It wasn't a surprise album drop — hell, none of the music is new — but there is something really nice about having the Beatles available on the streaming sites. You're like, "I really want to listen to 'Oh! Darling' right now" and type type type you are! So to celebrate this early Christmas gift, we want to know what your favorite Beatles song is. Are you a kid who just started getting into weed who loves "Lucy in the Sky with Diamonds"; a person who's never heard a classic-rock radio station before and is somehow not even a little bit tired of "Hey Jude"; a person whose hand is always cold, so you love "I Want to Hold Your Hand"? Is your favorite song "While My Guitar Gently Weeps," because you love shredding so much you ignore how dumb of a title that is? Maybe it's "Octopus's Garden," but if so, how are you reading this, as you're definitely a baby?
"Something" Well, for most of my life it's been "Something." I think I started out adoring "Here Comes the Sun" above all, mostly because it soundtracked one of the best scenes from a childhood movie fave (Parent Trap, hello!). But then it became my gateway drug to the George Harrison songbook, from which I discovered "Something." Tu details
Accused of exploiting other artists' songs in the Beatles, John Lennon defended himself by saying, "It wasn't a rip-off; it was a love-in." Paul McCartney's take: "We pinch as much from other people as they pinch from us."
"In the early years, I'd often carry around someone else's song in my head," Lennon said. "And only when I'd put it down on tape — because I can't write music — would I consciously change it to my own melody, because I knew that otherwise somebody would sue me." Perhaps the best example of the Beatles transforming a piece of music is in "Because": It was drawn from Beethoven's Moonlight Sonata, but Lennon reversed the chord progression and then mutated it into something else.
While the Beatles drew inspiration from artists both famous and obscure, they almost always made whatever they were borrowing into something new, because they were a creative group of lads and because they were careful to cover their tracks. That's almost always. Here's five examples where their pinches got more blatant.
1. "Revolution": Pee Wee Crayton, "Do Unto Others"
By: Gavin Edwards
Source: Rolling Stone
In mid-1971, more than a year after the Beatles officially split, John Lennon started recording what would become his second proper solo album, Imagine.
The album, which was released later that year, was a critical and commercial success, not to mention a perennial fan favorite.
It also marks one of the only times Lennon recorded with his former Beatles bandmate, guitarist George Harrison, after the dissolution of the Fab Four in 1970. Harrison's fretwork can be heard on several Imagine tracks, including "I Don't Wanna Be a Soldier," "Gimme Some Truth" and "Oh My Love." He even plays a mean dobro on "Crippled Inside."
However, from a six-string perspective, there's just something special, and maybe a bit chilling, about Harrison's slide work on "How Do You Sleep?," which also happens to be the most "anti-Paul McCartney" song ever written. In fact, it's downright mean. Lennon was getting back at McCartney for what he perceived were some anti-John-and-Yoko lyrics on McCartney's Ram album, which was released earlier that year. Here are some choice lyrics from Lennon's "How Do You Sleep?," plus some commentary from yours truly:
By: Damian Fanelli
Source: Guitar World
The music of the Beatles, four music geeks from Liverpool who made it rather big in the Sixties, will appear on music streaming sites like Spotify, Tidal and Apple Music for the first time on Christmas Eve. This comes five years after Apple Music and Apple Computer ended a decades-long rights dispute, the upshot of which was the Beatles' official output becoming available on iTunes.
The Beatles are big, like no other band has ever been big, or can ever be. The Cambridge Companion to the Beatles pinned down their singularity by noting that there's no serious body of academic literature about the Dave Clark Five. The Beatles are the yardstick to which other bands are compared, usually in terms of record sales, seldom in terms of cultural significance. The Beatles' very popularity has been used as a stick to beat them with: no band that popular can be good, so the 'argument' goes, because everybody knows, don't they, that the best music is the most original music, and original music is always unpopular (because people are idiots, or something). This particular chain of reasoning forces some unwelcome conclusions: for example, that JS Bach is the most overrated composer in musical history, and also that all traditional musi details
Classic album is a term that’s used way too much when describing records from the golden era of rock music; of course, one person’s classic album is another’s long-forgotten record, but we think that without fear of contradiction George Harrison’s All Things Must Pass is a CLASSIC album… 45 Years ago, on 19 December it made the Billboard album charts on 19 December 1970 and two weeks later it was No.1.
There’s an old adage in the music business that talks of, ‘the difficult third album’, well this was George’s third solo album and there’s nothing difficult about it, every track is worthy of its place, there’s no filler, just killers… and it was originally released as a triple album when it came out on 27 November 1970. Ben Gerson of Rolling Stone described the sound as "Wagnerian, Brucknerian, the music of mountain tops and vast horizons," and who are we to disagree? Truth is George considered this to be his first solo album proper, having originally released his movie soundtrack, Wonderwall Music and his synthesizer album, Electronic Sound.
The genesis of All Things Must Pass can be said to have begun with George’s visit to America details
He's graced the biggest stages in the world. But Paul McCartney still looks as excited as any regular punter at a hockey game to have his face emblazoned on the big screens. The 73-year-old Beatle cheered as his image was broadcast at the Washington Capitals vs New York Rangers hockey game at Madison Square Garden on Sunday.
He joined in with the crowd, alongside two of his children - son James, 38, and daughter Mary, 46. Clad in a black blazer and sweater, the music legend looked younger than his years. Photographer Mary was ever on duty - capturing the moment with a snap on her 'phone - as she wore a navy sweater adorned with birds.
She showed the image to the delighted Hey Jude singer. Her youngest son, four-year-old Sid Aboud looked rather bemused by all the fuss as he sat on his mum's knee next to his famous grandfather. Sid - whose father is Mary's director husband Simon Aboud, lives in England with his parents but looked every inch the all-American fan in blue and red team colours, a baseball hat and a giant foam finger.
Musician James, who shares his father's distinctive cherubic looks, wrapped a check scarf around his neck as the siblings joined Paul for the holiday season on NYC, where he details
Choosing to follow Sir Paul McCartney into the music business has not been an easy path for his son James, who is struggling to emulate the success enjoyed by the former Beatle.
Last week James, 38, was met with a mediocre response from customers when he sang and played guitar at a small pub, The Islington, in North London. Only a handful of the audience remained to see the end of his performance and there were certainly no calls for an encore. A blonder, less confident version of Paul, James has found it hard to make his own name in the music business; he finds playing live on stage difficult because of his shyness, and friends say he is constantly aware of living in his father’s shadow.
While his sisters, Stella and Mary, have prospered from their father’s fame, Sir Paul’s only son often refused to tell new friends his surname when he worked as a waiter in Brighton. Like the rest of the family, he is a strict vegan, but has had issues in the past with his weight. James was 19 and an art student when his mother Linda was diagnosed with breast cancer.
He found therapy in playing the guitar and, a month before Linda’s death in 1998, he recorded a track with her, The Light Comes Fro details
Paul McCartney joined Bruce Springsteen for a surprise performance on Saturday Night Live last night (December 19). McCartney joined Springsteen and the rest of the sketch show's cast, including hosts Tina Fey and Amy Poehler, on a cover of 'Santa Claus Is Coming To Town'. Earlier in the night Springsteen & The E Street Band performed two songs from the recently released 'The Ties That Bind: The River Collection' box set, 'Meet Me In The City' and 'The Ties That Bind'.
Springsteen recently unveiled plans to mark 1980 album 'The River' during his upcoming 2016 tour. A reissue of the album was released on December 4. The River Tour will see Springsteen touring North America from January to March, kicking things off in Pittsburgh on January 16 and finishing up with two shows in Los Angeles from March 15-17. Springsteen is likely to play 'The River' in full and draw heavily from its recent box set release during the tour. 'The Ties That Bind: The River Collection' features the original album plus unreleased music, unseen concert footage and a new documentary.
The double-album gave Springsteen his first US Number One Record and resulted in an extensive touring period. The third disc presents Springsteen's show wi details
The brother of Liverpool musician Holly Johnson is calling for the Cavern Club directors to be awarded a Freedom of the City honour.
James Johnson, the brother of Frankie Goes to Hollywood frontman Holly, believes the directors, particularly Dave Jones and Bill Heckle, should be recognised for their contribution to Liverpool’s music scene.
Mr Johnson, 51, said: “They were the people who started the business off in 1983. They had a vision in them days and they have more than achieved what they set out to do.”
The two men currently run The Cavern pub and club, both on Mathew Street, and also the city’s official Beatles Magical Mystery Tour. They have also run the Mathew Street festival, now known as the International Beatle Festival, for the past 20 years. Most recently, the Cavern Club directors donated four bronze statues of the Beatles to Liverpool.
The Fab Four, sculpted by artist Andrew Edwards, were unveiled on Pier Head last week. Mr Johnson, who works as a freelance Beatle guide, said: “What they have done for Liverpool and it’s tourism industry is really second to none. They have bought millions of visitors to the city and they attract business from all details
First, a little story:my 11-year-old daughter recently gained a merit mark at school for bringing in a book of Beatles lyrics and discussing them.
"Well done," I said. "And what was the lesson you were in? English? Music?" "No, Dad," she replied, "History...."
Well, indeed. It's getting on for half a century since the Beatles were at their peak, so I guess that does count as history. Even so, it's certainly living history, as a packed Colston Hall turning out for the Fab Four can attest.
Of course, it's not them. How could it be? But if you want as near-as-dammit, the Bootleg Beatles have been filling that gap for ages now – the original, and beyond doubt, the best.
More than 50 years since John, Paul, Ringo and George last stepped on the Colston Hall stage in their expensive winklepickers, tonight it's the turn of Adam, Steve, Hugo and Stephen to do the honours.
They're good. Very good. Using authentic amplifiers, drums and guitars, plus an orchestra, the Fake Four breeze through a selection of hits, occasional album tracks and costume changes representing that short but world-shaking era in popular music. The hall's legendarily patchy sound quality only adds to the lo-fi appeal, a details