On February 28, 1967, The Beatles were hunkered down in Studio 2 at Abbey Road Studios working on a new track called Lucy In the Sky With Diamonds. Premiering over at NPR, we’ve just been gifted with the band’s first attempt at recording it.
As one might imagine for a piece of music so ahead of its time, quite a lot of takes went into creating Lucy In The Sky. But The Beatles, basically having free reign over their studio time at Abbey Road, we able to chip away at the song as they pleased.
“Take one” is completely stripped back. John’s voice is left relatively unaltered, bar some echo in the bridge, and the chorus is missing the all important “Lucy in the sky with diamonds” hook. Harrison’s Leslie-swirled lead guitar is nowhere to be seen. Nor is the subtle sheen of his tanpura playing.
But, from the moment the kaleidoscopic Lowrey organ in the song’s opening moments is struck, it’s clear the band knew what they were trying to achieve from the start.
This special release is set to feature on the 50th anniversary edition of Sgt. Pepper, which will include a six-disc super deluxe box set packed with a whopping 33 rare, unreleased outtakes from details
The Beatles' Sgt. Pepper's Lonely Hearts Club Band, which Rolling Stone named as the best album of all time, turns 50 on June 1st. In honor of the anniversary, and coinciding with a new deluxe reissue of Sgt. Pepper, we present a series of in-depth pieces – one for each of the album's tracks, excluding the brief "Sgt. Pepper's Lonely Hearts Club Band" reprise on Side Two – that explore the background of this revolutionary and beloved record. Today's installment looks back on the night John Lennon accidentally dosed himself with acid before a recording session for "Getting Better."
It could be argued that "Getting Better" is the most perfect of all latter-day John Lennon and Paul McCartney collaborations. Sure, "A Day in the Life" gets the prestige, but the fourth track on Sgt. Pepper's Lonely Hearts Club Band beautifully illustrates their very different characters. While the song was being recorded that spring, an odd incident would further fuse their souls on a psychedelic level.
McCartney devised the title while walking his sheepdog Martha through London's Regent's Park in early 1967. He was joined by journalist Hunter Davies, then shadowing the Beatles while working on their official biography. "I details
The film's bosses were initially keen to secure Rolling Stones' Keith Richards to play a pirate rocker in the latest instalment of the adventure movie but when he was unable to film the part, the team were thrilled to secure the Beatles star.
Co-director Espen Sandberg said: "So we needed another rocker and on top of our list was Paul McCartney. And Johnny said, 'Well, I have his number.' And of course Johnny has Paul McCartney's number. So he started texting him. And it went back and forth. And then [Paul] said yes. So we were super happy."
Whilst co-director Joachim Ronning added to USA Today: "It was fun. And there we went."
Keith - who was unable to make a cameo in the most recent film due to "touring commitments" - had previously made an appearance as Captain Jack Sparrow's (Johnny Depp) father Captain Teague in 2007's 'Pirates of the Caribbean: At World's End'.
Sir Paul McCartney's involvement in the fifth installment of the pirate franchise was revealed in March 2016 when a source said bosses had approached the musician about the role and directors Ronning and Sandberg had decided to add an extra scene just for him.
Source: Sunday World
The Beatles' Sgt. Pepper's Lonely Hearts Club Band, which Rolling Stone named as the best album of all time, turns 50 on June 1st. In honor of the anniversary, and coinciding with a new deluxe reissue of Sgt. Pepper, we present a series of in-depth pieces – one for each of the album's tracks, excluding the brief "Sgt. Pepper's Lonely Hearts Club Band" reprise on Side Two – that explore the background of this revolutionary and beloved record. Today's installment tells the story of how a school drawing by a three-year-old Julian Lennon inspired "Lucy in the Sky With Diamonds."
"I swear to God, or swear to Mao, or to anybody you like, I had no idea it spelt LSD," John Lennon insisted to Rolling Stone in 1970 of the title of "Lucy in the Sky With Diamonds." In interview after interview, Lennon begged listeners to accept that the Sgt. Pepper's Lonely Hearts Club Band standout was "not an acid song." The public, for their part, merely rolled their eyes.
Until the end of his life, Lennon maintained that the song was actually inspired by a painting that his three-year-old son Julian had made of Lucy O'Donnell, his classmate at Heath House nursery school. "This is the truth: My son came home with a drawing an details
We're just eight days away from the release of the 50th anniversary edition of the Beatles' Sgt. Pepper's Lonely Hearts Club Band which was painstakingly remastered and expanded by Giles Martin, the son of the Fab Four's original producer, George Martin.
Giles has now revealed (and retracted somewhat) that he is ready to move on to his next project, the Beatles' 1968 album The Beatles (aka The White Album)
The White Album was an oddity for the band. It was their only double album and the only one where a single was never released to radio; however, you would never know it from listening to classic rock stations who still play a wide selection from the set as if they had been chart toppers including Back in the U.S.S.R., Ob-La-Di, Ob-La-Da, While My Guitar Gently Weeps, Blackbird, Rocky Raccoon, Birthday and Helter Skelter. The album also contains a trio of songs that could be placed among the most beautiful from the Beatles catalog, Julia, Good Night and I Will.
Martin told the BBC on Thursday morning "The White Album, which is the next release – that is where they started becoming indulgent. There are 70 takes of Sexy Sadie, for instance. The efficiency went slightly out the window. There’s details
The summer of love began on Thursday, June 1, 1967, a day that now lies closer to World War I than to our time. As London sweltered and swung, two LPs landed in the record stores—one each from the two acts now rated the greatest in the history of British pop music.The first was the debut album by David Bowie, which was a resounding flop: “I didn’t know,” Bowie said later, “whether to be Max Miller or Elvis Presley.” (Miller was a British music hall comedian of the 1930s, known as the Cheeky Chappie.) If you’d asked for Bowie’s record that day in 1967, the shop assistant might have scratched her head. And you would have had to fight your way through the throng trying to buy the other new release. Bowie, later celebrated for his sense of theater, had chosen a terrible moment to make an entrance.
That other album was Sgt. Pepper’s Lonely Hearts Club Band by the Beatles, which had aroused feverish expectations and lived up to all of them. For 50 years now, it has been more than a record. It is the high-water mark of hippiedom and a landmark in the history of music. It was the first rock record to capture album of the year at the Grammys, a bastion long held by the forces details
If you’re getting bored of the free pianos in St Pancras station, there’s now a new way to make music while you wait for your train. They’re installing a retro-style jukebox, so commuters can play every top 40 hit from the past 50 years for free. That means you can choose from a whopping 57,000 tunes to entertain (or annoy) you and your fellow passengers with, including 1,255 number ones and 18,162 artists from Frank Sinatra and David Bowie to Ed Sheeran and, er, The Cheeky Girls.
After tallying up the tunes, The Beatles claimed the most top 40 tracks on the music box – a huge 280 – and so to mark the jukebox’s launch it will be covered in colourful crops of hollyhock in a throwback to the Liverpudlian band’s iconic ‘Mad Day Out’ photoshoot, as some of the pix were taken just around the corner from the station almost 50 years ago.
The jukebox will be a permanent fixture underneath Southeastern train platforms 11 to 13, but to catch it sporting its floral Beatles tribute head there from Wednesday May 17 to Saturday May 20, when Londoners will be encouraged to play out classic Beatle beats.
Source: Timeout London
It was 10am on Easter Sunday, 1974, and Iovine had just received a call from Roy Cicala, John Lennon’s go-to engineer at Record Plant Studios in New York.
Cicala had explained that the ex-Beatle urgently needed someone to man the phones… as in, five minutes ago.
Iovine, Record Plant’s always-willing 21-year-old gopher, unquestioningly did as he was asked – but not before informing his mom he wouldn’t be attending church that morning.
Maternal tongue-lashing survived, Iovine pitched up at Record Plant, only to find Cicala and Lennon laughing in his face.
The punchline: this was a test of his dutifulness… and he’d passed.
Jimmy Iovine had just bagged himself a job as John Lennon’s new Assistant Engineer.
This was the moment that Iovine says his life changed forever.
Before he was taken under the wing of Cicala (and Lennon), the now-Beats/Apple Music chief was working go-nowhere jobs in various New York recording studios – while expecting a far less cushy professional destiny to take over.
Having left school with no real qualifications, Iovine believed he’d end up doing what many young men from Red Hook, Br details
Does the world really need another book about the Beatles? The people behind “In Their Lives: Great Writers on Great Beatles Songs” think so, and they’ve come up with a seemingly irresistible wrinkle: Ask a lineup of literati to choose the Beatles song that means the most to them. Since everyone likes the Beatles, the results are practically guaranteed to please.
Well, maybe. But the most predictable thing about this endeavor is how predictable it is. The Rule of Themed Anthologies says that one-third of such collections will be thought-provoking and insightful, one third will be just okay, and one third will be tossed-off words from writers too guilty or desperate to say no to the commissioning editor. “In Their Lives” satisfies this formula with eerie precision.
The only sensible approach to evaluating such a book is to enumerate the successes, of which there are several. Writing about “Eleanor Rigby,” Rebecca Mead notes, with typical clarity and grace, that the song, “which so perfectly captures the pathos of loneliness, was generated in an atmosphere of intimacy and friendship . . . a product of the extraordinarily fruitful four-way marriage that was the Beatle details
The Beatles' Sgt. Pepper's Lonely Hearts Club Band, which Rolling Stone named as the greatest album of all time, turns 50 on June 1st. In honor of the anniversary, and coinciding with a new deluxe reissue of Sgt. Pepper, we present a series of in-depth pieces – one for each of the album's tracks, excluding the brief "Sgt. Pepper's Lonely Hearts Club Band" reprise on Side Two – that explore the background of this revolutionary and beloved LP. Today's installment focuses on how Paul McCartney's solo travels after the end of the Beatles' final tour inspired the title track and gave Sgt. Pepper its famous "alter ego" concept.
"Right – that's it, I'm not a Beatle anymore!" George Harrison was heard to exclaim as the band concluded their touring career on August 29th, 1966, with a set at San Francisco's Candlestick Park. His remark bore a touch of hyperbole, but for the next few months, the Beatles effectively didn't exist. That fall afforded the foursome the most substantial stretch of personal time they had ever known as adults, allowing each to finally get to know the man he had become after four years as part of a collective identity.
John Lennon had been the first to venture out, accepting a par details