Six decades ago sent shockwaves through the entertainment industry and changed popular culture forever.
The Beatles had become megastars in Europe starting in late 1962, with the release of their first British single, “Love Me Do.” In 1963, they spent eight weeks atop the UK singles chart. Meanwhile in America, they were almost completely unknown. The Beatles’ British label, EMI, had had no luck placing the group’s records with its American affiliate, Capitol. Beatles releases had instead come out on small, regional labels like Vee-Jay and Swan, with little success.
Finally, manager Brian Epstein urged the group to write a song which would appeal to American teenagers, while simultaneously insisting that Capitol release his group’s records.
“I Want to Hold Your Hand” was the song. Once it was released, it was reportedly selling 10,000 copies an hour at one point in New York City alone. By the time the group landed in America in February, the song was in the midst of a seven-week run at the top. It would be replaced by their own “She Loves You,” which would give way to “Can’t Buy Me Love.” Three more chart-toppers followed in 1964, an details
Following the ill-fated breakup of the iconic band in April 1970, Lennon lived a secluded life with his family.
Therefore, a harrowing adventure on the Bermuda Triangle, infamous for disappearing ships and planes, freed Lennon’s mind to pursue music once again.
This gave way to his to-be solo Lennon album eventually released as a joint effort of the former Beatles member and Yoko Ono, Double Fantasy.
Music legend and founder of The Beatles, John Lennon owes it to the Bermuda Triangle. Following the ill-fated breakup of the iconic band in April 1970, Lennon lived a secluded life with his family, away from any music indulgence. The English songwriter was known for his eccentric personality, often acting on his whims and fancies.
Therefore, a harrowing adventure on the Bermuda Triangle, infamous for disappearing ships and planes, freed Lennon’s mind to pursue music once again. Lennon traveled to Bermuda in June 1980, months after which he was assassinated in his New York apartment.
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This week’s Hot 100 reflects the tracking period just before Christmas Day arrived, so it makes sense that this may be the busiest frame of the year for holiday hits. The upper reaches of the ranking are almost entirely owned by various seasonal smashes, and a handful of beloved older compositions finally find their way back to the tally before the new year arrives.
This week, John Lennon returns to the Hot 100–Billboard’s ranking of the most-consumed songs in the U.S. The superstar finds his way back to the tally with his Christmas cut “Happy Xmas (War Is Over).” The tune reappears on the list at No. 48 as the biggest gift-giving day returns.
“Happy Xmas (War Is Over)” is credited not just to Lennon, though it was released during his solo career. The tune is credited to the duo John & Yoko. It also features both The Plastic Ono Band and The Harlem Community Choir.
Source: Hugh McIntyre/forbes.com
detailsRingo Starr recorded a New Year’s song from one of the most important living songwriters. His track begs to be compared to a George Harrison song with a similar theme.
Ringo Starr recorded a song from one of the most important songwriters of the 1980s and 1990s. He said it would be a great New Year’s anthem. Despite this, the tune never mentions the holiday. His track begs to be compared to a George Harrison song with a similar theme.
Diane Warren is a songwriter who has worked on hits such as Cher’s “If I Could Turn Back Time,” Ace of Base’s “Don’t Turn Around,” and Aerosmith’s “I Don’t Want to Miss a Thing.” During a 2021 interview with Variety, Ringo discussed working with Warren. “I asked Diane Warren for a song, and she sent over ‘Here’s to the Nights,'” he said. “Of course, she sent it over in the key of F-demented, and I was like, ‘F***!’ [Laughs.] With Benmont Tench’s help, we lowered the key to somewhere a human can sing.”
Ringo was proud of his work on “Here’s to the Nights.” “As we finished that track, I thought, ‘Well, Diane, it&rsqu details
It’s really quite fascinating, really, how Band on the Run became such a smash hit. Yes, of course, Sir Paul McCartney—a quarter of the greatest band in music history—is at the helm, but, before December 1973, that type of leadership on a solo quest didn’t always equate to a stroke of brilliance for the Fab Four. Just look at John Lennon’s Two Virgins or Mind Games, or George Harrison’s Electronic Sound, Ringo Starr’s Beaucoups of Blues or, even, McCartney’s first Wings album, Wild Life. In fact, that first handful of years after their breakup in the spring of 1970, the Beatles each took a bit to get their footing—well, except for Harrison, whose All Things Must Pass was an aces source of mastery composed largely of tracks he was never given the green light to put on a Beatles record when they were still together.
Band on the Run, though—not Ringo or All Things Must Pass or John Lennon/Plastic Ono Band—is the greatest Beatles solo album ever put together and, just perhaps, the greatest Beatles album ever. I say this knowing full well that virtually no one will agree with me. This is a cross I’ve made peace with bearing. If you are familiar with my w details
John Lennon thought he was going to be jumped when he left Hamburg. Here's why he was so nervous on the trip back to Liverpool.
John Lennon left Hamburg, Germany, without the other Beatles. The government had deported George Harrison, Paul McCartney, and Pete Best, and Stuart Sutcliffe remained in Germany with his girlfriend. Lennon did not enjoy his time alone in the city and liked his trip back to England even less. He shared why he felt terrified on the journey.
After Harrison, McCartney, and Best left Hamburg, Lennon remained for a brief time.
“They were all deported and I was left in Hamburg, playing alone with another group of musicians,” he said in The Beatles Anthology. “It was quite a shattering experience to be in a foreign country, pretty young, left there all on my own. We’d spent our money as we went along. I didn’t have any to spare and being stuck in Hamburg with no food money was no joke especially just around Christmas.”
Source: Emma McKee/Showbiz Cheatsheet
detailsIf you sit for a moment and think about it, it would seem like nearly every song from The Beatles that you’ve ever heard likely hit the No. 1 spot on the Billboard charts. But that just isn’t the case, of course. No group could be that popular, that lucky—though, of anyone, The Beatles came the closest.
While The Beatles do boast the most No. 1 hit songs on the Billboard Hot 100 with 20 (heck, the band even released a popular album in 2000 just called 1 that featured all of said songs and more), there were many excellent tunes from the former Mop Tops that didn’t hit the ultimate spot on the Hot 100.
[RELATED: 5 Songwriting Tips From Paul McCartney’s ‘The Lyrics’]
1. “Eleanor Rigby”
Released on the Fab Four’s 1966 album, Revolver, this song is a masterpiece. It talks of loneliness while being built with rich vocal harmonies from Paul McCartney and a cornucopia of instruments. It also peaked at No. 11 on the Billboard Hot 100 charts.
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detailsKen Scott joined Abbey Road Studios during the making of The Beatles’ third album, A Hard Day’s Night, the first on which all songs were written by John Lennon and Paul McCartney. He witnessed the band’s transition from live act playing its repertoire to tape, to pioneering the kind of musical, studio and production techniques that would change recording forever, with albums such as Rubber Soul, Sergeant Pepper’s Lonely Hearts Club Band, and The Beatles (aka The White Album).
When the group disbanded in 1970, Ken briefly worked with George Harrison, John Lennon and Ringo Starr, before heading off to assist such legends as David Bowie, Elton John, Mahavishnu Orchestra and Jeff Beck.
He recently embarked on a project to film The History Of The Beatles Recording Techniques. Working alongside Fab Dupont, producer and co-owner of plugin designer and provider of recording technique tutorials Puremix, it would be a mammoth task.
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Paul McCartney said the holiday season was always joyful as a child. He shared how his family celebrated the season.
Though Paul McCartney can afford to celebrate Christmas lavishly these days, he looks back fondly on his childhood celebrations of the holiday. McCartney shared how he celebrated Christmas as a child. He also spoke about why these are among his favorite memories.
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McCartney grew up in a Liverpool home with his mother, father, and younger brother. He said that his favorite Christmas memories come from this era of his life.
“I think waking up as a really little kid on Christmas morning, and just seeing the white pillowcase that we used to get,” he said in an interview on his official website, adding, “It was like a stocking but Mum and Dad used to put it in a white pillowcase, and it would be a present, a couple of nuts and a tangerine.”
Source: Emma McKee/cheatsheet.com
detailsGeorge Harrison's father had clear expectations for his son's career. Here's the Christmas present that hinted at his hopes.
Long before fame, George Harrison received a Christmas present that made him fear his future. Though he wanted to pursue music, his father made it clear that he should look for a more stable job. Harrison found this upsetting because he didn’t think he would be able to follow through on his dad’s dreams for him.
After Harrison left school, he struggled to find a job. His friends returned to school as he tried, unsuccessfully, to get his music career off the ground. “I used to borrow money from my dad,” Harrison said in The Beatles Anthology. “I didn’t want a job — I wanted to be in a band. But it got a bit embarrassing when my father kept saying, ‘Don’t you think you’d better get a job?'”
Harrison’s father made it clear what type of job he wanted his son to have through a Christmas present. Harrison did not appreciate the gift.
“My dad never had a trade, but he had the idea that all his three sons would have different trades,” he said. “My eldest brother was a mechanic, my second brother details
Wikipedia called it a psychedelic soft rock ballad, even though it was anything but. Some thought it slight, a filigree morsel. They listened and listened and, try as they might, were disappointed, and came away sensing corporate overreach and digital plagiarism.
Friends of mine in the music industry called it soppy, maudlin, wet. Others became sick of the hype almost immediately or complained about AI being used to enhance and delineate John Lennon’s croaky, indistinct voice. For me, and millions of others, it was a legitimate link with a part of our history which, even if we were too young to experience it first time around, remains hallowed and cherished. In 2023, the Beatles made another record. And it was good.
There were other so-called legacy releases this year: the much-celebrated Angry, by the Rolling Stones, which rather brilliantly repurposed the riff from Start Me Up, and Atomic City by U2, recorded to celebrate the start of the band’s epoch-making residency at the Sphere in Las Vegas.
Source: Dylan Jones/standard.co.uk
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The duo’s megahit single shot to number one 40 years ago this week on December 10, 1983. It then stayed at the top of the Billboard Hot 100 chart for six weeks. Michael Jackson and Paul McCartney teamed up to create this single for McCartney’s 1983 album Tug of War. The single being co-created by McCartney and the legendary Beatles producer George Martin certainly played a part in the success of "Say Say Say," but I’m betting having Jackson co-write and sing on the song while his Thriller album was vaporizing the world played the biggest part of Say’s explosion.
And we all loved the song’s video when it dropped.
This wasn’t the first time these two titans worked together. Thriller’s lead single was the McCartney assisted "The Girl Is Mine."
Sadly, the good times wouldn’t last between the two men. Jackson would soon buy the Beatles song catalog, which didn’t go over very well with McCartney, since…he was a Beatle and wrote many of their hit songs. But, for a few years in the early 80’s, these dudes made real magic together.
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Paul McCartney had a busy year, and he’s wrapping up his 2023 by answering 23 questions from fans.
The Rock & Roll Hall of Famer responded to questions posted to his Official Fan Group on Facebook, sharing insights into the new Beatles tune “Now and Then,” Christmas, his Got Back tour and more.
When it comes to “Now and Then,” McCartney says he was “very emotional” the first time he heard John Lennon’s clear voice on the track, adding that his favorite part of the video was “John goofing around.”
He reveals that “Hey Jude” was his favorite song to play live — “Just to see all those thousands of people singing in harmony with each other,” he says — and teases a possible release of covers he performs during soundcheck.
“It’s a thought!,” he replies. “We have the ‘jams’ — we always start the soundcheck with a made-up piece, and there’s a lot of them. So, we might go through those and do something someday.”
McCartney also shares that he’d love to collaborate with Bob Dylan one day, noting, “But I don’t know if we’ll e details
After reuniting The Beatles with the help of artificial intelligence earlier this year, Paul McCartney is once again succeeding on the Billboard charts. The rocker sees one of his most controversial collections find its way back to a handful of tallies this week, and this time, he’s going solo.
The album McCartney II reappears on a pair of Billboard charts this week. The set isn’t new to either list, as it’s been out for decades and has already spent a fair amount of time on a number of tallies published by the chart company. Fans are clearly still interested in the collection, as they’ve purchased and streamed it back onto the weekly rankings.
The title reappears on the Billboard 200 at No. 177. The tally ranks the most-consumed albums, regardless of style, using a methodology that combines streams and sales. According to Luminate, McCartney II moved another 9,765 equivalent units in the past tracking period.
Source: Hugh McIntyre/forbes.com
detailsThe last songs from George Harrison—two albums’ worth of new works with basic tracks and vocals largely complete—are nearly all missing.
The songs, first reported in 1999 by the late Billboard editor-in-chief Timothy White, and in 2001 by Harrison, were intended to be finished by Harrison friend and sometime producer Jeff Lynne.
They are part of a cache of either 37 or 35 new, never-released Harrison songs, depending on which interview you read. In a 1999 Billboard interview with White, Harrison referred to “about 37” new songs, and in a 2001 on-line chat with fans, Harrison said there were 35 new, unreleased works.
After Harrison’s posthumous 2002 album, Brainwashed, on which 12 new songs were released, that leaves either 25 or 23 whose fate remains unknown. They are reportedly lost in the famously messy, jumbled Harrison archive. [Editor’s note: A few unofficial leaks are available on YouTube.]
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