It was while Gillian McCain and I were working on sixty-nine: An Oral History, our new book on the 60s music scene, that we got the idea to create chapters where we hadn't done any of the interviews ourselves. Rather, the material came from a variety of secondary sources that we edited together, such as interviews from magazines like Rolling Stone and books like Peter Fonda's Don't Tell Dad. Not many chapters were created this way—just two or three—and since LSD played a major role in the music scene, we chose for one of our "experimental" chapters in the book to use this bricolage style to detail the first time the Beatles willingly experimented with acid on their own. Some quotes have been edited for length and clarity.
The Beatles took their first acid trip by accident. In the spring of 1965, John Lennon and George Harrison, along with their wives Cynthia Lennon and Patti Boyd, were having dinner over their dentist's house when they were first "dosed" with LSD.
Dentist John Riley and his girlfriend, Cyndy Bury, had just served the group a great meal, and urged their distinguished guests to stay for coffee, which they reluctantly did...
Riley wanted to be the first person to turn on the Bea details
At first, photographer Harry Benson said no to taking pictures of The Beatles.
It was 1964 and the Scottish-born photojournalist wanted to travel to Uganda for a story about its newfound independence, not take pictures of some British rock-and-roll band on its way up, which his editor had asked him to cover.
“I knew who The Beatles were, but they hadn’t had their big breakthrough yet,” Benson, now 87, tells PEOPLE.
His trip to Africa was not to be. At 11 p.m., the night before Benson was set to fly there, his editor at The Daily Express in London called him and told him that indeed, the big boss was sending him to Paris the next morning to photograph the band.
Any reservations Benson had faded the minute he heard The Beatles sing All My Loving in Paris, where they were performing just before they headed to the United States for the first time.
“I thought, ‘S—. I’m on the right story! This is the right story!’ The following day they were number one, two and three in America. They became a phenomenon.”
So did Benson. With his laid-back, self-deprecating manner and knack for consistently capturing the perfect moment on film, Benso details
This group of Scots are members of a unique club of their own, having seen John, Paul, George and Ringo live before the group quit touring forever in 1966.
BEATLEMANIA swept the globe over half a century ago as the Fab Four became the biggest band on the planet. But a group of Scots are members of a unique club of their own, having seen John, Paul, George and Ringo live before the group quit touring forever in 1966.
One even invented the phrase Bealtemania for the chart-toppers that was used to describe their frenzied followers. Chief Features Writer MATT BENDORIS tracks down the Scots who feature in a new Beatles’ book of fans’ memories.
FORMER music promoter Andi Lothian booked The Beatles for just £40 – just weeks before they shot to No1 around the world.
The Glasgow-born musician had booked the band for the Museum Hall in Bridge of Allan, Stirlingshire, on January 5, 1963 – before they enjoyed their first major hit Please, Please Me the following month. But only rowdy, drunk farmers came to the historic show with one yob throwing a coin which chipped the guitar of a 20-year-old Paul McCartney.
He says: “I remember the whole evening so clearly. When details
Photographer Mary McCartney revealed she wants to team up with Liverpool FC – but she is still trying to persuade the club. Mary, the daughter of Beatles superstar Sir Paul McCartney , said she is fascinated by the rituals of footballers. Her first solo exhibition was a photographic study behind the scenes of the Royal Ballet and she said she would like to do something similar with Liverpool.
She said: “I really want to go and get embedded with a football team, I really want to go to Liverpool but they won’t let me.
“Like I did with the Royal Ballet, I’ve been writing to Liverpool FC but they are not having me yet but I’m going to keep trying.
“It’s a difficult thing to agree to allow someone in, they have to focus and you can’t just go in. I understand why they are reluctant but I think they should just let me do it. “It’s the devotion and the commitment, it’s the physicality and dedicating a bit portion of your life to something.”
If she does not succeed with the Reds she said she would be willing to look elsewhere, possibly in the direction of Everton, Sir Paul’s preferred team.
She said: “I think details
Al Brodax, a television producer who delivered an enduring psychedelic classic when he turned the Beatles song “Yellow Submarine” into an animated film in 1968, died on Thursday in Danbury, Conn. He was 90.
The death was confirmed by his daughter, Jessica Harris.
In the 1960s, Mr. Brodax (pronounced BROH-dax) ran the motion picture and television division of King Features Syndicate, where he produced hundreds of “Popeye” cartoons for television.
Quick to see the cartoon potential of the Beatles, he sold their manager, Brian Epstein, on the idea of an animated series. “The Beatles” ran on Saturday mornings on ABC from 1965 to 1969 (in reruns for the last two years), attracting huge audiences.
When “Yellow Submarine” climbed the charts in 1966, Mr. Brodax sensed that lightning might strike twice. He approached Mr. Epstein again, this time with some trepidation; the Beatles did not like “The Beatles.”
But there was an opening. The group owed United Artists one more film after “A Hard Day’s Night” and “Help!,” but had lost interest in acting. An animated film, Mr. Brodax argued, would require virtually n details
The piano used by John Lennon to compose ‘Lucy in the Sky with Diamonds’ and play one of the most famous final chords in music history is set to sell for £1.45million.
British piano makers John Broadwood and Sons made the upright instrument in 1872 but it wasn’t until 100 years later that it’s current value was created. Lennon bought the piano in the 1960s and used it prolifically between 1964 and 1968 while living at Kenwood, his mock-Tudor mansion in Weybridge, Surrey, where he had his own studio. He conceived and orchestrated hits ‘Lucy in the Sky with Diamonds’, ‘Good Morning, Good Morning’ and ‘Being for the Benefit of Mr. Kite!’ from the instrument. And the dramatic E-major chord heard for 40 seconds at the end of ‘A Day in the Life’, the last track on the Sgt Pepper album was played by Lennon on this piano.
The famous chord was played simultaneously on separate pianos by Lennon, McCartney and Starr. Rolling Stone magazine ranked the track as the greatest Beatles song of all time. After his divorce from wife Cynthia, Lennon moved to Tittenhurst Park, Berkshire, with Yoko Ono and took the piano with him. By 1971 the couple were li details
"I play a little guitar, write a few tunes, make a few movies, but none of that's really me," George Harrison once said. "The real me is something else." Harrison was many things – including a master of understatement. But he was right to point out that his true character remains elusive. He was one of the most famous men in the world, but he loathed superstardom. He preached piety and simple pleasures, yet he lived in a 120-room mansion and collected ultra high-end cars. His studious facade belayed a brilliant sense of humor, which led him to produce some of the greatest comedies of all time. The songs he wrote focused on both the glory of God and the petty annoyances of day-to-day life.
While undoubtedly proud of the band that vaulted him into immortality, he was loath to measure himself by their success. "The Beatles exist apart from myself," he once said. "I am not really Beatle George. Beatle George is like a suit or shirt that I once wore on occasion, and until the end of my life people may see that shirt and mistake it for me." It's been 15 years since Harrison's death, so today we honor the man with 10 tales that shine a light on his life outside the mop-topped artifice of the Fab Four.
1. He visit details
When most people think of The Beatles and New Orleans, they think of 1964 and the Fab Four's one and only concert in the Crescent City, which took place before a swooning crowd -- kept at bay by a swarm of uniformed, tackle-happy NOPD officers -- at City Park Stadium. But just more than 10 years after that brief but eternal half-hour set, the city came tantalizingly close to hosting another Beatles milestone, in the form of a reunion of none other than John Lennon and Paul McCartney.
That meeting, for which much of the music world had been hoping since the legendary band's 1970 dissolution, never actually happened, of course. But the story behind that near-miss, that almost-history, that elusive happily-ever-after is nicely laid out in author Richard White's book "Come Together: Lennon & McCartney in the Seventies" ($18.95, paperback, Overlook Omnibus). It's a fascinating tale, and one that can be counted on to leave fans of music and of New Orleans wondering wistfully about what could have been.
As the title suggests, White's densely written and painstakingly researched book focuses on Lennon and McCartney's often acrimonious post-Beatles period, which he covers in the sort of detail -- with frequent but st details
George Harrison might have been “the quiet Beatle,” but over the course of his career with The Fab Four and later on in his solo career, the guitarist wrote a myriad of timeless hits that would boost his status as one of the most prolific rock stars of all time. As a 15-year old, the Liverpool-born Harrison became a member of the Quarrymen (who would later become The Beatles), despite John Lennon thinking that he was too young.
Having to compete with the the power-writing duo that was Lennon and Paul McCartney, Harrison was able to slip a song or two of his own onto almost every Beatles album during the group’s existence; no easy feat, by any stretch of the imagination. Some of those songs included “Taxman,” (1966’s Revolver) “Within You Without You” (1967’s Sgt. Pepper’s Lonely Hearts Club Band), “Here Comes The Sun” and “Something” (both from 1969’s Abbey Road) and many more.
Even more impressive may have been his solo work, as the period following The Beatles proved Harrison to be a truly great singer-songwriter in his own right, now being out of the shadow of his former bandmates. 1968 would see him be the first Beatle details
It’s been 15 years since cancer took the life of singer-songwriter George Harrison, the former lead guitarist of the Beatles who would go on to become a successful solo star, and a symbol of spirituality and higher awareness amongst mainstream rockers of his generation. That latter part of his legacy often gets overshadowed by the former; the phenomenon of that group is a well-documented double-edged sword, but nowhere is it more obvious than in the case of “The Quiet One” who famously hated the experience of being in one of the most scrutinized and overhyped musical acts in history.
And in Harrison’s case, being a Beatle made him undoubtedly rich and famous, but he was creatively stifled by the group’s dynamic and the fame that came along with it. And he never got to showcase his all-around skill set within the context of that band.
“I wasn't Lennon or I wasn't McCartney. I was me,” Harrison told BBC-1 interviewer David Wigg in 1969. “And the only reason I started to write songs was because I thought, well if they can write them, I can write them. You know, 'cuz really, everybody can write songs if they want to. If they have a desire to and if they have sort of so details