Just a year after the breakup of The Beatles, John Lennon was in Syracuse on Oct. 9, 1971.
The visit included the opening of his wife's first major art exhibit, at the Everson Museum, a 31st birthday celebration and almost a Beatles' reunion.
Yoko Ono's art exhibit, entitled "This is Not Here," ran for three weeks at the Everson, and drew thousands of visitors to the museum. Celebrities such as Andy Warhol, Bob Dylan, and Dennis Hopper viewed it. The exhibition took up most of the museum, and Ono encouraged visitors to reach out and touch her work. Pieces included a bubble gum machine that offered invisible trinkets, and a pane of glass titled, "Painting to let the evening light through
In an interview with the Post-Standard in 2006, Ono called her time in Syracuse as a "most beautiful memory," and "a milestone in my life." David Ross, an assistant to then Everson director Jim Harithas, spent hours trying to assemble equipment for what was to be Lennon's surprise birthday gift, a secret midnight concert of at least three of the Beatles at the theater in the Everson, accompanied by some of the greatest musicians in the nation. Paul McCartney, estranged from Lennon at the time, declined, and George Harriso details
It's hard to imagine, considering the hundreds of books and websites dedicated to examining the lives of John, Paul, George, and Ringo in microscopic detail, that there are things we still don't know about the Beatles. In fact, if the first edition of Mark Lewisohn's three-volume deep dive into the band's world is any indication, there's actually quite a lot to be learned about the most famous men to ever pick up musical instruments.
With John Lennon and George Harrison now both long gone from this world and Ringo Starr happy to tour the world with his All-Starr band and release the occasional album, its Paul McCartney alone who is still wowing audiences regularly with a stadium show to end all stadium shows, and an endless stream of reissues—there's an excellent new compilation called Pure McCartney on the way next month—and new music (including some unlikely collaborations), making him the most prolific Beatles alumnus. Beatles expert Philip Norman, author of Shout!: The Beatles in Their Generation and the biography John Lennon: The Life, has turned his attention to the man once known as the "cute" one—and with McCartney's blessing and assistance, no less.
By: Jeff Slate
Source: Esqui details
Paul McCartney met two of the women who helped inspire the Beatles' White Album classic "Blackbird" backstage at his Little Rock, Arkansas concert Saturday night.
The women, Thelma Mothershed Wair and Elizabeth Eckford, were two members of the Little Rock Nine, a group of nine black students who faced discrimination and the lasting impact of segregation after enrolling in the all-white Little Rock Central High School in 1957, following the Supreme Court's historic Brown vs. the Board of Education decision.
After the Little Rock Nine enrolled, Arkansas governor Orval Faubus protested their entrance into the school, which in turn sparked the Little Rock Crisis. It was these events that inspired a young McCartney to pen the song "Blackbird." "Incredible to meet two of the Little Rock Nine— pioneers of the civil rights movement and inspiration for Blackbird," McCartney tweeted.
At the Little Rock concert, McCartney introduced "Blackbird" by telling the audience, "Way back in the Sixties, there was a lot of trouble going on over civil rights, particularly in Little Rock.
By: Daniel Kreps
Source: Rolling Stone
“When we was fab.” Say it with a Liverpudlian accent and it can only be referring to one thing, for that matter said with any accent it can only ever be referring to the Beatles. This was George Harrison’s hook line, and title, for his 1988 single, the second to be taken from his Cloud Nine album. It’s a perfect evocation of those heady days of Beatlemania when those loveable Mop-Tops, the Fab Four, ruled the world and we all thought they would go on forever.
George co-wrote the song with Jeff Lynne, who also co-produced the album that shortly pre-empts the two of them forming The Travelling Wilburys with Tom Petty, Bob Dylan and Roy Orbison. ‘When We Was Fab’ is a musical nod to the psychedelic sound that the Beatles had made their own in 1967, through its use of sitar, string quartet, and backward tape effects. According to George, "...until I finalized the lyric on it, it was always called 'Aussie Fab'. That was it's working title. I hadn't figured out what the song was going to say ... what the lyrics would be about, but I knew it was definitely a Fab song. It was based on the Fabs, and as it was done up in Australia there, up in Queensland, then that's what we called it. As we de details
As a journalist with NME, Q and Word, Paul Du Noyer has interviewed Paul McCartney more times over the last 35 years than any other magazine writer. The earliest of these conversations came in 1979, when he attended a backstage press conference at a Macca gig in Liverpool. It was at that point, as he explains in Conversations With McCartney, soon to be released in paperback, that he realised he had “stumbled into the right career”.
Published with the blessing of McCartney by Hodder on May 5, the book is a veritable treasure trove of Beatles, Wings and Macca solo goodness, covering all aspects of his five-decade career as the world’s most revered songwriter. After delving into it, we asked Du Noyer to tell us five things only he knows about McCartney:
1. He doesn’t know how to write a song.
"The first time I met Paul McCartney was backstage on an assignment for NME. I found he would talk about everything except songwriting. He just can’t explain how it’s done. It’s a complete mystery to him. “The whole thing about it,” he told me, “it’s magic… I don’t quite know where I’m going, because I make it all up. Some people know details
There’s only so much a designer can do with the official outfits athletes wear at the Olympics, but Stella McCartney may have outdone herself with her duds for Britain’s competitors in this summer’s Rio Games. And, as with most Olympic designs, hers are meeting with mixed results.
McCartney, the daughter of former Beatle Paul McCartney, combined the colors red, white and blue with a coat-of-arms motif and a gigantic “G” and “B,” with the idea behind the clothing (besides sales for adidas) being team unity and a quickly identifiable image.
“Besides standing out from the crowd, Team GB needs to look cohesive together. There are so many different personalities, all these completely different sports and schedules,” rugby player Tom Mitchell told The Guardian, “and the kit is important because it unites us as a team. When you’re walking around the village, it creates that immediate link.”
Vogue’s Luke Leitch explained what McCartney was striving for.
“For Team GB, McCartney turned to heraldry: a newly commissioned coat of arms featuring the symbols of the four nations of Great Britain is designed to stir patriotism,&rd details
After talking to the Harrogate Advertiser as part of its popular Retro nostalgia series, one of the Harrogate musicians has shed more light on Friday, March 8, 1963 when the Fab Four appeared at Harrogate's Royal Hall.
George McCormick, who played rhythm guitar in Ricky Fenton and the Apaches that memorable night, handed over two unpublished photographs of The Beatles on stage at the Royal Hall.
He's also been approached by a researcher for inclusion in forthcoming new book Beatlemania - A Year On The Life 1963.
One of the two photos may shed further light on a mystery photograph previously published in the Harrogate Advertiser of local girls chatting to The Beatles in the dressing room of the Harrogate venue courtesy of Bob Mason, lead guitarist in the Apaches.
He said: "If you look closely at the picture, it look like the same girls. It would make sense if the same fans who managed to get to the front also managed to get to meet The Beatles in their dressing room."
George, who was only 19 at the time, had a good chat with The Beatles before they played that Friday night and actually invited them to come to his parents' house in Harrogate for a bit to eat!
By: Graham Chalme details
It’s just a few hours from my deadline, and I’m struggling. I’ve never had a piece for Argus Leader Media that has perplexed me like this one. For weeks and weeks, I’ve had an internal struggle on how to create an article to preview the May 2 Paul McCartney concert.
Usually, these kinds of difficulties arise because the artist is too new or obscure. Either they don’t have a web presence, or they just rely on social media to promote themselves. Others are because the act just doesn’t have anything memorable to say. It’s not easy to come up with something when the answers to your questions rarely go beyond three words.
With McCartney, the problem is that there is too much available material. How can anybody write a fresh perspective on this all-time great? With the possible exceptions of Bob Dylan, Elvis Presley and Frank Sinatra, no musical life has been as well-documented as Paul and his fellow Beatles. For a good portion of his career, you can even pinpoint what he was doing at any hour of the day.
Given this predicament, I have no choice but to be completely self-indulgent. Yep, this piece is going to be about nothing but me. Or, rather, me and my troubled rela details
An iconic drum kit, used by Ringo Starr, is set to go on display at The Beatles Story, Liverpool. The specially designed Ludwig gold sparkle drum kit, which recently sold for $64,000 at auction, was used by Ringo during the ‘Concert for George’ in November 2002.
The one-off music event at the Royal Albert Hall was a celebration of the life of George Harrison. Organised by George’s widow, Olivia, and son, Dhani, the emotional occasion saw Ringo reunite with former bandmate Sir Paul McCartney. The pair teamed up with fellow musicians Eric Clapton, Tom Petty, Billy Preston, Jeff Lynne and Klaus Voormann.
Ringo was part of the ‘super group’ of artists that performed George Harrison penned Beatles songs “For You Blue”, “Something” and “While My Guitar Gently Weeps”, in addition to his solo track “All Things Must Pass”. This year marks 15 years since George passed away from lung cancer. Proceeds from the auction, set up by Ringo and his wife Barbara, went to their own charity The Lotus Foundation.
The drums will be on display at the Beatles Story exhibition in the Albert Dock for the next three years.
By: Henry Roberts< details
At the start, no one could have predicted that the relationship between Paul McCartney and the New York photographer Linda Eastman would be the spectacular success it became. For one thing — as his fans cattily pointed out — Linda was hardly glamorous. Her long blonde hair always looked unkempt and her clothes were frankly dowdy. For another, she’d recently divorced her first husband, by whom she had a daughter, and clearly had no immediate intention of settling down. Hence she was gaining a reputation not only for taking pictures of rock stars but also for sharing their beds.
By 1967, her detractors regarded Linda as a rarefied form of groupie. Indeed, before meeting McCartney, she’d already had brief affairs or one-night stands with several icons, including Mick Jagger, Doors’ singer Jim Morrison and the Hollywood star Warren Beatty. At press conferences thronging with photographers, it was Linda who always managed to stand out. A female photographer called Blair Sabol described what happened when they all turned up to take photos of Beatty.
But did that make Linda a groupie? With hindsight, she seems more like a genuine free spirit, whose emancipated attitude to sex w details