Beatles 50th Blog

The Beatles 50 Years Ago Today: March 19, 1966

Nowhere Man - Top Ten on the Billboard



The Beatles 50 Years Ago Today: March 18, 1966
The following is the original article as written by Maureen Cleave - the third in a series of five - on How Does a Beatle Live? - exactly as published in the London Evening Standard on March 18, 1966. Part 3 - George Harrison:
* * * *
George Harrison:
with everything …
LIVES  part 3
GEORGE HARRISON is 23, the youngest Beatle and the least well-known. He isn’t one of the two who sing and he isn’t Ringo; indeed some people like him best because they think (wrongly) that nobody else does. “Good old George,” is how he used to see himself, “good average old George, plodding along, a mere morsel.”
He is in fact a strong-willed and uncompromising character with a strict regard for what he considers to be the truth, and an even stricter regard for his own rights.
“I asked to be successful,” he said. “I never asked to be famous; I can tell you I got more famous than I wanted to be. I never intended to be the Big Cheese.” There then followed a typical piece of Harrison logic: “People keep saying, ‘We made you what you are,’ well, I made Mr. Hovis what he is and I don’t go round crawling over his gates and smashing up the wall round his house. I can’t understand some of them being so aggressively bad-mannered; I suppose they feel belittled wanting something from four scruffy louts like us.”
He is pretty independent; the others often think George is out on some kind of limb but, though they laugh at him, they often end up doing the same thing themselves. He was the first to move out of London, the first to become interested in Indian music. He does not watch television during all its waking hours and he thinks Rolls-Royces look dreadful. He likes to rise at 10:30 and has got hold of the revolutionary idea that Beatles should take exercise. “Just swimming,” he said hastily, “not exercise you’d notice. I want us all to be healthy and that, not going to clubs.
Any self-consciousness seems to have been drummed out of him in the early days in Liverpool when he would stand at the bus stop wearing his black leather suit, white cowboy boots and very pale pink flat hat. When the bus arrived, he would board it with guitar, amplifier and often tea chest bass. George likes to be himself and bitterly regrets having abandoned his early habit of eating and sleeping on the stage. “We should have stuck out for all that,” he said, “eating toast and chips and chickens. We only cut our hair and said all the yes-sir-no-sir three-bags-full-sir bit to get in.”
He lives in Esher with his young wife Pattie in a large white sunny bungalow surrounded by an old brick wall. ”Part of Queen Victoria’s country pad,” he said grandly, “and Clive of India had it for a bit. It’s a National Trust wall - you’re not allowed to chop it up or anything.” He added poetically that it glowed red in the setting sun.
He has a housekeeper called Margaret, a Ferrari, two Minis; 48, so far unread leather-bound volumes on natural history in French, a Sidney Nolan print that he loves, a conservatory; and a music room with tape recorders, a little juke box and walls covered in guitars.
The Beatles 50 Years Ago Today: March 17, 1966

Happy St. Patrick's Day from The Beatles

The Beatles 50 Years Ago Today: March 16, 1966

'Rubber Soul', 15th week in the Top 10 (UK New Musical Express chart)

The Beatles 50 Years Ago Today: March 15, 1966

The Beatles fail to win any Grammy Awards

The Beatles were nominated in 10 of the categories for the 8th Grammy Awards. The ceremony took place in the International Ballroom of the Beverly Hills Hilton Hotel, New York.

Six of the nominations were for Yesterday, while the other four were for the Help! album. Sadly, however, The Beatles failed to win any of the awards. The nominations, with the winner in brackets, were as follows:

  • Album of the year: The Beatles, Help! (Frank Sinatra, September Of My Years)
  • Record of the year: The Beatles, Yesterday (Herb Alpert and the Tijuana Brass, A Taste Of Honey)
  • Song of the year: John Lennon, Paul McCartney, Yesterday (The Shadow Of Your Smile)
  • Best vocal performance, male: Paul McCartney, Yesterday (Frank Sinatra, It Was A Very Good Year)
  • Best performance by a vocal group: The Beatles, Help! (Anita Kerr Quartet, We Dig Mancini)
  • Best contemporary (rock and roll) single: Paul McCartney, Yesterday (Roger Miller, King Of The Road)
  • Best contemporary (rock and roll) vocal performance, male: Paul McCartney, Yesterday (Roger Miller, King Of The Road)
  • Best contemporary (rock and roll) performance by a group, vocal or instrumental: The Beatles, Help! (Statler Brothers, Flowers On The Wall)
  • Best arrangement accompanying a vocalist or instrumentalist: George Martin, Yesterday (Gordon Jenkins, It Was A Very Good Year)
  • Best original score, motion picture or TV show: John Lennon, Paul McCartney, George Harrison, Ken Thorne, Help! (Robert Arnbruster Orchestra, The Sandpiper)

The next day Capitol Records' president Alan Livingston issued a protest that Yesterday had been denied the Song of the year award. "It makes a mockery of the whole event," he said. The following year they won three awards.

The Beatles 50 Years Ago Today: March 14, 1966

The Beatles 50 Years Ago Today: March 13, 1966

What do you think the Beatles were doing 50 years ago today??


The Beatles 50 Years Ago Today: March 12, 1966

The Beatles 50 Years Ago Today: March 11, 1966

In March of 1966, John Lennon spoke with The New Musical Express about the reason for the unexpected break from work in their otherwise busy schedules. In what would be a brief but enlightening interview, he also describes his interest in electronic music and tape loops. John shares his expectation that their next album should be very different from the Beatles output to date.

This chat took place at 'a nice little caff in Soho,' and was published in the March 11th 1966 edition of NME with the teaser 'LENNON TALKS!' on the front page. Asking the questions was Chris Hutchins...

John Lennon and I tried something unusual last week - we went to lunch. Unusual for him because he never lunches out and unusual for me because I normally eat before 3:30 pm. But then journalists have to get up earlier than Beatles do. John arrived (on time) to test the new experience and we moved away in style in the luxury of his Rolls-Royce Phantom V, surveying Mayfair from behind darkened windows that allow you to see out but no one to see in. It's something like traveling in an ambulance, but ambulances are rarely fitted with TV and fridge. The phone in the back of the car hummed: 'Can't be for me,' said John, 'No one's got the number.' We arrived at the restaurant in Regent Street and John sent the car away, asking the driver to return in 90 minutes. Only when it had gone did we discover that the restaurant, where our table was booked for 3:15, closes at 3. ''Ere, it's John Lennon,' said a woman to her friend, but before her friend had turned round we were in the back of a taxi. The driver said he knew a nice little caff in Soho and that sounded better than sandwiches and tea at NEMS (the Epstein Emporium) so off we went. The place was empty and the food smelt good, though sherry in the soup was the closest we could get to alcohol at that time of day, much to the regret of our waiter. John asked for a paper serviette as he'd forgotten a handkerchief and removed his PVC mac ('Bought it in Tahiti for fifteen bob') and the Lennon interview began.

Q: "You have often said that you don't want to be playing in a pop group when you reach 30. You are now in your 26th year. The only firm date in the Beatles' 1966 diary seems to be the NME Poll Winners Concert on May 1. Is this therefore the start of the retirement process?"

JOHN: "No. We're going to Germany, America and Japan this year. It's an accident that we're not working now. We should have just had two weeks holiday after Christmas and then started on the next film, but it isn't ready and won't be for months. We want to work and we've got plenty to do - writing songs, taping things and so on. Paul and I ought to get down to writing some songs for the new LP next week. I hope he and Jane (Asher) aren't going away or God knows when we'll be ready to record. George thought we'd written them and were all ready. That's why he came dashing back from his honeymoon and we hadn't got a thing ready. We'll have to get started. There's been too much messing 'round. But I feel we've only just finished 'Rubber Soul' and I keep looking for the reviews - then I realize we did it months ago. We're obviously not going to work harder than we want to now, but you get a bit fed up of doing nothing."

Q: "Now that you've got all the money you need and plenty of time on your hands, don't you ever get the urge to do something different?"

JOHN: "I've had one or two things up my sleeve. I was going to make recordings of some of my poetry, but I'm not high-powered. I just sort of stand there and let things happen to me. I should have finished a new book. It's supposed to be out this month but I've only done one page. I thought why should I break me back getting books out like records?

Q: "Do you ever worry that the money you have won't be enough to last your lifetime?"

JOHN: "Yes. I get fits of worrying about that. I get visions of being one of those fools who do it all in by the time they're 30. Then I imagine writing a series for the 'People' saying 'I was going to spend, spend, spend...' I thought about this a while back and decided I'd been a bit extravagant and bought too many cars, so I put the Ferrari and the Mini up for sale. Then one of the accountants said I was all right, so I got the cars back. It's the old story of never knowing how much we've got. I've tried to find out but with income tax to be deducted and the money coming in from all over the place, the sums get too complicated for me, I can't even do my times table. Every now and again the accountant clears some money of tax and puts it into my account saying: 'That's there and it's all yours but don't spend it all at once!' The thing I've learned is that if I'm spending £10,000 I say to myself: 'You've had to earn £30,000 before tax to get that.'

Q: "What sort of people are your guests at home in Weybridge?"

JOHN: "We entertain very few. (P.J.) Proby was there one night and George Martin another. I think those are the only two we've specifically said 'Come to dinner' to, and made preparations. Normally I like people to drop 'round on the off chance. It cuts out all that formal entertaining business. We've just had Ivan and Jean down for a weekend - they're old friends from Liverpool, and Pete Shotton. The fellow who runs my supermarket came round on Saturday."

Q: "Is the house at Weybridge a permanent home?"

JOHN: "No, it's not. I'm dying to move into town but I'm waiting to see how Paul gets on when he goes into his town house. If he gets by alright then I'll sell the place at Weybridge. Probably to some American who'll pay a fortune for it! I was thinking the other night though that it might not be easy to find a buyer. How do you sell somebody a pink, green and purple house? We've had purple velvet put up on the dining room walls. It sets off the old scrubbed table we eat on. Then there's the 'funny' room upstairs. I painted that all colors changing from one to another as I emptied each can of paint. How do you show somebody that when they come to look the place over? And there's the plants in the bath. I suppose I could have a flat in town but I don't want to spend another £20,000 just to have somewhere to stay overnight when I've had too much bevy to drive home."

Q: "What kind of TV programs do you watch?"

JOHN: "'The Power Game' is my favorite. I love that. And next to it 'Danger Man' and 'The Rat Catchers.' Did you see that episode the other night when that spy, the clever one, shot a nun by mistake? I love that and I was so glad it happened to the clever one."

Q: "What's going to come out of the next recording sessions?"

JOHN: "Literally anything. Electronic music, jokes... One thing's for sure - the next LP is going to be very different. We wanted to have it so that there was no space between the tracks - just continuous. But they wouldn't wear it. Paul and I are very keen on this electronic music. You make it clinking a couple of glasses together or with bleeps from the radio, then you loop the tape to repeat the noises at intervals. Some people build up whole symphonies from it. It would have been better than the background music we had for the last film. All those silly bands. Never again!"


The Beatles 50 Years Ago Today: March 10, 1966

The Beatles were writing songs in between their next tour...