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Ringo Starr is a great-grandfather - Friday, August 19, 2016

Ringo Starr has become a great-grandfather.

The Beatles drummer's granddaughter Tatia Starkey gave birth to son Stone Zakomo Low on Sunday (08.14.16) which is her first child with her partner Adam Low.

Tatia is the daughter of Ringo's son Zak Starkey, and both father and daughter have inherited Ringo's musical talents.

Tatia, 30, is the singer and bassist in the British band Belakiss and Zak followed in Ringo's footsteps as a drummer for The Who, Oasis and his father's own All-Starr Band.

The arrival of baby Stone means Ringo is the first Beatle to become a great-grandfather at the age of 76. Even though he is approaching his 80th birthday, Ringo - who along with Sir Paul McCartney are the only living Beatles - has shown no sign of slowing down and he announced July that he will go back on tour with the All-Starr Band starting on 15 October at Snoqualmie Casino in Sonqualmie, Washington.

Ringo has a total of seven grandchildren from his three children 50-year-old Zak, 48-year-old Jason and 45-year-old Lee, so more great-grand-kids are a definite possibility for the legendary musician. His kids are all from his first wife Maureen Cox who he divorced in 1975.

Source: Winnipeg Free P details

Fashion designer Kelly Pettit started with a simple question in crafting a clothing line inspired by John Lennon: Can she imagine the legendary singer-songwriter wearing it? She most definitely does, Pettit says, as she readies to premiere her vision at Toronto Men's Fashion Week on Saturday, noting her years-long development process was driven by a deep reverence for Lennon's artistry.

"I always say (there's) God, Santa Claus and then there's John Lennon," Pettit says from Las Vegas, where she was offering a preview to U.S. buyers at a trade show with her company Caulfeild Apparel Group.

Drawing cues from Lennon's solo years, Pettit calls the throwback collection "vintage with a little modern twist." It includes T-shirts featuring Lennon's sketches, dress shirts imprinted with more art and handwritten lyrics (including those for "Imagine" and "Beautiful Boy"), and leather outerwear, casual blazers, sports shirts, casual pants, Henleys and polos. It draws heavily on Lennon's minimalist jeans-and-t-shirt style, while steering clear of more dated garb that could be seen as passe instead of nostalgic.

"It would be great to introduce the high waist but I just don't think the mass market is ready for that rig details

Paul McCartney and Democratic presidential nominee Hillary Clinton met Wednesday (Aug. 17) before his show in Cleveland at Quicken Loans Arena.

According to the Washington Post, Clinton's motorcade stopped by the the venue where McCartney was to play that night and she met behind closed doors with the former Beatle. Topics reportedly included the Olympics, the presidential race and their families. The U.K. Daily Mail reported the meeting also included McCartney's wife Nancy Shevell. No photos were taken during the meeting, but McCartney later posted a photo on his Twitter account of the two with the headline “She's With Me”

Cleveland station WTAM posted the photo on Facebook and got some diverse reactions. “I saw a huge motorcade of police on motorcycles, 5 black bummers and 4 white vans come speeding out of the parking garage near the Q this afternoon. Now I know who it was for,” one poster wrote. “I love Paul's music but like him just a bit less now,” said another. One fan, however, loved it. “Great pic! Rock on Sir Paul!”

The British singer, who has just signed a worldwide recording deal with Capitol Records, performed a concert in the East Room for details

Yoko Ono has named the four winners of the Lennon Ono Grant For Peace, which will be presented in Iceland on John Lennon’s birthday. The winners are Chinese activist and artist Ai Weiwei, Inidian artist Anish Kapoor, Danish artist Arfur Eliasson and Hungarian poet and performance artist Catalan Ladik. The award is given two years and was founded in 2002. The ceremony takes place in Reykjavik on October 9, which would have been the 76th birthday of Ono’s late husband. 

Ono said of this year’s grant winners: “I’m very proud to award the 2016 Lennon Ono Grant For Peace to these four incredible individuals. To have to label any of them with a description of what they do is both limiting and frustrating, because what they give to our world is so much bigger than even the tangible art they create. Born in different cultures, each of the recipients has shown us the true path of creativity, belief and hope for the world. Their huge contribution to our world is so much greater than the sum of its parts.”

Previous winners of the grant have included Pussy Riot, Doctors Without Borders, Michael Pollan and Alice Walker.

Since 2007, Ono has gone to Iceland to lead ceremonies co details

IN EXCLUSIVE INTERVIEWS for the new issue of MOJO magazine, the two surviving Beatles relive the madness of their ’60s tours, but insist that after their famous decision to quit the road after their San Francisco show at Candlestick Park on August 29, 1966, there were further discussions to take their late-’60s music to the stage.

“It wasn’t like we’d placed a wreath on the live Beatles,” Ringo Starr tells MOJO’s Andrew Male. “The rooftop gig [atop Apple headquarters at 3 Savile Row, London, on January 30, 1969] showed that we could still do that stuff. And we could maybe have gone out live again. It didn’t happen. But it was never like, Oh, that’s dead, the Beatles are dead. It was always a possibility that we would do it again. (to Paul) and you, in fact, tried one time to get us to go out again, didn’t you?”

“But you didn’t listen to me!” replies McCartney in mock outrage.

“I listened,” rejoinders Ringo. “It was the others!”

The pair, interviewed in anticipation of the release of Ron Howard’s Beatles tour doc Eight Days A Week, talk us through the highs and lows of the Beatle details

They say that if you remember the 1960s, you weren't really there. A similar thing could be said of the Beatles' last concert in Canada, which took place at Maple Leaf Gardens in Toronto on Aug.17, 1966: if you remember hearing the music clearly, you probably weren't there.

Toronto Mayor John Tory was there: only 12 years old, younger sister in tow, tickets procured by their grandfather "The volume of the screaming was such that you could just barely hear the music," Tory said in an interview with CBC News, recalling his excitement. "To be in that environment was quite an experience. But if you said you went for the clarity of music, to hear every song, that would be an untruth, because you could hardly hear anything."

Unbeknownst to Tory and other Beatles fans at the time, that very thing — the noise that drowned out the music — was one of the factors that led the Fab Four to stop touring and conclude that their musical mission was better carried out in the studio producing albums.

Their last major concert took place just 12 days after the Toronto stop. Several studio albums later, in 1970, they broke up.

And that's why this week's celebration of all things Beatles in Toronto is a bi details

Paul McCartney is getting back to where he once belonged, renewing his relationship with Capitol Records, the label that ushered him and the rest of the Beatles to household name status in the U.S. in the 1960s.

The new contract, announced Wednesday by Capitol, will cover his complete solo catalog of some three dozen albums as well as new recordings he plans to release.

“This is genuinely exciting for me,” McCartney, 74, said in a statement, which also revealed that he was at work on a new album, though no release date was specified. “Not only was Capitol my first U.S. record label, but the first record I ever bought was Gene Vincent’s ‘Be-Bop-A-Lula’ on the Capitol label,” referring to Vincent’s 1956 proto-rock hit.

McCartney launched his solo career in 1970 upon the breakup of the Fab Four, with Capitol handling U.S. distribution of his solo albums released on the Beatles’ London-based Apple label. He continued with the company through most of the ‘70s before making a high-profile defection to competitor Columbia Records in 1979.

By: Randy Lewis

Source: L.A Times

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Mark Richman was twenty years old when he talked his way into the opportunity of a lifetime — wheedling his way past a policeman and into the corps of photographers shooting the Beatles' August 21, 1966, concert at Busch Stadium.

The photographs he snapped that day, which he says are the only color photos of the Beatles' final tour, have earned him tons of attention from Beatles collectors. (You can see them online here; the one above is reprinted with his permission.) They'll even be featured in the upcoming Eight Days a Week documentary, which also netted him a pretty penny.

So when Richman, now 70, returned to a different iteration of Busch Stadium this weekend for McCartney's solo show, he had high hopes. But they were dashed.

Many of the problems weren't due to Sir Paul himself. Richman was annoyed by the size of the patrons near him, which rendered seating a bit too close for comfort — a problem not helped by the fact that seats on the field, where he was sitting just twenty rows back from the stage, were zip-tied together so people couldn't adjust them. He was also annoyed by the way the crowd took to its feet, and stayed there throughout the show, blocking his view — and the 6'5 details

“We should be wearing targets here,” quipped Paul McCartney as he stepped nervously off a plane at Memphis airport on August 19 1966.

The Beatles arrived in Memphis amid massive controversy. In March, John Lennon had suggested in an interview with Maureen Cleave of the London Evening Standard that the Beatles had grown more popular than Jesus. When his remarks reappeared in the American teen magazine Datebook in August, they sparked a fierce backlash just as the band embarked on its final tour.

Hostility was particularly intense in the American south. In Alabama, DJs Tommy Charles and Doug Layton at the WAQY-Birmingham radio station were first to initiate a “ban-the-Beatles campaign”. Other stations, cities and towns soon followed suit. Starke in Florida had the dubious distinction of being the first place to burn Beatles records and memorabilia.

Similar conflagrations spread quickly across the region. Some of the most pyrotechnical protests involved those formidable guardians of white racial and religious purity, the Ku Klux Klan. In Chester, South Carolina, Klan Grand Dragon Bob Scoggins nailed a Beatles record to a large cross and set it on fire. In Tupelo, Mississippi, Grand W details

Paul McCartney plays two gigs at every stop on his current arena and stadium tours: the evening concert, a magical history tour of nearly 40 songs from every era of his musical life before, in and after the Beatles; and an hour-long soundcheck that doubles as a technical rehearsal for McCartney's crew and band and exclusive entertainment for a small group of fans, granted access as part of a VIP-ticket package.

On July 12th, at Citizens Bank Park in Philadelphia, McCartney and his 21st Century combo – guitarists Rusty Anderson and Brian Ray, keyboard player Paul "Wix" Wickens and drummer Abe Laboriel Jr. – performed a 12-song set under the late afternoon sun, opening with a blues jam featuring the leader on electric guitar and briskly covering the same historic span as the main event: the Beatles' jangling arrangement of "Honey Don't" by their Sun Records idol Carl Perkins; "Midnight Special," reaching back to McCartney's Liverpool boyhood in skiffle; the 1972 Wings flipside "C Moon"; the Ram ballad "Ram On," with McCartney on ukulele; the mid-Sixties Beatles artifacts "I'll Follow the Sun" and "I've Just Seen a Face"; and "Everybody out There" from McCartney's 2013 solo album, New.

Only one song app details

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