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The English composer and musicologist Wilfrid Mellers, in his now classic scholarly study of the Beatles, Twilight of the Gods, calls the early Beatles period, the period of screaming girls and “yeah, yeah, yeah,” their “Edenic” period. In his study, Mellers give particular attention to “There’s a Place,” the American “B-side” (there’s a quaint old term for you) to their iconic cover of the Isley Brothers’ “Twist and Shout.”

Given that the song wallows in obscurity in the Fabs’ canon, you must be wondering Professor Mellers chose to give it serious scholarly attention and why I would choose it as the subject of of an essay. Other sources report that while John, Paul, George, and Ringo originally had high hopes for the song, that they themselves lost interest caused possibly by its having been a bit of a struggle for them to record. From being a song they expected to be their next #1, “There’s a Place” ended up as album filler and a B-side to a popular cover song.

As both Professor Mellers and I will argue, that’s a bad underestimation of what really is one of their finest early tunes.

Wilfrid Melle details

Director Ron Howard has said he chose to attend the Baftas rather than the Grammys because he was so gratified his nominated documentary about The Beatles has been received so well in the UK.

Howard has received nods for awards at both ceremonies - for best documentary at the Baftas and best music film at the Grammys - for his movie The Beatles: Eight Days A Week.  The awards shows happen within hours of each other and Howard opted to brave the cold in London rather than attend the music show in Los Angeles. Arriving at the Bafta nominees party at Kensington Palace, he told the Press Association: "I had to choose but I have a lot of fun here, I have worked in London a lot and have a lot of friends here and the Baftas know how to throw a hell of a party."

He said he had not even been deterred by the snow and freezing temperatures, saying: "I came from New York where we had a huge blizzard so this ain't nothing."

However, he admitted making a film about the Fab Four was more intimidating than he first expected. He said: "It was scary as hell but I got into it because it was irresistible. "I thought there was a great story there and when else would you get to work with all that great music?

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On Feb. 11, 1964, Beatlemania blasted Washington — all shrieks and Arthur haircuts and songs people couldn’t quite make out.

Two nights after their hysteria-inducing welcome-to-America appearance on “The Ed Sullivan Show,” the Beatles played their first U.S. concert at the Washington Coliseum. With “I Want to Hold Your Hand” sitting atop the American Billboard chart, 8,092 people crowded into the arena near Union Station and witnessed the band perform a dozen songs that changed everything.

“It was one of the most exciting live performances the Beatles ever gave,” says Beatles historian Bruce Spizer, who has studied footage of the concert at the long-defunct Coliseum. “And it gave them great confidence that they indeed could conquer America.”

Here’s the tale of the historic 1964 visit, as told to The Washington Post by some of the people who lived it.

John B. Lynn, son of Harry Lynn, who owned the Coliseum: My father got the call asking if he’d be interested in having the Beatles. He, of course, had never heard of them. But he said yes. He brought home a box of Beatles albums and singles to give out, and my brother and I becam details

BBC documentary traces the world famous club's brilliant history

A TV documentary celebrating 60 years of The Cavern reveals how its founder hatched his plan to open it over a lunchtime pint in The Grapes pub further along Mathew Street. The Cavern: The Most Famous Club In The World, which is presented by Ted Robbins, can be seen on Friday evening at 7.30pm on BBC1.

And Peter Morris, a friend of its founder, the late Alan Sytner, recalled a crucial day in 1956, when he, Alan and two other friends met up in Mathew Street.

He told the programme: “We used to meet up in The Grapes and he said ‘Do you know I was in Paris and there was a jazz club there which opened early in the evening, so people came straight from work. We should have a place like that and we could even open at lunchtime. I’d love to find a place, like a basement or something’.”

Its music policy changed over time, and The Beatles played the Cavern 292 times between February 9, 1960 - 57 years ago today - and August 3, 1963.

Tomorrow’s documentary features lots of archive footage and interviews with a variety of people with connections to The Cavern – from artists who played there to t details

The Beatles take the US by storm: a revolution in music culture

On February 9, 1964, the United States had just entered the peak of time known as the “British Invasion.” It wasn’t a military invasion, but an invasion of culture thanks to four young men: John, Paul, George, and Ringo, also known as The Beatles. On this very day 52 years ago, they took the stage on the Ed Sullivan show. They stole the hearts of young women across the country and helped with their oversea popularity.

The Beatles were formed in Liverpool, England, in the year 1960 after the then 16-year-old John Lennon started the group with a couple of his friends from school. Before they were known as The Beatles, their name was first the Blackjacks, next the Quarrymen, and it then changed to several different things until they decided on just The Beatles. With their iconic name, they started to take England by storm with their first album that was recorded at the famous Abbey Road Studio. “She Loves You” became the fastest selling record in the UK at the time and became their first single to sell one million copies.

With all this exposure, the media was constantly following them, along with many fans. The Bea details

Production will start this month on a new film that will tell the story of The Beatles through the recollections of the group's fans. “Here There and Everywhere,” projected to be an 80-minute documentary, will be shot through the year and is set for release in 2018, producer Simon Weitzman told AXS this week. An official announcement was made Feb. 8. The film has the backing of a number of Beatles organizations, among them the Cavern Club where the Beatles performed before they were famous, The Beatles Story Museum and the Hard Days Night Hotel in Liverpool, the British Beatles Fan Club and U.S.-based fan conventions Abbey Road on the River.

“The project starts this week, but we are sorting things out for initial interviews over the next few months,” Weitzman, the co-author of two books on the Beatles from Archivum Books, “The Beatles – All You Need Is Love” and “Tom Murray's Mad Day Out,” said in an interview. David L. Simon is one of the film's two executive producers, along with Pete Nash of the British Beatles Fan Club.

“Essentially this is the people's archive of The Beatles. It's a celebration of people like you and me sharing those stories in a w details

This month marks 53 years since The Fab Four first visited the USA.

The fascinating images, from February 1964, show what happened after The Fab Four landed at JFK airport in New York – where they were met by 3,000 screaming fans.

Once in NYC, the band performed on the Ed Sullivan show in front of a TV audience of 73million people. Their visit, which took place 53 years ago this month, marked the start of Beatlemania. The groundwork for their first US trip had begun months earlier, in October 1963, when presenter Ed Sullivan had been passing through Heathrow Airport as the Beatles were due to land from a Swedish visit and he spotted a huge gathering of fans waiting for them. At that time, the Liverpool legends had already achieved three UK number ones with Please Please Me, From Me To You and She Loves You.

Ed recalled: “There was the biggest crowd I’ve ever seen in my life. “I asked someone what was going on and he said, ‘The Beatles’. ‘Who the hell are The Beatles?’ I asked. “But I went back to my hotel, got the name of their manager and arranged for them to do three shows.” The group’s manager Brian Epstein sealed the deal with Sullivan details

Imagine being secretary to The Beatles. Freda Kelly does not have to imagine it; she lived it for 11 years, and the Docutah International Documentary Film Festival is bringing Kelly and the film about her life with The Beatles, “Good Ol’ Freda,” to St. George Feb. 23 and 25.

Kelly went to work for a “new band” when she was just a shy Liverpudlian teenager, and as the Beatles’ devoted secretary and friend, she was there to witness the evolution – advances and setbacks, breakthroughs and challenges – of the greatest band in history.

Now Kelly is coming to St. George for two screenings of the film produced by Kathy McCabe, who will also be attending the screenings.

In “Good Ol’ Freda,” Kelly tells her stories for the first time in 50 years. This documentary features original Beatles’ tunes and offers an insider perspective on the beloved band that changed the world of music.

hil Tuckett, executive director of the Docutah International Documentary Film Festival, Docutah@TheElectric and the recently added venue Docutah@Tuacahn, said Kelly was more than just a secretary to The Beatles’.

"She was friend, confidant, den details

Previously unseen footage of the Beatles performing on their first north American tour is expected to sell for more than £10,000 at an auction.

The 8mm film is from the band's performance in Montreal, Canada in September 1964 and shows rare colour footage of the Fab Four backstage. SHARE Filmed by the father of one of The Four Frenchmen, who were supporting the Beatles, the film also shows part of their performance and a press conference after the show.

The 10-minute recording also reveals a heavy police presence after death threats had been made towards drummer Ringo Starr. It was discovered by the cameraman's grandson, Ron Notarangelo, after his grandfather recently passed away. The sale of the colour cine footage is part of Omega Auctions' annual Beatles auction.

The event is being held in Warrington on March 18. Auctioneer Paul Fairweather said: "This is an incredible find of great historical importance as there is no known footage from this performance, together with the fact that it is so clear and in colour, which is rare for the early 60s."

Source: Belfast Telegraph

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Music producer James Teej never expected Paul McCartney would give his stamp of approval to a dark remix of one of his songs.

And he certainly didn't think his collaboration would take him to the Grammy Awards either.

On Sunday, the musician will be in the running for best remixed recording alongside German producer Timo Maas for their update of Nineteen Hundred and Eighty Five.Their version takes the song from McCartney and Wings' 1973 album Band on the Run and reshapes it with a new edge.

"Quite frankly, doing an electronic remix of a rock 'n' roll song is pretty tricky," says Teej, who spent his childhood in Quebec and Alberta. "You're going to have some people that absolutely love the outcome and ... some people that absolutely hate it."

Unlike many remixes contracted out by record labels, Teej says this collaboration came out of a happy series of events that began while he was staying at Maas's European countryside home in 2015.

As they kicked back with glasses of wine and music samples, Teej — whose real name is Thomas Mathers — stepped outside for some fresh air. That's when he heard the unmistakable voice of McCartney playing over Maas's sound system.

Stunned a details

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