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Beatles 50th Blog

The Beatles 50 Years Ago Today: June 11, 1966

The Beatles 50 Years Ago Today: June 10, 1966

Paperback Writer released on this day 50 years ago.....

The Beatles 50 Years Ago Today: June 9, 1966

Studio Two, EMI Studios, London

A 2:30 to 8:00 pm session that brought completion to "Good Day Sunshine" with such overdubs as George Martin's honky-tonk piano solo. Six mono mixes concluded the evening, two hours ahead of the scheduled 10:00 pm end-time.

 

 

The Beatles 50 Years Ago Today: June 8, 1966

Studio Two, EMI Studios, Abbey Road

The backing track for Paul McCartney's song Good Day Sunshine was recorded during a 12-hour session which began at 2.30pm.

Before it took place, however, Geoff Emerick made an edit of two mono mixes of And Your Bird Can Sing, numbered 9 and 10, which had been made on June 6, 1966. Emerick worked alone in the control room of Studio Two from 1-2pm.

Upon their arrival in the studio, The Beatles rehearsed Good Day Sunshine for some time before recording began. At this stage the song had the working title A Good Day's Sunshine.

They recorded three takes of the rhythm track, the first of which was chosen as the best. McCartney played piano and Ringo Starr was on drums. Onto track two of the four-track tape McCartney added lead vocals for the verses; track three featured John Lennon and McCartney's vocals in the chorus; and McCartney's bass guitar was overdubbed onto track four.

 Source: Beatles Bible

 

The Beatles 50 Years Ago Today: June 7, 1966

WABC All American Survey for Week of 7 June 1966 

  1. Strangers In the Night - Frank Sinatra (Reprise)
  2. Paint It, Black - The Rolling Stones (London)              
  3. Red Rubber Ball - The Cyrkle (Columbia)                     
  4. A Groovy Kind of Love - The Mindbenders (Fontana)          
  5. I Am a Rock - Simon & Garfunkel (Columbia)                  
  6. Cool Jerk - The Capitols (Karen)                            
  7. Paperback Writer - The Beatles (Capitol)                  
 -----------------------------------------------------------------
  8. When a Man Loves a Woman - Percy Sledge (Atlantic)         
  9. Younger Girl - The Critters (Kapp)                          
 10. Monday, Monday - The Mamas & the Papas (Dunhill)          
 11. Opus 17 - The 4 Seasons (Philips)                          
 12. You Don't Have to Say You Love Me -                      
                                    Dusty Springfield (Philips) 

 

The Beatles 50 Years Ago Today: June 6, 1966

Studio Three, EMI Studios, London

Tape copying and mono mixing of "And Your Bird Can Sing", "For No One", "I'm Only Sleeping" and "Tomorrow Never Knows", done from 7:00 to 12:00 pm, and one final vocal overdub by Paul onto "Eleanor Rigby", midnight to 1:30 am.

 

 

The Beatles 50 Years Ago Today: June 5, 1966

--On tape (Ed Sullivan Show) The Beatles perform "Rain" & "Paperback Writer" (segment begins with intro by the Beatles).

 

 

The Beatles 50 Years Ago Today: June 4, 1966

 

 

 

The Beatles 50 Years Ago Today: June 3, 1966

Studio Two, EMI Studios, London

The final overdub onto what would be titled "I Want To Tell You" was of Paul's bass guitar. (Recording the bass separately onto a vacant track of the four-track tape allowed greater manipulation of its sound during mixing.) Four mono mixes of this song and five of "Yellow Submarine" concluded this 7:00 pm to 2:30 am session.

 

Source: The Complete Beatles Chronicle - Mark Lewisohn

 

 

The Beatles 50 Years Ago Today: June 2, 1966

Studio Two, EMI Studios, London

In securing an unprecedented three compositions on a 14 song Beatles album, George was having problems with his titles. What was in the end to become "Love You To", itself a title not mentioned in the lyric, had the working name "Granny Smith", after the brand of apple. Now, for the song "I Want To Tell You", the problem arose again. George Martin asked George Harrison for the title, the latter replied "I don't know" (because of which, it was actually called this for a brief time) and it was left to Geoff Emerick to dub the new son "Laxton's Superb", another type of British apple. Only later did it become "I Want To Tell You".

Apart from the production of a rough mono mix of "Yellow Submarine", all of this 7:00pm - 3:30 am session was spent recording "Laxton's Superb", taping the rhythm track in five takes, overdubbing onto the third of these and then making a reduction mixdown, called take four, to facilitate more overdubbing the next night.