little kid, they took me uptown to see ballet, opera, Broadway, etc. When I got older, I went downtown to places such as CBGB and The Ritz. I got to see early punk rock shows and early Sonic Youth. I grew up loving all the arts, not just avant-garde stuff, but also the fine arts and theatre. My Grandfather was a successful entrepreneur and a big influence on my life. He always said “you need to do what you love and you nee details
The Beatles reunion can never happen, but two Rutles, Neil Innes and John Halsey will get back to the backbeat at Swansea's Garage on May 25. Kate Clarke talks to Neil, aka Ron Nasty, about being very nearly fab.
HE is responsible for such rock ‘n roll classics as The Doughnut in Granny's Greenhouse, What Noise Annoys a Noisy Oyster and Blue Suede Schubert, and he successfully sued Oasis for ripping off one of his own Beatles pastiches. Neil Innes, sometime member of the Bonzo Dog Doo-Dah band and another member of the original prefab four, The Rutles, will do their off-centre thing in Swansea next month. And while The Beatles were thoroughly cheesed off with being The Beatles, by the time they packed it in, The Rutles, says Neil, is a continuing pleasure for him. “We don’t do it often, so when we do get together it is a lot of fun. We did 8 shows last August and there was such a conspiratorial feeling to things. We enjoyed ourselves and I still found it all very funny. “In fact with the Bonzos, The Beatles used to come and see us play, an details