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Paul McCartney and Democratic presidential nominee Hillary Clinton met Wednesday (Aug. 17) before his show in Cleveland at Quicken Loans Arena.

According to the Washington Post, Clinton's motorcade stopped by the the venue where McCartney was to play that night and she met behind closed doors with the former Beatle. Topics reportedly included the Olympics, the presidential race and their families. The U.K. Daily Mail reported the meeting also included McCartney's wife Nancy Shevell. No photos were taken during the meeting, but McCartney later posted a photo on his Twitter account of the two with the headline “She's With Me”

Cleveland station WTAM posted the photo on Facebook and got some diverse reactions. “I saw a huge motorcade of police on motorcycles, 5 black bummers and 4 white vans come speeding out of the parking garage near the Q this afternoon. Now I know who it was for,” one poster wrote. “I love Paul's music but like him just a bit less now,” said another. One fan, however, loved it. “Great pic! Rock on Sir Paul!”

The British singer, who has just signed a worldwide recording deal with Capitol Records, performed a concert in the East Room for details

Yoko Ono has named the four winners of the Lennon Ono Grant For Peace, which will be presented in Iceland on John Lennon’s birthday. The winners are Chinese activist and artist Ai Weiwei, Inidian artist Anish Kapoor, Danish artist Arfur Eliasson and Hungarian poet and performance artist Catalan Ladik. The award is given two years and was founded in 2002. The ceremony takes place in Reykjavik on October 9, which would have been the 76th birthday of Ono’s late husband. 

Ono said of this year’s grant winners: “I’m very proud to award the 2016 Lennon Ono Grant For Peace to these four incredible individuals. To have to label any of them with a description of what they do is both limiting and frustrating, because what they give to our world is so much bigger than even the tangible art they create. Born in different cultures, each of the recipients has shown us the true path of creativity, belief and hope for the world. Their huge contribution to our world is so much greater than the sum of its parts.”

Previous winners of the grant have included Pussy Riot, Doctors Without Borders, Michael Pollan and Alice Walker.

Since 2007, Ono has gone to Iceland to lead ceremonies co details

IN EXCLUSIVE INTERVIEWS for the new issue of MOJO magazine, the two surviving Beatles relive the madness of their ’60s tours, but insist that after their famous decision to quit the road after their San Francisco show at Candlestick Park on August 29, 1966, there were further discussions to take their late-’60s music to the stage.

“It wasn’t like we’d placed a wreath on the live Beatles,” Ringo Starr tells MOJO’s Andrew Male. “The rooftop gig [atop Apple headquarters at 3 Savile Row, London, on January 30, 1969] showed that we could still do that stuff. And we could maybe have gone out live again. It didn’t happen. But it was never like, Oh, that’s dead, the Beatles are dead. It was always a possibility that we would do it again. (to Paul) and you, in fact, tried one time to get us to go out again, didn’t you?”

“But you didn’t listen to me!” replies McCartney in mock outrage.

“I listened,” rejoinders Ringo. “It was the others!”

The pair, interviewed in anticipation of the release of Ron Howard’s Beatles tour doc Eight Days A Week, talk us through the highs and lows of the Beatle details

They say that if you remember the 1960s, you weren't really there. A similar thing could be said of the Beatles' last concert in Canada, which took place at Maple Leaf Gardens in Toronto on Aug.17, 1966: if you remember hearing the music clearly, you probably weren't there.

Toronto Mayor John Tory was there: only 12 years old, younger sister in tow, tickets procured by their grandfather "The volume of the screaming was such that you could just barely hear the music," Tory said in an interview with CBC News, recalling his excitement. "To be in that environment was quite an experience. But if you said you went for the clarity of music, to hear every song, that would be an untruth, because you could hardly hear anything."

Unbeknownst to Tory and other Beatles fans at the time, that very thing — the noise that drowned out the music — was one of the factors that led the Fab Four to stop touring and conclude that their musical mission was better carried out in the studio producing albums.

Their last major concert took place just 12 days after the Toronto stop. Several studio albums later, in 1970, they broke up.

And that's why this week's celebration of all things Beatles in Toronto is a bi details

Paul McCartney is getting back to where he once belonged, renewing his relationship with Capitol Records, the label that ushered him and the rest of the Beatles to household name status in the U.S. in the 1960s.

The new contract, announced Wednesday by Capitol, will cover his complete solo catalog of some three dozen albums as well as new recordings he plans to release.

“This is genuinely exciting for me,” McCartney, 74, said in a statement, which also revealed that he was at work on a new album, though no release date was specified. “Not only was Capitol my first U.S. record label, but the first record I ever bought was Gene Vincent’s ‘Be-Bop-A-Lula’ on the Capitol label,” referring to Vincent’s 1956 proto-rock hit.

McCartney launched his solo career in 1970 upon the breakup of the Fab Four, with Capitol handling U.S. distribution of his solo albums released on the Beatles’ London-based Apple label. He continued with the company through most of the ‘70s before making a high-profile defection to competitor Columbia Records in 1979.

By: Randy Lewis

Source: L.A Times

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Mark Richman was twenty years old when he talked his way into the opportunity of a lifetime — wheedling his way past a policeman and into the corps of photographers shooting the Beatles' August 21, 1966, concert at Busch Stadium.

The photographs he snapped that day, which he says are the only color photos of the Beatles' final tour, have earned him tons of attention from Beatles collectors. (You can see them online here; the one above is reprinted with his permission.) They'll even be featured in the upcoming Eight Days a Week documentary, which also netted him a pretty penny.

So when Richman, now 70, returned to a different iteration of Busch Stadium this weekend for McCartney's solo show, he had high hopes. But they were dashed.

Many of the problems weren't due to Sir Paul himself. Richman was annoyed by the size of the patrons near him, which rendered seating a bit too close for comfort — a problem not helped by the fact that seats on the field, where he was sitting just twenty rows back from the stage, were zip-tied together so people couldn't adjust them. He was also annoyed by the way the crowd took to its feet, and stayed there throughout the show, blocking his view — and the 6'5 details

“We should be wearing targets here,” quipped Paul McCartney as he stepped nervously off a plane at Memphis airport on August 19 1966.

The Beatles arrived in Memphis amid massive controversy. In March, John Lennon had suggested in an interview with Maureen Cleave of the London Evening Standard that the Beatles had grown more popular than Jesus. When his remarks reappeared in the American teen magazine Datebook in August, they sparked a fierce backlash just as the band embarked on its final tour.

Hostility was particularly intense in the American south. In Alabama, DJs Tommy Charles and Doug Layton at the WAQY-Birmingham radio station were first to initiate a “ban-the-Beatles campaign”. Other stations, cities and towns soon followed suit. Starke in Florida had the dubious distinction of being the first place to burn Beatles records and memorabilia.

Similar conflagrations spread quickly across the region. Some of the most pyrotechnical protests involved those formidable guardians of white racial and religious purity, the Ku Klux Klan. In Chester, South Carolina, Klan Grand Dragon Bob Scoggins nailed a Beatles record to a large cross and set it on fire. In Tupelo, Mississippi, Grand W details

Paul McCartney plays two gigs at every stop on his current arena and stadium tours: the evening concert, a magical history tour of nearly 40 songs from every era of his musical life before, in and after the Beatles; and an hour-long soundcheck that doubles as a technical rehearsal for McCartney's crew and band and exclusive entertainment for a small group of fans, granted access as part of a VIP-ticket package.

On July 12th, at Citizens Bank Park in Philadelphia, McCartney and his 21st Century combo – guitarists Rusty Anderson and Brian Ray, keyboard player Paul "Wix" Wickens and drummer Abe Laboriel Jr. – performed a 12-song set under the late afternoon sun, opening with a blues jam featuring the leader on electric guitar and briskly covering the same historic span as the main event: the Beatles' jangling arrangement of "Honey Don't" by their Sun Records idol Carl Perkins; "Midnight Special," reaching back to McCartney's Liverpool boyhood in skiffle; the 1972 Wings flipside "C Moon"; the Ram ballad "Ram On," with McCartney on ukulele; the mid-Sixties Beatles artifacts "I'll Follow the Sun" and "I've Just Seen a Face"; and "Everybody out There" from McCartney's 2013 solo album, New.

Only one song app details

There is a guy that is best known for replacing Ringo Star for 13 days. This is is the story of Jimmie Nicol and it’s both poignant and exciting. The exciting part is that he got to be a part of The Beatles in the height of their career and had been able to taste the fruits of fame; he was Ringo Star for a week, and that was a title to kill for. Nicol not only got the opportunity to play with The Beatles in the time they were bigger than God, but he also got the chance to hang around with Lennon, McCartny, and Harrison. However, the poignant part of his story is, that it lasted for two weeks, and then all got back to normal, The Beatles were still the Beatles and Jimy Nicol went to his ordinary life living with a memory that for a week he lived a dream.

When Ringo Starr collapsed with tonsillitis and was hospitalized on 3 June 1964, the eve of The Beatles’ 1964 Australian tour, the band’s manager Brian Epstein and their producer George Martin urgently discussed the feasibility of using a stand-in drummer, rather than cancelling part of the tour. Martin suggested Jimmie Nicol, as he had recently used him on a recording session with Tommy Quickly.

Source: The Vintage News

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When I’m 64 (or so) - Saturday, August 13, 2016

Jan Fassler still remembers the screams.

The memories — the seats, high up in the recently constructed Busch Memorial Stadium, the rain that fell steady through the evening, frenzied fanatics passing out left and right — don’t end there, but the screaming, incessant and loud enough to drown out the band everyone came to see, stands out from that night nearly 50 years ago.

“I don’t think I heard one note of music,” Fassler said. “It was just solid screaming all around you, all the time.”

Fassler, Sheila Sorgea, Sara Sladek and Nancy Schmidt were among the roughly 23,000 fans in attendance on Aug. 21, 1966, when The Beatles visited St. Louis. And tonight, almost 50 years to the day, the lifelong friends, sans Schmidt, will once again be there when former Beatles singer and guitarist Paul McCartney performs at Busch Stadium III.

The stadium isn’t the only thing that has changed in 50 years. In fact, between last names (East Alton-Wood River High School Class of 1969 classmates may remember them as Jan Myers, Sheila Lindsey, Sara Lewis and Nancy Russell), occupations and children, it may be easier to list the things that haven’t changed sinc details

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